With today’s music video of the day, we wish a happy 63rd birthday to Quentin Tarantino.
Enjoy!
Tag Archives: Lisa Marie Bowman
Late Night Retro Television Review: Highway to Heaven 5.11 “The Inner Limits”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!
This week, Jonathan and Mark are speech therapists.
Episode 5.11 “The Inner Limits”
(Dir by Michael Landon, originally aired on July 21st, 1989)
George (Tim Choate) has spent years speechless and paralyzed. However, after George’s brother, Paul (Joseph Culp), has a chance meeting with speech therapist Jonathan Smith, it is discovered that George is actually a genius who can communicate through blinking and who hopes to write a book. Paul goes from wanting to move out of his childhood home and into an apartment with his girlfriend, Jessica (Lorie Griffin) to feeling like he has a duty to spend the rest of his life helping his mother (Julianna McCarthy) take care of George.
I’ve been crying a lot this year. I lost my Dad in 2024. Exactly one year later, I lost the aunt who helped to raise me when I was a child. I didn’t really get a chance to mourn my Dad because I immediately became one of my aunt’s caregivers. I thought that if I couldn’t save my Dad from Parkinson’s, I could at least save my aunt from Alzheimer’s. After my aunt passed, I threw myself into the holidays and I dealt with my emotions by buying lots of presents for other people. It’s only now, in the light of 2026, that it’s all truly hitting me. I cry very easily right now and I cried while watching this episode. There’s a sincerity and earnestness to Highway to Heaven that gets to me, despite how corny the show could sometimes be.
That said, this episode had the same flaws as most of season 5’s episodes. Jonathan and Mark were only in a few scenes and the majority of the episode was carried by Joseph Culp and Julianna McCarthy, both of whom tended to overact during their big emotional scenes. Culp eventually won me over but McCarthy’s performance was so theatrical and over-the-top that it really did take you out of the story.
That said, I did cry. Would I have cried if I wasn’t currently in mourning? I think I would have, actually. The final shot of a young boy reading George’s book while sitting in a wheelchair earned those tears. We never really know how many people we help, do we?
Film Review: Armor (dir by Justin Routt)
In rural Alabama, James Brody (Jason Patric) is a recovering alcoholic who makes his living as an armored truck driver. He works with his son, Casey (Josh Wiggins). Every day, James and Casey transport millions from bank to bank and usually, they’re able to do it without incident. However, this day is different. James and Casey find themselves trapped on a bridge with a team of thieves on every side of them. James and Casey struggle to escape while working out their own personal issues.
Sylvester Stallone receives top billing in 2024’s Armor and, just by looking at the poster, you would probably be excused for assuming that Stallone was playing the hero of the film. Instead, Stallone only has a few minutes of screentime and he plays one of the criminals, a tough guy named Rook. Rook may be a professional thief but he has a conscience and he doesn’t believe in killing anyone who doesn’t need to be killed. That sets him apart from the rest of the thieves.
One may wonder what a star like Stallone is doing in a low-budget, direct-to-video film like this. The answer is that Armor was produced by Randall Emmett, a producer who specializes in getting big names to appear in small roles in B-movies. Not much money may have gone into the budget of Armor but one can be sure but the majority of it was used to pay Stallone’s salary. According to some comments left on Letterboxd by someone who claims to have worked on the film’s crew, Stallone shot his scenes in one day and was deliberately kept in the dark about the fact that the film was actually being directed by Emmett and not the credited Justin Routt. Now, whether or not any of that is true, I can’t definitely say for sure. However, it definitely has the ring of truth. Randall Emmett himself is best known for producing many of Bruce Willis’s final films. With Willis having retired and John Travolta perhaps busy, Sylvester Stallone ended up as Emmett’s star-in-name-only for Armor.
Give credit where credit is due. Stallone dominates the few scenes in which he appears. For all the criticism that Stallone has taken over the course of his career, this film reminds us that there’s no other actor who has quite the same screen presence as Sylvester Stallone. As for the rest of the cast, Jason Patric is convincing as the haunted James. Unfortunately, the film can never make up its mind whether or not it wants to be an action flick or a relationship drama. Patric does his best but he’s let down by a script that never seem to be quite sure what it wants to say.
I appreciated that this film took place in the South. The film opens with a news report about an armored truck crash in Dallas and, as soon as they mentioned the Thornton Freeway, I was like, “I was stuck there just a few days ago!” The majority of the film takes place on a bridge in Alabama. The scenery is lovely, even when the action is hackneyed.
Retro Television Review: Decoy 1.24 “Saturday Lost”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
This week, Casey learns about the dangers of reefer!
Episode 1.24 “Saturday Lost”
(Dir by Stuart Rosenberg, originally aired on March 24th, 1958)
Casey and her partner-of-the-week (played by Simon Oakland) are investigating the death of Geraldine “Geri” Wilson, a quiet and studious college student who was found dead on the side of the road after attending a college football game with her sister, Beth (Barbara Lord). Beth, who couldn’t even remember her own name when she was first found the morning after, isn’t much of a witness. She can’t remember what happened that night but, as she and Casey sit in one Geri’s old hangouts, she recognizes Ken Davidson (Larry Hagman), a student who was with them at the football game. Beth remembers that Ken and Geri had a fight.
The stunned Ken says that he had no reason to kill Geri.
Casey replies, “Marijuana gave you a reason!”
Casey has figured out, from listening to the way the spacey Beth talks, that Beth and Geri smoked “reefer” the night of the football game. Casey is convinced that, in a marijuana-crazed state, Ken tossed Geri out of the car. To help jog Beth’s memory, she has her partner drive Beth, Ken, and Casey along the same route where Geri’s body was found.
“Where did you get the reefers, sonny!?” Casey demands of Ken.
Beth suddenly remembers that she’s the one who bought the marijuana. Beth says that it only cost a dollar and that Ken himself didn’t indulge. Instead, it was just Beth and Geri who got stoned. Beth was driving when Geri opened the car door and fell out. “Faster! Faster!” Beth says, a line that immediately brings to mind the 30s anti-drug film, Reefer Madness.
(Why wasn’t Ken driving if he was the only one who wasn’t stoned?)
Back at police headquarters, Casey looks at the camera and tell us that the case has been dismissed. However, Beth will never forget that her sister died because Beth bought “reefer.”
Beverly Garland is, as always, excellent and a young Larry Hagman does well as Ken. But Barbara Lord overacts to such an extent that you really find yourself wondering if maybe she actually popped a bunch of amphetamines as opposed to smoking weed. Indeed, Beth and Geri’s story would be plausible with a lot of different drugs but it’s not particularly plausible with marijuana. There’s also a rather bizarre cameo from a young William Hickey (you’ll recognize the voice), playing a hipster who spouts a lot of nonsense. If anything, Hickey’s hipster comes across as if he’d be more likely to know where to get weed on campus than Ken but Casey just lets him wander off. In the end, this episode feels like a version of the urban legend about the girl who walked into an airplane propeller because she took too many pills.
Larry Hagman, I should mention, was a proud member of the Hollywood counter-culture and was very open about his own use of marijuana. (Apparently, he was introduced to it by Jack Nicholson, who felt it would help Hagman cut back on his drinking.) I wonder if anyone ever asked him about this episode.
Join Me For The Delta Force!
Hi, everyone! Tonight, on both twitter and Mastodon, I will be hosting a watch party in memory of the late Chick Norris! Join us for 1986’s The Delta Force!
You can find the movie on Tubi and then you can join us on twitter and mastodon at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) We will be using #TheDeltaForce hashtag! See you then!
The Delta Force (1986, dir by Menahem Golan, DP: David Gurifinkel)
Music Video of the Day: Stayin’ Alive by Bee Gees (1989, dir by ????)
If you’re ever giving someone CPR, they say that you should do it to the tune of Staying Alive so, if you memorize this song, you’ll be able to save a life. That’s the type of helpful information that we happily provide to our readers free of charge here at the Shattered Lens.
According to the YouTube description, this from the “One for All Tour” Live concert at the National Tennis Centre in Melbourne 1989, Australia.
Enjoy!
Late Night Retro Television Review: 1st & Ten 3.7 “Mutiny on the Bull Team”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.
Things aren’t looking too good for the Bulls!
Episode 3.7 “A Mutiny on the Bull Team”
(Dir by Stan Lathan, originally aired on October 7th, 1987)
After a terrible start to the season (back-to-back losses!), TD tells Coach Grier that he needs to do something to get the team back into championship shape. Coach Grier launches an intensive training regimen and he posts a list of rules in the locker room — no beer in the locker room, players must shave for game day, and a bunch of other things. The players rebel and, during the next game, they stop running the plays that Grier wants. TD confronts Grier and demands to know what’s going on. Grier says that he just did what TD told him to do. TD says that he didn’t tell Grier to become a dictator even though that is kind of what TD told him to do.
Really, “reign of terror?” Coach Grier is like in his 60s and he’s fat and out of shape. The football players are …. well, football players. What exactly is TD Parker saying? It’s hard to say. OJ Simpson delivers all of his lines in the same amiable and bland manner that he used when he said he would devote his life to searching for the real killers. It’s hard to know what TD is thinking.
Anyway, Grier realizes the errors of his ways and the Bulls win the game! So, TD doesn’t have to cut anyone from the team. He can put away his knife for now. Everyone in the locker room should be breathing a sigh of relief.
Meanwhile, Yinessa and new owner Jill Schrader struggle with their feelings for each other. In the end, Yinessa kisses Jill in the stadium parking lot so I guess they decided to forget about the whole “We have to maintain a professional separation” thing.
One final note: Last week’s episode featured Delta Burke swearing that she was going to reclaim ownership of the Bulls. But, with this episode, Burke is no longer listed in the opening credits so I guess that storyline is over with. Jill is now the owner. Good! Maybe the Bulls will finally win a championship.
Film Review: Survive The Game (dir by James Cullen Bressack)
Looking at the title of 2021’s Survive the Game, you may be tempted to wonder what game the characters are attempting to survive.
The answer is that there isn’t a game, unless you’re one of those people who still insists on using “The Game,” to refer to the drug trade because you once heard someone do the same thing on The Wire.
Though there are no games, the film is full of people who are trying to survive. For instance, after a drug bust gone wrong, Detective David Watson (Bruce Willis) is trying to survive having been shot in the gut. He manages to do so surprisingly well, even though he’s being held hostage by the bad guys. The leader of the bad guys, Frank (Michael Sirow), is supposed to be a fearsome torture expert but David just smirks at him.
David’s partner, Cal (Swen Temmel), survives by running to a nearby farm. The farm itself is owned by Eric (Chad Michael Murray), a veteran who is haunted by the death of his wife and who just wants to be left alone. With the bad guys surrounding his farm and looking to eliminate all of the witnesses, Eric teams up with Cal.
There’s a lot of bad guys in this film and they’re all so eccentric that they really do become the main attraction. The bad guys are occasionally entertaining. They spend a lot of time bickering and each one has at least one particularly obnoxious personality trait that can be used to distinguish one from the other. Most of them have a tattoos. One has a mohawk. Quite a few have brightly colored hair. You can’t help but wonder how any of these people could possibly be successful criminals because they’ve all gone out of their way to make sure that it will be easy for law enforcement to spot and identify them. To once again cite The Wire, Wee-Bey Brice yelled at at his son Namond for not shaving his head because the police would be able to easily spot Namond’s haircut. Wee-Bey had a point.
Anyway, this is a siege film. Cal and Eric spend almost the entire movie running around the farm and picking off bad guys. For those of you who are into this sort of thing, some of the kills are imaginative and ruthless. Interestingly, some of the bad guys are presented as being more sympathetic than the film’s heroes. They have their own relationships and fears and they get upset when their friends are killed. I actually felt a little bit bad for some of them. It makes Survive the Game slightly more interesting than the usual DTV B-action movie.
As you may have guessed, this is another Randall Emmett production. Emmett is best-known for his ability to get former and current A-listers to take small roles in his B-movies. As such, an actor like Bruce Willis or Sylvester Stallone would put in a day’s worth of work and the film could be advertised as starring Bruce Willis as opposed to Chad Michael Murray. In Survive The Game, there’s a somewhat endearing moment that occurs when Willis appears to start laughing at the ludicrous dialogue to which he is being subjected. That said, Willis was obviously not doing well when he appeared in this film and it does make some of his scenes somewhat difficult to watch. The viewer really does end up missing the Bruce who could drive Alan Rickman to distraction.
Survive the Game is a film that I had long meant to watch, though I’m not sure why. I think the title appealed to me. Again, I’m not sure why. It’s better than some of Emmett’s DTV action movies but it’s still pretty forgettable. I would still watch a prequel about how the mohawk guy became a ruthless mercenary. It seems like there’s probably a story there.
Film Review: Out of Death (dir by Mike Burns)
The first question that one might want to ask about 2021’s Out of Death is what is going on with that title.
Out of Death? Did they run out? Is there an issue with the warehouse? Is it a nationwide outage or just a regional problem? How exactly does someone find themselves out of death? I mean, there are plenty of shortages in the world. There are people who can’t get clean drinking water or tasty food. I had to wait an extra day to get my new scanner because of a supply chain issue. These things happen. But people never seem to run out of death. Death is the one thing that we will always in large quantities.
As for the film itself, it is rather death-obsessed. Shannon (Jaime King) is a photojournalist who has recently lost her father. All she wants to do is spread his ashes in the woods. However, when she witnesses a murder in the woods, she finds herself being pursued by a compromised deputy (Lala Kent). Meanwhile, Jack Harris (Bruce Willis) is a retired detective who has recently lost his wife. He wants to spend some time alone in his niece’s cabin but instead, he finds himself mixed up in Shannon’s problems. The corrupt sheriff (Michael Sirow) wants to be mayor and he’s not going to let Shannon and Jack stand in his way, even if it means killing every possible witness.
Even though Bruce Willis gets top-billing along with Jaime King, he’s not in much of Out of Death. Out of Death was one of the many film productions to be delayed by the COVID lockdowns. When production finally did begin, Bruce Willis shot all of his scenes in one day. (The entire film took 9 days to shoot. Roger Corman, if he was still with us, would want to know why the production took 9 days when it could just as easily been done in two.) Sadly, this is one of the films that Bruce Willis made after it became apparent that he was having serious issues with his health. Willis delivers his lines in a halting manner, which technically works for his emotionally shattered character but which is still hard to watch now that we know that Willis was suffering from frontotemporal dementia at the time. Producer Randall Emmett made his career by convincing big stars to appear in B-movies and he shouldn’t be faulted for that. However, the later films he made with Willis not always easy to watch. Say what you will about the films that Sylvester Stallone and Robert De Niro have made with Emmett, they all knew what they were getting into. It’s hard to say whether the same was true with Bruce Willis.
As for Out of Death, it’s a fairly dull cat-and-mouse game but I will give it some credit for capturing the atmosphere that goes along with being isolated in the Southern wilderness. This is a film where you could feel the humidity rising from the screen. And Jaime King, who deserves better, gave a strong performance as Shannon. Otherwise, the most interesting thing about Out of Death is the mystery as to what exactly the title means.
Out of Death? It’s a nice thought.
Film Review: Setup (dir by Mike Gunther)
On the mean streets of Detroit …. really, Detroit again?
Well, anyway, Sonny (5o Cent) is a career criminal who also happens to be a really nice guy. When his partner-in-crime, Vincent (Ryan Phillippe), worries about the survival of his imprisoned father (James Remar), Sonny is sympathetic. When his other partner-in-crime, Dave (Brent Granstaff), won’t shut up about how much he loves his wife and his life in the suburbs, Sonny is genuinely happy for him. Sonny may be a criminal but he’s not violent. He’s not a killer.
Understandably, Sonny is upset when Vincent kills a guard during their latest diamond heist. However, that’s nothing compared to how angry Sonny becomes when Vincent betrays both him and Dave, shooting them and leaving them for dead. Dave dies but Sonny survives. Seeking revenge, Sonny teams up with a gangster named Biggs (Bruce Willis). Biggs demands that Sonny retrieve some money for him. It really shouldn’t be that difficult except for the fact that every criminal in Detroit is soon revealed to be an absolute idiot.
At this point, I’ll admit that 2011’s Setup has more than a little in common with Gun. Like that film, it takes place in Detroit and it centers on the drama that takes place in the shadows of the underworld. 50 Cent plays a criminal in both films. James Remar has a small role in both films. Both films feature multiple betrayals and both of them contrast the criminals on the street with the bosses behind-the-scenes. Both films were also produced by Randall Emmett. Indeed, this was one of the first films that Bruce Willis did with Emmett. Emmett would go on to produce several of Willis’s final films and there’s definitely some controversy as to whether or not those films exploited Willis at a time when he was particularly vulnerable.
That said, I actually kind of liked Setup. It’s definitely a low-budget B-flick but it still has its ambitions and it actually achieves some of them. 50 Cent is far more convincing as the well-intentioned but somewhat dumb Sonny in Setup than he was in Gun and he actually does pretty well as the film progresses and Sonny becomes more conflicted about whether or not he actually wants his legacy to be one of vengeance. Ryan Phillippe is well-cast as Vincent and I liked the performances of Jay Karnes and Jenna Dewan, both playing low-level criminals who find themselves in over their heads. The film did a good job of examining all of the different levels of crime in Detroit, from the wealthy Biggs all the way down to the idiots who continually screw up the simplest of plans. Randy Courtere does an especially good job as Petey, the moron who thinks playing with a loaded gun is a good idea.
As for Bruce Willis, his role here is small and it’s a role that probably could have been played by any tough guy actor of a certain age. But, Willis still brings his cocky charm to the role. (Seeing Willis here really drives home just how different he was in the final films that he did for Emmett.) Willis plays Biggs with a sense of humor and it’s just what the movie needed.
To say a movie is better than expected can sound like a backhanded compliment but it’s a compliment nonetheless. Setup was definitely better than I expected.
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