Film Review: Airport ’77 (dir by Jerry Jameson)


Airport ’77 is the one where the plane ends up underwater.

If the first two Airport movies emphasized the competence of the the crew in both the airplane and the airport, Airport ’77 takes the opposite approach.  The first of the Airport films to be released after Watergate, Airport ’77 is a cynical film where no one seems to be particularly good at his or her job.  Viewers should be concerned the minute they see that Jack Lemmon is playing Captain Don Gallagher, the pilot of the soon-to-be-submerged airplane.  As opposed to Charlton Heston or even the first film’s Dean Martin, Jack Lemmon was always a very emotional actor.  He excelled at playing characters who were frustrated with modern life.  Just as with Heston and Martin, Lennon plays a pilot who is having an affair with a flight attendant.  The big difference is that, this time, the pilot is the one who desperately wants to get married while the flight attendant (played by Brenda Vacarro) is the one who doesn’t want to get tied down.  As an actor, Lemmon didn’t have the arrogance of a Heston or the unflappability of Dean Martin.  Instead, Jack Lemmon was the epitome of midlife ennui.  He’s disillusioned and he’s beaten down.  He’s America at the tail end of the 70s.

Another sign that Airport ’77 is a product of the post-Watergate era is the character of co-pilot Bob Chambers (Robert Foxworth).  Chambers might seem like a nice and friendly professional but actually, he’s the one who comes up with the plan to knock out all of the passengers with sleeping gas and fly the plane into the Bermuda Triangle so that his partners-in-crime can steal the valuable art works in the cargo hold.  Chambers plans is to land the plane on an unchartered isle so that he and Banker (Monte Markham) can make their escape before the rest of the people on the plane even wake up.  Instead, Chambers turns out to be as incompetent a pilot as he is a criminal.  He crashes the plane into the ocean, where it promptly sinks to the bottom.  The impact wakes up the passengers, all of whom can only watch in horror as the ocean envelopes their plane.  With the water pressure threatening to crush the plane, Captain Gallagher and engineer Stan Buchek (Darren McGavin) try to figure out how to get everyone to the surface.

As usual, the passengers are played by a collection of familiar faces.  Olivia de Havilland and Joseph Cotten play former lovers who are reunited on the flight.  Christopher Lee is a businessman who is unhappily married to alcoholic Lee Grant.  Grant is having an affair with Lee’s business partner, Gil Gerard.  A young Kathleen Quinlan plays the girlfriend of blind pianist Tom Sullivan.  Robert Hooks is the bartender who ends up with a severely broken leg.  As the veterinarian who is called to doctor’s duty, M. Emmet Walsh gives the best performance in the film, if just because he’s one of the few characters who really gets to surprise us.  Actors like George Furth, Michael Pataki, and Tom Rosqui all wander around in the background, though I dare anyone watching to actually remember the names of the characters that they’re playing.  Airport ’77 has the largest number of fatalities of any of the Airport films, largely because even the good guys aren’t really sure about how to reach the surface.

George Kennedy returns as Joe Patroni, though his role is considerably smaller in this film than it was in the first two.   He shares most of his scenes with James Stewart, who plays the owner of the plane.  Fortunately, neither Stewart nor Kennedy were on the plane when it crashed.  Instead, they spend most of the movie in a control room, getting updates about the search.  They don’t get to do much in the film but it’s impossible not to smile whenever Jimmy Stewart is onscreen, even if he is noticeably frail.

Airport ’77 is the best-made of all of the Airport films.  The crash is well-directed and the scenes of water dripping into the plane are properly ominous.  There’s not much depth to the characters but Jack Lemmon and Darren McGavin are likable as the two main heroes and Christopher Lee seems to be enjoying himself in a change-of-pace role.  Olivia de Havilland and Joseph Cotten, two old pros, are wonderful together.  That said, Airport ’77 is never as much fun as the first two films.  Even with the plane underwater, it can’t match the spectacle of Karen Black having to fly a plane until Charlton Heston can be lowered into the cockpit.

Scenes That I Love: The Cemetery Scene From It’s A Wonderful Life


I love It’s A Wonderful Life and I’m looking forward to watching it many times over the upcoming week. To me, it’s the rare example of a perfect film.

Below is one of the more somber but important scenes from It’s A Wonderful Life. George (James Stewart) and Clarence (Henry Travers) go to what would have been Bailey Park if George had been born. Instead, it’s now a cemetery and buried there is George’s brother, who would have died if George hadn’t been born. And, as Clarence explains, every man that George’s brother saved would have died as well. “Each man’s life touches so many other lives,” as Clarence puts it.

Here is a scene from a wonderful movie called It’s A Wonderful Life.

Check out this Trailer for JIMMY (2026), the Untold Story of James Stewart!


Jimmy Stewart is one of the great actors of all-time, and he’s personally one of my very favorites. I did not realize a movie had been made about him until I stumbled across this trailer today. Check it out!

Brad reviews THE SHOP AROUND THE CORNER (1940), starring James Stewart and Margaret Sullavan!


Set in Budapest, Hungary, we meet Alfred Kralik (James Stewart), the dependable head clerk at a retail establishment named Matuschek and Company. In walks Klara Novak (Margaret Sullavan), an attractive young lady who’s desperately in need of a job, so Mr. Matuschek (Frank Morgan) hires her as a new salesgirl. Alfred and Klara immediately take a disliking to each other and give each other quite a hard time at work. As we get to know Alfred and Klara, we find out that each of them is involved in a treasured “pen-pal” relationship with a mysterious someone who truly seems to understand their heart and soul. Wouldn’t you know it, even though they get on each other’s last nerves at the shop, Alfred and Klara are each other’s secret pen-pal! While navigating unexpected drama at work, mainly involving Mr. Matuschek, his wife, and a duplicitous employee, Alfred eventually discovers that Klara is his mystery correspondent without her knowing it. As he tries to reconcile the actions of the lady he knows from work with the heart of the person who wrote those letters, Alfred decides to show Klara who he really is to see if they can fall in love in real life!

THE SHOP AROUND THE CORNER is one of my very favorite romantic comedies, and I’d guess the lead performance of James Stewart is probably the main reason. He’s just perfect in the role of Alfred Kralik… earnest, proud, awkward, vulnerable, and above all else, decent. Stewart’s ability to portray characters with believable decency separate him as one of the all-time greats and that quality is well on display here. Margaret Sullavan, as Klara Novak, matches him perfectly. Known to have a good relationship off screen as well, the chemistry between Stewart and Sullavan is off the charts and their scenes together are quite powerful. Mostly known by me for his performance as the Wizard of Oz, Frank Morgan is also incredible as Mr. Matuschek, at times jealous, volatile, and ultimately benevolent.

Director Ernst Lubitsch, known for his “Lubitsch touch,” has made a movie that has stood the test of time because of its core of emotional truth. Even though it was made well before the days of social media or online dating, THE SHOP AROUND THE CORNER understands just how differently we present ourselves when writing (or online, or on social media), compared to how we actually behave in person. Maybe it’s because THE SHOP AROUND THE CORNER was made in 1940, but I love the way its time-tested story idea is used for comedy and sweet romance, without becoming cynical. That lack of cynicism leaves room not only for comedy and romance but also a genuine compassion for its characters as they deal with the very real emotions of loneliness, pride, jealousy, and fear.

All in all, THE SHOP AROUND THE CORNER may be 85 years old, but its tender and romantic payoff set on Christmas Eve still gets me every time. As far as I’m concerned, this is about as close to perfect as a romantic comedy can get!  

(Author’s note: I’m also a fan of the 1998 remake, YOU’VE GOT MAIL, starring Tom Hanks and Meg Ryan, but I rate it below Lubitsch’s film.)

Scenes I Love: The Cross-Examination From Anatomy of a Murder


Since today is Otto Preminger’s birthday, I figured that this would be a good time to share a scene that I love from one of my favorite movies, Preminger’s 1959 film, Anatomy of a Murder.

In this scene, prosecutor Claude Dancer (played, in one of his first screen roles, by George C. Scott) cross-examined Laura Manion (Lee Remick), the wife of a man who has been accused of murder.  Playing the role of the defense attorney is James Stewart.  This scene is a master-class in great acting.  Preminger could be a bit of an inconsistent director but his willingness to take on controversial subjects set him apart from many of his contemporaries.  When he had the right material, as he did here, he could create the perfect mix of melodrama and art.  Preminger’s best films, like Anatomy of a Murder, stand the test of time.

4 Shots From 4 Films: Special Alfred Hitchcock Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

One of the all-time great directors in the history of cinema, Alfred Hitchcock, was born on this day in 1899. Today, I celebrate this master filmmaker with some images from some of his best films. Enjoy!

Shadow of a Doubt (1943)
Strangers on a Train (1951)
The Man Who Knew Too Much (1956)
Frenzy (1972)

4 Shots From 4 Films – Thomas Mitchell Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

I noticed that today, July 11th, 2025, is actor Thomas Mitchell’s 133rd birthday in cinema heaven! I can guarantee that I, along with most of you, watch him every year around Christmas time. I also found out today that he worked with my movie hero Charles Bronson on THE O. HENRY PLAYHOUSE TV series back in 1957. That combination of appearances makes Mitchell about as close to a cinematic immortal as a person can get!

Enjoy 4 shots from 4 films, with Thomas Mitchell!

Stagecoach (1939)
Mr. Smith Goes to Washington (1939)
It’s a Wonderful Life (1946)
The O. Henry Playhouse: Two Renegades (1957)

Brad’s “Scene of the Day” – Jimmy Stewart gets his hand blown off in THE MAN FROM LARAMIE (1955)!


There are people in this world who only know Jimmy Stewart from his performances in movies like IT’S A WONDERFUL LIFE (1946) and REAR WINDOW (1958). Those are both great movies to be sure, but I contend that Stewart was also one of the great “cowboys,” with his string of excellent westerns with director Anthony Mann, as well as his work with other great directors like John Ford and Delmer Daves.

Stewart’s performance in THE MAN FROM LARAMIE is one of my personal favorites. In this scene, his hand is shot from point blank range by a crazy man who’s never had to pay the consequences for his actions. That changes when the man from Laramie comes to town. I couldn’t imagine a more powerful performance than Stewart’s work here. He’s incredible and truly one of the great actors of all time!

I Watched Flashing Spikes (1962, Dir. by John Ford)


When infielder Bill Riley (Patrick Wayne) makes an error that costs his team the game, sports columnist Rex Short (Carleton Young) claims that he witnessed Bill being paid off by Slim Conway (James Stewart).  Slim is a former player who was banned from Major League Baseball after he was accused of taking a bribe from a gambler.

Most the movie is a flashback, showing how Bill first met Slim when Slim was playing for a barnstorming team of former major leaguers.  That was my favorite part of the movie.  Slim and a collection of old, worn-out men stumble out of their bus and even though they might move a little slower and they might need to stretch a little more before swinging a bat, they still show up a cocky team made up of young local players.  Even after the crowd nearly riots when they realize that Slim is one of the players, the old players keep their cool and their eye on the game.  After Bill spikes Slim while sliding into home plate, Bill apologizes.  Slim remembers the young man’s humility and, working with one of the few friends that he has left in the game, Slim helps Bill get his chance in the Majors.

Usually, when my sister yells at me to come watch something because “it’s got baseball!,” I’m prepared for it turn out to just be a movie with one scene of someone holding a bat.  I’m glad that she called me to come watch Flashing Spikes with her because it really is a good and loving celebration of my favorite game.  Even after Slim is treated so unfairly by the press, the League, and even some of the fans, he never stops loving the crack of the bats and the cheers of the crowd.  Flashing Spikes is unabashedly pro-baseball and Slim stands in for every player who was ever unfairly railroaded out of the game by scandal mongers like Rex Short.

Film Review: The Naked Spur (dir by Anthony Mann)


First released in 1953, The Naked Spur is one of the most cynical and downbeat movies that I’ve ever seen.

It’s also one of the most visually beautiful.  Filmed in the Rockies and presented in glorious Technicolor, The Naked Spur is a western that is full of amazing scenery, from green forests to snow-capped mountains to a river that, under different circumstances, would probably be a wonderful place to just sit down and think for a spell.  Director Anthony Mann crafts an image of the American frontier that makes it easy to understand why anyone would want to explore it and build a new life there.  Mann contrasts the beauty of nature with the ugliness of the people who trample across it.

Jesse Tate (Millard Mitchell) is a grizzled and somewhat sickly prospector who runs into a stranger named Howard Kemp (James Stewart).  Kemp is, at first, antagonistic and paranoid but soon, he offers to pay Tate $20 if Tate will help him track down an outlaw named Ben Vandergroat.  Vandergroat, wanted for the murder of a U.S. marshal, is believed to be hiding in the mountains.  In need of the money, Jesse agrees.  Soon, he and Kemp are joined by another wanderer, a recently discharged soldier named Roy Anderson (Ralph Meeker).  From the minute that Roy shows up, it’s obvious that he’s not being totally honest about why he’s wandering around the Rockies.

As for Ben Vandergroat (Robert Ryan), he is indeed hiding in the mountains.  He’s accompanied by Lina Patrch (Janet Leigh), a naive young woman whose late father was one of Ben’s partners-in-crime.  Lina looks up to Ben as a father figure and refuses to believe that he could possibly be guilty of any of the things that he’s been accused of doing.  Ben, meanwhile, manipulates Lina into doing his bidding.

After being captured by Kemp, Jesse, and Roy, Ben proves himself to be far more clever than he initially seems.  After revealing that Kemp isn’t who Jesse assumed him to be, Ben works to try to turn the three men against each other.  There’s a reward on Ben’s head and, after Kemp reluctantly agrees to share the money with Jesse and Roy, Ben mentions that there will be a lot more money if its split two ways instead of three.  Soon, Ben has the three men distrusting each other even more than they already did.  However, Lina finds herself falling in love with Kemp.

The Naked Spur is a great film.  Featuring only five-speaking parts, it plays out like a particularly intense play and every single member of the cast does a great job of bringing the film’s characters to life.  Robert Ryan is coolly manipulative as the cocky Ben while Ralph Meeker is crudely menacing as the untrustworthy Roy Anderson.  Millard Mitchell is, at times, heart-breaking as the sickly prospector.  Janet Leigh reveals the strength underneath Lina’s naive persona.  Of course, the film is stolen by James Stewart, who is convincingly bitter and ultimately rather poignant as Howard Kemp.  Kemp feels like a continuation of the character that Stewart played in Broken Arrow He’s seen the worst that humanity has to offer.  Even in the beautiful Rockies, Stewart’s character cannot escape the ugliness that he’s witnessed firsthand.  Stewart’s performance as that haunted and angry Howard Kemp is one of his best.

The Naked Spur is an intelligent and well-acted western and one of eight movies that Stewart made with director Anthony Mann.  It’s psychological complexity, beautiful scenery, compelling script, and brilliant cast make it a true classic.