In honor of Gene Kelly’s birthday, today’s scene that I love comes from the 1952 classic, Singin’ In The Rain. In this scene, Debbie Reynolds performs the song Good Mornin’ with Gene Kelly and Donald O’Connor.
Tag Archives: Donald O’Connor
Late Night Retro Television Review: Highway to Heaven 4.6 “Playing for Keeps”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!
This week, Highway to Heaven makes a mockery of legitimate theater.
Episode 4.6 “Playing for Keeps”
(Dir by Michael Landon, originally aired on November 4th, 1987)
Jonathan and Mark are directing a play!
The play stars movie star Rhett Clark (Eric Douglas, the least talented son of Kirk Douglas). Rhett plays a young man who is struggling to come to terms with the impending death of his father. In the play, Rhett’s father is played by his actual father, Jackie Clark (Donald O’Connor), a old-time comedian who can’t get work anymore.
It’s not an easy rehearsal process. Rhett resents his father. Jackie wants to tell jokes. He wants to put on a dress and a wig because, according to him, all of his fans will want to see him play “Aunt Jackie.” Rhett explains that the play is not a comedy. There’s no room for Aunt Jackie. Really, explaining all of that should have been Jonathan’s job. He’s the director!
The problem with this episode is that we’re supposed to be angry at Rhett for not supporting his father’s attempts to turn the play into a vaudeville comedy but actually, Jackie’s a jerk. Rhett’s a jerk too but he’s a jerk who understands that, when you’re doing a dramatic play, the actor playing a dying man can’t suddenly get out of his hospital bed, duck into a closet, and then come out as Aunt Jackie. An actor ad-libbing dialogue and then turning the play into a comedy because he’s petulant and insecure is not the type of behavior that would be tolerated in all-volunteer community theater, much less on a professional stage. The fact that Jackie is getting paid to appear in the show makes his unprofessional conduct all the more annoying.
This episode puts on the blame on Rhett. We’re meant to see Rhett as the ungrateful son who refuses to see things from his father’s point of view. Because Rhett is being played by Eric Douglas, an actor who did not exactly have the most likable screen presence, it’s easy to blame him. I mean, everyone loves Donald O’Connor, But honestly, Jackie is the jerk here.
How big of a jerk is Jackie? On opening night, he gets mad at his son and does his Aunt Jackie schtick. Somehow, this leads to Rhett and Jackie reconciling and hugging it out while the audience applauds. Honestly, though, it should have led to Jackie being fired. If you’re not going to be professional, you have to go. This episode would have been far more touching if Jackie had been willing to put his ego aside and actually allow his son to have the spotlight for once.
This episode will definitely not be remembered as one of my favorites of the series. In the past, I’ve defended this show’s tendency to go for sentimentality over realism but this episode just pushed things a little too far.
Film Review: Francis In The Navy (dir by Arthur Lubin)
In 1955’s Francis In The Navy, Donald O’Connor plays Lt. Peter Sterling, an officer in the U.S. Army who gets word that his best friend, a talking mule named Francis (voice of Chill Wills), is about to be auctioned off by the U.S. Navy. Sterling rushes to the Naval base but, along the way, his wallet gets stolen, he gets mistaken for an AWOL soldier, and Francis gets sold to a laboratory.
Hold on, I’m re-reading that last paragraph to make sure that I didn’t hallucinating typing all that…
Peter argues that he’s not the AWOL soldier, he’s just someone who looks just like him. Peter gets tossed into the psychiatric ward. Francis advices Peter …. yes, the mule that can talk gives Peter advice on how to get out of the mental ward …. to pretend to be the AWOL sailor. Unfortunately, the sailor is a champion boxer so that means Peter will have to enter the ring. Peter, needless to say, is not a boxer. Peter also falls for a nurse (Martha Hyer) but — uh oh! — she’s the sister of the AWOL soldier. Well, that’s kind of awkward. I don’t have a brother but if I did, I doubt I would ever want to make out with anyone who looked like him. Like seriously….
Hold on, I’m re-reading that last paragraph to see if there’s anything that I need to add.
Like, seriously, what the Hell? This movie has a talking mule, an oddly incestuous subtext, and Donald O’Connor playing two roles. Doing some research, I discovered that this was the sixth film to deal with the adventures of Peter Sterling and Francis. This was the last one of them to star Donald O’Connor, who apparently resented getting upstaged by a mule. There was one more Francis movie after this one and it starred Mickey Rooney. It was called Francis In The Haunted House so who knows? Maybe I’ll review it for our October horrorthon. (Don’t count on it.)
As weird as this film is, it’s kind of likable. Donald O’Connor is a favorite of mine and this one featured O’Connor in two roles, as both the hapless Peter and also the sailor who goes AWOL and repeatedly refuses to help Peter out. And, while I’m not really sure why he’s talking, Francis was actually cute. I enjoyed the boxing scene where he attempted to help Peter out. Unfortunately, there’s only so much a mule can do.
As for why I’m reviewing this movie, it’s because Clint Eastwood is in the cast. He plays Jonesy, a friend of the AWOL sailor who becomes a friend of Peter’s. Now, to be clear, Clint doesn’t do a lot in the movie. He works Peter’s corner during the boxing match. Otherwise, he spends most of the time in the background and he has a few scenes where he hangs out with the rest of the AWOL sailor’s friends. That said, Clint does make an impression. Even in this very early role, he had an impressive screen presence. He’s the tallest guy there and he’s got the best hair. Once you spot him in a scene, it’s hard to look away.
Francis In The Navy is historically significant because it’s the first film for which Clint Eastwood received on-screen credit. (Eastwood previously appeared in films like Revenge of the Creature and Tarantula but his name wasn’t included in the credits.) It’s an odd film, one that’s likable if you’re in an undemanding mood and you enjoy goof — extremely goofy — humor. It would be forgotten if not for Eastwood’s appearance. Seen today, this film, like Eastwood’s other early appearances, reminds us that everyone started somewhere.
Retro Television Review: Fantasy Island 5.15 “The Case Against Mr. Roarke/Save Sherlock Holmes”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.
This week, Mr. Roarke might be a father!
Episode 5.15 “The Case Against Mr. Roarke/Save Sherlock Holmes”
(Dir by Don Weis, originally aired on February 6th, 1982)
After last week’s episode with Julie, Tattoo returns this week and Julie is nowhere to be seen. When Mr. Roarke asks where Julie is, Tattoo mentions that Julie is helping with the Custer’s Last Stand fantasy. At this point, I can only assume that a life insurance policy has been taking out on Julie and Roarke or Tattoo, or maybe both are trying to get her killed so they can collect.
Julie not being present means that she misses out on one of the biggest scandals in Fantasy Island history. A former guest, Fran Warner (Laraine Stephens), returns to the Island after seven years. Accompanying her is her six year-old daughter, Nancy (Nicole Eggert). Fran loudly declares that Mr. Roarke is Nancy’s father and that he now has an obligation to take care of her. Fran even has a birth certificate where, under the father’s name, someone has written — and I kid you not — “Mr. Roarke.”
Is Mr. Roarke the kid’s father? As is his habit, he refuses to answer the question directly when Tattoo asks it. But it soon turns out that no, Mr. Roarke is not Nancy’s father. Instead, Fran is sick and may be dying and she wants to make sure that Nancy is cared for. When Nancy learns the truth, she runs away and Tattoo leads a search party across the Island. Fear not, of course. Nancy is found and a very forgiving Mr. Roarke allows Nancy and Fran to stay on the Island. And Fran’s terminal disease suddenly becomes less terminal!
While this is going on, security guard Kevin Lansing (Ron Ely) gets to live his fantasy of helping a great detective. Kevin doesn’t care which detective he gets to help so Roarke sends him back to Victorian-era London so that Kevin can work with Dr. Watson (a charming Donald O’Connor) to save Sherlock Holmes (Peter Lawford, not looking well in one of his final performances) from the clutches of Moriarty (Mel Ferrer, being as sinister here as he was in countless giallo films). Kevin also falls for Nurse Heavenly (RIta Jenrette, the wife of a corrupt Democrat member of Congress) and is pleased to discover that she’s not really Moriarty’s assistant. Instead, she was just another guest on the Island having a fantasy.
The Sherlock Holmes story was silly but fun, in the way that Fantasy Island often is. It’s always interesting when this show goes into the past and we get to see how the show’s crew dressed up the show’s sets to try to make them look historically accurate. The same street appears in every episode but sometimes, that street is in 1890s London and sometimes, it’s in 1690s Salem and sometimes, it’s just in modern day Fantasy Island! As for the Mr. Roarke’s a father storyline, it was predictable but still, it was a good showcase for Ricardo Montalban’s enigmatic interpretation of Mr. Roarke.
This was a pleasant trip to the Island!
Retro Television Review: The Love Boat 4.13 “Isaac’s Teacher/Seal of Approval/The Curse of Dumbrowskis”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
Get ready for a very odd cruise!
Episode 4.13 “Isaac’s Teacher/Seal of Approval/The Curse of the Dumbrowskis”
(Dir by Bob Sweeney, originally aired on January 10th, 1981)
This is a weird episode.
Harriet (Florence Henderson) boards the ship with her husband, Harold Rogers (Jeffrey Tambor). Now, the idea of Florence Henderson and Jeffrey Tambor as a married couple may sound strange but it’s even stranger when you actually see it. Henderson and Tambor have absolutely zero chemistry together. Tambor looks more like Henderson’s no-good stepson than her husband.
Harriet is convinced that she is destined to die at an early age so she continually pressures Harold to find a woman that he can marry after she’s gone. In fact, Harriet thinks that maybe Harold could marry another passenger on the boat, Cindy (Christina Hart). Harold is getting frustrated with the pressure that Harriet is putting on him to find a new lover. Doc Bricker suggests that maybe Harold should make Harriet jealous by cheating on her with Cindy. What? I mean, I’m not surprised that Doc would make that suggestion but it is a bit odd that the show itself seems to think that this is a good idea. Harold goes along with the idea because, even if Harriet doesn’t get jealous, he’ll still get to sleep with Cindy. Wait. What?
Harriet is okay with Harold cheating on her until Harold says that he wants to give her favorite necklace to Cindy. Harriet realizes that she’s not okay with Harold giving her jewelry to his adulterous lover and she decides that she’ll no longer pressure Harold to find a new wife. They leave the ship with their marriage stronger than ever. Doc saves the day!
Meanwhile, Karen (Georgia Engel) boards the boat and immediately falls for Oscar Tilton (Donald O’Connor). Now, as mismatched as Florence Henderson and Jeffrey Tambor are, they seem like soulmates compared to Georgia Engel and Donald O’Connor. For one thing, O’Connor appears to be about 20 years older than Georgia Engel. Secondly, Donald O’Connor’s ebullient style clashes wildly with Georgia Engel’s inability to speak above a whisper.
Oscar is an entertainer who is traveling with his seal, Shirley. When Shirley sees that Oscar and Karen are falling in love, Shirley gets jealous and throws herself overboard. She leaves behind her rubber ball, apparently as a way to taunt Oscar. Oscar is depressed. How can he do his act without Shirley? Karen encourages him by telling him that he doesn’t need the seal to be entertaining. Gopher even helps out by playing the horns that Shirley would have played had she not jumped into the ocean….
I am not making this up.
Anyway, good news all around. Shirley survives jumping into the ocean and swims back to Oscar’s beach house. Shirley shows up when the boat docks in Los Angeles. Oscar tells Shirley that Karen is going to be a part of his life from now on. Shirley claps her fins, indicating that she approves.
NO, I AM NOT MAKING THIS UP!
All I can say is thank goodness for Lillian Gish. Gish plays Mrs. Williams, who boards the boat with her hulking nephew (Reb Brown). Mrs. Williams is also Isaac’s former teacher. Isaac is insecure about just being a bartender and pretends, with Gopher’s help, to be the ship’s first officer. Captain Stubing is not amused. Isaac tells Mrs. Williams the truth and Mrs. Williams replies that she is proud of Isaac, no matter what he does for a living.
Awwwwwwww!
This was a really simple story but it was sweet. Lillian Gish’s natural class provided a balance to Jeffrey Tambor cheating on Florence Henderson and Donald O’Connor’s seal trying to scare off Georgia Engel. And Ted Lange — seriously, episodes like this remind the viewer of how lucky The Love Boat was to have him. Yes, everyone knows that pointing thing that he does. But Lange also played Isaac as being a genuinely nice guy. I don’t drink but if I did, I would want Isaac to be my bartender.
Again, this episode was weird but at least it gave Lillian Gish and Ted Lange a chance to shine.
Scenes That I Love: “Good Mornin'” from Singin’ In The Rain
Today would have been the 92nd birthday of the great Debbie Reynolds.
Today’s scene that I love comes from the 1952 classic, Singin’ In The Rain. In this scene, Debbie performs the song Good Mornin’ with Gene Kelly and Donald O’Connor.
Retro Television Reviews: Half Nelson 1.3 “The Deadly Vase”
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!
The pilot for Half Nelson was pretty good! Now, let’s see if this rest of the show lived up to its promise.
Episode 1.3 “The Deadly Vase”
(Directed by Alan Cooke, originally aired on March 29th, 1985)
I cannot escape Robert Reed.
Seriously! Robert Reed is one of those actors who seems to show up every week in my retro television reviews. If he wasn’t starring in The Brady Bunch Hour, he was guesting on The Love Boat or Fantasy Island. And now, he’s the guest villain in this week’s episode of Half Nelson!
Reed, with his graying perm and his aging porn star mustache, plays Seymour Griffith. Griffith is a fabulously wealthy Beverly Hills attorney who is planning on becoming even more wealthy by stealing a valuable vase and selling it to a crooked antiques dealer named Morgan (Cesar Romero). Unfortunately, while stealing the vase, Griffith kills the owner. (Griffith is also having an affair with the dead man’s wife.) Somewhat inconveniently, for Griffith, the dead man was a client of the Beverly Hills Patrol! Rocky Nelson is on the case, both because he’s romantically pursuing the dead man’s daughter (Michelle Johnson) and also because Rocky believes in justice.
This week’s villains
The tone of The Vase is notably different from the pilot that preceded it. The Pilot had its comedic elements (such as Rocky continually borrowing famous cars from the studio) but it was ultimately fairly serious and it even ended on something of a down note, with Police Chief Parsons (George Kennedy) committing suicide rather than face justice for the murders that he committed. In the pilot, Rocky was definitely out-of-place as a New Yorker in Los Angeles but, at the same time, he was finding his way around his new town and learning how to fit in.
The Deadly Vase, on the other hand, reimagines Rocky as a short, Italian version of Eddie Murphy’s Axel Foley from Beverly Hills Cop. Chester (Fred Williamson), who was a supportive boss in the pilot, is suddenly a bit uptight about Rocky investigating a crime in Beverly Hills. He even sends his newest recruits, Kurt and Beau (played by Bubba Smith and Hang Time‘s Dick Butkus), to follow Rocky around Beverly Hills and make sure that Rocky doesn’t offend any rich people with his New York attitude. This episode pretty much just duplicates the plot of Beverly Hills Cop. During one car chase, The Heat Is On plays on the soundtrack and it’s hard not to notice that the other musical cues are almost identical to the ones heard in Beverly Hills Cop.
Smith and Butkus aren’t the only new members of the cast. Dependable character actor Gary Grubbs joins the show as Detective Hamill, who is far less a fan of Rocky’s than Parsons was. Hamill shows up long enough to order Rocky to stay off the case and to get growled at by Rocky’s pit bull. Hamill also gets to have a conversation with Dean Martin about whether or not Frank and Sammy and Shirley MacClaine would be willing to do a benefit for the Beverly Hills police department. Dean is only onscreen for a few minutes but it’s still nice to see him there.
Joe Pesci, who was so strong in the pilot, spends most of this episode looking more than a little annoyed so I’m going to guess that he may not have been happy with the show’s new direction. About the only time Pesci seems to be having fun is when Rocky is hired to play a hot dog in a commercial. The director of the commercial is played by Donald O’Connor and yes, Pesci does wear a hot dog costume.
Joe Pesci getting dressed up like a hot dog pretty much saved this episode as the mystery itself was fairly bland and Robert Reed never really felt like a worthy opponent to Rocky. Hopefully, next week’s episode will be a bit of an improvement …. or, at least, let’s hope the show finds another excuse to put Joe Pesci in a hot dog costume.
What A Glorious Feeling: On Stanely Donen and SINGIN’ IN THE RAIN (MGM 1952)
I constantly tout CASABLANCA as my all-time favorite movie here on this blog, but I’ve never had the opportunity to talk about my second favorite, 1952’s SINGIN’ IN THE RAIN. Sadly, that opportunity has finally arisen with the death today of Stanley Donen at age 94, the producer/director/choreographer of some of Hollywood’s greatest musicals. Donen, along with his longtime friend Gene Kelly, helped bring the musical genre to dazzling new heights with their innovative style, and nowhere is that more evident than in SINGIN’ IN THE RAIN.
The plot of SINGIN’ IN THE RAIN is fairly simple: Don Lockwood (Kelly) and Lina Lamont (Jean Hagen) are a pair of silent screen stars for Monumental Pictures. Lina believes the studio publicity hype about them being romantically linked, though Don can barely tolerate her. At the premiere of their latest film, Don is mobbed by rabid fans, and jumps into a car…
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Dance Scenes I Love: “Good Morning” from Singin’ In The Rain
RIP, Debbie Reynolds.
Through the Shattered Lens 