Retro Television Review: T and T 3.3 “Halfway to Nowhere”

Posted on April 5, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!

This week, Terri and Turner take down the loathsome head of a halfway house.

Episode 3.3 “Halfway to Nowhere”

(Dir by Don McCutcheon, originally aired January 20th, 1990)

Roman (Louis Ferreira) is an angry young man who is on parole and who has been living at a halfway house that is run by Eddy (Danny Pawlick). When Roman discovers that Eddy has been harassing Roman’s girlfriend, Sissy (Krista Bridges), Roman attacks Eddy. Eddy kicks Roman out of the halfway house and attempts to have him sent back to prison.

Terri just happens to be in the police station when Roman is brought in and, just like Amy used to do before her mysterious disappearance, Terri declares herself to be Roman’s attorney. (One gets the feeling that the show’s producers just crossed out Amy’s name on a bunch of scripts and wrote in “Terri.”) Roman turns out to be a terrible client who refuses to talk to anyone, including the attorney who is trying to keep him out of jail. Terri finally calls up T.S. Turner and asks him for help.

Turner’s reaction is to growl about how late it is.

Seriously, what’s going on with Turner this season? He’s in an even worse mood than usual. Maybe he’s mad because Amy has mysteriously vanished without explanation. After all, Turner owed Amy. Amy was the one who got him out of prison. It made sense that Turner would always be willing to drop everything to help out Amy. Terri is just some random lawyer who has shown up out of nowhere.

Terri, it should be said, is not a very good lawyer. At the parole hearing, she puts Eddy on the stand and asks him a bunch of questions, despite not having a clue as to how Eddy is going to respond. She also dramatically announces that she will be calling Sissy as a witness before she knows whether or not Sissy has agreed to testify. When Turner steps into the courtroom without Sissy and shakes his head because Sissy refuses to testify, Terri is forced to walk back her words. I doubt that parole board appreciated that and they probably took their frustration out on Terri’s client.

In the end, Sissy does agree to wear a wire and Eddy stupidly talks about all the crimes that he’s committed as the head of a halfway house. Eddy ends up getting arrested and Sissy and Roman are reunited briefly. That said, it appears that Roman is still going to go back to jail because Terri is a terrible attorney.

On the plus side, this episode featured one of the most loathsome villains to ever show up on T&T and it was satisfying to watch Terri and Turner take him down. On the other hand, it would have been even more satisfying if Terri wasn’t terrible at her job and if Turner didn’t seem to be annoyed by even having to be in her presence. This episode was a mixed bag but at least it looked like Eddy was going away for a long time.

Live Tweet Alert: Join #FridayNightFlix For The Barbarians!

Posted on April 5, 2024 by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.

Tonight, at 10 pm et, we’ve got 1987’s The Barbarians!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.

The Barbarians is available on Prime and Tubi! See you there!

Scenes That I Love: Gregory Peck in To Kill A Mockingbird

Posted on April 5, 2024 by Lisa Marie Bowman

108 years ago today, the actor Gregory Peck was born in San Diego, California. With his deep voice and his Lincolnesque profile, Peck was always best cast as a man of integrity who was willing to take a stand, even if it meant going against the majority. That made him ideal for the role of attorney Atticus Finch in 1962’s To Kill A Mockingbird.

Today’s scene that I love comes from that film. In this scene, Atticus makes his closing statement in the murder trial of Tom Robinson. While Atticus is speaking to the jury, Gregory Peck is speaking to the audience in the theater (and later, in front of the television). Reportedly, Peck only needed one take to perfectly deliver his speech.

4 Shots From 4 Films: Special Roger Corman Edition

Posted on April 5, 2024 by Lisa Marie Bowman

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, we wish a happy 98th birthday to the legendary filmmaker, Roger Corman! And that means that it’s time for….

4 Shots From 4 Roger Corman Films

Not Of This Earth (1957, dir by Roger Corman, DP; John J. Mescall)

X: The Man With The X-Ray Eyes (1963, dir by Roger Corman, DP: Floyd Crosby)

The Masque of the Red Death (1964, dir by Roger Corman, DP: Nicolas Roeg)

The Trip (1967, dir by Roger Corman, DP: Archie R. Dalzell)

Music Video of the Day: Bette Davis Eyes, covered by Walkman (2020, dir by Franscisco Maestri & Julian Viel)

Posted on April 5, 2024 by Lisa Marie Bowman

116 years ago today, the great actress Bette Davis was born. Today’s music video of the day is for her.

(Bette Davis, incidentally, loved this song and said that when the Kim Carnes version was released in the 80s, it not only made her “culturally relevant” again but it also caused her grandson to look up to her for the first time.)

Enjoy!

Late Night Retro Television Review: Highway to Heaven 2.4 “Cindy”

Posted on April 4, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark travel to Hollywood …. again.

Episode 2.4 “Cindy”

(Dir by Michael Landon, originally aired on October 23rd, 1985)

Vincent DeGeralimo (Bill Macy) is a fast-talking, good-hearted talent agent who is still trying to sell acts that were out-of-style during Vaudeville. He wants to get a booking for a lion tamer but Jonathan appears to him and says that Vincent’s main concern should be helping out his daughter.

Cindy DeGeralimo (Hallie Todd) is an aspiring actress who is currently working as a waitress in a diner. Her evil boss (Alice Ghostley) has three untalented daughters who all want to be actresses as well. Cindy’s newest coworker, Mark Gordon, just wants to meet a movie star.

Pretending to work in the mailroom of a major Hollywood studio, Jonathan convinces producer Maxim Prince (Kip Gilman) that the best way to find a star for his new picture would be to hold a ball and invite every aspiring actress in town to attend.

Can you see where this is going? Yep, it’s a remake of Cinderella, except this time Cinderella has a pushy father who keeps trying to change her before she goes to the ball. Cindy finally gets fed up and says that she wants to be a star but she also doesn’t want to be some sort of Hollywood phony. Vincent accepts Cindy’s feelings and everything works out in the end.

Usually, I’m pretty lenient when it comes to reviewing this show but this episode just annoyed me. Even by the standards of Highway to Heaven, it was overly sentimental and heavy-handed. Bill Macy gave such a frantic performance as Vincent that it was hard to watch him. As well, Mark was so excited about being in Hollywood that I found myself wondering if he forgot about all the time he spent in Hollywood during the first season.

Indeed, this is not the first episode of Highway to Heaven to feature Jonathan dealing with the entertainment industry and I imagine it won’t be the last. Considering how much control Michael Landon had over this show, I always get the feeling that the Hollywood episodes were personal for him, especially as they always seemed to deal with parents regretting the fact that they put work ahead of their families. That said, the portrayal of Hollywood in this episode was so old-fashioned and idealized that I get the feeling that it was Landon’s way of showing what he wished Hollywood was like as opposed to what it actually was. Landon’s Hollywood is a town where anyone can be a star and anyone can find a happiness.

As for this episode, it was a bit too corny for its own good. Next week, though, Jonathan battles the Devil for Mark’s soul! That should be fun.

Film Review: Against Their Will (dir by Denis Malleval)

Posted on April 4, 2024 by Lisa Marie Bowman

The 2012 French film, Against Their Will, tells the story of two Alsatian teenagers during the Nazi occupation of France.

Lisette (Louise Herrero) is blonde and praised, by the Nazis, for her Aryan appearance. She appears to always have a positive attitude no matter what is going on. Lisette’s father is a collaborationist with the Nazis and Lisette publicly defends the German occupiers while privately disdaining them and the war. Her fiancé, Henri, has been conscripted into the army and has been sent to the Russian front. He writes her letters but, because he is now required to write only in German and not in the French that he and Lisette grew up with, Lisette cannot read them.

Alice (Flore Bonaventura) is dark-haired and therefore considered to be inferior to Lisette. This is despite the fact that Alice is fiercely intelligent and has been trained as a nurse. Alice’s father is a doctor who has been sent to a prison camp as punishment for treating a wounded British soldier. Alice is rebellious and, unlike Lisette, she has no compunctions about telling the Nazis exactly how she feels about them. When she is ordered to salute the Nazi flag, she lifts on arm in a stiff salute while using her other hand to extend her middle finger.

Lisette and Alice are amongst the many teenagers who are taken from their families and sent to a German indoctrination camp, where the strict and cruel Trudl (Julia Thrunau) tries to brainwash them. Lisette and Alice become unlikely friends as they are sent from the camp to work in a munitions factory and finally to serve in the Lebensborn, which was Germany’s eugenics program. While Alice works in the maternity ward, Lisette’s Aryan appearance attracts the attention of a cruel SS officer.

Against Their Will starts out strong, showing how even the most intelligent and independent of people can be forced to do things that go against their beliefs, whether as a result of brainwashing or just plain fear. The scenes in the indoctrination camp and later in the munitions factory show how the Nazi government treated both people in both Germany and the occupied territories as cannon fodder in their war with the Allies. Even during an air raid, Alice is ordered to continue working and, even though one mistake could lead to an explosion that would kill both them and several of their co-workers, Alice and Lisette are continually told to speed up when it comes to making the shells that will later be dropped on the Allies.

The film loses its way during the final third, largely because French girls — even ones from the German-influenced Alsace region of France — would never have been sent to the Lebensborn, which was meant to be exclusively for the breeding of “pure” Germans. By suggesting otherwise, the film unintentionally downplays the nationalism and the racism at the heart of the Nazi ideology. The film’s framing device — in which one of the women tells her story to her granddaughter — also feels a bit awkward and the film also makes a bit too much use of the stereotype of the good German, the one Nazi who is not quite as cruel as the others.

The first half of the film is a strong portrayal of life under an occupation, with both of the lead actresses giving good performances as two women who deal with their circumstances in very different ways. It’s just a shame that the film’s conclusion doesn’t live up to what came before it.

Retro Television Review: Beane’s of Boston 1.1 “German Week”

Posted on April 4, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Beane’s of Boston, which aired on CBS in 1979. The entire show is currently streaming on YouTube!

This week, we take a look at an attempt to bring a British show to America.

Episode 1.1 “German Week”

(Dir by Jerry Paris, originally aired on May 5th, 1979)

Beane’s of Boston is a venerable department store, a landmark of Boston. The store is housed in a multi-story building and it is run by the elderly but still horny Frank Beane (Tom Poston). Frank takes a break from ogling his secretary and sneaking off to the strip club to demand this his nephew, Franklin Beane (George O’Hanlon, Jr.), explain why the 4th floor — which houses the Men and Ladies’ Wear Department — is losing money.

Franklin admits that sales have been off but he has a plan. What if the store only sold German products for a week? And what if the employees dressed in lederhosen and did German dances?

The 4th floor employees are not particularly enthused. The head of Ladies’ Wear, Mrs. Slocum (Charlotte Rae), served as a WAC during World War II and once found herself with a German soldier on top of her after a landmine went off. Mr. Peacock (John Hillerman), the stuffy floor manager, feels that he looks like an idiot dressed in a German outfit. Meanwhile, in the Men’s Department, elderly Mr. Granger (Morgan Farley) sleeps while the flamboyant Mr. Humphries (Alan Sues) answers the phone in his most “masculine” voice and Mr. Lucas (Larry Bishop) hits on the just-hired administrative assistant, Ms. Brahms (Lorna Patterson).

German week is a disaster, bringing in a profit of $12.94. But, fortunately, old Frank Beane is dating a German woman and she loves the idea. So, no one loses their job….

If this sounds familiar and if you’re reading this in America, you’ve probably seen an episode of the infamously terrible British sitcom Are You Being Served? on PBS. Beane’s of Boston was an attempt to do an American version of that sitcom and, just as The Office would do decades later, the pilot essentially took a script from the British series and populated it with American actors.

Setting aside the question of whether or not the world needed more than one version of Are You Being Served?, the idea of transporting that very British sitcom to Boston was not, in itself, a terrible one. Boston is one of our oldest cities and, while it may be best-known today for its robust blue collar culture, there were still enough stuffy Protestants around to make it believable that a store like Beane’s could survive. That said, the pilot still falls flat, largely because everyone but John Hillerman seems to be miscast and even Mr. Peacock is considerably less amusing once you take away his title of colonel. While the British original was known for its broad comedy, it appears like a model of subtlety when compared to the performances of Alan Sues as Mr. Humphries and Larry Bishop as Mr. Lucas. As well, why would any store do a German week in a city that is best-known for its strong Irish community? Why not do an Irish Week? It perhaps made sense in Are You Being Served? but, in Beane’s of Boston, it just makes Franklin seem like such an idiot that you almost feel like he deserves to lose his job.

Beane’s of Boston did not have the same success as Are You Being Served? German Week would be the only episode aired.

Scenes That I Love: Robert Downey, Jr. and Nicholas Pryor in Less Than Zero

Posted on April 4, 2024 by Lisa Marie Bowman

Today, the Shattered Lens wishes a happy birthday to actor and now-Oscar winner Robert Downey, Jr!

Today’s scene that I love comes from 1987’s Less Than Zero. Long before he played Iron Man, Downey played Julian, a young, self-destructive drug addict in Los Angeles. In this scene, Julian talks to his father, played by the great character actor, Nicholas Pryor.

Downey has said that playing Julian was not a huge stretch for him as he was dealing with his own growing drug addiction while making Less Than Zero. (Considering how heavy-handed the film was in its anti-drug message, it’s interesting that both Downey and Andrew McCarthy have talked about first experimenting with cocaine while making the film.) It’s been quite a turn-around for Downey, who went from being a poster boy for self-destruction to a beloved pop cultural icon. Just last month, Downey won an Oscar for his performance in Oppenheimer. He deserved every minute of the applause he received.

4 Shots From 4 Films: Special Andrei Tarkovsky

Posted on April 4, 2024 by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

On this date, 92 years ago, Andrei Tarkovsky was born in Russia. Before he was murdered by the KGB in 1986, Tarkovsky was responsible for some of the most intriguing and visually stunning films ever made. Today, we pay tribute to Tarkovsky’s art and his legacy. It’s time for….

4 Shots From 4 Andrei Tarkovsky Films