Retro Television Reviews: The Day The Earth Moved (dir by Robert Michael Lewis)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s The Day The Earth Moved!  It  can be viewed on YouTube!

Sitting in the middle of the Nevada desert, there’s a town called Bates.

Bates was once a thriving community but the years and the hot Nevada winds have not been kind to it.  Now, it consists of only a  few buildings and a speed trap.  Judge Tom Backsler (William Windom) is the most powerful man in this tiny community and he’s determined to return Bates to its former glory.  His plan is to open up a Christmas park and to remake Bates as “Santa Claus’s home away from the North Pole.”  In order to raise the money for that project, he and the police run an aggressive speed trap.  When pilot and photographer Steve Barker (Jackie Cooper) is caught in the speed trap, it turns out that he doesn’t have enough money to pay his fine.  So, his car is impounded and he’s put to work, sweeping up the dust and helping to get the Christmas park ready to open.

With the help of friendly little townsgirl, Steve is finally able to escape from Bates and return to his job.  He works with his wife, Kate (Stella Stevens), and his best friend, Harley (Cleavon Little), as surveyors.  When someone wants to buy a stretch of the Nevada desert, Steve and Harley fly over the land and take pictures.  Looking over the latest batch of pictures, Steve deduces that not only is there going to be an earthquake but it’s going to destroy the town of Bates!  Can Steve return to the town that once held him prisoner and convince the townspeople to leave with him before disaster hits!?

In many ways, The Day The Earth Moved is a standard made-for-TV disaster flick.  Only Steve and Kate realize what’s about to happen and they struggle to get anyone else to believe them.  Indeed, it seems like the world is almost conspiring to keep them from warning everyone about the incoming earthquake.  The film’s story checks off all of the expected disaster movie plot points.  That said, the town of Bates itself — with its gigantic Santa Claus standing in the middle of the desert — is a nicely surreal location and the repeated shots of a deserted farm being gradually destroyed by minor tremors achieve a certain ominous grandeur.  Jackie Cooper and Stella Stevens are believable as a husband and wife who love each other despite the fact that they’re often very annoyed with each other.  To the film’s credit, William Windom’s character is not portrayed as being a cardboard villain but instead as someone who simply wants to give his neighbors some place decent to live.  The Day The Earth Moved is predictable but well-done.

Of course, the main reason anyone will have to watch this film will be for the earthquake.  Unfortunately, this is where viewers will run into a common problem that has afflicted many made-for-TV movies.  The low-budget earthquake is just not that impressive.  For all the scenes of people yelling, it’s always pretty obvious that the camera is doing most of the shaking.  But you know what?  It’s a made-for-TV movie from 1974.  Cut it some slack and just go with it.

The Cinema Audio Society Honors Top Gun: Maverick!


Everything Everywhere All At Once appears to be unstoppable as far as the Best Picture race is concerned but Top Gun: Maverick will still probably pick up a few technical Oscars, like Best Sound.

As evidence for this claim, consider that, last night, the Cinema Audio Society announced its picks for the best of 2022 and Maverick was remembered.  Here are the winners!

MOTION PICTURES: LIVE ACTION
“All Quiet on the Western Front”
“Avatar: The Way of Water”
“Elvis”
“The Batman”
“Top Gun: Maverick”

MOTION PICTURES: ANIMATED
“Guillermo del Toro’s Pinocchio”
“Lightyear”
“Minions: The Rise of Gru”
“Puss in Boots: The Last Wish”
“Turning Red”

MOTION PICTURES — DOCUMENTARY
“Good Night Oppy”
“Hallelujah: Leonard Cohen, A Journey, A Song”
“Louis Armstrong’s Black and Blues”
“Moonage Daydream”
“The Volcano: Rescue from Whakaari”

NON-THEATRICAL MOTION PICTURES OR LIMITED SERIES
“Dahmer – Monster: The Jeffrey Dahmer Story E8 Lionel”
“Guillermo Del Toro’s Cabinet of Curiosities E3 The Autopsy”
“Moon Knight E6 Gods and Monsters”
“Obi-Wan Kenobi E6 Part 1”
“Prey”

TELEVISION SERIES: ONE HOUR
“Better Call Saul S6:E13 Saul Gone”
“Ozark S4:E14 A Hard Way To Go”
“Severance S1:E9 The We We Are”
“Stranger Things S4:E7 Chapter Seven: The Massacre at Hawkins Lab”
“The White Lotus S2:E1 Ciao”

TELEVISION SERIES: HALF HOUR
“Barry S3:E8 Starting Now”
“Only Murders in the Building S2:E5 The Tell”
“She-Hulk: Attorney at Law S1:E9 Whose Show Is This?”
“The Bear S1:E7 Review”
“What We Do in the Shadows S4:E7 Pine Barrens”

TELEVISION NON-FICTION, VARIETY or MUSIC – SERIES or SPECIALS
“Carole King & James Taylor: Just Call Out My Name”
“Formula 1: Drive to Survive S4:E9 Gloves Are Off”
“George Carlin’s American Dream E1 Part 1”
“Lucy and Desi”
“Obi-Wan Kenobi: A Jedi’s Return”

STUDENT RECOGNITION AWARD FINALISTS
Chelsea Rae Adams
Colette Grob
María Clara Calle Jiménez
Sophia L. White
Timo Nelson

 

4 Shots From 4 Films: Special Pier Paolo Pasolini Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

101 years ago, on this date, Pier Paolo Pasolini was born in Italy.  His controversial films and his mysterious death continue to inspire debate to this very day.  Both the man and his works were full of intriguing contradictions.  Pasolini was an atheist who made one of the best Biblical films ever made.  He was a communist who made films that celebrated individual freedom and who had little use for the upper class liberals who made up much of the European counterculture of the 1960s.  In the end, he was an artist unafraid to challenge all assumptions, whether they were found on the right or the left.  His final film, Salo, was the most controversial of his career.  It was also projected to be the first part of a trilogy, though those plans were ended by Pasolini’s murder.

It’s time for….

4 Shots From 4 Pier Paolo Pasolini Films

Accatone (1961, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

The Gospel According To St. Matthew (1964, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

Teorema (1968, dir by Pier Paolo Pasolini, DP: Giuseppe Ruzzolini)

Medea (1969, dir by Pier Paolo Pasolini, DP: Ennio Guarnieri)

The Spirit Awards Honor Everything


The Independent Spirit Awards were handed out earlier today and it was another good showing for Everything Everywhere All At Once.  Will the Oscars follow the lead of the Spirits?

We’ll find out in a week!

BEST FEATURE
Bones and All
Everything Everywhere All At Once
Our Father, the Devil
TÁR
Women Talking

BEST FIRST FEATURE
Aftersun
Emily the Criminal
The Inspection
Murina
Palm Trees and Power Lines

JOHN CASSAVETES AWARD
The African Desperate
A Love Song
The Cathedral
Holy Emy
Something in the Dirt

BEST DIRECTOR
Todd Field – TÁR
Kogonada – After Yang
Daniel Kwan & Daniel Scheinert – Everything Everywhere All At Once
Sarah Polley – Women Talking
Halina Reijn – Bodies Bodies Bodies

BEST SCREENPLAY
Lena Dunham – Catherine Called Birdy
Todd Field – TÁR
Kogonada – After Yang
Daniel Kwan & Daniel Scheinert – Everything Everywhere All At Once
Sarah Polley – Women Talking

BEST FIRST SCREENPLAY
Joel Kim Booster – Fire Island
Jamie Dack, Audrey Findlay, Story by Jamie Dack – Palm Trees and Power Lines
K.D. Dávila – Emergency
Sarah DeLappe, Story by Kristen Roupenian – Bodies Bodies Bodies
John Patton Ford – Emily the Criminal

BEST LEAD PERFORMANCE
Cate Blanchett – TÁR
Dale Dickey – A Love Song
Mia Goth – Pearl
Regina Hall – Honk for Jesus. Save Your Soul.
Paul Mescal – Aftersun
Aubrey Plaza – Emily the Criminal
Jeremy Pope – The Inspection
Andrea Riseborough – To Leslie
Taylor Russell – Bones and All
Michelle Yeoh – Everything Everywhere All At Once

BEST SUPPORTING PERFORMANCE
Jamie Lee Curtis – Everything Everywhere All At Once
Brian Tyree Henry – Causeway
Nina Hoss – TÁR
Brian d’Arcy James – The Cathedral
Ke Huy Quan – Everything Everywhere All At Once
Trevante Rhodes – Bruiser
Theo Rossi – Emily the Criminal
Mark Rylance – Bones and All
Jonathan Tucker – Palm Trees and Power Lines
Gabrielle Union – The Inspection

BEST BREAKTHROUGH PERFORMANCE
Frankie Corio – Aftersun
Gracija Filipović – Murina
Stephanie Hsu – Everything Everywhere All At Once
Lily McInerny – Palm Trees and Power Lines
Daniel Zolghadri – Funny Pages

BEST CINEMATOGRAPHY
Florian Hoffmeister – TÁR
Hélène Louvart – Murina
Gregory Oke – Aftersun
Eliot Rockett – Pearl
Anisia Uzeyman – Neptune Frost

BEST EDITING
Ricky D’Ambrose – The Cathedral
Dean Fleischer Camp & Nick Paley – Marcel the Shell with Shoes On
Blair McClendon – Aftersun
Paul Rogers – Everything Everywhere All At Once
Monika Willi – TÁR

BEST DOCUMENTARY
All That Breathes
All the Beauty and the Bloodshed
A House Made of Splinters
Midwives
Riotsville, U.S.A.

BEST INTERNATIONAL FILM
Corsage
Joyland
Leonor Will Never Die
Return to Seoul
Saint Omer

PRODUCERS AWARD
Liz Cardenas
Tory Lenosky
David Grove Churchill Viste

SOMEONE TO WATCH AWARD
Adamma Ebo – Honk for Jesus. Save Your Soul.
Nikyatu Jusu – Nanny
Araceli Lemos – Holy Emy

TRUER THAN FICTION AWARD
Isabel Castro – Mija
Reid Davenport – I Didn’t See You There
Rebeca Huntt – Beba

BEST NEW NON-SCRIPTED OR DOCUMENTARY SERIES
Children of the Underground
Mind Over Murder
Pepsi, Where’s My Jet?
The Rehearsal
We Need to Talk About Cosby

BEST NEW SCRIPTED SERIES
The Bear
Pachinko
The Porter
Severance
Station Eleven

BEST LEAD PERFORMANCE IN A NEW SCRIPTED SERIES
Aml Ameen – The Porter
Mohammed Amer – Mo
Quinta Brunson – Abbott Elementary
Bridget Everett – Somebody Somewhere
KaMillion – Rap Sh!t
Melanie Lynskey – Yellowjackets
Himesh Patel – Station Eleven
Sue Ann Pien – As We See It
Adam Scott – Severance
Ben Whishaw – This is Going to Hurt

BEST SUPPORTING PERFORMANCE IN A NEW SCRIPTED SERIES
Danielle Deadwyler – Station Eleven
Ayo Edebiri – The Bear
Jeff Hiller – Somebody Somewhere
Gbemisola Ikumelo – A League of Their Own
Janelle James – Abbott Elementary
Ebon Moss-Bachrach – The Bear
Frankie Quiñones – This Fool
Sheryl Lee Ralph – Abbott Elementary
Molly Shannon – I Love That For You
Tramell Tillman – Severance

ROBERT ALTMAN AWARD
Women Talking
Director: Sarah Polley
Casting Directors: John Buchan, Jason Knight
Ensemble Cast: Shayla Brown, Jessie Buckley, Claire Foy, Kira Guloien, Kate Hallett, Judith Ivey, Rooney Mara, Sheila McCarthy, Frances McDormand, Michelle McLeod, Liv McNeil, Ben Whishaw, August Winter

BEST ENSEMBLE CAST IN A NEW SCRIPTED SERIES
Pachinko – Ensemble Cast: Soji Arai, Jin Ha, Inji Jeong, Minha Kim, Kaho Minami, Lee Minho, Steve Sanghyun Noh, Anna Sawai, Jimmi Simpson, Yuh-jung Youn

4 Shots From 4 Films: Special Adrian Lyne Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today’s the Shattered Lens wishes a happy 82nd birthday to the British director, Adrian Lyne!  Lyne was one of the many British director to start his career by making commercials.  (Alan Parker and Tony and Ridley Scott also followed a same career path.)  He brought the same technique that inspired people to buy products to his films and the enf result was some of the most stylish films of the 80s, 90s, and the aughts.  Lyne hasn’t directed many films but his lasting influence cannot be denied.

It’s times for….

4 Shots From 4 Adrian Lyne Films

Flashdance (1983, dir by Adrian Lyne, DP: Donald Peterman)

Fatal Attraction (1987, dir by Adrian Lyne, DP: Howard Atherton)

Jacob’s Ladder (1990, dir by Adrian Lyne, DP: Jeffrey L. Kimball)

Indecent Proposal (1993, dir by Adrian Lyne, DP: Howard Atherton)

Scenes I Love: Ronn Moss Blows Up An Assassin in Hard Ticket To Hawaii


Today, we celebrate the birthday of actor and musician, Ronn Moss!

In honor of this day, I was going to share a few scenes of Ronn as Ridge Forrester on The Bold and the Beautiful but then it occurred to me that, as much as all good people love B&B, Hard Ticket to Hawaii is even better.  In today’s scene that I love, Ronn Moss not only blows up a skateboard assassin but the assassin’s sex doll as well.  No one messes with Ronn Moss, his driver, or the Molokai cops!

Live Tweet Alert: Watch Hounded with #ScarySocial


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 2022’s Hounded!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Scenes That I Love: The End of Mad Max


Mad Max (1979, dir by George Miller, DP: Dave Eggby)

Today the Shattered Lens wishes a happy birthday to one of our favorite people, George Miller!  The doctor-turned-director began his cinematic career with 1979’s Mad Max and he’s gone on to become one of the most influential and important filmmakers out there.  In honor of George Miller’s birthday, today’s scene that I love is from his debut film.

In this scene, the once upstanding policeman, Max Rockatansky (Mel Gibson), get his revenge on the last surviving member of Toecutter’s gang.  Instead of merely running Johnny the Boy over, he handcuffs Johnny to a car, uses the leaking gasoline and Johnny’s lighter to create a crude timebomb, and gives Johnny a hacksaw.  Johnny can either spend ten minutes cutting through the cuffs or five minutes cutting through his ankle.  Max drives off and barely notices the explosion behind him.  (It seems like it wouldn’t have made difference what Johnny cut through because that explosion came pretty quickly.)  Max’s cold expression and the dark road in front of him indicates that Max knows what the future holds for both himself and the rest of humanity.  In the scene, Max surrenders whatever traces of mercy that he had left within him.  Fortunately, he gets some of his humanity back in the next movie.

Live Tweet Alert: Join #FridayNightFlix for The Shrimp On The Barbie!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1990’s The Shrimp on the Barbie!

Watch it and cheer for Cheech Marin in Australia!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The Shrimp on the Barbie is available on Prime and Tubi!  See you there!

 

4 Shots From 4 Films: Special Martin Ritt Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

On this day, 109 years ago, Martin Ritt was born in New York City.  Like many of the Hollywood directors who came to prominence in the 1950s, he started his directorial career in the theater before moving over to live TV.  In 1952, his television career was derailed when he was accused of being a communist.  Blacklisted, it would be five years before Ritt could get another directing job.  When he did start to work again, he moved from television into the movies, starting with 1957’s Edge of the City.  Perhaps due to his own experiences, his films always had a social conscience and always defended the individual against corrupt corporations and governments.  In 1976, he directed one of the first films about the Hollywood blacklist, The Front.

As a director, Ritt was known for his skill with actors.  More than anyone, he played a huge role in making stars out of both Paul Newman and Sally Field.  He was also one of the few directors to understand how to harness Richard Burton’s self-destructive tendencies and, as a result, Burton gave one of his best performances in Ritt’s adaptation of The Spy Who Came In From The Cold.  

It’s time for….

4 Shots From 4 Martin Ritt Films

Edge of the City (1957, dir by Martin Ritt, DP: Joseph Brun)

The Long Hot Summer (1958, dir by Martin Ritt, DP: Joseph LaShelle)

Hud (1963, dir by Martin Ritt, DP: James Wong Howe)

The Spy Who Came In From The Cold (1965, dir by Martin Ritt, DP: Oswald Morris)