Tag Archives: Lisa Marie Bowman

Scene That I Love: Queeg Cracks in The Caine Mutiny

Posted on by Lisa Marie Bowman

The Caine Mutiny (1954, dir by Edward Dmytryk, DP: Franz Planer)

Today’s scene that I love comes from 1954’s The Caine Mutiny.

In this scene, Captain Queeg (Humphrey Bogart) is cross-examined by Barney Greenwald (Jose Ferrer).  The court martial concerns whether or not an officer under Queeg’s command was justified in taking over the ship from Queeg.  Greenwald, tasked with defending the head mutineer, knows that the only way to win the case is to expose Queeg himself as a paranoid and unstable officer.  Greenwald does his job but he’s not happy about it.

This scene, directed by Edward Dmytryk, features both Bogart and Ferrer at their absolute best.

4 Shots From 4 Films: Special Edward Dmytryk Edition

Posted on by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

117 years ago, on this date in Columbia, Canada, director Edward Dmytryk was born.  Today, we honor this underrated filmmaker with….

4 Shots From 4 Edward Dmytryk Films

Murder, My Sweet (1944, dir by Edward Dmytryk, DP: Harry J. Wild)

Crossfire (1947, dir by Edward Dmytryk, DP: J. Roy Hunt)

The Caine Mutiny (1954, dir by Edward Dmytryk, DP: Franz Planer)

The Carpetbaggers (1964, dir by Edward Dmytryk, DP: Joseph MacDonald)

Late Night Retro Television Review: 1st & 10 1.8 “The Sins of the Quarterback”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, Bryce Smith finally takes the field!

Episode 1.8 “The Sins of the Quarterback”

(Dir by Bruce Seth Green, originally aired on January 13th, 1985)

During a game against the — oh come on! — Atlanta Confederates, Bob Dorsey is sacked and knocked unconscious.  Ultra-religious backup quarterback Bryce Smith (Jeff East) is sent in to replace him.  Bryce throws an amazing pass across the entire field that is somewhat caught for a touchdown.  The Bulls win!

The defensive players celebrate by grabbing Bryce forcing liquor down his throat.  Bryce is a Mormon and a graduate of BYU.  Bryce gets drunk easily.  After the rest of the players leave the locker room, a barely coherent Bryce is  approached by cheerleader Tammy Baker (Pamela Jean Bryant) who says that she is God’s gift to him.  The scene ends rather abruptly, I assume because this episode was heavily edited for syndication.

A week later, an excited Tammy approaches Bryce at a roast honoring the team.  She tells him that she’s pregnant!  She’s super-excited!  Bryce, however, is shaken and — after a fantasy sequence set in the Garden of Eden — Bryce announces that he is retiring from football and going to Tibet to become a monk.  Why would a Mormon go to Tibet to become a monk?

Well, I guess the team is screwed!  Bob Dorsey still isn’t ready to come back and the third-string quarterback can barely throw the ball.  However, Bryce’s wife comes to the rescue.  She forgives Bryce for cheating and she also invites Tammy to come live with them.  Bryce can continue to play football!

Denardo, however, doubts that Bryce is the one who impregnated Tammy.  He demands that every other player who had sex with Tammy raise their hand.  Nearly every hand in the locker room goes up.  Bryce worries that everyone is going to have to move in with him and his wife….

Okay, then!  It’s hard to review this episode because, again, it’s obvious that the racy, original episode (the one that aired on HBO) was heavily edited for syndication.  The version that I saw featured a lot of abrupt jump cuts.  The story itself was fairly dumb but that’s kind of a given when it comes to this show.  I’ll give some credit to Jeff East.  He was far better than the material he had to work with.

Myself, I’m just amazed that this show featured a team called the Atlanta Confederates.  I’m going to assume that team eventually changed their name.

Scenes That I Love: The Ramones Play Rock ‘n’ Roll High School

Posted on by Lisa Marie Bowman

To go along with Brad’s book review and my tribute to Ron Howard, I really wanted to share a scene of Clint Howard as Mr. Eaglebauer in the 1979 film, Rock ‘n’ Roll High School.  Unfortunately, I really couldn’t find any Eaglebauer scenes on YouTube but I did find this upload of the Ramones performing at the end of the film.

If you look closely, you’ll see Clint Howard dancing to the song.  His face isn’t visible but you’ll spot the hair easily.

I love this movie!

4 Shots From 4 Films: Special Ron Howard Edition

Posted on by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Since Brad just reviewed Ron and Clint Howard’s new memoir, it seems like it’s time for….

4 Shots from 4 Ron Howard Films

Apollo 13 (1995, dir by Ron Howard, DP: Dean Cundey)

A Beautiful Mind (2001, dir by Ron Howard, DP: Roger Deakins)

Rush (2013, dir by Ron Howard, DP: Anthony Dod Mantle)

Solo (2018, dir by Ron Howard, DP: Bradford Young)

 

Retro Television Review: The Love Boat 6.15 “The Captain’s Replacement/Sly As A Fox/Here Comes The Bride …. Maybe”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come aboard!  We’re expecting you….

Episode 6.15 “The Captain’s Replacement/Sly As A Fox/Here Comes The Bride …. Maybe”

(Dir by Bob Sweeney, originally aired on January 15th, 1983)

First off, before I do anything else, I want to thank Case for covering the last three episodes of The Love Boat for me.  The previous month was not an easy one for me or my family and having Case, Brad, and Jeff helping me out with my television reviews really helped out.  Thanks, guys.  You all did a wonderful job!

As far as this episode goes, I know there’s one question that is on everyone’s mind:

Julie appeared to be moderately coked-up in this episode, though not as much as usual.  I’d say on the How Coked Up Was Julie Scale, this episode was right in the middle.  Five out of ten.

Julie actually had a bit to do during this episode.  Captain Donahue (McLean Stevenson) was on the ship, technically so that he could watch and learn from Captain Stubing.  Gopher, however, suspected that Donahue was planning on replacing Stubing as the captain of the Pacific Princess.  Gopher, Julie, Doc, Isaac, and Vicki all decided to pretend to be crazy in order to convince Donahue to stay away from the Pacific Princess.  Julie, for instance, started to obsessively practice her “welcome aboard” greeting.  I’m not sure what was so crazy about that.  As far as I can tell, Julie’s entire job consists of greeting people when they board the ship.  It seems like it would be a good idea to get some practice in.  Still, Donahue is freaked out enough that he backs off from trying to steal Stubing’s position.  Captain Stubing is relieved and so is the rest of the crew.  Maybe they came across an episode of Hello, Larry and realized what was in store for them if McLean Stevenson became the new captain.

Julie also served as an advisor to Mary Frances Bellflower (Shelley Fabares), who boarded the ship with two suitors.  Ben Phillips (Frank Bonner) and Henry Greg (Arte Johnson) spent the cruise bickering over who would make the best husband for Mary Frances.  Mary Frances assumed that the two men only cared about her because she was rich and she owned a valuable foxhound.  However, by the end of the cruise, Mary Frances realized that both of the men sincerely loved her.  She promised Julie that she would return to the ship in the future with the man she had chosen.  Julia, her nose red, suggested that Mary Frances give bigamy a try.  Everyone had a good laugh.

Finally, Doc arranged for his old friend, Erica Dupont (Jenilee Harrison), to get a job serving drinks on the cruise.  Erica, the daughter of an autoworker, needed the job so that she could help pay for her wedding to Robert Wallingford (Stephen Shortridge).  Erica confessed that Robert and his parents both thought she was rich because her last name was Dupont.  Erica immediately got to work serving drinks but — oh no! — Robert’s snooty parents (William Windom and Jane Wyatt) just happened to be on the cruise!  Erica tried to avoid them but eventually, they saw Erica sharing a friendly dance with Doc and they got the wrong idea.  They called Robert, who flew down to Mexico to meet the boat.  Erica finally confessed that, while her last name was Dupont, that did not make her a Du Pont.  The Wallingfords were disappointed to learn that Erica was not related to future murderer John du Pont.  Still, Robert forgave Erica and I guess they got married after the cruise.  Who knows?  I would think that starting an engagement with a lie would be a problem for most people but whatever.

This cruise was mildly enjoyable.  Jenilee Harrison and Bernie Kopell had a likable chemistry and it was hard not to feel that Erica should have just dumped Robert and declared her love for Doc.  As for everyone acting crazy to fool McLean Stevenson, you could tell that the regulars were having fun.  The storyline about Mary Frances and her two suitors was fairly weak but the other two stories made up for it.

I’m glad that I came aboard.

The Films of 2025: Borderline (dir by Jimmy Warden)

Posted on by Lisa Marie Bowman

Every year, Hollywood publishes The Black List.

The Black List is a survey of the unproduced screenplays that are considered the “most-liked” by various studio executive and producers.  It comes out the second Friday of December and it’s always the top news story for at least half the weekend.  After the weekend, everyone promptly forgets about it.

Now, I will admit that some good movies have been made from Black List scripts.  The King’s Speech, Hell or High Water, Argo, Promising Young Woman: they all appeared on the Black List.  But, to be honest, I’m far more interested in the amount of forgettable and downright bad movies that appeared on The Black List, some of them often listed near the top of list.  Anonymous, The Bucket List, Cedar Rapids, The Beaver, Broken City, The Ides of March: they all appeared on the Black List too.  Appearing on The Black List is no guarantee of quality.

That’s bring us to Borderline.  The screenplay for Borderline appeared on the 2020 Black List and evidently that appeared paid off because the script was put into production with screenwriter Jimmy Warden making his directorial debut.  (Undoubtedly, it probably helped that Warden’s wife, Samara Weaving, agreed to star in the film.)  The film was released in March of this year and, if you’re so inclined, you can currently watch it on Peacock.

Borderline takes place in the early 90s.  Weaving plays a vacuous pop star named Sofia.  Ray Nicholson plays Paul Duerson, who is obsessed with Sofia and believes that he’s destined to marry her.  When we first see Paul, he’s stabbing Sofia’s head of security, Bell (Eric Dane), and then dancing around Sofia’s house.  At the time, Sofia is out.  However, when Paul returns 6 months later, Sofia is home.  Paul somehow has managed to gather some crazy associates who are willing to work with him.  Penny (Alba Baptista) is just as unstable as Paul and I’m going to assume that her character was meant to be an homage to Sandra Bernhard’s character in The King of Comedy.  (Indeed, the film seems to owe a lot to The King of Comedy.)  Sofia and a Dennis Rodmanesque basketball player named Rhodes (Jimmie Falls) finds themselves trapped by Paul and his fantasy of marrying Sofia.

It’s easy to see why this screenplay would get the attention of the studio execs who voted on the Black List.  It mixes comedy, drama, and horror in a way that is very trendy right now.  It also features a lot of crazed monologuing on the part of Paul.  Unfortunately, as a director, Jimmy Warden doesn’t seem to know how to manage his own script’s frequent shifts in tone and the film itself drags to such an extent that it could almost be mistaken for a Project Greenlight film.  (Seriously, remember The Leisure Class?)  Add to that, the film features some remarkably bad acting.  There are undoubtedly worst performance out there than Alba Baptista’s but I doubt I’m going to see more annoying one for a while.

For this film really to work, Paul would have to be at least interesting in his insanity.  It’s possible to make a character like Paul compelling but having Ray Nicholson do an imitation of Christian Slater imitating Ray’s father Jack is not the way to go.  Ray Nicholson bears a passable resemblance to Jack and he throws himself into playing Paul as being a nutcase.  What Ray Nicholson doesn’t have is Jack’s screen presence.  Ironically, that means that Ray Nicholson probably gives a pretty realistic performance as the type of anonymous loser who would fantasize about marrying his favorite singer but who wants to spend 90 minutes watching one of those people?

In the end, Borderline is another mediocre Blacklist film.

Late Night Retro Television Review: Pacific Blue 2.18 “Full Moon”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, it all about bicycles and sex.

Episode 2.18 “Full Moon”

(Dir by Scott Lautanen, originally aired on February 23rd, 1997)

This week, Pacific Blue gives us the erotically-charged story of two people with no personality falling for each other.  Don’t worry, though.  Even though Chris and TC both put in for transfers so that they won’t violate Palermo’s “No Doing It On The Job” policy, they eventually realize that they’re not actually in love.  After TC kisses Chris and they prepare to move into the bedroom, Chris suddenly says that she can tell that TC feels like he’s “about to have sex with your sister,” and TC nods, as if that’s a feeling that he’s extremely familiar with.

TC and Chris fall for each other while investigating a series of ATM robberies.  The two robbers (Robert Kerbeck and Felicity Waterman) were at least convincingly sleazy.  Cory kills one of the robbers.  How humiliating it must be to be killed by someone who rides a bicycle for a living!

Meanwhile, Palermo was shocked to discover his name was in a madame’s little black book.  Palermo, you hypocrite!  Put that man in jail!  But then it turned out that madame (played by Charlie Spradling) just put random names in the book so that she could use it for blackmail.  That was pretty clever of her.  Still, I find it hard to believe that anyone, outside of the bike patrol, would have had the slightest idea who Palermo was.

This was another episode that failed because not only are the characters not interesting but they’re all pretty much indistinguishable.  Chris and Cory at least have differing hair colors.  But, from a distance, Palermo, TC, and Victor all might as well all be the same guy.  If you told me that this episode was actually about Palermo falling in love with Chris, I’d have to believe you because Palermo and TC are pretty much impossible to tell apart.  Human drama only works when the characters are recognizably human.

Agck!  That’s mean!  Oh well, it’s late….