Late Night Retro Television Review: CHiPs 3.1 and 3.2 “Roller Disco”

Posted on December 9, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, season three begins with a classic episode!

Episode 3.1 and 3.2 “Roller Disco”

(Dir by Don Weis, originally aired on September 22nd, 1979)

It’s the roller disco episode!

From the moment that I first announced that I would be watching and reviewing CHiPs for this feature, people have been telling me about the legendary roller disco episode. Having finally reached it, I can say that it lived up to the hype. You’re not likely to see anything more 70s than the third season premiere of CHiPs.

Now, this was a two-hour episode so there were actually quite a few subplot going on, all of which were typical CHiPs storylines. In no particular order:

A kid named Mark (Bobby Rolofson) is roller skating around the beach and idolizing three criminals. Can Baker show him that the good guys always win?
The three criminals are Lita (Helena Kallianiotes), Ty (Fred Williamson), and Romo (Jim Brown). Lita sets up the targets. Ty and Romo steal their purses and their wallets and then escape on roller skates. Ty and Romo are tired of breaking the law. Lita demands that they continue to steal. Eventually, it falls to Baker and Ponch to arrest them.
Carlin (Larry Linville) and Franco (Larry Storch) continually cause accidents on the highway.
Rock star Jimmy Tyler (Leif Garrett) is so tired that he sleeps through one of those accidents. Looking to break free from his well-meaning but overbearing manager (Bill Daily), Jimmy decides to manage his own affairs while staying at Jon Baker’s apartment.

There’s a lot going on but the main plotline is Ponch trying to find celebrities to take part in the annual highway patrol fund raiser. Even with his big smile, Ponch struggles to charm the celebs. He pulls over Ed McMahon at one point but fails to recognize him until McMahon drives off. Gatraer tells Ponch that police work comes first but also tells him that he has to find celebrities. Gatraer’s been giving Ponch a hard time ever since the first season. Some things never change.

Fortunately, Jimmy feels guilty for overstaying his welcome at Baker’s apartment and he makes it up to Baker and Ponch by asking his celebrity friends to take part in the fund raiser. It’s time for a roller disco with the stars!

It all leads to this classic scene:

I recognized a few of the stars, though certainly not all of them. I recognized Victor French because I’ve been reviewing Highway to Heaven. I’ve also seen enough old sitcoms that I immediately recognized Robert Mandan, who was apparently the best roller skater in Hollywood. Melissa Sue Anderson, I knew from Happy Birthday To Me. Cindy Williams, who got two shout-outs, I knew from American Graffiti. Is it just me or did Nancy Kulp look kind of lost? Neither Melissa Sue Anderson nor Cindy Williams seemed to want to talk to her.

The roller disco actually goes on for fifteen minutes, which I appreciated. The show promised a roller disco and it delivered. It was like stepping into a time machine and traveling to the 70s. It was a great way to start season three!

Because of the holidays, this is going to be my final CHiPs review of 2024. My reviews of this show will return on January 6th!

Retro Television Review: The Love Boat 4.8 “The Baby Alarm/Tell Her She’s Great/Matchmaker, Matchmaker Times Two”

Posted on March 20, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week …. stuff happens!

Episode 4.8 “The Baby Alarm/Tell Her She’s Great/Matchmaker, Matchmaker Times Two”

(Dir by Ray Austin, originally aired on November 29th, 1980)

This episode opens with Doc, Gopher, and Julie all angry with Isaac. Apparently, while they were on shore leave, they went to see a church production of MacBeth, one that starred Isaac’s Aunt Tanya (Isabel Sanford) as Lady MacBeth. Apparently, the play was terrible and Aunt Tanya was even worse and somehow this is Isaac’s fault.

(Myself, I’m more confused by the idea of a church doing a production of MacBeth.)

Isaac, however, has one more favor to ask. Aunt Tanya is going to be a passenger on the next cruise, along with her husband, Charles (Mel Stewart). Isaac begs everyone to tell Tanya that she was great in the play. Everyone acts as if this is the most difficult thing that they’ve ever been asked to do but they finally agree. Even Captain Stubing agrees, even though he wasn’t at the play.

(Again, I’m confused as to why everyone is so upset over having to be polite to Isaac’s aunt. Were they all planning on throwing tomatoes at her and booing when she boarded the ship?)

All of the praise goes to Aunt Tanya’s head and, halfway through the cruise, she decides to leave her husband and go to Hollywood to be a star. Isaac finally has to tell Tanya that she’s not a good actress and that he had to beg his co-workers to be nice to her. Good Lord, how bad could she have been? The important thing, though, is that, by crushing Tanya’s dreams and confidence, Isaac is able to save the marriage.

Speaking of marriage, Mr. and Mrs. Clark (Troy Donahue and Terry Moore) think that it would be great if their son, Brett (Lorenzo Lamas, who looks nothing like either Troy Donahue or Terry Moore), married his friend-since-childhood, Cathy Cummings (Melissa Sue Anderson). Cathy’s parents (Farley Granger and Joan Lorring) agree! Brett and Cathy get so annoyed with all of the matchmaking going on that they decide to pretend that they’re sleeping together just to freak out their parents. And it works, despite the fact that the parents wanted them to get together in the first place. I guess the parents expected them to hold off on having sex until after the wedding. Get with the times, you boomers! Anyway, having fake sex causes Cathy and Brett to fall in love so I guess there will be real sex in the future …. but only after they say, “I do!” Dumb as this storyline was, Lorenzo Lamas and Melissa Sue Anderson were really cute together.

Finally, Cynthia Bowden (Susan Howard) boards the boat with her adorable baby. The baby has a sixth sense. If he cries, Cynthia knows that any nearby man is no good. For instance, no good Gig Wayburn (Stan Sells) is only interested in one thing and the baby cries as soon as he enters the cabin. Good, baby! Fortunately, when the baby’s father, Bill (John Reilly), shows up on the boat, the baby doesn’t cry at all and it leads to a happy reunion between him and Cynthia.

This week’s episode was pretty bland and I actually found myself struggling to remember much about it while writing up this review. Some cruises are like that, I guess.

Oh well….

….

Personally, I think I’d make a kickass Lady MacBeth.

Retro Television Reviews: The Love Boat 3.8 “Play By Play/Cindy/What’s A Brother For?”

Posted on September 27, 2023 by Lisa Marie Bowman

It’s time for a Halloween cruise!

Episode 3.8 “Play by Play/Cindy/What’s A Brother For?”

(Dir by James Sheldon and George Tyne, originally aired on October 27th, 1979)

Yes, this episode does feature the Love Boat’s annual Halloween cruise but sadly, it doesn’t do much with the theme. Last season’s Halloween cruise featured Vincent Price as an illusionist. This season, there is a costume ball but it’s mostly just there so that the show can do a take off on Cinderella.

Cindy (Melissa Sue Anderson) is a shy girl who boards the ship with her wicked stepmother (Carolyn Jones) and her two less-than appealing step-sisters (Ronda Bates and Lila Kent). While the stepmother tries to find an eligible bachelor for either one of her biological daughters, Cindy is expected to stay in the cabin and do the laundry. However, Gopher hears Cindy singing Witchcraft and decides that Cindy simply has to sing for “the prince of pop,” Preston Maddox (Frank Sinatra, Jr., who looks like a cross between his father and Jerry Lewis). However, how can Cindy escape from the cabin? Gopher arranges for her to go to the costume ball and he even steals Julia’s Cinderella costume so Cindy can go incognito. Cindy impresses Preston but, when Julie sees that Cindy is wearing her costume, Cindy makes a run for it. She leaves behind one glass slipper and …. well, you know where this is going, right? As everyone disembarks in Los Angeles, Preston has them try to on the slipper. Cindy, however, doesn’t have to try on the slipper to prove her identity. She just has to start singing Witchcraft. By the end of the episode, you’ll wonder if Cindy knows any other songs.

While all that is going on, Bud Pomeroy (Christopher George) and Peggy Rossmore (Lynda Day George) are two sportscasters who work together but actually dislike each other. Peggy thinks Bud is a chauvinist and Bud thinks that Peggy was only hired for her looks. They decide to compete in a series of athletic events to determine who will stay at their station and who will quit. Bud wins at arm wrestling. Peggy wins a 5-mile race around the ship. To determine their third event, Peggy randomly draws a piece of paper from Captain Stubing’s hat and discovers that the next competition will be weight-lifting! When Bud throws his back out, it looks like Cindy is going to win but then Cindy asks Bud to stay and they discover that they actually love each other. Yay! Neither the story nor the characters were that interesting but Christopher George and Lynda Day George were married in real life and they made an attractive couple.

Finally, Tom Benton (Tom Hallick) has devoted his entire life to looking after his brother, Matt (Patrick Wayne), who uses crutches. When Tom meets and falls in love with Kris (Joan Van Ark), Matt realizes that it is time for Tom to move on and find some happiness of his own.

For the most part, this was a typically pleasant episode of The Love Boat but, as a Halloween episode, it was a major disappointment. They should have had some fun with season but, unfortunately, they didn’t. This was like going on a Christmas cruise and not getting any presents.

Retro Television Reviews: Fantasy Island 3.16 “Rogues and Riches/Stark Terror”

Posted on September 26, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost entire show is currently streaming is on Youtube!

Smiles, everyone! Smiles!

Episode 3.16 “Rogues and Riches/Stark Terror”

(Dir by Cliff Bole, originally aired on January 19th, 1980)

Our latest weekend on Fantasy Island is both strange and entertaining!

Attorney Mark Hendicks (John Schuck) comes to the Island with a briefcase full of papers. He’s searching for his former law partner, Pete Gilbert (singer Robert Goulet). Years ago, Pete came to Fantasy Island with a simple fantasy. He wanted to be an 18th century British outlaw. However, Pete had so much fun in the past that he decided that he never wanted to leave. Mark needs to get Pete’s signature on some official forms so that Mark can sell some land that he and Pete bought before Pete’s fateful trip to the Island.

Mr. Roarke explains to Mark what’s going on with Pete and Mark is surprisingly accepting of Roarke’s explanation. Roarke drives Mark out to a bridge. He tells Mark that crossing the bridge will transport Mark to Pete’s fantasy. Mark crosses the bridge and immediately sees Pete being chased by a bunch of British soldiers. Pete is having a grand ol’ time in the 18th century but he’s more than willing to take some time out from plundering so that he can sign the papers so that will allow Mark to become a millionaire once he returns to the present. However, after a dinner scene that is basically lifted shot-for-shot from Tom Jones, Mark falls in love with Margaret Winston (Dolly Read), the wife of sword-wielding Judge Winston (Alan Hale, Jr). Mark is tempted to remain in the past but, in the end, he decides that his place is in the present. Fortunately, it turns out that Margaret was having a fantasy of her own and she and Mark leave the Island together.

While that silly but enjoyable fantasy plays out out, Amy Marson (Melissa Sue Anderson) searches for the solution to a mystery that was so traumatic that it caused her to lose her ability to speak. Amy’s mother (Elinor Donahue) died in front of her and Amy hopes to discover not only who killed her mother but also to recover her ability to speak. This leads to Amy visiting the lighthouse where she grew up and having a reunion with the kindly lighthouse keeper, Joshua Templar (Michael Constantine). Amy’s flashbacks lead her to the solution to the mystery of her mom’s death and also to Joshua’s secret son (David Drucker).

This storyline, much like last week’s battle against Elizabeth Bathory, was enjoyably creepy and it featured good performances from Anderson, Constantine, Donahue, and Drucker. In the best tradition of Fantasy Island, the storyline was both macabre and also rather life-affirming. Fantasy Island was always at its best when it revealed the hidden humanity at the heart of each fantasy. Amy learns the truth of her mother’s death and she regains her ability to speak. Tattoo tells her that she has a beautiful voice. Awwwwww!

This was a great weekend on Fantasy Island!

Retro Television Reviews: The Love Boat 2.9 “Till Death Do Us Part–Maybe / Locked Away / Chubs”

Posted on April 12, 2023 by Lisa Marie Bowman

It’s time for another cruise!

Episode 2.9 “Till Death Do Us Part–Maybe / Locked Away / Chubs”

(Dir by Allen Baron, originally aired on November 11th, 1978)

The Love Boat is haunted!

Well, no, not really. Instead, one of the passengers is haunted. Ellen Garner (Vernee Watson) is having a difficult time getting over the death of her husband, Mickey (Jimmie Walker, who also appeared on the very first episode of The Love Boat, though as a different character). It’s been two years since Mickey died and Ellen still has not been able to move on. Some of that might be because Mickey’s ghost is still following Ellen around. Only Ellen can see and hear Mickey. This leads to a lot of scenes of her arguing with Mickey while everyone standing around her assumes that she’s talking to herself.

(To be honest, I think most people would be made nervous by a woman who spent the entire cruise loudly arguing with herself but the passengers and the crew of The Love Boat are oddly unconcerned. It was the 70s so I assume everyone just assumed it was due to the cocaine.)

Mickey wants Ellen to move on and he pressures her to find a new husband on the cruise. In fact, Mickey thinks that Ellen should spend some time with Greg Elkins (Greg Morris), who is handsome, polite and wealthy. At first, Ellen resists Mickey’s attempts to push them together but finally, she gives in. Suddenly, Mickey starts to get jealous. By the end of the cruise, though, Mickey is at peace with Ellen moving on and Ellen accepts Greg’s marriage proposal. Mickey tries to congratulate Ellen, just to discover that she can no longer see or hear him. Mickey vanishes into thin air, giving this otherwise frothy story a somewhat bittersweet aftertaste.

Whether you were being haunted or not, would you get married after only knowing someone for a week? I know that there are reality shows built around this very idea but still, I have to wonder how many of these spontaneous Love Boat marriages ended in divorce. Speaking of divorce….

Also on the cruise is a young married couple, Linda (a young Jamie Lee Curtis, looking relieved to not have to deal with Michael Myers or any other knife-wielding madmen) and Wayne (Peter Coffield). Linda and Wayne are on the verge of divorce. Ever since her parents, Les and Gail (Conrad Bain and Curtis’s real-life mother, Janet Leigh), acrimoniously split up, Linda hasn’t believed in love. Linda and Wayne spend most of the cruise fighting, though it’s never quite clear what they’re fighting about. What they don’t know is that Les and Gail are on the cruise as well. Les and Gail came to the ship to see their daughter off and then, as they tried to exit, they accidentally got locked in an unused cabin. Trapped together and subsisting only on peanuts, water, and stowaway sex, Les and Gail discover that they are still in love and they agree to get married for a second time. At the end of the cruise, everyone is reunited and, seeing that her parents are going to give marriage another shot, Linda agrees to give Wayne another shot. Awwwww!

(Again, it should be kept in mind that Les and Gail fell back in love because they literally didn’t have anything else to do. They were trapped in cabin for several days! Will their rekindled love continue once they have to deal with each other in the real world? Considering how much they hated each other before getting trapped, it’s easy to be pessimistic. Can you imagine how Linda will feel if her parents get married a second time just to then get a second divorce? Then again, this is The Love Boat. Perhaps the whole point is not to give it too much thought….)

Finally, Gopher is super excited that his sister will be celebrating her 18th birthday on the cruise! However, Gopher is shocked and horrified to discover that Jennifer (Melissa Sue Anderson) has grown up and now has every guy on the ship hitting on her. Gopher asks Doc Bricker to look after her, which is an odd request given that Doc is a walking HR nightmare. That said, for once, Doc tries to do the right thing. However, Jennifer is eager to lose her virginity and she’s decided that Doc would be the perfect man to which to lose it….

Really? Out of all the guys on that cruise, you’re going to pick Doc?

Stories in which Doc is portrayed as being a legendary lover are always a bit strange because Doc was played be Bernie Kopell, a likable actor who gave off suburban Dad vibes as opposed to international playboy vibes. Kopell, Anderson, and the usually underused Fred Grandy all give likable performances in this storyline but it’s still just odd to think that Jennifer has apparently spent years dreaming about Doc Bricker.

It’s also strange that Captain Stubing mentions that it’s been years since he last saw Gopher’s sister. The previous season established that Captain Stubing had just recently been assigned to the boat and that he was still getting to know the crew. So, either several years passed between the first and the second season or someone in the writer’s room wasn’t paying attention to continuity. Then again, I imagine that continuity wasn’t as big a concern in the days before the Internet. Even if someone did notice the mistake, who would they tell?

This episode was a fairly entertaining one. Janet Leigh and Conrad Bain were definitely the highlight of this episode and it was fun to watch Leigh and Curtis acting opposite of each other. (That said, you just know the show’s producers probably tried to convince Tony Curtis to play Janet Leigh’s ex-husband before they asked Bain.) The ghost subplot had a few funny moments and Gopher finally got to do something. All in all, it was a pleasant cruise on the Love Boat.

Horror Film Review: Happy Birthday To Me (dir by J. Lee Thompson)

Posted on October 1, 2017 by Lisa Marie Bowman

“John will never eat shish kebab again!” announces the poster for the 1981 Canadian slasher film, Happy Birthday To Me.

Happy Birthday To Me is famous for three things. One of those things is the poster above, which was apparently so controversial that it actually led to the film being banned in some countries. That said, it’s a brilliant poster, one that probably belongs in the Film Poster Hall of Fame. If I had been alive and old enough to sneak into the movies in 1981, that poster would have drawn me into the theater.

The other interesting thing about the poster is that no one in the movie is named John. There is a shish kebab scene, of course. But it happens to a guy named Steven, not to anyone named John. Of course, the poster also says that Steven likes to ride a motorcycle but, in the movie, the motorcycle rider is a pervy French-Canadian named Etienne. Maybe the film’s producers feared that American audiences would not be willing to watch a movie featuring a character named Etienne. (They were probably right, by the way. Happy Birthday To Me came out decades before Degrassi: The Next Generation taught America that it has nothing to fear from the Canadians.)

As for what else Happy Birthday To Me is famous for — well, first of all, there’s the actual shish kebab scene itself. As cringe-inducing as it may appear to be on the poster, it’s even more disturbing in the actual film. Interestingly enough, there’s not a lot of blood in the scene. In fact, it’s one of the few scenes in Happy Birthday To Me to not be drenched in blood. However, there is a lot of gagging and gurgling and the sounds are all the more disturbing because they’re taking place off-camera. Making it even more unsettling is that Steven (played by Matt Craven, who has since become a distinguished character actor) is one of the few likable characters in the movie. In a movie full of snobs, pervs, and weirdos, Steven is the guy who is always encouraging people to stop fighting, make love, and gamble.

Finally, Happy Birthday To Me is famous for not making a damn bit of sense.

Actually, to be fair, the movie does make sense up until the final ten minutes or so. Up until that point, it’s simply been a well-made slasher film, albeit an above average example of the genre. There’s a killer on the loose, killing students at Crawford Academy. All of the victims are members of the Top Ten, an exclusive clique of rich and spoiled teens. (Interestingly enough, not every member of the Top Ten is killed. In fact, some of the people who you are sure are due to be killed somehow manage to survive.) One member of the Top Ten, Ginny (Melissa Sue Anderson), should be excited about her upcoming birthday party but instead, she is haunted by flashbacks to a car accident and the brain surgery that she was forced to undergo afterward. (Footage of actual brain surgery was used in the film.) Her father (Lawrence Dane) is clueless. Her therapist (Glenn Ford) insists that Ginny needs to move on with her life. But Ginny can’t escape the feeling that something is not right, especially when all of her friends start to disappear.

As I said, it all makes sense up until the final ten minutes or so of the film. That’s when the film produces a twist that is so out-of-nowhere and nonsensical that you cannot help but admire the film’s audacity. I’m not going to spoil the twist, other than to say that it makes no sense and I absolutely loved it. From what I’ve read, it appears that the twist ending was almost literally made up on the spot and it’s just so weird that it elevates the entire movie.

Of the many slasher films that came out in the early 1980s, Happy Birthday To Me is one of the best. It’s a classic that need not ever be remade. (I doubt any remake could match the audacity of the original’s finale.) Nicely acted, intelligently directed, and batshit insane when it needed to be, Happy Birthday To Me is an October essential!