Film Review: Mommy’s Little Boy (dir by Curtis Crawford)


On Saturday, Lifetime presented a Mommy Madness marathon, showing a series of melodramas that all, in some way, involved motherhood.  They showed everything from Killing Mommy to Mommy’s Secret to Mommy’s Little Girl.  They ended the night with not one but two premiere films!  Needless to say, I was excited.  After missing last week’s Lifetime movie (though I did DVR it so fear not!), I was looking forward to embracing the melodrama not once but twice!

The first premiere was Mommy’s Little Boy, which naturally came on immediately after Mommy’s Little Girl.  Just judging from the title and Lifetime’s previous record when it comes to children, I assumed that Mommy’s Little Boy would be about a homicidal child.

It turns out I was incorrect.  Don’t get me wrong, of course.  The kid does kill at least one person.  Actually, I think he killed two people but the film is a little bit ambiguous as to whether or not little Eric (Peter DaCunha) meant to let his half-brother Max (Auden Larrat) drown.  You really couldn’t blame Eric if that was the case.  Max was a stone-cold psychopath who started the movie threatening to attack a stray dog with a power drill.  Max got whatever he deserved.  As for that other murder that Eric commits — well, it’s self-defense.  Eric really had no choice.  Eric’s a good kid, dangit!

Instead, it’s his mother who is the problem.  Briana (Bree Williamson) has a really nice house but she’s the type of mother who is too busy sunbathing (while wearing an American flag bikini, no less) to notice that one of her sons is drowning in the pool behind her.  Briana is almost always drunk or stoned.  She brings strange men home with her.  She neglects Eric and sends him to school in grubby clothes.  She murders the neighbor for being condescending, banging her over the head with the same skillet that will later be used to prepare Eric’s breakfast.  Briana’s not the world’s best mother but, at the very least, she has a nice house.

Seriously, you have to see this house.  Have you ever seen House Hunters?  You know how the third house is always a really nice house that, we’re told, is a little bit outside of the house hunters’s budget?  (“Now, this is listed for a little more than you said you were willing to pay but the price may come down…”)  That’s the type of house that Brianna lives in.  Unfortunately, Brianna has kinda trashed the place.  At one point, she explains that she inherited the house after her parents died.  At least, for once, a Lifetime movie took the time to explain why even the trashiest of characters always live in the nicest of houses.

Anyway, Briana’s killed someone and she forces Eric to help her cover up the crime.  That kinda traumatizes Eric.  He’d much rather live with his softball coach, Michael Davis (Paul Popovich).  However, Briana is determined to get in her new boyfriend’s RV and flee to Mexico.  And she expects her only remaining son to come with her.  Whatever is Eric to do!?

Well, you probably already guessed what happens.  Mommy’s Little Boy was a standard Lifetime film but I liked it.  If nothing else, Bree Williamson deserves some sort of award for how totally and completely she throws herself into the role of Briana.  It takes courage to play someone that trashy without winking at the audience but Williamson does it.  Overall, Mommy’s Little Boy was an entertaining addition to Lifetime’s stable of films about mentally unstable maternal figures.

Musical Sequence of the Day: Agony from Into the Woods (dir by Rob Marshall)


(If you’re looking for the usual music video of the day, fear not!  Val is currently having some internet issues but, as soon as their resolved, both she and the music videos should be back!  Until then, I’m filling with some of my favorite cinematic musical sequences!)

For today’s musical sequence of the day, we have “Agony” from the 2014 film, Into The Woods.

Into the Woods got some notably mixed reviews when it was first released.  At the time it was released, I wrote that, while I liked it “I never loved Into the Woods like I thought I would.”  In retrospect, I think the film may have been the victim of a combination of my own high expectations and my tendency to be a snob when it comes to cinematic adaptations of Broadway musicals.  I recently rewatched Into The Woods and it actually holds up remarkably well.

Definitely one of the highlights of the film was Chris Pine and Billy Magnussen’s duet on “Agony.”  Both Pine and Magnussen were perfectly cast as fairy tale princes and “Agony” is a beautiful satire of melodramatic excess.  When I first saw the film at the Alamo Drafthouse, “Agony” was the one number that inspired people in the audience to applaud.

For your pleasure, here is “Agony!”

Enjoy!

 

Musical Sequence of the Day: “Falling Slowly” from Once


Happy St. Patrick’s Day!

This is a day that is very important to several of the writers here at the Shattered Lens.  It’s a day in which we celebrate all things Irish and that means a lot more than just wearing green.  (That said, I did buy green lingerie specifically for today because, seriously, when would I ever turn down a chance to buy lingerie?)

For today’s musical sequence of the day, I’m happy to present one of my favorite scenes from one of my favorite Irish films, 2006’s Once.  Prepare to wipe away a tear as Glen Hansard and Marketa Irglova perform “Falling Slowly.”

Enjoy!

4 Shots From 4 Films: Special Cleopatra Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Let’s celebrate the Ides of March with four shots from four films about Caesar’s one true love, Cleopatra!

4 Shots From 4 Films

Cleopatra (1917, dir by J. Gordon Edwards)

Cleopatra (1934, dir by Cecil B. DeMille)

Cleopatra (1963, dir by Joseph L. Mankiewicz )

Cleopatra (1970, dir by Osamu Tezuka and Eiichi Yamamoto)

Here’s that trailer for Wonder Woman!


Despite my better instincts, I hope Wonder Woman turns out to be a good movie.  I know it probably won’t, just on the basis of Batman v Superman and Suicide Squad.  But still, I hold out hope.

I mean, let’s consider the positives:

Patty Jenkins is a wonderfully unorthodox pick to direct a comic book movie.  Of course, sometimes being unorthodox works and sometimes, it doesn’t.  Ang Lee was an unorthodox pick to direct that Hulk movie and when was the last time you voluntarily watched that?

But Gal Gadot — OMG, Gal Gadot kicks so much ass!

Let’s hope this film does her justice.

Anyway, here’s the trailer!

Here’s the Trailer for Atomic Blonde!


Here’s the trailer for Atomic Blonde, which stars Charlize Theron as an ass-kicking British spy.

I have to admit that, whenever I have the office to myself here at the TSL Bunker, I often imagine what would happen if a bunch of spies suddenly showed up and started trying to hack into our files.  In my imagination, it usually plays out something like this trailer.

Except, of course, it’s called Atomic Redhead