Horror Book Review: Hollywood Monster: A Walk Down Elm Street With The Man Of Your Dreams by Robert Englund and Alan Goldsher


What type of actor does it take to bring to life one of the scariest monsters in horror film history?

A damn good one!

Seriously, Robert Englund is a truly underrated actor.  Of course, we all know him best as the original Freddy Krueger.  Whenever I watch the original Nightmare on Elm Street, I’m always surprised by just how scary Englund actually was in that role.  Some of the sequels got a bit too gimmicky and Freddy sometimes seemed to spend more time coming up with one-liners than actually killing people but, in the original Nightmare on Elm Street, Freddy is truly terrifying.  Wes Craven deserves a lot of credit for that, of course.  But Robert Englund truly throws himself into that dark role, bringing Freddy to nightmarish life.  Reportedly, Craven’s original choice for Freddy was the British actor David Warner.  It’s nothing against Warner (who is a very fine actor who has played many memorable villains) or, for that matter, Jackie Earle Haley (who took over the role in the 2010 reboot) to say that, after watching the original A Nightmare on Elm Street, it’s impossible to imagine anyone other than Robert Englund in the role.

What is often forgotten is that Robert Englund was a fairly successful character actor before finding fame as Freddy.  It’s not an uncommon occurrence that I’ll be watching an older movie from the 70s and suddenly, out of nowhere, Robert Englund will pop up in a small role.  Interestingly enough, pre-Nightmare Englund seemed to specialize in playing nice guys.  Sure, he played an occasional creep but, usually, it was far more likely that Englund would be cast as the hero’s best friend or sidekick.

Add to that, I have never heard anyone say a word against Robert Englund.  I have never once heard about him being a jerk to his fans.  I’ve never heard any stories about his being difficult on a set.  Every story that I’ve heard about Robert Englund describes him as being friendly, gracious, and easy-going, almost the exact opposite of Freddy Krueger.

That’s certainly the impression that I got from reading Englund’s autobiography.  Published in 2009, Hollywood Monster is quite literally one of the most likable Hollywood memoirs that I’ve ever read.  This memoir is full of stories about both Englund’s early career and his time as a horror movie icon and yet, never does Englund seem to have a bad word to say about … well, anything.  Instead, he writes about encouraging his friend Mark Hamill to audition for Luke Skywalker in Star Wars or how his co-stars all dealt with being victims in the latest Nightmare on Elm Street film.  The book’s tone is cheerful even when talking about what it’s like to be typecast as everyone’s favorite dream killer.  For a Hollywood monster, Robert Englund comes across as being disarmingly likable.

If this memoir was by any other actor, I would complain about the lack of cynicism and bitterness.  But, in Englund’s case, it’s actually kind of sweet.  It’s also rather impressive.  Who would have guessed that such a nice guy could give everyone nightmares?  That’s the power of good acting.

Anyway, Hollywood Monster is an entertaining and often very funny Hollywood memoir.  It’s a fun read and one that I suggest for horror fans everywhere.

 

 

Horror Film Review: The Belko Experiment (dir by Greg McLean)


How far would you go if all you had to do was follow orders?  That is the question posed by The Belko Experiment.

A violent and disturbingly plausible social satire/horror film, The Belko Experiment was released into theaters on March 17th.  It was one of the best films of the first half of 2017 but, as so often happens whenever a genre film subverts the traditional narrative, The Belko Experiment is also one of the most overlooked films of 2017.  It got mixed reviews, with most critics focusing on the fact that the script was written by James Gunn.  (Though Gunn may be best known for directing Guardians of the Galaxy, his non-MCU work has always  been distinguished by a subversive, often transgressive sensibility.)  A few critics dismissed it as being just another lurid celebration of violence, showing once again that you can always count on certain mainstream critics to unfairly categorize any film that doesn’t neatly fit into their preconceptions.  Yes, The Belko Experiment is violent.  And yes, it is gory and sometimes hard to watch.  However, to dismiss The Belko Experiment as merely being that latest entry in the torture porn genre is to totally miss the point.

Mike Milch (John Gallagher, Jr.) is one of the many employees of Belko Industries.  He’s a nice enough guy.  In fact, if I worked for Belko Industries, Mike would probably be one of my favorite co-workers.  He’s friendly.  He’s funny.  He’s not unattractive.  He’s kind of a less smirky version of The Office‘s Jim Halpert.  I’d want to be his friend.  Since Belko’s offices are located in a remote area of Colombia, I would want to make all the friends that I could.

(Early on in the film, we’re informed that every employee of Belko Industries has been required to get a tracking device implanted at the base of their skull.  They’re told that this is because there’s always the risk that one of them will be kidnapped by drug traffickers.  Of course, as the film plays out, we discover that it’s actually for a totally different reason.)

When The Belko Experiment begins, it’s a day like any other.  People show up for work. Some people actually do work.  Some people slack off.  Everyone tries to look busy whenever the boss, Barry Norris (Tony Goldwyn), wanders by.  The maintenance workers (Michael Rooker and David Dastmalchian) do their thing.  A few employees sneak up to the roof of the office building and get high.  Everyone tries to avoid Wendell Dukes (John C. McGinely), a pervy executive.  The security guard (James Earl) watches the door.  The newest employee (Melonie Diaz) learns about her new job and coworkers.

Of course, there are a few strange things.  Some new security guards have shown up and they don’t appear to be particularly friendly.  They turn away all of the locals who work at the office, only allowing in the American employees.  Everyone agrees that it’s strange but, instead of thinking about it too much, they just keep going about their day.

Then, the steel shutters slam down, effectively sealing the building off.

Then a voice (Gregg Henry) demands that they select two co-workers to die.  When the employees of Belko Industries refuse (with several dismissing the whole thing as being a tasteless prank), tracking devices start to randomly explode until four employees are dead.  The voice goes on to say that, unless 30 employees are killed in the next two hours, 60 people will be randomly killed…

Some of the co-workers refuse to kill their friends but many more do not.  And soon, even those who refused to take part in the murders, are forced to start killing just to keep from being killed themselves…

The Belko Experiment wastes no time in establishing that anyone can die at any moment.  It doesn’t matter how funny you were a few seconds ago or how likable you may be.  If the unseen voice decides to flip your switch, that “tracking device” will explode and it’ll take your head with it.  And, even if the unseen voice doesn’t get you, your coworkers might.

That, by itself, would be disturbing enough.  However, The Belko Experiment ultimately succeeds as a work of horror because it illustrates a truth that many people would prefer to ignore.  When the employees of Belko Industries start to kill each other, it feels all too plausible.  Culturally, human beings are conditioned to follow orders.  We like to have an authoritarian around to tell us what to do.  It’s a good way of avoiding responsibility for our own actions.  (“I was following orders.”  “I was following protocol.”  “I’m just doing my job.”)  As The Belko Experiment demonstrates, most people would never dream of hurting someone else … unless they were ordered to do so.  The characters in The Belko Experiment start the movie as individuals but, as the experiment unfolds, all quirks and differences vanish.  All that is left are drones who slavishly do what they’re told.

Making the nightmare scenario feel all the more believable is a large and strong cast of familiar faces.  As the closest thing that this film has to a hero, John Gallagher, Jr. is likable and you find yourself hoping that he’ll somehow manage to survive all of this with his humanity intact.  Tony Goldwyn brings some interesting shades to his role while John C. McGinley is memorably creepy as Wendell.  Micheal Rooker, Abraham Benrubi, Sean Gunn, Josh Brener, Melonie Diaz, Brent Sexton, and Adria Arjone all shine in smaller roles.  To be honest, you really don’t want to see any of these people suffer, which makes their inevitable fate all the more disturbing.

The Belko Experiment is ultimately a portrait of how easily people can be persuaded (or ordered) to surrender their humanity.  It’s the exact mentality that we currently see everyday, with people willingly becoming slaves to one ideology or another and then tossing around terms like “treason” whenever anyone dares to do something other than obey.  It’s the exact mentality that leads to people accusing you of being “selfish” when you refuse to surrender your right to self-determination.  Our real-life Belko Experiment has been going on for several years now and it doesn’t appear to be ending anytime soon.  This movie is frightening because it’s real.

A Movie A Day #266: Possessed by the Night (1994, directed by Fred Olen Ray)


Howard Hansen (Ted Prior) is a best-selling horror writer who is suffering from writer’s block.  With his agent, Murray (Frank Sivero), pressuring him to get something written, Howard decides to seek inspiration in Chinatown.  When he steps into a curio shop and sees a grotesque, one-eyed blob floating in a jar of formaldehyde, Howard buys it.  He hopes that the blob will give him an idea for a great book but instead, it just causes him to have nightmares and violent sex with his wife, Peggy (Sandahl Bergman).

Meanwhile, Murray is in debt with loan shark Scott Lindsey (Henry Silva) and Scott’s number one debt collector, Gus (Chad McQueen).  Murray needs money and he needs it quickly.  Murray sends his “secretary,” Carol (Shannon Tweed), to live with the Hansens and steal an unpublished romance novel that Howard wrote when he was just starting out as a writer.  However, the one-eyed blob possesses Carol and she is soon climbing onto both Howard’s workout equipment and Howard!  Soon everyone is under the influence of the one-eyed blob, Carol is forcing Howard and Peggy to make love while she holds the gun on them, and both Gus and Murray are sneaking around the house, trying to find the manuscript.

A movie that was once very popular on late night Cinemax, Possessed By The Night is a sometimes awkward but frequently entertaining horror/thriller hybrid from B-auteur Fred Olen Ray.  Along with giving Frank Sivero a rare leading role (Sivero is best known for playing Frankie in Goodfellas and providing the inspiration for the Simpsons character of the same name), Possessed By The Night proves that no movie can be that bad when featuring both Sandahl Bergman and Shannon Tweed.  When you watch a Fred Olen Ray/Shannon Tweed collaboration from 1994, you know what you’re getting and Possessed By The Night delivers.

Horror Scenes That I Love: Georges Méliès’s The Haunted Castle


Technically, today’s scene that I love isn’t so much a scene as it’s an entire movie!

Below, you’ll find The Haunted Castle, a 3-minute silent from the great French director, Georges Méliès.  This film was made in 1896 and is considered, along with The Execution of Mary Stuart, to be one of the very first horror films!

Needless to say, The Haunted Castle is going to look primitive to modern eyes but so what?  There’s a lot of charm to be found in these three minutes.  Imagine seeing this in 1896, at a time before everyone was knowledgeable (and a bit cynical) about special effects and film trickery.

After you watch this piece of film history, please be sure to watch Martin Scorsese’s Hugo.  Just be prepared to cry.

Enjoy!

6 Trailers For The First Of October!


As a part of this October’s horrorthon, I am pleased to announce the return of Lisa Marie’s Favorite Grindhouse and Exploitation film trailers!  This used to be a regular (and fairly popular) feature here on the Shattered Lens.  Unfortunately, a few years ago, I discovered that I had shared almost every worthwhile trailer on YouTube and, as such, it became more of a “special occasion” type of feature.

However, enough time has passed that there are now new trailers on YouTube!  Yay!

So, let’s get things started with 6 Trailers for The First of October!

(Why six?  Because Lisa doesn’t do odd numbers!)

  1. I Drink Your Blood (1971)

Let’s start things off with I Drink Your Blood (1971), a film about what happens when hippies get rabies.  None other than Ryan C, the Trashfilm Guru himself, has described I Drink Your Blood as being one of the greatest grindhouse films of all time.

2. Psychomania (1973)

What’s the best way to deal with blood-crazed hippies?  How about an English motorcycle gang?  This was also the final film of George Sanders.

3. Werewolves on Wheels (1971)

Speaking of motorcycle gangs, you can check out Gary’s review of Werewolves on Wheels by clicking here!

4. The Beast Must Die (1974)

Not all werewolves ride motorcycles!  Some of them terrorize remote locations and are hunted by Peter Cushing, as seen in The Beast Must Die.

5. Shock Waves (1977)

Peter Cushing went from filming The Beast Must Die to appearing in Shock Waves, perhaps the greatest Nazi zombie film ever made.  Check out my review here!

6. The Loch Ness Horror (1982)

However, zombie nazis aren’t the only thing that live in the water!  Just ask the people of Scotland!

What do you think, random hippie with cat?

Jedadiah Leland’s Horrific Adventures In The Internet Archive #1: Richard and Alan’s Escape From Hell (1990, Entertainment Arts)


For October, I have decided to return to the Internet Archive and further explore their collection of old MS-DOS games.   I started things off by playing Richard and Alan’s Escape From Hell (1990, Electronic Arts).

Though the Archive only includes the game (no manual, no instructions of any kind), I was able to find Escape From Hell‘s front and back cover art at the Let’s Play Archive.  Almost everything that needs to be known about this game’s tone and sensibility can be deduced simply by looking at these illustrations:

As for the game itself, it is a role-playing game.  You are Richard.  Largely as a result of your own stupidity, you and your best friend and your girlfriend have all accidentally be sent to Hell.

(Good work on including the Guns and Roses poster in the background.)

Because this is a MS-DOS game from 1990, Hell looks like this:

In the screen shot above, you are standing above a river of flame and there is a skeleton blocking your way.  One thing that I quickly learned is that you should not try to talk to the skeletons.  If you do, this will probably happen:

That did not work out.  One of the problems with trying to play Escape From Hell on the Internet Archive is that, especially early on in the game, it is very easy to die and, without the original disk, it is impossible to save your game.   Death means that you literally have to start over again, from the very beginning.

It is worth restarting, though.  Once you figure out how to avoid running into skeletons, you do get a chance to talk to some of the other inhabitants of Hell.  Like this one:

You also come across clues and other messages:

Eventually, I even found the entrance to Hell’s waiting room.

Unfortunately, once I got in the waiting room, I went down the wrong hallway and this happened:

Escape from Hell is not an easy game but it is worth sticking with.  If you can manage to go long enough without  dying, you will eventually meet some condemned people who are willing to help you out.  Most of them are real-life tyrants, like Joseph Stalin and Genghis Khan.  It turns out that Stalin is a really good shot with a nail gun.  Who would have guessed?

I am still playing my way through Escape From Hell but, from what I have seen, I recommend it for anyone who wants to take a retro trip through the underworld, MS-DOS style.

4 Shots From 4 Films: Special Dario Argento Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

As you might have just guessed, today’s director is Dario Argento.  And these are 4 shots from 4 films!

4 Shots From 4 Films

Deep Red (1975, dir by Dario Argento)

Suspiria (1977, dir by Dario Argento)

Inferno (1980, dir by Dario Argento)

Dracula 3D (2012, directed by Dario Argento)

 

Horror on the Lens: Baffled! (dir by Philip Leacock)


Hi there and welcome to the October Horrorthon!

This is our favorite time of the year here at the Shattered Lens because October is horror month.  For the past five years, we have celebrated every October by reviewing and sharing some of our favorite horror movies, shows, books, and music!

A part of the tradition of Horrorthon is that we begin every day in October by sharing a free movie.  Now, I should warn you that most of these movies will come from YouTube and you know how YouTube is about yanking down videos.  So, if you’re reading this in 2024 and wondering where the promised movie disappeared to … well, you should have watched it in 2017!

Let’s start this October off with Baffled!, an entertaining little made-for-TV movie from 1973.  Leonard Nimoy plays a race car driver who suddenly starts to have psychic visions of a woman who lives in what appears to be a gothic manor.  The woman is in some sort of danger.  Nimoy, of course, would rather just race cars but a parapsychologist (Susan Hampshire) convinces him that he has to figure out what his visions mean.

Now, to be honest, Baffled! is not a particularly scary movie.  Some of Nimoy’s visions are spooky but there’s nothing in this movie that’s going to give you nightmares.  Though it may not be horrifying, Baffled! is a lot of fun.  Apparently, it was meant to be a pilot for a TV series.  If it had been picked up, I guess Nimoy and Hampshire would have been helping out a new guest star every week.  Nimoy seems to be having a lot of fun playing a psychic race car driver and he and Susan Hampshire have a really sweet and enjoyable chemistry.

I watched Baffled! with the TSL’s own Patrick Smith and the other members of the Late Night Movie Gang.  We all really enjoyed it and I hope you will too:

 

Welcome to October!


Photograph by Erin Nicole

Welcome to October!

Here’s hoping this month finds you with joy, family, friends, fiends, ghouls, and ghosts!

Today is also the start of the Shattered Les’s annual horrorthon!  Sit back, enjoy the reviews, the art, and the music videos, and have a great month of ghoulish fun!

Photograph by Erin Nicole

Have a safe and wonderful Halloween month!

Creature Double Feature 4: RODAN (Toho 1957) and MOTHRA (Toho 1961)


gary loggins's avatarcracked rear viewer

Let’s begin “Halloween Havoc!” season a day early by taking a trip to the Land of the Rising Sun for a pair of kaiju eiga films from Japan’s Toho Studios. Both were directed by GODZILLA’s Godfather Ishiro Honda, have special effects from Eiji Tsuurya, and feature the late Haru Nakajima donning the rubber monster suits. But the similarities end there, for while RODAN is a genuinely scary piece of giant monster terror, MOTHRA is a delightfully bizarre change-of-pace fantasy that began Toho’s turn toward more kid-friendly fare.

RODAN was filmed in 1956, and released in America a year later by DCA (the folks who brought you PLAN 9 FROM OUTER SPACE! ) under the aegis of The King Brothers . There’s more A-Bomb testing in the South Pacific, as Americanized stock footage tells us before the movie proper begins. Miners digging deep into the Earth’s crust are trapped by flooding…

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