Cleaning Out The DVR: The Butterfly Effect 3: Revelations (dir by Seth Grossman)


I’m continuing my efforts to clean out my DVR.  I just finished watching the 2009 film, The Butterfly Effect 3: Revelations.  I recorded this film off of Cinemax way back in June.  To be honest, I was surprised when I came across it because I have absolutely no memory of having recorded it.  I can only hope that it wasn’t recorded by a time traveler because, after seeing enough Butterfly Effects, you know that nothing good comes from time travel!

The Butterfly Effect 3 starts in medias res.  Sam Reide (Chris Carmack) already knows how to jump back and forth in time and, even more importantly, he already knows all of the dangers.  He knows that he can’t change the past.  He can’t try to help people.  He can’t do anything but stay hidden and observe because the least little alteration to the past could totally screw up the present.  And, as we all know, studying the past is the present that we give to the future.  (GAG!  Seriously, though, I’ve been looking for a excuse to say that for like 10 years now.)  So, the good thing here is that we don’t have to sit through a lot of pointless scenes of Sam learning what we already know.

Sam actually has a pretty good scam going.  He goes back into the past, observes a murder taking place, and then tells the police who committed the crime.  He’s convinced that cops that he’s a psychic, which I guess cops would be more likely to believe than that he’s a time traveler.  I don’t know.  Whatever.  We’ll go with it.  Helping Sam out is his sister, Jenna (Rachel Miner).  Jenna, we’re told, would be dead if not for the fact that Sam jumped into the past and saved her from a house fire.  Of course, by doing that, he also accidentally killed off his parents!  That’s how Sam learned not to mess with the past!  As a result, despite his ability to time travel, Sam leads a pretty squalid existence.  He drinks at the local bar.  He hangs out in the worst sections of Detroit.  He visits Jenna in her run-down apartment.  And yet, he doesn’t use time travel to invest in Facebook or anything like that because he knows that it’ll change the present.  That’s dedication!

Sam is also still mourning the murder of his girlfriend.  (Has anything ever gone right in Sam’s life?)  The man convicted of her murder is due to be executed but Sam has reason to believe that the man might be innocent.  When Sam visits the man and lets him know that he’s going to go to the past to prove the man’s innocence, the man is not impressed.  According to the man, Sam is the murderer!

Anyway, Sam starts jumping into the past to see what really happened but, of course, he can’t help himself and he ends up changing stuff.  As a result, the presents gets messed up though not as dramatically as it did in some of the previous Butterfly Effect films.  For instance, the slutty bartender is suddenly engaged.  At one point, Sam wakes up to find out that he no longer has an apartment.  It’s kind of weak.  (To be honest, this film might have worked better if it had just been a time traveling mystery as opposed to a Butterfly Effect film.)  The mystery, however, is intriguing and the film ends with a somewhat satisfying twist.  As far as third entries in bad franchises are concerned, The Butterfly Effect 3 is actually better than you would probably expect it to be.

 

4 Shots For 4 John Carpenter Films: Halloween, The Fog, Christine, They Live


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

This October, we’ve been using 4 Shots from 4 Films to pay tribute to some of our favorite horror filmmakers!  Today, we honor the one and only John Carpenter!

4 Shots From 4 John Carpenter Films

Halloween (1977, dir by John Carpenter)

The Fog (1980, dir by John Carpenter)

Christine (1983, dir by John Carpenter)

They Live (1988, dir by John Carpenter)

 

Horror Film Review: The Silence (dir by John R. Leonetti)


“Don’t make a sound!”

“Why not?”

“Because we’re characters in the 2019 film, The Silence.”

“Uhmmm….okay.”

“And there’s monsters flying around the car.”

“Oh, is that what those are?  I thought they were like fruit bats or something.”

“And they only hunt by sound.”

“Wait.”

“So, if you make a sound, they’ll swoop down and kill the entire family, even old grandma in the back seat.”

“Does any of this seem familiar?”

“Shhhh….”

“I swear this film feels familiar.”

“Oh please …. this is nothing like A Quiet Place.”

“Uhmm …. big flying creatures swarming on people who make noise and killing them.  How is this not like A Quiet Place?”

“Well, The Silence not only features creatures that only hunt by sound but there’s also a subplot that comes out of nowhere, about a bunch of cultists who have cut out their tongues and who want to sacrifice the family to the monsters.”

“Oh.”

“Nothing like A Quiet Place.”

“So, basically, this just A Quiet Place meets a bad episode of Fear The Walking Dead.

“Kind of but you know what?  The Silence has got Stanley Tucci in the cast and he’s an Oscar nominee!  Plus, Kiernan Shipka plays Tucci’s deaf daughter and she’s Sabrina.  Also, Miranda Otto is in it and she-costars with Kiernan on that Sabrina show, so this entire movie really does feel like a particularly messed-up episode of Chilling Adventures of Sabrina.”

“So, basically, this movie is a A Quiet Place meets Fear The Walking Dead meets that terrible Sabrina show.”

“My point is that this film has a really good cast and it’s also got the guts to totally waste them in uninteresting roles.”

“How does that take guts?”

“It also has the guts to kill off the adorable family dog because sometimes you just have to make difficult choices to say alive.”

“Especially when you’re living in a second-rate version of A Quiet Place, right?”

“LISTEN!”

“Uhmm …. should you have just yelled like that, considering all the monsters killing anyone who makes a sound?”

“Whoops.”

“Well, we’re screwed …. AAAAAAGH!”

And the rest is silence.

 

Horror On The Lens: Carnival of Souls (dir by Herk Harvey)


Well, we’re nearly done with October and, traditionally, this is when all of us in the Shattered Lens Bunker gather in front of the television in Arleigh’s penthouse suite, eat popcorn, drink diet coke, and gossip about whoever has the day off.

Of course, after we do that, I duck back into my office and I watch the classic 1962 film, Carnival of Souls!

Reportedly, David Lynch is a huge fan of Carnival of Souls and, when you watch the film, it’s easy to see why.  The film follows a somewhat odd woman (played, in her one and only starring role, by Candace Hilligoss) who, after a car accident, is haunted by visions of ghostly figures.  This dream-like film was independently produced and distributed.  At the time, it didn’t get much attention but it has since been recognized as a classic and very influential horror film.

This was director Herk Harvey’s only feature film.  Before and after making this film, he specialized in making educational and industrial shorts (some of which we’ve watched this month), the type of films that encouraged students not to cheat on tests and employees not to take their jobs for granted.  Harvey also appears in this film, playing “The Man” who haunts Hilligoss as she travels across the country.

Enjoy Carnival of Souls!

And remember, don’t stop for any hitchhikers!

6 Trailers For October 30th


 

Halloween comes closer and that means that it’s time for another holiday edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers.  Today, we have 6 of my favorite Italian horror trailers!

  1. The Beyond (1981)

I’ve always liked the trailer for Lucio Fulci’s The Beyond.  It does a good job of capturing the dream-like amtosphere of Fulci’s classic film.

2. Raiders of Atlantis (1983)

Raiders of Atlantis is hardly my favorite Ruggero Deodato film but I do really like the trailer.  Add to that, I think this might be the only Deodato trailer that’s actually safe for work.  The trailer for Cannibal Holocaust features that body being found with the stake driven through it.  The House on the Edge of the Park trailer features the scene with straight razor.  Meanwhile, the trailer for Raiders of Atlantis has fun music and a laser-shooting statue!  It also has Tony King shouting, “Come on, come on, come on!”

3. Zombie 5: Killing Birds (1987)

This movie sucks but, for some reason, I’ve always found the trailer to be very effective.  I think it’s the scene with the woman smiling despite being pinned to the wall and apparently dead.  That’s pure nightmare fuel.

4. Spasmo (1974)

This is from director Umberto Lenzi.  I sometimes feel as if I’m the only person in the world who likes this film.  As for the trailer, I just enjoy the anguished cries of “Spasmo!  Spasmo!”

5. Lisa and the Devil (1973) 

This is one of my favorite Mario Bava films.  Yes, some of it is because the lead character is named Lisa.  I’ll admit it, I like my name.  However, it’s a really good film as well!

6. Tenebrae (1982)

And finally, here is the trailer for Dario Argento’s brilliant, Tenebrae!

Seriously, if you want to have a truly wonderful Halloween, watch some Italian horror!  If you haven’t already discovered Bava, Fulci, Argento, Lenzi, Soavi, D’Amato, and all the rest, now is the perfect time to do so!  Do it now before their work gets canceled by the online puritan mob.

(Always remember: invest in physical media.)

The Things You Find On Netflix: We Summon The Darkness (dir by Marc Meyers)


We Summon The Darkness is a horror/comedy that has got a devilish little twist that I can’t spoil in this review.

That’s a shame because, believe me, I would love to spoil it.  I would love to tell you all about the twist and about how much I love the twit and how clever I felt it all was but really, this is a twist that you need to experience for yourself.  I don’t know if it’s really possible to go into a movie blind anymore but if there’s any movie that benefits from being viewed with as little foreknowledge as possible, it’s We Summon The Darkness.

I can tell you that that movie takes place in Indiana in 1988.  It follows six people — three women and three guys — over the course of one long and very eventful night.  It starts with Alexis (Alexandria Daddario), Val (Maddie Hasson),  and Bev (Amy Forsyth) heading to a heavy metal concert out in the middle of nowhere.  As they head to the concert, we see glimpses over an evangelist (Johnny Knoxville) railing against heavy metal and Satanism.  We also hear some random news reports about some recent murders, all of which appear to have been the work of Satanists.  It’s obvious that this film takes place in a very religious community, one that feels it is currently under attack from the forces of darkness.

At the concert, the girls meet up with three dorky guys, Mark (Keenan Johnson), Kovacs (Logan Miller), and Ivan (Austin Swift).  Ivan is the leader of the guys, an outspoken atheist who is clearly skeptical of all of this Satanic panic.  Mark, meanwhile, is celebrating one last hurrah before heading off to Los Angeles.  Alexis invites the boys to come back to her father’s mansion, which is apparently empty for the night.  The boys agree and….

….all Hell breaks loose.

And that’s all I’m going to tell you about the plot.  In fact, I probably shared too much already.  What I will say is that the film takes you by surprise.  Just from reading about the film’s opening few minutes, you may think you know who these characters are but, instead, they surprise you.  You may also think that you know how all of the chaos at the mansion is going to play out but again, the film surprises you.

We Summon The Darkness is a clever and intense mix of horror and satire, one that keeps the audience guessing.  From the strong opening to the twisty conclusion, this is a film that grabs your attention and refuses to let it go.  Director Marc Meyers does a great job of ramping up the tension and he’s helped by a wonderful cast, all of whom bring their odd characters to life.  Alexandra Daddario and Ivan Swift are the cast stand-outs, with Daddario especially tearing through the film like a force of nature.  Though I initially assumed that Johnny Knoxville’s role was an example of stunt casting, he actually gives a good performance as a character who turns out to be far more important than you might initially assume.

We Summon The Darkness can currently be summoned from Netflix and it’s worth the watch.

Here’s The Trailer For Songbird!


Judging from twitter, a lot of people are either outraged or pretending to be outraged about the upcoming film Songbird.  Songbird imagines a 2024 in which continued COVID lockdowns have transformed the world into a Hellish dystopia.

Speaking for myself, it sounds like the film is just being honest about how a lot of people are feeling right now.  If nothing else, a film like can be cathartic for people who are feeling worried.  Too often, when there’s a crisis, people are shamed for having doubts.  They’re ordered to forget about their fears and just trust the powers that be.  Unfortunately, when the powers that be have consistently shown themselves to be a bunch of out-of-touch elitists, it’s hard to take much comfort in them.  Certainly, when your leaders are saying, “You’re going to be locked down and if you complain, you’re going to be punished,” films like this seems like an inevitable by-product of a year’s worth of resentment.

Anyway, here’s the trailer for Songbird:

AMV of the Day: Secret (Another)


To help to continue to promote the holiday spirit, here’s an AMV of the Day.

Anime: Another

Song: Secret by The Piercers

Creator: Tuyên Tuyên

(As always, please consider subscribing to this creator’s YouTube channel!)

Past AMVs of the Day