RIP, The Soft Moon.
RIP, The Soft Moon.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989! The series can be streamed on YouTube!
In yourself, you must believe….
Episode 2.4 “Dinner & A Show”
(Dir by John Bertram, originally aired on January 25th, 1988)
It’s a night of awkward dates and dinners on this week’s episode of Degrassi Junior High!
Yick Yu finally works up the courage to ask Melanie if she would like to go to a movie with him. While Kathleen rolls her eyes in the background, Melanie says that she’d love to see a movie with Yick. Yick suggests that they see Revenge of the Reptile, which is really gory and features killer reptiles! Melanie says that she’s not into any of that and suggests that they instead see Crying Into The Wind. Yick agrees, even though it’s obvious that Crying Into The Wind is not a film that is going to appeal to a typical 13 year-old male.
After Yick leaves, Kathleen makes fun of Melanie for having a date. Melanie replies that it’s not a date. She and Yick are just friends and Melanie is looking for “a man.” Right on schedule, Snake walks up and asks Melanie if she wants to see a movie. Melanie, forgetting all about her plans with Yick, says, “Sure!” Snake suggests Revenge of the Reptile. Melanie, forgetting that she’s not into gory reptile films, says, “Sure!”
Poor Yick is heartbroken when Melanie tells him that something has come up and she won’t be able to go to the movies with him. Arthur suggests that Yick cheer himself up by going to see Revenge of the Reptile….
Meanwhile, Shane’s parents want to have dinner with Spike and her mother. Shane’s parents have decided a few things. First off, the baby is going to be given up for adoption. Secondly, Shane is going to private school. While sending Shane to a private school might not be a bad idea, deciding what’s going to happen to the baby before they’ve even met Spike or her mother is definitely not cool. Shane’s parents are the first of many bad parents that will show up over the course of Degrassi’s long history.
Spike decides to just not tell her mom about the dinner invitation. But then Shane’s parents call personally and invite them to a fancy restaurant. Needless to say, it’s not a pleasant dinner. Shane’s father not only wants to send Shane to private school but he also thinks that Spike should be sent to a home for unwed mothers, like a character in a 1930s farm melodrama. Shane’s mother, meanwhile, makes no secret of the fact that she blames Spike more than she blames her son. Finally, Shane stands up for himself and says that he’s not going to go to private school. Of course, Shane then ruins the moment by saying that he’s ready to be a father. No, Shane, you’re not. You’re barely ready to be in the 8th Grade.
At the movie theater, Snake and Melanie discover that they really don’t have much in common. Snake may be a nice guy but he’s a terrible conversationalist. Joey and Wheels, upset that they don’t have dates, show up and spend the whole time making snarky comments. (Joey brings along a toy Godzilla that he uses to try to scare Melanie.) Worst of all, Yick shows up and finds himself staring straight at Melanie. Melanie smiles awkwardly while Yick’s heart breaks once again.
The next day, at school, Melanie tells Kathleen that her date wasn’t that great. Meanwhile, Spike asks Shane if he even wants her to have the baby and Shane can’t answer.
I loved the way the episode contrasted the awkwardness of Melanie’s date with the awkwardness of Spike’s dinner. Melanie’s problems are nowhere near as serious as Spike’s but both of them are a result of immature people trying to make mature decisions. The main theme of this episode is that no one is ready to be an adult. Melanie says that she’s ready to date “a man,” but she can’t even find it in herself to be honest with Yick. Yick and Snake both want to start dating but they’re still incapable of understanding that Revenge of the Reptile is not exactly a romantic movie. Shane wants to be a father but can barely stand up to his own parents. Shane’s parents may be adults but they don’t understand that being an adult means talking to other people before deciding their lives for them. The only person who truly understands how lost everyone is Spike and all she can do is try to make it day-by-day.
Watching an episode like this, it’s nice to know that Spike will eventually find happiness with Snake and that her daughter will grow up to be Emma. I can only imagine how emotionally devastating all of this must have been for people watching it for the first time in 1988. Degrassi Junior High rarely offered false hope, which is why it remains relevant today.
Yay! I’m feeling healthy and I have a new laptop! I’m looking forward to the Oscar nominations being announced on Tuesday and, of course, I’m looking forward to watching a lot of movies over the rest of the January.
Here’s what I watched, read, and listened to this week:
Films I Watched:
Television Shows I Watched:
Books I Read:
Music To Which I Listened:
Live Tweets:
Awards Season:
News From Last Week:
Links From Last Week:
Links From The Site:
More From Us:
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1967’s The Hippie Temptation! It can be viewed on YouTube.
“This is a hippie,” a sober and serious voice says over the image of a rather clean-cut young man sitting in a park.
So starts the 1967 CBS news documentary, The Hippie Temptation. Hosted by a white-haired and distinguished voiced journalist named Harry Reasoner, The Hippie Temptation takes a look at the subculture that, in 1967, was taking the youth of America by storm. Reasoner walks through the Haight Ashbury neighborhood of San Francisco, followed by a group of hippies who hang on every word.
Hippies, Harry explains, their very name suggests that they are hip!
Harry Reasoner talks about how the hippies are predominantly liberal and say that they are dropping out of a society that they consider to be hypocritical. They have no interest in what their straight parents are concerned with. Harry’s tone goes from being gently condescending to rather alarmed as he explains that hippies use a new illegal drug called LSD to try to open up their minds. The bad trip, Harry says, is always a possibility and suddenly, the screen is full of Dutch angle images of San Francisco.
The majority of this documentary focuses on the dangers of LSD. A pipe-smoking scientist shows a diagram of a chromosome of a repeated LSD user. The repeated use of LSD is compared to having epilepsy. Harry says that LSD is illegal in California but it’s still easy to find in San Francisco. No mention is made of marijuana or heroin or any of the other drugs that may have been a part of the Haight Ashbury scene.
Harry is a bit surprised that the hippies are not particularly concerned about what the scientists think about LSD. The Hippie Temptation is to not care about consequences and to instead do whatever you want. Harry discusses how the hippies claim not to care about money or material things but, as he points out, some people are getting rich in Haight Ashbury. He drops in to visit a local band called the Grateful Dead “who appear to be living in affluence.” The members of the band admit that they also use LSD and other drugs. Harry shows us a performance of the Grateful Dead performing and comments on how the light show is designed to imitate a psychedelic experience.
(Along with the Grateful Dead, future actor Peter Coyote also appears briefly, giving out free food as a member of a collective called The Diggers.)
Hippies can make money, Harry says, if they can find an employer who doesn’t mind long hair and strange clothing. It’s hard not to smile at this comment because, by today’s standards, the hippies in this documentary look remarkably preppy and almost conservative. Turtlenecks, colorful shirts, and neck length hair no longer come across as being the height of rebellion. The majority of the hippies that Harry talks to look like they could be accountants.
This is one of those documentaries where the older generation tries to figure out why their kids are so weird. It’s hard not to smile at the sight of a clearly uncomfortable Harry Reasoner being surrounded by a bunch of future accountants and middle managers. That said, this documentary was an interesting time capsule. It was a chance to see a firsthand account of what people were worried about in 1967.
The Chicago Indie Critics have announced their picks for the best of 2023!
The winners are listed in bold.
BEST INDEPENDENT FILM
All of Us Strangers – Producers: Graham Broadbent, Pete Czernin, and Sarah Harvey
Anatomy of a Fall – Producers: Marie-Ange Luciani and David Thion
The Iron Claw – Producers: Sean Durkin, Tessa Ross, Angus Lamont, Derrin Schlesinger, and Juliette Howell
Past Lives – Producers: Christine Vachon, Pamela Koffler, and David Hinojosa
The Zone of Interest – Producers: James Wilson and Ewa Puszczyńska
BEST STUDIO FILM
Barbie – Producers: David Heyman, Margot Robbie, Tom Ackerley, and Robbie Brenner
The Holdovers – Producers: Mark Johnson, Bill Block, and David Hemingson
Oppenheimer – Producers: Christopher Nolan, Charles Roven, and Emma Thomas
Poor Things – Producers: Yorgos Lanthimos, Emma Stone, Andrew Lowe, and Ed Guiney
Spider-Man: Across the Spider-Verse – Producers: Phil Lord, Chris Miller, Avi Arad, Amy Pascal, and Christina Steinberg
BEST FOREIGN FILM
Anatomy of a Fall – Producers: Marie-Ange Luciani and David Thion
The Boy and the Heron – Producer: Toshio Suzuki
Godzilla Minus One – Producers: Kenji Yamada, Kazuaki Kishida, Minami Ichikawa, and Keiichiro Moriya
When Evil Lurks – Producers: Roxanna Ramos and Fernando Diaz
The Zone of Interest – Producers: James Wilson and Ewa Puszczyńska
BEST DOCUMENTARY
American Symphony – Producers: Matthew Heineman, Lauren Domino, and Joedan Okun
The Disappearance of Shere Hite – Producers: R.J. Cutler, Kimberly Ferdinando, Nicole Newnham, Molly O’Brien, Elise Pearlstein, and Trevor Smith
Silver Dollar Road – Producers: Raoul Peck, Blair Foster, Rémi Grellety, and Hebert Peck
Still: A Michael J. Fox Movie – Producers: Davis Guggenheim, Annetta Marion, Jonathan King, and Will Cohen
20 Days in Mariupol – Producers: Raney Aronson-Rath, Mstyslav Chernov, Derl McCrudden, and Michelle Mizner
BEST ANIMATED FILM
The Boy and the Heron – Producer: Toshio Suzuki
Elemental – Producer: Denise Ream
Nimona – Producers: Karen Ryan, Julie Zackary, and Roy Lee
Spider-Man: Across the Spider-Verse – Producers: Phil Lord, Chris Miller, Avi Arad, Amy Pascal, and Christina Steinberg
Teenage Mutant Ninja Turtles: Mutant Mayhem – Producers: Seth Rogen, Evan Goldberg, and James Weaver
BEST DIRECTOR
Greta Gerwig – Barbie
Alexander Payne – The Holdovers
Bradley Cooper – Maestro
Christopher Nolan – Oppenheimer
Celine Song – Past Lives
BEST ORIGINAL SCREENPLAY
Anatomy of a Fall – Justine Triet and Arthur Harari
Barbie – Greta Gerwig and Noah Baumbach
The Holdovers – David Hemingson
The Iron Claw – Sean Durkin
Past Lives – Celine Song
BEST ADAPTED SCREENPLAY
American Fiction – Cord Jefferson
Are You There God? It’s Me, Margaret. – Kelly Fremon Craig
Killers of the Flower Moon – Eric Roth and Martin Scorsese
Oppenheimer – Christopher Nolan
Poor Things – Tony McNamara
BEST ACTOR
Jeffrey Wright – American Fiction
Paul Giamatti – The Holdovers
Bradley Cooper – Maestro
Cillian Murphy – Oppenheimer
Teo Yoo – Past Lives
BEST ACTRESS
Sandra Hüller – Anatomy of a Fall
Lily Gladstone – Killers of the Flower Moon
Carey Mulligan – Maestro
Greta Lee – Past Lives
Emma Stone – Poor Things
BEST SUPPORTING ACTOR
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Dominic Sessa – The Holdovers
Charles Melton – May December
Robert Downey Jr. – Oppenheimer
BEST SUPPORTING ACTRESS
Rachel McAdams – Are You There God? It’s Me, Margaret.
America Ferrera – Barbie
Da’Vine Joy Randolph – The Holdovers
Julianne Moore – May December
Emily Blunt – Oppenheimer
BEST ENSEMBLE
American Fiction – Casting director: Jennifer Euston
Asteroid City – Casting director: Douglas Aibel
The Holdovers – Casting director: Susan Shopmaker
Oppenheimer – Casting director: John Papsidera
Poor Things – Casting director: Dixie Chassey
BEST CINEMATOGRAPHY
Barbie – Rodrigo Prieto
Killers of the Flower Moon – Rodrigo Prieto
Oppenheimer – Hoyte van Hoytema
Poor Things – Robbie Ryan
The Zone of Interest – Łukasz Żal
BEST PRODUCTION DESIGN
Barbie – Susan Greenwood and Katie Spencer
The Color Purple – Paul Denham Austerberry and Larry Dias
Killers of the Flower Moon – Jack Fisk
Oppenheimer – Ruth De Jong
Poor Things – Shona Heath and James Price
BEST COSTUMES
Barbie – Jacqueline Durran
The Color Purple – Francine Jamison-Tanchuck
Killers of the Flower Moon – Jacqueline West
Poor Things – Holly Waddington
Priscilla – Stacey Battat
Wonka – Lindy Hemming
BEST MAKEUP
Barbie – Ivana Primorac
The Iron Claw – Natalie Shea Rose and Elle Favorule
Maestro – Kazu Hiro, Sian Grigg, Kay Georgiou, Lori McCoy-Bell
Poor Things – Nadia Stacey, Mark Couler, and Josh Weston
Priscilla – Jo-Ann MacNeil and Cliona Furey
BEST EDITING
The Holdovers – Kevin Tent
The Iron Claw – Matthew Hannam
Oppenheimer – Jennifer Lame
Poor Things – Yorgos Mavropsaridis
Spider-Man: Across the Spider-Verse – Michael Andrews
BEST ORIGINAL SCORE
Barbie – Mark Ronson and Andrew Wyatt
The Boy and the Heron – Joe Hisaishi
Killers of the Flower Moon – Robbie Robertson
Oppenheimer – Ludwig Göransson
Spider-Man: Across the Spider-Verse – Daniel Pemberton
BEST ORIGINAL SONG
“I’m Just Ken” – Barbie – Written by Mark Ronson and Andrew Wyatt
“What Was I Made For?” – Barbie – Written by Billie Eilish O’Connell and Finneas O’Connell
“Keep It Movin’” – The Color Purple – Written by Halle Bailey, Denisia Andrews, Brittany Coney, and Morten Ristorp
“Peaches” – The Super Mario Bros. Movie – Written by Jack Black, Aaron Horvath, and Michael Jelenic
“A World of Your Own” – Wonka – Written by Neil Hannon, Simon Faraby, and Paul King
BEST VISUAL EFFECTS
The Creator – Jay Cooper, Ian Comley, Andrew Roberts, and Neil Corbould
Godzilla Minus One – Kiyoko Shibuya and Takashi Yamazaki
Guardians of the Galaxy Vol. 3 – Stephane Ceretti, Alexis Wajsbrot, Guy Williams, and Dan Sudick
Oppenheimer – Andrew Jackson, Giacomo Mineo, Scott Fisher, and Dave Drzewiecki
Poor Things – Simon Hughes
BEST STUNTS
The Iron Claw – Hiro Koda and Chavo Guerrero Jr.
John Wick: Chapter 4 – Stephen Dunleavy, Scott Rogers, and Jeremy Marinas
Mission: Impossible – Dead Reckoning Part One – Wade Eastwood and Rudolf Vrba
Polite Society – Crispin Layfield and Rob Lock
Sisu – Oula Kitti
BREAKOUT ARTIST
Charles Melton
Dominic Sessa
Cailee Spaeny
Celine Song
Sophie Wilde
SIGHT UNSEEN AWARD
Helen Mirren – Barbie
Bradley Cooper – Guardians of the Galaxy Vol. 3
Oscar Isaac – Spider-Man: Across the Spider-Verse
Hailee Steinfeld – Spider-Man: Across the Spider-Verse
Jack Black – The Super Mario Bros. Movie
IMPACT AWARD
Local award given to individuals who have made a positive impact on Chicago cinema
Rebecca Fons – Gene Siskel Film Center
Dann Gire and Raymond Benson – “Dan and Raymond Movie Club”
Morgan Harris – Acacia Media Group
Katie Rife, Will Morris, and Ryan Oestreich – Music Box Theatre programming
Dennis Scott – Music Box Theatre organist
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
95 years ago today, Radley Metzger was born in New York, New York. After serving as a photographer in the U.S. Air Force, Metzger went into film distribution. He brought European “art” films to the United States and booked them in various grindhouse theaters. Like so many film distributors and producers, Metzger eventually realized that he could make a lot more many by making his own films. In the late 60s and the early 70s, Metzger was one of the pioneers of what would eventually become known as “porno chic.” He directed adult films that were distinguished by their strong sense of composition, intelligent storylines, and their sense of characterization.
Unfortunately, Metzger’s films were a bit too arty for the adult crowd and too explicit for the mainstream critics. Still, over the years, Metzger’s work has been rediscovered and appreciated by open-minded film lovers and by people like me who just happen to like artistically-minded decadence.
Today, we honor Radley Metzger with….
4 Shots From 4 Radley Metzger Films
Today’s music video of the day is the latest from Jennifer Lopez. Supposedly, this video was inspired by her wedding to Ben Affleck and her previous marriages. I like the idea of getting married in the rain. Rain makes everything better. Also, even if a bouquet is cursed, you should make every effort to catch it. Curses are temporary but celebrity bouquets are forever.
The divorce better get a music video of its own.
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi!
This week, Edna’s mother visits!
Episode 1.15 “Otherwise Engaged”
(Dir by John Bell, originally aired on January 22nd, 1986)
This week’s episode is way too dependent on the idiot plot.
The idiot plot is one of those stories where every complication is the result of everyone acting like an idiot and then reacting even more like an idiot. Plots like this drive me crazy and, to be honest, it’s difficult for me to watch them. The solutions are always so simple that it’s hard not to get frustrated with everyone’s refusal not to be stupid. Idiot plots are probably closer to reality than most people might wan to admit. There’s a lot of idiots out there.
As for this episode, it opens with everyone admiring Marlene’s diamond engagement ring. Marlene has a new boyfriend, a guy who she met at night and become engaged to in the morning. Marlene isn’t sure what the guy’s name is but she does appreciate his taste in jewelry. This part of the show was funny, largely because Kathleen Laskey played Marlene as being an unapologetic force of chaos. She’s the Kyrsten Sinema of Canada.
But then Marlene allows Edna (who has been dating Howard for years without a proposal) to wear the ring and — surprise! — Edna can’t get it off. And then Edna’s overbearing mother (Nancy Kerr) shows up and thinks that Edna and Howard are engaged. And, instead of telling her the truth, Edna and Howard allow her to believe it. Even when Edna’s mother starts planning the wedding, Edna and Howard do not tell her the truth. Seriously, Howard …. Edna …. JUST TELL HER! Or don’t tell her and then get married because, seriously, why not? If nothing else, it would take care of all the ethical issues that are currently raised by Howard dating one of his employees.
Now, there are some funny moments in this episode. Edna’s mother wears perfume that is so strong that the store’s customers start to pass out. One woman is splashed with a bucket of water and ends up changing her clothes in Howard’s office. Edna isn’t happy about that but then Christian explains to her what was going on. See? Misunderstandings are easily resolved when you EXPLAIN things. It’s not that difficult.
In the end, it turns out that Marlene’s boyfriend is a jewel thief. (Marlene doesn’t care because Marlene is all about breaking the rules.) Edna’s mother learns the truth and decides to move to the city so she can be closer to Edna and Howard. Edna is happy. Howard less so.
Anyway, this episode made me chuckle a few times but, ultimately, it was just too dependent on everyone acting like an idiot. Edna just needs to accept that she’s never going to get married.
I am typing this post on a new laptop. Woo hoo!
Here’s a few thoughts on what I watched this week:
American Nightmare (Netflix)
This was a disturbing, 3-part docuseries about a woman who was kidnapped and raped and then put on trial by the police and the media, all of whom seemed to be determined to prove that she was a real life “gone girl.” This series was just infuriating to watch and everyone who nearly allowed Matthew Muller to get away with his crimes should be ashamed of themselves.
Baywatch Nights (YouTube)
I wrote about Baywatch Nights here!
Check It Out (Tubi)
I need to write a review about this week’s episode so I guess I better get on that.
CHiPs (Freevee)
Couples Court With The Cutlers (YouTube)
On Friday, I watched an episode in which a man was concerned that his much younger girlfriend was cheating on him with another woman. She confessed, while being interrogated by a former military interrogator, that he was correct. The Cutlers were there to help this couple through the drama.
On Saturday, I discovered an entire YouTube channel dedicated to Couples Court so I probably won’t get anything accomplished for the first half of 2024.
Fantasy Island (YouTube)
I wrote about Fantasy Island here!
Friday the 13th: The Series (YouTube)
I wrote about Friday the 13th here!
Hell’s Kitchen (Thursday Night, FOX)
On Monday morning, as I shivered in the living room, I got caught up on Hell’s Kitchen and watched the first Black Jacket Service. What a disaster that turned out to be! I felt bad for Jonathan, who did not react well to Chef Ramsay taunting him about how much he drank before dinner service. Jonathan had a point, in that Ramsay really was kind of making it personal. At this point, I think the final two will be Ryan and Sammi. I’m Team Ryan all the way!
On Thursday, I cheered as Ryan and Sammi made it to the final three. I probably would have kept Carmen and sent Jonathan home but I can understand Ramsay’s logic. Jonathan had more experience than Carmen and Carmen did struggle early on in the season.
The Love Boat (Paramount Plus)
I wrote about The Love Boat here!
Miami Vice (Tubi)
I wrote about Miami Vice here!
Maury (YouTube)
On Sunday, I watched an episode with DNA results. All of the episodes of Maury to blend together, which I guess is the appeal of them. They demand very little on the part of the viewers.
Monsters (Tubi)
I wrote about Monsters here!
Night Court (Tuesday Night, NBC)
I was actually bored enough on Wednesday to watch the first four episodes of this show’s second season. While the ensemble seems to be gelling a bit better than they did during the first season, Night Court just isn’t that funny. Every joke sounds like it’s been sitting in some writer’s idea drawer since 2005.
Poochinski (YouTube)
I wrote about Poochinski here!
Steve Wilkos Show (YouTube)
On Sunday, I watched an episode in which Steve talked to a pregnant 17 year-old. She thought her boyfriend was 25. It turned out he was 38! Needless to say, Steve kicked him off the stage while the audience chanted Steve’s name.
On Thursday, I watched an episode about threesomes that led to pregnancies. The audience loved it but Steve seemed to be disappointed by everyone on his stage.
T and T (Tubi)
Welcome Back, Kotter (Tubi)
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!
It’s time for Barbarino to finally take his makeup exam!
Episode 3.6 “Just Testing”
(Dir by Bob Claver, originally aired on October 6th, 1977)
With Julie busy with the babies, Gabe resorts to telling Mr. Woodman about his Uncle Rodney who was mugged by an elephant. Mr. Woodman laughs so much that Gabe gets nervous.
Actually, Gabe has a lot to be nervous about. Julie is so busy with the babies that their tiny apartment is now a mess. Gabe finds the coffee percolator in the bathroom and his favorite tie in a diaper pail. (“It was my favorite tie,” Gabe says.) On top of all that, it’s nearly time for Barbarino to take his make-up exam but, in typical Barbarino fashion, he hasn’t been studying. Instead, as he explains to Gabe, he’s been waiting for Gabe to tutor him. Frustrated by Barbarino’s refusal to take responsibility for his own future, Gabe refuses to help Barbarino study. Not even Barbarino and the other Sweathogs coming to the apartment can change Gabe’s mind.
Fortunately, Julie can. Julie has gone from hating the Sweathogs to appreciating their loyalty to each other. She tells Gabe that she thinks that he’s making a mistake by refusing to help Barbarino. Gabe realizes that she’s right but, at the same time, Julie needs help around the apartment.
Don’t worry, Gabe! Freddie, Epstein, and Horshack are more than willing to clean up the apartment! While Gabe meets with Barbarino and Julie sleeps on the couch, the Sweathogs stuff all of the trash into a closet. It’s a funny gag and it’s certainly true to the character of the Sweathogs. But, as a self-confessed neat freak, I have to say that I cringed as soon as Gabe opened that closet door and all of that trash came tumbling out. It was like someone filmed my greatest nightmare.
As far as the tutoring goes, it’s not easy to teach Barbarino. Barbarino is an idiot and he’s lucky that he looks like a young John Travolta. Still, Gabe is able to get Barbarino to understand how cell division works. Barbarino may not know how to read or count but he does understand mitosis.
And that’s good because there’s a question about mitosis on the makeup exam! To Woodman’s apparent chagrin, Barbarino passes the exam by one point. (“Who knew he would know what mitosis is!” Woodman says.) While Barbarino and the Sweathogs go off to celebrate, Gabe takes a look at the exam and sees that Woodman put together a very easy exam. Apparently, Woodman’s not so mean! Awwwwww! That said, even with Gabe’s tutoring, Barbarino still barely passed an easy exam. Maybe he should stay in the 10th Grade….
Back at the apartment, Gabe tells Julie about his two uncles who lived in Alabama. For once, Julie seems to be in a good mood. Alabama does that to people.
This episode worked, largely due to the charm of John Travolta. Barbarino may not be smart but he sure has a cute smile.