Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
This week, the Love Boat goes a little bit country.
Episodes 6.27 and 6.28 “Country Music Jamboree”
(Dir by Richard Kinon, originally aired on April 30th, 1983)
It’s the special, two-hour country music cruise!
I have to admit that I lost interest in this episode as soon as I saw the banner in the Love Boat lobby that read “County Music Jamboree.” Country music’s not my thing. I lost even more interest when Florence Henderson showed up as country singer Annabelle Folker. Florence Henderson was a frequent guest on both Fantasy Island and The Love Boat and I can’t think of a single time that I was ever happy to see her name in the credits. Whenever she appeared, she almost always seemed like she was trying too hard. Her performances always brought to mind dinner theater and holiday special guest spots.
Annabelle was traveling with her boyfriend (Bert Convy) and the three orphans (Michael Evans, Angela Lee Sloan, and Neil Billingsley) that she was planning on adopting. The problem was that her boyfriend didn’t want to adopt the kids. But then, he changed his mind because the show was nearly over and the storyline needed a happy ending. Seriously, the kids were obnoxious as Hell.
While that went on, singer Holly Hartmann (Jessica Walter) was upset to discover that her husband (Mel Tillis) was secretly writing songs for an up-and-coming singer named C.G. Thomas (Tanya Tucker). Holly was not happy when she found out but then she sang Stand By Your Man and that solved everything.
The Love Boat chef (Pat Buttram) was upset that his kitchen implements kept disappearing. That’s because Isaac, Doc, Gopher, and Julie were stealing them so that they could form a country-western band. Meanwhile, two fat people (Kenny Price and Lulu Roman) boarded the boat and never stopped eating.
(Don’t give me that look, I didn’t write the script.)
Effie Skaggs (Minnie Pearl) sold homemade elixirs from her cabin while Doc attempted to romance her granddaughter (Misty Rowe). When Effie got sick, she refused to accept any of Doc’s strange modern medicine. No antibiotics for Effie Skaggs!
Jeannie Davis (Beth Howland) feared that her husband (Steve Kanaly) would learn that her latest piece of jewelry was given to her by a man with whom she had an affair. A jewelry appraiser (Sherman Hemsley) insisted on finding out how much the jewelry was worth. Jeannie feared that her husband would suspect something was amiss when he discovered how expensive it really was. She begged the appraiser to lie about how much it was worth. The appraiser said that he could not risk damaging his reputation but then he decided to lie anyway.
Gopher and Isaac tried to get a picture with Dottie West (a singer who played herself) but Dottie just wanted to rest.
Is that it? Is that all of the storylines or is that just all my exhausted mind can remember? Seriously, this was a busy two-hour episode. It was an annoying episode too. Maybe I’d feel differently if I was into country music. Of the guest stars, Mel Tillis and Jessica Walter gave the best performances. Of the Love Boat crew, no one came out of this episode with their dignity intact.
This was a cruise to miss.
This cruise? This cruise was a perfect 10 out of 10 on the How Coked Up Was Julie Scale.
Tonight, from 1976, we have The Paul Lynde Halloween Special.
In this special, actor and comedian Paul Lynde celebrates Halloween with Betty White, KISS, Donny and Marie Osmond, Florence Henderson, Billy Barty, Margaret Hamilton (the original Wicked Witch of the West), and I’m going to guess a mountain of cocaine that was probably sitting backstage.
This special is definitely a product of a very certain era in America’s cultural history.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.
This week, we have two more fantasies that do not feature Tattoo. What even is the point?
Episode 7.8 “Random Choices/My Mommy, The Swinger”
(Dir by Bob Sweeney, originally aired on December 3rd, 1983)
Elaine Ashley (Florence Henderson) is divorced and raising two kids on her own. Her fantasy is to be a swinger for the weekend! Mr. Roarke arranges for Lawrence to watch the kids and then he sets Elaine up with tennis player Martin Avery (Robert Goulet). While Lawrence attempts to explain to the kids why their mother doesn’t want them around for the weekend, Martin offers Elaine a job. It’s a good job with a nice salary but it would require her to put her children in a boarding school. On the plus side, I guess Elaine would finally get laid again since that seems to be her main concern. On the negative side, no more kids.
Elaine is tempted. In fact, Elaine is so tempted that it actually make her into a really unsympathetic character. At first, Elaine takes the job but then, when she sees how upset her children are about no longer living with her, she changes her mind. Hey, Elaine — how did you think the children would react!?
This fantasy irked me. Of course, to be absolutely honest about things, Florence Henderson irks me in general. Maybe I’m still holding the last episode of The Brady Bunch Variety Hour against her but, whenever Florence Henderson appeared on this show or on The Love Boat, the characters she played always came across as being judgmental and self-absorbed. That’s certainly the case here. You take your children to a tropical paradise and then you abandon them with the butler? Really?
As for the other fantasy, it featured Jose Ferrer as a dying billionaire who needed to find someone who he could trust to give away his money to people who deserved it. Roarke determined that person was Eddie Random (James Read), an angry young man who felt his father had been cheated by Ferrer’s tycoon. The entire fantasy came down to Eddie proving himself by taking supplies to an Island and helping a crotchety old man come to terms with the death of his wife.
This second fantasy felt like a backdoor pilot. It literally ended with Eddie and the billionaire leaving to have many more adventures. As such, the fantasy itself felt rather incomplete and …. well, silly. Why would the tycoon need Fantasy Island to help him find the right person to give away his money? Why does he even need a person to do that? He should have just arranged for a big scavenger hunt and whoever found the most items would get the money. That would have been a lot more fun.
You know who always enjoyed fantasies dealing with money? Tattoo. I miss him.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
This week, Gopher almost gets rich!
Episode 5.5 “Country Blues/Daddy’s Little Girl/Jackpot”
(Dir by Don Weis, originally aired on October 31st, 1981)
I have to admit that I groaned a bit when I saw that Florence Henderson was going to be one of the passengers on this week’s cruise. I still haven’t quite recovered from the trauma of reviewing The Brady Bunch Variety Hour and, whenever Florence Henderson showed up on any of these shows, she always had to sing a song. Florence wasn’t a bad singer but she wasn’t a particularly interesting one either. I remember that she always seemed like she was trying too hard to be Barbra Streisand whenever she performed a song of the Brady Bunch Variety Hour. Her version of Broadway and easy listening was always adequate without being very memorable.
And, on this cruise, Florence does sing. She’s playing Annabelle Folker, a country singer who is hired to provide entertainment for the cruise. She sing a few country songs and speaks with a thick (and not very convincing) country accent. Annabelle is happy to discover that her childhood friend, Martin Correll (James Noble), is on the cruise with his uptight girlfriend and campaign manager, Barbara (Carol Lawrence). Martin — or Blinky as Annabelle calls him — is thrilled to be reunited with Annabelle. Barbara is less enthused and she eventually tells Annabelle that, if Martin is ever going to be a success in politics, he can’t spend all of his time with a country singer who says whatever pops into her head. What’s weird is that Annabelle decides that Barbara is right. She and Martin aren’t meant for each other. Martin is too much of a career politician. In the end, Martin leaves with Barbara and Annabelle leaves alone. It was a weird story. Annabelle came across like a stalker but Barbara wasn’t particularly sympathetic either. Martin was just kind of wimpy.
Meanwhile, Marcy Crane (Randi Oakes) boards the boat with her father, Richard Simmons (Mason Adams). Marcy’s just gotten a divorce and Richard is very protective of her. At first, he’s concerned when she meets Dr. Jonathan Hunt (Frank Bonner), a veterinarian. Once Marcy explains that she’s not going to rush into another relationship and she’s just looking for casual sex, her father gives the couple his blessing. This was an oddly inconsequential story.
Finally, Gopher finds a bag that’s full of money! After he counts the money, he discovers that he is now $47,612 richer! (Adjusted for inflation, that’s the equivalent of $130,000 today.) Or, at least, that’ll be the case if Gopher keeps the money. But Gopher’s a good man at heart so, ultimately, he tells Captain Stubing about the money. Stubing says that money will be Gopher’s if no one claims it at the end of the cruise. And indeed, it turns out that the money was not lost by any of the current passengers. Gopher’s happy until he spots a little old woman crying on the dock in Los Angeles. She says that she took a cruise two weeks ago and lost a bag with her life’s savings. Gopher gives her the money. Awwwww!
This was a sweet story and it was kind of nice to see Gopher get a plotline. Fred Grandy was a likable actor and I always like the episodes where Gopher reveals that he’s actually got a good heart underneath his goofy exterior. This story did feature one rather silly fantasy sequence, in which Gopher imagined riding in a limousine with Stubing as his chauffeur, Julie as his wife, and Viki as a little beggar child. It was kind of a weird fantasy, to be honest.
One good story out of three does not make for a great cruise. I enjoyed Gopher’s plotline but the other two stories alternated between being dull and annoying. This was not a great cruise.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.
This week’s episode is about angels and Flying Dutchmen.
Episode 5.10 “A Very Strange Affair/The Sailor”
(Dir by Cliff Bole, originally aired on January 2nd, 1982)
This episode begins not with Mr. Roarke meeting the plane but instead with him heading out alone to the beach, where he meets a ghost ship that is being steered by Captain Hendrik Van Horton. Captain Van Horton is the legendry Flying Dutchman, the sailor who cursed God when he failed to defeat the Spanish fleet and who is now cursed to sail the ocean until he finds a woman who not only loves him but who is “willing to sacrifice her life” for him. Every seven years, Captain Van Horton is allowed to spend two days on dry land and he almost always comes to Fantasy Island.
And yes, this all sounds very intriguing and it is an interesting way to open this episode. I’m so used to the stock footage of Roarke driving down to the docks that it’s always a bit jarring to see something different. However, Captain Van Horton is also played by the reliably stiff (if likable) Peter Graves. Graves’s deadpan and straight-forward acting style made him the ideal actor for certain roles, usually as a professional of some sort. However, Graves’s rather stoic persona did not make him the best choice to play a tortured sea captain, cursed to sail on the ocean for an eternity.
As for his fantasy, the captain is lucky enough to be on the Island at the same time as Laura Myles (Florence Henderson), whose fantasy is to fall in love with an old-fashioned man’s man. She falls for the Captain, despite the attempts of her ex-boyfriend, Bill (Brett Halsey), to win her back. Unfortunately, the Captain loses his temper and punches the well-meaning Bill. Bill is willing to forgive the Captain but Mr. Roarke explains that the Island police are not as forgiving. (Doesn’t Mr. Roarke control the police? It’s his Island!) Captain Van Horton needs to marry Laura and then leave.
Captain Van Horton explains that he’s fallen in love with Laura but he can’t ask her to die for him. Laura says that she would be willing to die for a man who she has known for a day and half. Roarke then reveals that Laura doesn’t have to die. She just has to be “willing to die.” (Wow, what a silly curse!) The Captain and Laura sail off together but you have to wonder how the Captain feels about discovering, after hundreds of years of wandering, that there was an easily exploitable loophole to the curse.
As for the other fantasy, Ron (Dick Smothers) needs some confidence so he’ll be able to talk notorious tightwad, J.D. Stoneman (Hans Conried) i,nto investing in an orphanage. Roarke rings a bell and summons an angel, Miss Harbringer (Shelley Smith). Miss Harbringer gives Ron a pep talk and even goes to talk to Stoneman herself. Of course, Miss Harbringer’s real purpose is to make Ron’s wife, Elaine (Arlene Golonka), so jealous that Elaine will take over and encourage Ron to talk Stoneman into giving him the money.
Anyway, Miss Harbringer flirts with Stoneman and convinces him to invest in a good cause. But she allows Ron and Elaine to believe that it was Ron’s powers of persuasion that convinced Stoneman to invest. It’s kind of sad that Ron and Elaine forget about Miss Harbringer as soon as they get their money but Roarke says that’s the way it is for angels. I don’t think that’s true, though. I bet George Bailey never forgot Clarence.
(Atta boy, Clarence!)
Tattoo is not in this episode so it’s Julie’s turn to assist Mr. Roarke. What’s odd is that the episode doesn’t even offer up any explanation as to where Tattoo has disappeared. This episode was a bit on the blah side so it definitely could have used Tattoo. A random llama shows up at the end of the show and I liked that. Llamas are cute. But otherwise, this was a forgettable trip to the Island.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
Get ready for a very odd cruise!
Episode 4.13 “Isaac’s Teacher/Seal of Approval/The Curse of the Dumbrowskis”
(Dir by Bob Sweeney, originally aired on January 10th, 1981)
This is a weird episode.
Harriet (Florence Henderson) boards the ship with her husband, Harold Rogers (Jeffrey Tambor). Now, the idea of Florence Henderson and Jeffrey Tambor as a married couple may sound strange but it’s even stranger when you actually see it. Henderson and Tambor have absolutely zero chemistry together. Tambor looks more like Henderson’s no-good stepson than her husband.
Harriet is convinced that she is destined to die at an early age so she continually pressures Harold to find a woman that he can marry after she’s gone. In fact, Harriet thinks that maybe Harold could marry another passenger on the boat, Cindy (Christina Hart). Harold is getting frustrated with the pressure that Harriet is putting on him to find a new lover. Doc Bricker suggests that maybe Harold should make Harriet jealous by cheating on her with Cindy. What? I mean, I’m not surprised that Doc would make that suggestion but it is a bit odd that the show itself seems to think that this is a good idea. Harold goes along with the idea because, even if Harriet doesn’t get jealous, he’ll still get to sleep with Cindy. Wait. What?
Harriet is okay with Harold cheating on her until Harold says that he wants to give her favorite necklace to Cindy. Harriet realizes that she’s not okay with Harold giving her jewelry to his adulterous lover and she decides that she’ll no longer pressure Harold to find a new wife. They leave the ship with their marriage stronger than ever. Doc saves the day!
Meanwhile, Karen (Georgia Engel) boards the boat and immediately falls for Oscar Tilton (Donald O’Connor). Now, as mismatched as Florence Henderson and Jeffrey Tambor are, they seem like soulmates compared to Georgia Engel and Donald O’Connor. For one thing, O’Connor appears to be about 20 years older than Georgia Engel. Secondly, Donald O’Connor’s ebullient style clashes wildly with Georgia Engel’s inability to speak above a whisper.
Oscar is an entertainer who is traveling with his seal, Shirley. When Shirley sees that Oscar and Karen are falling in love, Shirley gets jealous and throws herself overboard. She leaves behind her rubber ball, apparently as a way to taunt Oscar. Oscar is depressed. How can he do his act without Shirley? Karen encourages him by telling him that he doesn’t need the seal to be entertaining. Gopher even helps out by playing the horns that Shirley would have played had she not jumped into the ocean….
I am not making this up.
Anyway, good news all around. Shirley survives jumping into the ocean and swims back to Oscar’s beach house. Shirley shows up when the boat docks in Los Angeles. Oscar tells Shirley that Karen is going to be a part of his life from now on. Shirley claps her fins, indicating that she approves.
NO, I AM NOT MAKING THIS UP!
All I can say is thank goodness for Lillian Gish. Gish plays Mrs. Williams, who boards the boat with her hulking nephew (Reb Brown). Mrs. Williams is also Isaac’s former teacher. Isaac is insecure about just being a bartender and pretends, with Gopher’s help, to be the ship’s first officer. Captain Stubing is not amused. Isaac tells Mrs. Williams the truth and Mrs. Williams replies that she is proud of Isaac, no matter what he does for a living.
Awwwwwwww!
This was a really simple story but it was sweet. Lillian Gish’s natural class provided a balance to Jeffrey Tambor cheating on Florence Henderson and Donald O’Connor’s seal trying to scare off Georgia Engel. And Ted Lange — seriously, episodes like this remind the viewer of how lucky The Love Boat was to have him. Yes, everyone knows that pointing thing that he does. But Lange also played Isaac as being a genuinely nice guy. I don’t drink but if I did, I would want Isaac to be my bartender.
Again, this episode was weird but at least it gave Lillian Gish and Ted Lange a chance to shine.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
This week, special guest star O.D. Warbux brings The Love Boat to life!
Episode 3.21 “The Remake/The Perfect Match/The Captain’s Ne’er Do Well Brother”
(Dir by Richard Kinon, originally aired on February 2nd, 1980)
At the start of this week’s episode, Marshall Stubing boards the ship. As you can guess by his last name, Marshall is Captain Stubing’s brother. He bears a pretty strong resemblance to Merrill, except he’s a little thinner and he has more hair and a pencil-thin smile. He wears suits and has a quick smile and is quick to flirt with every woman the he sees. He’s played by an actor named O.D. Warbux and….
Wait a minute….
That’s not O.D. Warbux! That’s Gavin MacLeod! Yes, in this episode, Gavin MacLeod plays both the serious Captain Stubing and his carefree, free-loading brother. And you know what? MacLeod/Warbux actually does a pretty good job playing the two roles. In the scenes in which the brothers argue, MacLeod really does seem to be sincerely annoyed with himself. Seriously, though, you have to give MacLeod some credit. If he had joked his way through the double role, I doubt anyone would have called him out on it. Instead, MacLeod gives two believable and emotionally nuanced performances.
As for why Marshall is on the boat, he’s looking for a woman to continue to fund his life. Merrill threatens to kick Marshall off the cruise but Marshall reveals that he bought a ticket and he has ever right to be there. As Merrill watches with a disapproving frown, Marshall meets and romances Ruby Gibson (Diane Ladd), who is the millionaire widow of an Oklahoma oilman. Marshall actually does fall in love with Ruby but he fears that he’s not good enough for her. Ruby announces that Marshall is perfect for her and even Merrill says that Marshall is actually a good guy. Marshall leaves the boat with Ruby and I assume they got married a few weeks later. That’s good. Hopefully, Ruby will help to pay for Vicki’s college education (assuming Vicki is actually allowed to leave the boat to attend school).
Marshall Stubing is not the only family member on the boat. Julie’s aunt, Christine (Florence Henderson), is also on the boat. When she meets Neal Rich (James Broderick), he immediately reminds her of her late husband. Neal and Christine fall in love on the boat but will Christine ever stop trying to make Neal behave just like her late husband? Of course, she does. This is The Love Boat! Back when I was reviewing The Brady Bunch Variety Hour, I said some fairly negative things about Florence Henderson as an actress but she’s actually really good in the episode and she has great chemistry with James Broderick so I guess it was really the Brady children who were holding her back on the Variety Hour. This was a sweet story and I have to say that I actually found myself really hoping that Christine and Neal would work things out.
Finally, Holly Christopher (Connie Stevens) boards the ship because she’s spent the last few weeks stalking Howard Samuels (Kent McCord), the man who she has decided will be the father of her child. As Holly explains it to Doc, she doesn’t want to get married. She doesn’t want a family. She just wants a baby. Doc, who has like a dozen ex-wives and whose entire life seems to revolve around searching for one-night stands on the boat, tells her that marriage and traditional courtship are wonderful and that she should consider them. Holly realizes that she agrees with Doc and she decides that she wants an old-fashioned romance after all. This whole storyline felt like it could have come from one of those old 1950s films that would star Troy Donahue and Sandra Dee as teenagers learning the facts of life. Kent McCord was pretty dull as Howard but Connie Stevens brought a lot of energy to the role of Holly. Out of the three couples who left the ship at the end of the cruise, Howard and Holly is the one that’s definitely not going to last.
With this episode, The Love Boat kept it all in the family and, overall, this was a pretty good cruise. Both Gavin MacLeod and O.D. Warbux deserve a lot of credit for giving performances that elevated the entire episode.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
This week, the Love Boat departs on one weird cruise.
Episode 2.12 “The Captain’s Cup / The Folks from Home / Legal Eagle”
(Dir by Alan Rafkin, originally aired on December 2nd, 1978)
This was a strange episode.
Let’s start with the simplest of our three stories first. Danny Holt (Bert Convy) is recently divorced and still crying over having to pay his wife alimony. When he boards the boat, he specifically asks Gopher if there are any single men onboard who might be interested in marrying his ex-wife. His ex isn’t even on the cruise! Danny is one bitter passenger. From the minute he boards the boat, he’s whining about how unfair his divorce was and how badly he was treated by his wife’s divorce lawyer, Ann Sterling (Leigh Taylor-Young).
Uh-oh, it turns out that Ann is one the cruise as well! And she’s been assigned to be Danny’s dinner companion. Danny isn’t happy about this but then, from out of seemingly nowhere, the two of them end of falling in love. It’s hard to say why they suddenly fall in love. Danny is superbitter over his divorce and Ann knows all of the details about what type of husband he was so it seems like the last thing that would ever happen would be them leaving the ship, arm-in-arm. But somehow, that’s what happens. It was a straight-forward story but it lacked any scenes that would have explained why the two of them fell in love. They just did because they were characters on The Love Boat. (It certainly wasn’t due to any noticeable romantic chemistry between Bert Convy and Leigh Taylor-Young.) This story felt lazy and generic.
In the episode’s second storyline, Captain Stubing is excited because he’s due to receive the Captain of the Year Cup. Diane DiMarzo (Florence Henderson, proving that former Bradys just cannot stay off The Love Boat) boards the ship with the Cup but she’s shocked to discover that 1) her boss — the guy who actually decided to give Stubing the Cup — will not be on the ship and 2) Stubing fully expects her boss to personally present him with the Cup. Now, I’m not really sure how the logic works here but apparently, Diane could lose her job if her boss isn’t there to give Stubing the cup. But why would that be Diane’s problem? She did what she was supposed to do. She boarded the ship with the Cup. Her boss is the one who decided not to show up and he is the boss so it’s not like there was anything Diane could have done about it.
Anyway, Diane recruits one of the ship’s handymen to pretend to be her boss. Though he works on the boat and the rest of the crew know him, it appears that the Captain himself has never met Hank Vosnik (Pat Harrington, Jr.), which kind of leads one to wonder if Stubing really deserves his award. Anyway, Hank falls in love with Diane and is crestfallen when she turns down his marriage proposal. (Seriously, at this point, they had only known each other for like three days so I’m not sure what Hank was expecting.) But, despite being turned down, Hank still pretends to be Diane’s boss. So, Diane decides that she might as well marry him. WHAT!?
Finally, Doc Bricker is happy to meet two passengers from his hometown. George (John McIntire) and Gloria (Jeanette Nolan) spend every moment with Doc and they even announce that, as far as they’re concerned, the 40-something Doc is a member of their family. Doc is touched. But then Gloria falls down a flight of stairs and Doc has to do emergency surgery on her. Gopher calls a doctor in San Francisco and he talks Doc through the surgery. Doc removes Gloria’s spleen and saves her life! Yay! Only at the end of the surgery does he get George to sign a consent form. In real life, that would lead to Doc to losing his job and the cruise line getting sued. But, on The Love Boat, it just leads to more laughter.
On the plus side, this storyline featured the charming performances of McIntire and Nolan, who were married in real life. The story was also written by Fred “Gopher” Grandy and Bernie “Doc” Kopell so, not surprisingly, it actually allowed Grandy and Kopell to do something more than just leer at the passengers. The show rarely gave Grandy or Kopell a chance to show off the fact that they were both capable of giving good dramatic performances so, whenever they got that rare chance to do so, they took advantage of it. That said, it was still a bit awkward to see Doc suddenly performing major surgery in his tiny examination room. It was all for the best on the show but, in real life, it would have led to a major lawsuit. Even though Doc Bricker saved Gloria’s life, it still seems like the ship could probably be held liable for her getting injured in the first place. I mean, the boat is in the middle of the ocean. Shouldn’t there at least be a warning posted on the stairs?
Well, who knows? Strange things happen at sea. Let’s just be happy that everything worked out in the end.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!
This week, we have a special, super-sized episode of Fantasy Island!
Episode 2.18 “Casting Director/Pentagram/A Little Ball”
(Dir by George McCowan and Michael Vejar, originally aired on February 17th, 1979)
This week, we get three fantasies, instead of the usual two!
Sister Mary Theresa (Lisa Hartman) is a nun who has been struggling with her faith even since the death of her mentor. Her fantasy is a chance to meet the only mortal man that her mentor ever loved. Colin McArthur (John Saxon) is tall, dark, handsome, and he loves animals! Not only does he seem like the perfect guy but he’s also played by John Saxon. Today, Saxon is best-known for appearing in horror movies and for playing B-movie villains and it’s easy to forget that he could also be quite a charming actor when given the chance. That said, as charming as he is, Colin just can’t compete with God and Sister Mary Theresa once again dons her habit before leaving the Island.
Meanwhile, Felix Birdsong (Don Knotts) has spent his life fantasizing about being a big time Hollywood casting agent and he gets his chance when he comes to the Island and is put in charge of selecting the woman who will star in a film called The MostBeautiful Girl In The World. Felix soon discovers that Hollywood isn’t as glamorous as he thought. (Uh, yeah, no doubt.) The film’s producer (Abe Vigoda) is a sleaze. The film is being funded by a combination of gangsters and oil sheikhs (one of whom is played by Cesar Romero) and all of them expect Felix to select their girlfriends for the role. Felix ends up very disillusioned, though you have to wonder what type of sheltered existence he experienced before coming to the island. I mean, he’s shocked to discover that Hollywood can be a heartless place and that rich men have mistresses! In the end, Felix announces that all 20 of the women will be cast as The Most Beautiful Girl In The World and that every single one of them will get the prize money. Yay! Of course, now the production is probably out of money so it’s not as if the film will ever actually be made. Actually, if I was a contestant in a beauty pageant and the judge just declared a 20-girl tie instead of giving me the prize, I would probably think he was the biggest jerk in the world. Boooo! Felix, you jerk!
Finally, Jane Garwood (Florence Henderson, continuing the tradition of Brady Bunch cast members showing up on the island) is a television news reporter who recently gained a lot of attention for a report she filed on Satanic cults. As a result of the report, a Satanic priest put a curse on Jane. Jane laughed it off until all of the men in her life started dying. Jane’s fantasy is to learn whether the curse is real. Mr. Roarke’s solution is to become the new man in Jane’s life. When he doesn’t die, Jane will see that the curse is not real….
Except, the curse is real! The cult has followed Jane to the Island and now they’re not only trying to kill her but Mr. Roarke as well! I have to admit that I’ve always assumed that Mr. Roarke was meant to be a supernatural being and I also assumed that he was immortal. Apparently, that’s not completely true. Still, despite the cult leader kidnapping Jane and dancing around with a cobra, Roarke is able to reveal that the cult leader is not only not a supernatural being but that he’s also Jane’s ex-boyfriend!
This episode was a fun mix of cartoonish comedy, sincere romance, and ludicrous melodrama. It was entertainingly silly in the way that only Fantasy Island could be at its best. I mean, with the exception of The Brady Bunch Hour, how many other shows would have the guts to give us Florence Henderson being menaced by a Satanic cult? For that, you have to go to Fantasy Island!
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Brady Bunch Hour, which ran on ABC from 1976 to 1977. All nine episodes can be found on YouTube!
This week, The Brady Bunch Hour comes to a close and with it, I gain my freedom from having to watch any more pitch perfect but incredibly boring performances from Florence Henderson.
Episode 1.9
(Directed by Jack Regas, originally aired on May 25th, 1977)
Two things happened on May 25th, 1977.
First of all, a film called Star Wars opened in theaters across the country.
Secondly, on ABC, The Brady Bunch Hour aired for the final time.
The final episode begins in the same way as all of the previous episodes. The Kroftettes do a kickline before driving into the pool and the audience applauds while the announcer reads off the names of the Bradys and announces that tonight’s special guest stars include Paul Williams, Rip Taylor, Lynn Anderson (who was a country-western singer), and Ann B. Davis.
Dressed in blue, The Bradys come out and perform a song called I’ve Got Love, which was written for a Broadway musical called Purlie. Purlie was a show about a black preacher living in the South during the Jim Crow era so you have to wonder how exactly the song relates to anything having to do with The Brady Bunch. As led by Florence Henderson, the Bunch turns the song into an “up with people”-style anthem. The Kroftettes meanwhile swim around with a punch of plastic hearts.
The song ends and, as the rest of their family struggles to catch their breath, Carol welcomes everyone to the show.
“I love love!” Carol announces.
The banter starts and the joke this time is that Carol enjoyed the song so much that she just won’t stop singing even while the rest of the family is trying to talk. This gets annoying pretty quickly because we’ve all had a relative like Carol, that person who can carry a tune and who goes out of their way to make sure that no one ever forgets it. Reportedly, one of the main reasons that Florence Henderson agreed to do The Brady Bunch Hour was because she wanted to transform herself into a Barbra Streisand-style singer and the producers agreed to allow her to do a solo in every episode. Henderson did not have a bad voice but she still had a tendency to oversell every song that she sang, performing in an over-rehearsed manner that revealed little real personality. During the last few episodes, a desperation creeped into Henderson’s performances, as if she felt that she alone could save the show by singing the Heck out of every song that she got.
After a minimum amount of banter (in which not a word is said about this being the final episode of the series), we cut to Carol and the kids performing a song called We’ve Got Us in front of a cardboard city skyline. For some reason, everyone’s dressed for golf.
At one point, the Brady daughters carry Carol across the stage while Carol sings. The audience applauds but Cindy looks like she’s struggling not to lose her grip on Carol’s ankles.
Peter and Bobby then carry Greg out on their shoulders while Greg sings. At one point, they nearly drop Greg and Greg’s reaction (his singing voice goes up several octaves) would seem to indicate that this was not at all planned.
After the rest of the Bunch marches off stage, Peter sneaks back and discovers that Mr. Merrill (played, of course, by Rip Taylor) is sleeping on a park bench. Mr. Merrill gets upset when Peter tries to move a trashcan because that is apparently where Mr. Merill keeps all of his stuff. Peter finds a slinky in the trashcan and Mr. Merrill announces, “Haven’t you ever seen Palm Springs?” Peter also finds a bottle of liquor in the the trashcan. Mr. Merrill explains that it’s “Beethoven’s fifth.” Peter and Jackie proceed to perform Me and My Shadow and it’s just as painful as it sounds.
The show goes to commercial. When it comes back, Fake Jan announces that the next guest is “my favorite female recording star, Lynn Anderson.” Fake Jan spends so much time praising Lynn that Greg comes out and tells Fake Jan that giving Lynn too much of a big build-up will make Lynn nervous. “Ladies and gentleman,” Fake Jan says, “a singer who’s not too bad, Lynn Anderson!” (To give credit where credit is due, I laughed.) Lynn Anderson comes out and sings a song called Right Time Of The Night and Fake Jan was right. She’s not too bad.
As Lynn finishes up the song, Fake Jan announces that Lynn is the best. “You just can’t say stuff like that on TV,” Greg says, sounding a bit like a jerk, if we’re going to be honest. Fake Jan demands that Greg tell her one person who sings as well as Lynn Anderson, who looks as good as Lynn Anderson, who has more hit records than Lynn Anderson, and who has beautiful blonde hair like Lynn Anderson.
“Paul Williams,” Greg says. “Great musician, but he’s a troublemaker …. remember when he came by the house?”
“Oh yeah,” Fake Jan says, “that was trouble.”
It’s flashback time!
We cut to the Brady Compound, where Alice is attempting to break up with Rip Taylor’s Jackie Merrill. Carol interrupts their fight to tell Alice to go clean another part of the house. Alice agrees to go on a date with Jackie, mostly to get him to go away. After Merrill leaves, Carol announces that Paul Williams is coming over. Marcia enters the living room, dressed in overalls because Paul Williams is into simple things, “like how people feel inside.”
Carol says…. I am not making this up …. Carol says, “Oh. Well, maybe you should swallow him, then.”
*snicker*
Greg enters the living room and starts leaving copies of his songs all over the living room. Marcia makes fun of his lyrics. Greg tells her, “Watch your mouth.”
*snicker*
Anyway, Marcia runs off crying. Mike enters the living room, looking confused. Carol explains that Paul Williams is only coming over to discuss what he’s going to do on the show. He doesn’t want to see Greg’s music or hang out with Marcia. A disgruntled Greg collects all of his lyrics. Finally, after Greg leaves the living room, Paul Williams rings the doorbell.
Paul tells Mike that he’s a “big fan of yours.” The audience laughs because Paul Williams is short. However, it turns out that Paul Williams is an even bigger fan of Carol’s. As Paul flirts shamelessly with Carol, Mike leaves to get the kids. Mike and the kids re-enter the living room just in time to hear Paul announce that he’s in love with Carol. The show cuts to commercial.
When the show returns, Mike is standing on stage, by himself. He’s wearing another one of his turtlenecks. “Welcome back to the second half of my family’s favorite show,” Mike tells us. Mike makes fun of Paul for being short and then shows us what happened at the Brady compound.
What happened?, you may ask. Well, Mike tells Paul that he doesn’t appreciate Paul loving his wife. Bobby asks if Mike is going to punch out Paul but Carol says that Mike doesn’t punch people out. “Good,” Paul says, “anyone over 5’5 punching me is assault with a deadly weapon.” (Because Paul Williams is short, get it?) Cindy asks Paul why he’s in love with Carol, as if even she can’t believe it. Paul says that Carol is “one foxy lady.” Mike promptly sends the children out of the living room and then starts yelling at Paul (or, at the very least, his voice goes up an octave or two as he expresses his annoyance).
Paul apologizes and then says that he has a compulsive personality “because I’m short,” and that occasionally, he does something compulsive like declare his love for Carol Brady. Paul then suggest that he and Carol could get married on the show. After Carol turns him down, Paul explains that he only came on the show so he could meet Carol. He then Carol a broach that once belonged to his grandmother. “She was a very foxy lady too,” Paul says, “Short but foxy.” Paul leaves.
“What a sweet man,” Carol says, looking at the brooch.
“He’s a loon!” Mike declares.
Before Mike can say anything else insensitive about the man who just opened up his mental health on national television, Fake Jan comes running in with Lynn Anderson. Lynn mentions that Paul Williams is in love with her and then holds up a brooch that Paul gave her. “It was his grandmother’s!”
We cut to the pool, where Peter has decided to outsmart Greg by getting in the pool himself. Greg swears that he wasn’t planning on pushing Peter in the pool this week. Peter climbs out of the pool and announces that Paul Williams is the next musical guest. “He’s so short,” Peter says, “he needs a ladder to get into a good mood.” Paul comes out and shoves both Greg and Peter in the pool.
Paul then sings The Hell Of It, a song that he wrote for Brian DePalma’s Phantom of Paradise. While he sings, thunder rumbles on the soundtrack, the Kroftettes perform in the pool, and the lights in the studio flash on and off. It’s actually surprisingly good for The Brady Bunch Hour but you have to wonder how the show’s target audience felt about a song that was sung from the point of view of someone who had just sold his soul to the Devil.
We then cut to a country road, where Carol sings a country song called Born To Say Goodbye. She’s no Lynn Anderson, that’s for sure. Still, listening to the lyrics, you have to wonder if she sang this knowing that the show was about to end. Despite the fact that no one on the show has mentioned anything about this being the final episode, one would have to think that the Bunch had some sort of knowledge that things weren’t looking good for the show’s future.
We then cut to a comedy skit, in which Paul Williams tells us that the member of the Brady Bunch will be recreating the voyage of Columbus. At one point, Williams flubs his lines but keeps going. According to Wikipedia, several members of the cast and crew have said that Paul Williams was drunk while filming The Brady Bunch Hour and that is definitely the vibe that comes through. Anyway, the skit is actually about what was going on with Columbus’s family while Christopher was out exploring and it’s called The Columbus Bunch. The members of the Bunch all speak with exagerrated Italian accents. It’s annoying as Heckfire. The skit goes on forever and as I watched it, I actually found myself thinking of the terrible fantasy sequences that used to appear on Saved By The Bell. It’s painful and the fact that everyone involved seems to be trying so hard makes it even more painful.
It’s time for the final finale of The Brady Bunch Hour! This week, there’s no banter before the finale. Instead, the Bunch appears on stage, wearing white suits. Mike says “The finale this week is….” and I honestly can’t understand what it is that he says next. It sounds like he says, “The finale this week is done,” but that wouldn’t make any sense. All I know is that the members of the Bunch desperately run off stage, as they do at the start of every finale. Again, I’m not sure why anyone thought it was a good idea to show the Bunch as being totally scatter-brained and incapable of the least bit of professionalism but whatever. The show’s almost over.
As for the finale, it’s all about music.
The Krofetettes dance while Bobby, looking like Satan’s stepchild, plays a ragtime tune on the piano.
Mike and Carol sing a few bars from the hottest song of 1950, Music! Music! Music!
Marcia sings Look What They’ve Done To My Song, Ma, which was a song by Melanie, the folk singer who appeared on an earlier episode.
Carol, who is literally sitting in front of a poster that reads Easy Listening, performs 1962’s The Sweetest Sounds, a song that was previously covered by Barbra Streisand.
Greg sings a song called Music Is My Life. Greg’s voice isn’t terrible but it’s awfully generic. He might need to get a different life, especially considering that this is the final episode.
Geri Reischl, who is so talented that she deserves to be referred to by her real name (and not Fake Jan) for this performance, comes out and sings Hey Mister Melody and once again shows that she was way too musically talented for this show. She and Florence Henderson had the best voices of the cast but, unlike the overly rehearsed Henderson, Geri actually brought some spontaneity to her performances.
Rip Taylor and a miserable-looking Ann B. Davis perform The Music Goes Round and Round.
Paul Williams and Lynn Anderson perform an Old Fashioned Love Song. One can almost sense Florence Henderson fuming off-stage over Lynn getting to be the one who performed with Paul Williams.
The Brady kids come out and sing Piano Man with the all the good-natured cheer of a church youth group.
The finale ends with the entire cast doing an unenthusiastic version of I Believe In Music. Paul Williams dances with Florence Henderson while a manic Rip Taylor throws confetti all over the stage.
After a commercial break, the Bunch comes out to say goodnight.
“Remember last week when I said, ‘I guess this bring us to the end of tonight’s show?” Carol says.
Yes, we do. Carol, is there something you need to share with the audience about the show’s future?
“Well, I’m saying it again this week,” Carol says, “I guess this brings us to the end of tonight’s show.”
Mike tell Carol that she should come up with something new to close the show and Carol does a stuttering impersonation of Porky the Pig and that’s when I nearly threw a shoe at the screen. Fortunately, I was distracted by Cindy saying, “And don’t worry about Paul Williams, he’s not really crazy.” Everyone says goodnight and the show ends….
….and never returns!
So, The Brady Bunch Hour has come to an end and what have we learned from these reviews? Cocaine was very popular in the 70s.