Okay, here’s one more precursor before I call it a night. The North Carolina Film Critics have announced their picks for the best of 2016. You can check out the nominees here and the winners below!
I have to admit that I’m starting to reach the point that I always reach during Oscar season. This is the point where I say, “How many different groups of critics are there!?”
Anyway, the North Texas Critics Association have announced their picks for the best of 2016! There are my people (in that we all live in North Texas and probably make a lot of jokes about pasty yankee tourists coming down from the North and sweating like pigs) and they picked La La Land as the best of the year. I’ll be seeing La La Land this weekend so I’ll let you know if they were right.
Best Actress 1. Natalie Portman (Jackie)
2. Emma Stone (La La Land)
3. Amy Adams (Arrival)
4. Emily Blunt (The Girl on the Train)
5. Ruth Negga (Loving)
Best Cinematography 1. Linus Sandgren (La La Land)
2. James Laxton (Moonlight)
3. Simon Duggan (Hacksaw Ridge)
4. Bradford Young (Arrival)
5. Stephane Fontaine (Jackie)
The Academy really should give out an Oscar for Best Casting. But until they do, we’ll just have to be happy with the annual nominations from the Casting Society of America!
Here are the 2016 nominations. (It’s interesting to note that this is the third guild to nominate Deadpool. How many heads would explode is Deadpool somehow landed a best picture nomination? That probably won’t happen but the wild speculation is the best part of Oscar season!)
BIG BUDGET – COMEDY
“Deadpool” Ronna Kress, Jennifer Page (Location Casting), Corinne Clark (Location Casting)
“Rules Don’t Apply” David Rubin, Melissa Pryor (Associate)
“Whiskey Tango Foxtrot” Bernard Telsey, Tiffany Little Canfield, Jo Edna Boldin (Location Casting), Conrad Woolfe (Associate), Marie A.K. McMaster (Associate)
The ACE awards are given out by the American Cinema Editors, in order to honor the best edited films of the year. Since it’s rare that a film ever wins Best Picture without also getting, at the very least, a nomination for Best Editing, the Ace awards are kind of a big deal.
So, without any further ado, here are the ACE nominations! Now, I’m only including the film nominations here. If you want to see a full list of nominations (including the television nominations), check out this article at Awards Circuit.
Now that the holidays are over, it’s time to get back to Oscar season!
The guilds have started to announce their nominees for the best of 2016 and since the guilds, unlike the various critic groups, include people who actually vote for the Oscars, they are usually pretty useful as far as predictive tool.
So, with that in mind, here are the nominations of the Writers Guild of America!
(The big surprise? Deadpool — which has actually gotten a lot of unexpected attention during Oscar season — landed a nomination.)
Manchester by the Sea, Written by Kenneth Lonergan; Amazon Studios/Roadside Attractions
Moonlight, Written by Barry Jenkins, Story by Tarell McCraney; A24
ADAPTED SCREENPLAY
Arrival, Screenplay by Eric Heisserer; Based on the Story “Story of Your Life” by Ted Chiang; Paramount Pictures
Deadpool, Written by Rhett Reese & Paul Wernick; Based on the X-Men Comic Books; Twentieth Century Fox Film
Fences, Screenplay by August Wilson; Based on his Play; Paramount Pictures
Hidden Figures, Screenplay by Allison Schroeder and Theodore Melfi; Based on the Book by Margot Lee Shetterly; Twentieth Century Fox Film
Nocturnal Animals, Screenplay by Tom Ford; Based on the Novel Tony and Susan by Austin Wright; Focus Features
DOCUMENTARY SCREENPLAY
Author: The JT LeRoy Story, Written by Jeff Feuerzeig; Amazon Studios
Command and Control, Telescript by Robert Kenner and Eric Schlosser, Story by Brian Pearle and Kim Roberts; Based on the book Command and Control by Eric Schlosser; American Experience Films
Zero Days, Written by Alex Gibney; Magnolia Pictures
Manchester By The Sea is the latest Oscar contender to be set in Massachusetts. I’m not exactly sure why but it appears that if you want your film to get some sort of Oscar consideration, it’s always good idea to set it some place in New England.
Consider some of the films nominated for Best Picture since the 1992:
2013’s Captain Phillips featured Tom Hanks speaking with Boston accent.
And, finally, last year’s Spotlight was as much a celebration of Boston as anything else.
As of this writing, it appears that Manchester By The Sea will continue the long tradition of New England-set films being nominated for best picture. Interestingly, of all those films, Manchester By The Sea is probably the most low-key. Though it’s a film that deals with death, it’s a natural death as opposed to the violent executions that dominated The Departed and Mystic River. And though there are two bar fights, there’s very little violence to be found in Manchester By The Sea. As opposed to Spotlight, Manchester By The Sea is not about moral crusaders battling against the corrupt establishment.
Instead, it’s the story of an intelligent but irresponsible man named Lee Chadler (Casey Affleck). When Lee was a young man living in the town of Manchester-By-The-Sea, he was someone. He was a high school hockey star. He made an okay living, he had a lot of friends, and he was very close to his older brother, Joe (Kyle Chandler). He was married to Randi (Michelle Williams) and he had two daughters.
And then he lost everything. He lost his daughters, through a stupid accident for which he blamed himself. Randi divorced him. His friends abandoned him. The only thing that prevented him from shooting himself was the intervention of Joe. Lee eventually ended up in Quincy, Massachusetts, working as a maintenance man and keeping to himself.
And that’s probably what Lee would have done his entire life, if Joe hadn’t died. Lee returns to Manchester-By-The-Sea and, to his shock, he discovers that he’s been named the guardian of Joe’s sixteen year-old son, Patrick (Lucas Hedges). Still struggling with his own feelings of guilt, Lee now finds himself thrust into the role of being a father.
Patrick, of course, doesn’t think he needs a guardian and sometimes, it almost seems as if Patrick might be right. At times, it’s hard not to feel that Patrick is a hundred times more mature than his uncle but occasionally, Patrick’s grown-up mask will slip. When he learns that his father cannot be buried until the spring and the body will be kept in a freezer, Patrick stays calm until he opens up the freezer at home. That’s when the reality of it all hits him and it’s an amazingly powerful moment.
Manchester By The Sea is not an easy film to describe. There’s not much of a plot. Instead, it’s just a portrait of people living from day-to-day, trying to juggle handling tragedy with handling everyday life. Conditioned by previous films, audiences watch something like Manchester By The Sea and wait for some gigantic dramatic moment that will magically make sense of the human condition but, by design, that moment never comes. That’s not what Manchester By The Sea is about. If there is any great lesson to be found in Manchester By The Sea, it’s that life goes on.
Despite being full of funny lines, it’s a sad film but fortunately, it’s also a well-acted one. I have to admit that I’m not as crazy about Manchester By The Sea as some of the critics who are currently declaring Manchester to be the best film of 2016 are but I can’t disagree with those who have praised Casey Affleck’s lead performance. Lucas Hedges also does a good job as Patrick and Michelle Williams gets one revelatory scene in which she happens to randomly run into her ex-husband on the street.
As I said, I liked Manchester By The Sea but I didn’t quite love it. It’s a well-made and well-acted film and, if it’s not as brilliant as some have claimed, it’s still worthy of respect.
The Robert R. “Bobby” McCurdy Memorial Breakthrough Artist Award: Keith Maitland, Tower
Austin Film Award:Tower (dir: Keith Maitland)
Special Honorary Award: To the ensemble cast ofMoonlight and casting director Yesi Ramirez for excellence as an ensemble.
Special Honorary Award: To honor Anton Yelchin for his contribution to the cinema of 2016, including performances in Green Room and Star Trek Beyond. His was a brilliant career cut profoundly short.
Special Honorary Award: To A24 Films for excellence in production in distribution. Their work gave us Moonlight, Green Room, Swiss Army Man, The Lobster, The Witch, and 20th Century Women, among others.
Special Honorary Award: To filmmaker Keith Maitland and his film Tower for revisiting a tragic event in Austin, Texas history in a sensitive and unique manner.