Here Are The Gotham Nominations!


Under the Skin

Under the Skin

Here are the nominations for the Gotham Independent Film Awards!  It’s debatable just how reliable the Gothams are as an Oscar precursor.  For one thing, the majority of the big studio productions are not eligible for the Gothams.  However, when you’re an indie film trying to win mainstream awards, any recognition is good recognition.

As far as the nominees go, Birdman and Boyhood are already Oscar front runners.  However, the Gotham nominations will perhaps remind some people that The Grand Budapest Hotel is eligible for Oscar consideration as well.

Here are the Gotham nominations!

Best Feature

  • Birdman or (The Unexpected Virtue of Ignorance) – Alejandro G. Iñárritu, director; Alejandro G. Iñárritu, John Lesher, Arnon Milchan, James W. Skotchdopole, producers (Fox Searchlight Pictures)
  • Boyhood – Richard Linklater, director; Richard Linklater, Cathleen Sutherland, Jonathan Sehring, John Sloss, producers (IFC Films)
  • The Grand Budapest Hotel – Wes Anderson, director; Wes Anderson, Scott Rudin, Steven Rales, Jeremy Dawson, producers (Fox Searchlight Pictures)
  • Love Is Strange – Ira Sachs, director; Lucas Joaquin, Jay Van Hoy, Lars Knudsen, Ira Sachs, Jayne Baron Sherman, producers (Sony Pictures Classics)
  • Under the Skin – Jonathan Glazer, director; Nick Wechsler, James Wilson, producers (A24 Films)

Best Documentary

  • Actress – Robert Greene, director; Douglas Tirola, Susan Bedusa, Robert Greene, producers (The Cinema Guild)
  • CITIZENFOUR – Laura Poitras, director; Laura Poitras, Mathilde Bonnefoy, Dirk Wilutzky, producers (RADiUS, Participant Media, and HBO Documentary Films)
  • Life Itself – Steve James, director; Zak Piper, Steve James, Garrett Basch, producers (Magnolia Pictures and CNN Films)
  • Manakamana – Stephanie Spray & Pacho Velez, directors; Lucien Castaing-Taylor, Véréna Paravel, producers (The Cinema Guild)
  • Point and Shoot – Marshall Curry, director; Marshall Curry, Elizabeth Martin, Matthew Van Dyke, producers (The Orchard and American Documentary / POV)

Bingham Ray Breakthrough Director Award

  • Ana Lily Amirpour for A Girl Walks Home Alone at Night (Kino Lorber)
  • James Ward Byrkit for Coherence (Oscilloscope Laboratories)
  • Dan Gilroy for Nightcrawler (Open Road Films)
  • Eliza Hittman for It Felt Like Love (Variance Films)
  • Justin Simien for Dear White People (Lionsgate and Roadside Attractions)

Best Actor*

  • Bill Hader in The Skeleton Twins (Lionsgate and Roadside Attractions)
  • Ethan Hawke in Boyhood (IFC Films)
  • Oscar Isaac in A Most Violent Year (A24 Films)
  • Michael Keaton in Birdman or (The Unexpected Virtue of Ignorance) (Fox Searchlight Pictures)
  • Miles Teller in Whiplash (Sony Pictures Classics)

* The 2014 Best Actor nominating panel also voted to award a special Gotham Jury Award jointly to Steve Carell, Mark Ruffalo, and Channing Tatum for their ensemble performance in Foxcatcher (Sony Pictures Classics).

Best Actress

  • Patricia Arquette in Boyhood (IFC Films)
  • Gugu Mbatha-Raw in Beyond the Lights (Relativity Media)
  • Julianne Moore in Still Alice (Sony Pictures Classics)
  • Scarlett Johansson in Under the Skin (A24 Films)
  • Mia Wasikowska in Tracks (The Weinstein Company)

Breakthrough Actor

  • Riz Ahmed in Nightcrawler (Open Road Films)
  • Macon Blair in Blue Ruin (RADiUS)
  • Ellar Coltrane in Boyhood (IFC Films)
  • Joey King in Wish I Was Here (Focus Features)
  • Jenny Slate in Obvious Child (A24 Films)
  • Tessa Thompson in Dear White People (Lionsgate and Roadside Attractions)
Boyhood

Boyhood

Trailer: Jupiter Ascending


jupiter1

The Wachowskis, Andy and Lana, have a new film set for release in early 2015. Jupiter Ascending was suppose to come out in 2014, but things happened and now it’s been pushed back for a February 2015 release.

Such a drastic delay in release usually means something major on the negative side of the ledger has occurred and the studio in charge of it’s release have little to no faith in the film. Has Warner Bros. Studios lost faith in the latest Wachowski offering? Is Jupiter Ascending the hot mess that it has been rumored about? Is the grandiose space opera the film is being made out to be making studio exec’s nervous?

So, many questions that most people who like to dwell on the in’s and out’s of filmmaking and the business of making them are probably asking themselves.

My only concern is that the Wachowskis have taken the extra time to make the film they set out to make. They’re one of the few filmmakers who seem to always get to do the sort of dream projects that more successful directors rarely get a chance to or even attempt to try. Whether it’s The Matrix, Speed Racer or Cloud Atlas, the Wachowskis have danced to their own tune and for some reason Warner Bros. continue to give them big-budgets after big-budgets to get their next dream project made into reality.

Here’s to hoping Guardians of the Galaxy being such a huge success will help this upcoming space opera turn it’s February release (usually a place where films go to die) into a new addition to the resurgence of the space opera.

Lisa Marie Does It To Larry Crowne (dir. by Tom Hanks)


Jeff and I have been in Baltimore since last Friday and I’ve been having a great time seeing the sights (I thought I’d found the rowhouse where they hid all those bodies on The Wire but Jeff says all condemned buildings look the same) and just getting to meet and hang out with my boyfriend’s family.  We went shopping on Saturday, bonding on Sunday, and on  Monday night, they took me to see the fireworks at Baltimore Harbor.  And, on Tuesday, we went to the movies and saw the new Tom Hanks/Julia Roberts romcom Larry Crowne at the wonderful Harbor East Cinema.  Now, I have to admit that I wanted Larry Crowne to be a really sweet, funny movie because we were seeing it not only with Jeff’s younger sister but with his mom as well. 

So, imagine my horror as Larry Crowne flickered across the screen for 90 minutes and it quickly became apparent that we weren’t watching a cinematic classic.  Far from it.  With each flat punchline and uninspired piece of on-screen business, the feeling of despair at the pit of my stomach grew and grew.  Oh my God, I thought, they’re going to think about this movie now whenever they think about me.  In their heads, I will forever be equated with a bad, boring movie.  In their heads, in their heads…zombie…zombie…zombie…

Suddenly, I had another terrifying thought.  What if they, like a handful of other people in the audience, actually enjoyed the film?  What if, during the end credits, they looked over at me and said, “Wasn’t that wonderful?  That Tom Hanks really delivers.”  What would I do?  In my mind, I replayed all of the fun that I’d had in Baltimore up to that moment.  Damn you, Larry Crowne, I thought, things were going so well!

By the time the end credits had finished, I literally felt like I was aboutto  be ill.

And that’s when Jeff’s mom looked over at me and said, “Well, Tom Hanks sure did drop the ball on that one.”

Glory!  Glory!  Hallelujah! I wanted to shout.  Not only did we agree on the overall quality of the film but she also specifically went out of her way to blame Tom Hanks and not me!  Seriously, I can’t begin to tell you how happy this made me.

As for Larry Crowne, it’s the story a guy named Larry (played by Tom Hanks, who also directs) who loses his retail job because he doesn’t have a college education.  So, he enrolls at the local community college where, for some odd reason, he quickly captures the attention of a girl named Talia (Gugu Mbatha-Raw) who is several years younger and makes it her mission to make Larry into a cool guy.  Why does Talia take such an interest in this guy?  The movie never really says.  It’s not for any sort of romantic reason as Talia has a boyfriend (played by Wilmer Valderamma).   The only thing that she has in common with Larry is that they both drive motor scooters.  In fact, Talia’s in a gang of scooter riders.  And by that, I mean that there’s like 20 to 30 people in this group.  We never learn any of their names or why they’re all hanging out together.  Seriously, it all seems so false and cutesy that, after a good start, the entire film falls apart once Larry and Talia meet.  In the end, it just seems like another case of a Hollywood film in which a down-on-his-luck caucasian is validated by the fact that a member of a minority group has developed an inexplicable interest in his life. 

Anyway, one of Larry’s classes is taught by Julia Roberts and oh my God, can we just be honest here?  I know all you boys love her and stuff but seriously, Julia Roberts is aging terribly and she looks just awful here.  It doesn’t help that the character she’s playing here comes across as a brittle, self-centered psychotic with a drinking problem.  Whenever you see Larry starting to get near her, you just want to yell out, “No, Larry — she’s crazy!”  Julia’s performance gets better as the film goes on but it’s still hard to warm up to her character.  Not only does she appear to have been born with a scowl on her face but she’s also not much of a teacher.  Seriously, what type of public speaking professor interrupts her students while they’re giving a speech?  Anyway, Tom and Julia eventually end up pursuing each other, though not because it makes any sense for their characters to feel any sort of attraction towards each other.  This is the type of romantic comedy where the romance feels like an afterthought.  It’s as if someone said, “Wait — both Tom and Julia are in this movie?  Well, make sure they fall in love.”

Now, the frustrating thing with Larry Crowne is that it’s never actually bad enough to be a “so bad that’s it’s good” type of film.  Instead, the film settles very early for a very complacent, almost lazy sort of mediocrity.  As a result, the film is ultimately not terrible but instead, just very forgettable.  It’s heart it is in the right place.  Tom Hanks has said that this film is meant to be an “antidote to cynicism” and, if that’s the case, he can take pride that there’s not a cynical bone in the film’s body.  It’s all very earnest, very well-intentioned, and finally just very, very bland.

Sometimes, a little cynicism is just what the doctor ordered.