Here’s The Trailer for Babylon!


Finally!  We have a trailer for Damien Chazelle’s Babylon!

Who would have thought that 2022 would have been the year that would have produced three flamboyant films about the decadence of the entertainment industry?  Elvis has already been released.  Blonde will be available by the end of the month.  And Babylon will coming out just as the year ends.  Judging from this trailer, it appears to be a film that will either be brilliant or a total disaster.  I’m hoping for the former.  America could use a really good movie about cocaine and pool parties.

8 Shots From 8 Films: Rest in Peace, Jean-Luc Godard


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

One of the last of the French New Wave directors has passed away.  RIP, to the uncompromising Jean-Luc Godard.

8 Shots From 8 Jean-Luc Godard Films

Breathless (1960, dir by Jean-Luc Godard, DP: Raoul Coutard)

Band of Outsiders (1964, dir by Jean-Luc Godard, DP: Raoul Coutard)

Alphaville (1965, dir by Jean-Luc Godard, DP: Raoul Coutard)

Made in USA (1966, directed by Jean-Luc Godard, DP: Raoul Coutard)

Week-end (1967, directed by Jean-Luc Godard, DP: Raoul Coutard)

Number Two (1975, dir by Jean-Luc Godard)

Detective (1985, dir by Jean-Luc Godard, DP: Louis Bihi)

Goodbye to Language (2014, dir by Jean-Luc Godard, DP: Fabrice Aragno)

Monday Live Tweet Alert: Join Us For Flight 93 and Seven!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #MondayActionMovie, the film will be 2006’s Flight 93!  Selected and hosted by @Titus88Titus, Flight 93 is a docudrama about one of the planes that was hijacked on September 11th, 2001 and the heroic passengers who bravely fought back.  The movie starts at 8 pm et and it is available on YouTube.

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1995’s Seven, the trend-setting and still disturbing horror film that established David Fincher as a director and which starred Morgan Freeman, Brad Pitt, Kevin Spacey, Gwyneth Paltrow, and Richard Roundtree.  (Yes, Shaft is in the movie.)  The film is available on Netflix.  It starts at 10 pm et.

It should make for a night of intense viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto twitter, start Flight 93 at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, start Seven and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.  And reviews of these films will probably end up on this site at some point over the next few weeks. 

Retro Television Review: The Death of Richie (dir by Paul Wendkos)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1977’s The Death of Richie.  It  can be viewed on YouTube!

It’s not a spoiler to tell you that this film ends with the death of a teenager named Richie.  It’s right there in the title.  We start the film knowing that Richie is going to die.  The only question is how it’s going to happen and who, if anyone, is going to be held responsible for it.

Played by Robby Benson, Richie Werner is a sensitive teenager living in the suburbs.  He’s painfully shy and he deals with that shyness by taking the drugs that are supplied to him by friends like Brick (Charles Fleischer) and Peanuts (Clint Howard, yes that Clint Howard).  His parents, George (Ben Gazzara) and Carol (Eileen Brennan), knows that Richie is struggling with both drugs and school.  However, neither one of them have a clue as to how to help him.  Carol spends most of the film silently hoping that things will somehow just magically get better.  Meanwhile, George can’t understand his son and, even worse, he makes no attempt to understand him.  George holds back his feelings and he’s obviously uncomfortable with his emotional son.  George is the type who retreats to his basement when he needs to get away from the world and yet, he can’t understand why his son needs a similar sanctuary.  When he discovers that Richie has set up a mini-bedroom in his closet, George destroys it.

Throughout the film, Richie tries to get his life straightened out.  He gets a job working at a restaurant but he quits after his friends laugh at his dorky uniform.  He tries to date a girl named Sheila (Cindy Eilbacher) but is heartbroken when he discovers that she’s going out with someone else.  When Richie tries to talk his dad, George refuses to listen.  When George tries to talk to Richie, Richie tells him to get out of his room.  Finally, after Richie crashes his car one last time, it leads to an act of shocking violence.  After all, the film is called The Death of Richie.

It’s also based on a true story, though there’s some debate over whether or not the film gets the story correct.  In real life, Richie’s named was George Richard “Richie” Diener and he lived in Long Island.  (The film appears to take place in a generic California suburb.)  Richie’s death inspired a magazine article and book, both of which inspired this film.  While I was doing research for this review, I came across a website about Richie’s death, one that argued that both the film and the book were too sympathetic to George’s version of what happened the day that Richie died.  The site has comments from many of the people who knew Richie and I recommend it to anyone who watches this film and want to know the other side of the story.

As for the film itself, it’s well-directed, intense, and, at times, rather heart-breaking.  As portrayed in the film, Richie is so desperate for some sort of approval that your heart just goes out to him.  Robby Benson is one of those actors who you come across in a lot of 70s films.  I’ve always found his performances to be a bit inconsistent and that’s certainly the case here.  He’s good when he’s allowed a quiet moment or two but there are other times when he gets so shrill that it takes you out of the reality of the film.  Ben Gazarra does a good job playing George as someone who loves his family but who is incapable of understanding his son’s pain.  Gazarra adds just a hint of ambiguity to his anger toward Richie.  Is he upset because Richie keeps getting trouble or has he reached the point where he’s just looking for an excuse to get Richie out of the family’s life?  According to the comments that I read at the blog mentioned above, both the film and the subsequent book based solely their portrayal of the last minutes of Richie’s life on George’s account.  Many people felt that there was more to what happened.

The film is a bit quick to blame all of Richie’s problems on the drugs.  While the drugs probably didn’t help, there are times when the film seems to suggesting that Richie would have been a happy, go-lucky kid if he had never taken that first Seconal.  Watching the film today, it’s obvious that there was a lot more going on with Richie than just weed and pills and it’s also obvious that calling the cops having them search his room while he watched was not the solution either.  Richie needed someone to talk to and, in the film at least, that was apparently the one thing that he could not get.  As the song says, things get a little easier once you understand.

4 Shots From 4 Films: Special Brian De Palma Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the birthday of Brian De Palma and that means that it is time for….

4 Shots From 4 Brian De Palma Films

Carrie (1976, dir by Brian De Palma, DP: Mario Tosi)

Dressed to Kill (1980, dir by Brian De Palma, DP: Ralf D. Bode)

Blow Out (1981, dir by Brian De Palma, DP: Vilmos Zsigmond)

Scarface (1983, dir by Brian De Palma, DP: John A. Alonzo)

Here Are The Winners In Venice


The Venice Film Festival has come to a close with the awarding of prizes.  And here they are:

Golden Lion for Best Film: All the Beauty and the Bloodshed, d: Laura Poitras
Grand Jury Prize: Saint Omer, d: Alice Diop
Silver Lion for Best Director: Bones and All, d: Luca Guadagnino
Special Jury Prize: No Bears, d: Jafar Panahi
Best Screenplay: The Banshees of Inisherin, Martin McDonagh
Volpi Cup for Best Actress: Tár, Cate Blanchett
Volpi Cup for Best Actor: The Banshees of Inisherin, Colin Farrell
Marcello Mastroianni Award for Best Young Actor: Bones and All, Taylor Russell

I would say that the big winner of the festival is undoubtedly The Banshees of Inisherin.  Going into the festival, this film was only occasionally mentioned as an Oscar contender and that was just because director Martin McDonagh was previously responsible for Three Billboards Outside Ebbing, Missouri. However, the festival not only saw Banshees win the race for the longest standing ovation but it also won awards for McDonagh’s screenplay and Colin Farrell’s lead performance.

Cate Blanchett won best actress for Tar.  Blanchett was already considered to be a probable Oscar nominee so the award at Venice will certainly help the establish the narrative that will be necessary for Blanchett to take home her third Oscar.

As for Luca Guadagnino winning Best Director, that’s fine.  He’s a good director but I’ll never forgive him for the Suspiria remake.  If he agrees to keep Argento’s name out of his mouth, I’ll add him to my list of Oscar contenders.

Live Tweet Alert: Watch Last Shift with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, @TimBuntley will be hosting 2014’s Last Shift!

What happens when a rookie police officer is assigned to handle the last shift at a possibly haunted police station before the place is permanently shut down?  I have no idea but I have a feeling that it will be something horrific!  I’ll be finding out tonight and I invite you to join me.

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and a few other streaming sites.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

A Blast From The Past: Gang Boy (dir by Arthur Swerdlow)


In this 1954 short film, two rival gangs are fighting.  They both come from the same neighborhood.  The members of both gangs grew up poor.  All of them feel like there’s no hope for them.  They’re all angry and sad and fatalistic.  In fact, there’s only one difference between the two gangs.  One gang is made up of white kids and the other gang is made up of Mexicans.  That’s the only reason the two gangs fight.

The leader of the Mexican gang knows that things have got to change.  While looking over the quarry where, years ago, his younger brother died while trying to be as tough as him, the leader of the gang remembers the early days of the gang and how what started out as a place for outsiders to feel like they belonged soon became something violent and destructive.  The community wants to have a dance but the threat of violence is in the air.  Can he defuse the situation?  Maybe that friendly detective could help….

Gang Boy is a Sid Davis production, a look at how poverty and prejudice were fueling the rise in gang violence in the 50s.  Unusually, for a Sid Davis film, it’s remarkably nonjudgmental.  There is, of course, all the “you’ve ruined your life” melodrama that one would usually expect from Davis but the final blame is put more on society than the members of the gang.

Speaking of the members of the gang, the cast of this film was apparently made up of actual gang members who all hated each other.  The film may end with the promise of a better tomorrow but it’s hard to avoid the feeling that a fight broke out as soon as the camera stopped rolling,

Personally, I think of this as being a prequel to West Side Story.  Before the Sharks and the Jets learned how to dance, there was …. GANG BOY!

Live Tweet Alert: Join #FridayNightFlix for The Principal!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1987’s The Principal!

This film features Jim Belushi in his greatest role, high school school principal Rick Lattimore!  Rick rides a motorcycle, introduces his students to the concept of “No more!,” and teaches a kid to read!  He extends a hand to drug dealer Victor Duncan.  When Victor threatens to cut Rick’s hand off, Rick replies that he’s got another!  “He’s the principal, man!”  Of course, it all leads to a big afterschool fight.  You don’t become the principal if you don’t know how to throw a punch or two!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!