4 Shots From 4 Films: Special 1990 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the year 1990!  It’s time for….

4 Shots From 4 1990 Films

Goodfellas (1990, dir by Martin Scorsese, DP: Michael Ballhaus)

Avalon (1990, directed by Barry Levinson, DP: Allen Daviau)

Dances With Wolves (1990, dir by Kevin Costner, DP: Dean Semler)

The Forbidden Dance Is Lambada (1990, dir by Greydon Clark, DP: R. Michael Stringer)

The Color of Money (1986, directed by Martin Scorsese)


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If you grew up in the 80s or 90s, you probably had at least one friend whose father kept a pool table in the garage.  This movie was probably the reason why.

Fast Eddie Felson (Paul Newman) was once The Hustler, the legendary pool player who recovered from having his fingers broken with a bowling ball and went on to defeat the legendary Minnesota Fats.  That was a long time ago.  Now, Fast Eddie is a slick liquor salesman in Chicago.  Eddie stills hangs out at the pool halls, despite his bad memories of the game.  When he sees a cocky young player named Vincent (Tom Cruise) and his girlfriend Carmen (Mary Elizabeth Mastrantonio), he takes them under his wing and teaches them how to hustle.  It’s not always easy because Vincent doesn’t like to lose, even if it means a chance to score an even bigger victory later on.  Eddie finds himself being drawn back into the game, even as he starts to wonder who is hustling who.

I always forget that The Color of Money is a Martin Scorsese films.  It’s a film that Scorsese made at a time when he had a reputation for only being able to make art films that critics loved but audiences stayed away from.  After the box office failure of The King of Comedy and his abortive first attempt to make The Last Temptation of Christ, Scorsese took The Color of Money to prove that he could work with a studio.  This is a Disney Scorsese film, with his signature camera moves but not much of his religious torment.  Even if it’s not one of his personal films, Scorsese makes pool look exciting, a battle that is as much about psychology as physicality.  Watching The Color of Money, you can smell the chalk on the tip of the pool cue.

Scorsese brings the seedy pool halls to life but it’s Paul Newman’s performance that dominates.  The Color of Money won Newman his first and only Oscar and he deserved it.  Newman had first played Fast Eddie Felson in 1961, in The Hustler.  Returning to the role twenty-five years later allowed Newman to show what would eventually happen to the angry young men that he played in the 60s.  Eddie has grown up and he’s got a comfortable life but he’s not content.  He finally has stability but he misses the game.  He needs the thrill of the hustle.  Newman is at his best in The Color of Money, building on The Hustler but also revealing new sides of Eddie Felson.

Newman is so good that Tom Cruise often gets overlooked but both Cruise and Mastrantonio hold their own against Paul Newman.  Cruise especially does a good job as Vincent, playing him as someone who is too cocky for his own good but also not as dumb as he looks.  Just when you think you’ve got Vincent figured out, Cruise surprises you.  The Color of Money came out the same year as Top Gun and Cruise’s Vincent feels like a commentary on the talented, troubled, but cocky characters that Cruise was playing at that time.  Cruise, Scorsese, and Newman make a good team in this more-than-worthy sequel.

4 Shots from 4 Arkansas Films!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

I love to share movies that are filmed in my beautiful home state of Arkansas. There aren’t a lot of movies filmed in Arkansas, but there are definitely some interesting movies filmed in Arkansas. Check these out!

Bloody Mama (1970)
Boxcar Bertha (1972)
One False Move (1991)
Mud (2012)

4 Shots From 4 Films: Special 1997 Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, let us take a look back at a classic cinematic year.  It’s time for….

4 Shots From 4 1997 Films

Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)

Kundun (1997, dir by Martin Scorsese, DP: Roger Deakins)

Lost Highway (1997, dire by David Lynch, DP: Peter Deming)

Two Orphan Vampires (1997, dir by Jean Rollin)

RIP, George Wendt: Guilty By Suspicion (1991, directed by Irwin Winkler)


George Wendt passed away in his sleep earlier today.  He was 76 years old.

If you’re old enough to have watched Cheers when it originally aired or to have caught it in reruns, George Wendt will always be Norm Peterson, the beer-drinking accountant who spent all of his time at the show’s titular bar.  One of the show’s trademarks was that, whenever he entered the bar, everyone greeted him by shouting, “Norm!”  “How’s the world treating you?” a bartender would ask.  “It’s a dog eat world and I’m wearing milkbone underwear,” Norm once replied.

(One of my favorite joke from the series was when Norm went into a steakhouse and everyone inside was heard to yell, “Norm!” as the door closed behind him.)

If we’re going to be really honest, Norm was probably a high-functioning alcoholic and terrible husband.  (Wife Vera was often-mentioned but never seen.)  Wendt was so likable in the role and was so good at delivering those one-liners that it didn’t matter.  Watching the show, you never wondered why Norm was in the bar.  You were just glad he was.

George Wendt was also an accomplished stage actor.  (I saw him on stage when he was co-starring with Richard Thomas in 12 Angry Men.)  He appeared in several movies, usually playing the comedic sidekick or the hero’s best friend.  His film roles often didn’t ask him to do much other than be likable but one exception was his performance in 1991’s Guilty By Suspicion.

Guilty By Suspicion is a film about the McCarthy era, starring Robert De Niro as film director David Merrill, who is threatened with being blacklisted unless he names four of his colleagues as being communists.  George Wendt plays screenwriter Bunny Baxter, a childhood friend of David’s who attended a few communist rallies when he was younger, failed to mention it to the FBI, and who is now being investigated as a subversive.  The studio argues that David should name Baxter because his name is already out there.  When David refuses, he finds himself blacklisted and unable to make a living.  Bunny Baxter, meanwhile, is offered a similar deal.  Baxter can save his own career but only if he names David as a communist.  Unlike David, Baxter considers betraying his friend because it’s the only way that he can ever hope to work again.  “Your dead anyway,” Baxter says to David.

Guilty By Suspicion suffers from Irwin Winkler’s plodding direction but De Niro gives a good performance, as does Martin Scorsese who is cast as a director based on Joseph Losey.  The film is full of actors who would later become better-known, like Chris Cooper, Tom Sizemore, and Annette Bening.  Wendt, however, gives the film’s best performance as the screenwriter who is torn between protecting his career and maintaining his integrity.  The scene where he asks permission to name Merrill as a communist is powerful and it shows how good an actor George Wendt could be.  Bunny Baxter is asking his best friend to allow himself to be stabbed in the back.  Baxter is that desperate.  That he’s played by George Wendt, an actor who was everyone’s favorite likable barfly in the 80s, makes the scene all the more powerful.

George Wendt, RIP.  Thanks for the memories.

4 Shots From 4 Films: Special Harvey Keitel Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is Harvey Keitel’s 86th birthday! Harvey Keitel is one of the great, fearless actors of our time (BAD LIEUTENANT, anyone). He has been working hard since 1965, and he’s still going strong today, adding up to a career that spans 60 years and counting. His work for great directors like Scorsese and Tarantino has been vital to the quality and success of those films. I really came to appreciate Keitel when he had somewhat of a career resurgence in the early 90’s when I was in my late teens. He’s just a great actor who makes everything he appears in better.

Today, in honor of Harvey Keitel’s 86th birthday, here are 4 Shots from 4 Films!

MEAN STREETS (1973)

FINGERS (1978)

RESERVOIR DOGS (1992)

FROM DUSK TILL DAWN (1996)

Scene That I Love: A Meeting With Jimmy Hoffa from The Irishman


Today’s scene comes from 2019’s The Irishman.  In this scene, Jimmy Hoffa (Al Pacino) asks a former rival for an endorsement to once again be president of the Teamsters union.  Needless to say, things don’t get well.  I’m on Hoffa’s side here.  Showing up 12 and a half minutes late?  Wearing shorts to meeting?  Someone is definitely owed an apology.

Once you get over the admittedly jarring de-aging effect, this scene reminds us of what a great actor Al Pacino truly is.

4 Shots From 4 Films: Special Al Pacino Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Al Pacino!  It’s time for….

4 Shots From 4 Al Pacino Films

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

The Godfather Part II (1974, dir by Francis Ford Coppola, DP: Gordon Willis)

The Irishman (2019, dir by Martin Scorsese, DP: Rodrigo Prieto)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)

4 Shots From 4 Films: Special Jack Nicholson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is Jack Nicholson’s 88th birthday!

Though he has pretty much retired from acting, Jack Nicholson remains a screen icon with a filmography that is a cinema lover’s dream.  He’s worked with everyone from Roger Corman to Stanley Kubrick to Milos Forman to Martin Scorsese and, along the way, he’s become a symbol of a very American-type of rebel.  Though often associated with the counter-culture, his style has always been too aggressive and idiosyncratic for him to be a believable hippie.  Instead, he’s one of the last of the beats, an outsider searching for meaning in Americana.

Over the course of his career, Nicholson has won three Oscars and been nominated for a total of 12.  He’s the only actor to have been nominated in every decade from the 1960s to the 2000s.  He is an actor who epitomizes an era in filmmaking, actually several eras.  It’s been 15 years since he last appeared in a movie but Jack Nicholson will never be forgotten.

4 Shots From 4 Jack Nicholson Films

Psych-Out (1968, dir by Richard Rush, DP: Laszlo Kovacs)

Carnal Knowledge (1971, dir by Mike Nichols, DP: Giuseppe Rotunno)

The Shining (1980, dir by Stanley Kubrick, DP: John Alcott)

The Departed (2006, dir by Martin Scorsese, DP: Michael Ballhaus)

4 Shots From 4 Films: Special 1982 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the year 1982 with….

4 Shots From 4 1982 Films

Fitzcarraldo (1982, dir by Werner Herzog, DP: Thomas Mauch)

Poltergeist (1982, dir by Tobe Hooper, DP: Matthew Leonetti)

Cat People (1982, dir by Paul Schrader, DP: John Bailey)

King of Comedy (1982, dir by Martin Scorsese, DP: Fred Schuler)