Retro Television Review: The Love Boat 6.4 “The Same Wavelength/Winning Isn’t Everything/A Honeymoon for Horace”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come aboard, we’re expecting you….

Episode 6.4 “The Same Wavelength/Winning Isn’t Everything/A Honeymoon for Horace”

(Dir by Robert Scheerer, originally aired on October 23rd, 1982)

Yeesh!  This episode!  Because I’m on vacation, I’m going to lay out the facts quickly and simply.

  • Julie’s hair still looks awful.  Seriously, she looks like she should be playing the demanding gymnastics coach in a Peter Engel-produced high school sitcom.
  • Horace (Jack Gilford) and Twinkie (Nancy Walker) board the boat.  They’re in their 80s and they’re newlyweds!  Awwwww!  Horace is nervous about his honeymoon because it’s been forever since he’s kissed a woman so he asks Julie if he can practice on her.  Julie, her eyes oddly glazed over, agrees.
  • Twinkie, who loves to party, tells Julie that she’s actually been married to Horace for 30 years and he just said that he was a newlywed to trick Julie into kissing him.
  • Later, when confronted by Doc and Julie, Horace and Twinkie confess that they’re not actually married.  However, they are brother and sister.  WHAT!?
  • Turns out that Twinkie “likes to party” and Horace “likes to kiss pretty girls” so they lied so that they could do both.
  • Horace, you’re going to jail!  Oh wait, no, he’s not.  The Love Boat crew has a good laugh over it and Julie, to be honest, seemed to be pretty coked up in this episode so perhaps she had a good reason for wanting to avoid dealing with the cops.  Okay, Julie, do what you have to do, I guess.
  • Meanwhile, psychic Tess Macgill (Connie Stevens) falls in love with passenger Mike Gordon (Charles Seibert).  Unfortunately, Mike is still in love with his wife, despite the fact that they’re now separated.  It’s a good thing that there’s a psychic on board to let Mike know that his marriage is over.
  • Finally, Jack Bronson (David Doyle) boards the boat with his teenage son, Chip (Matthew Labyorteaux).  Jack is an old friend of Captain Stubing’s and he’s convinced that winning is everything!  As for Stubing, he’s just happy that Vicki will finally have someone her own age to spend some time with.  I’m happy too.  Seriously, Vicki hardly ever gets to talk to anyone under the age of 50.
  • Jack is convinced that Chip is a world-class athlete but that’s just because Chip has been lying to his father.
  • Vicki is great a table tennis.  Jack pressures Chip to play her.  Chip fakes a wrist injury to get out of it.
  • Eventually, Chip tells his father the truth and Jack realizes that he’s been pushing his son way too much.  That’s not a bad lesson but David Doyle is miscast as a competition-obsessed father.  He comes across as being too nice.  Jack is a role for Bo Svenson.

This episode …. bleh.  The psychic story was bland and the story with the elderly siblings was creepy.  The Jack and Chip story was, at least, tolerable.  Julie’s terrible new haircut continues to annoy me.  This was not the best cruise in the history of The Love Boat.

Retro Television Review: The Love Boat 5.18 “His Girls Friday/A Wife for Wilfred/The Girl Who Stood Still”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love, exciting and new …. come aboard, they’re expecting you….

Episode 5.18 “His Girls Friday/A Wife for Wilfred/The Girl Who Stood Still”

(Dir by Robert Scheerer, originally aired on February 13th, 1982)

Wilfred (Tom Smothers) is a single guy who tells the crew that he’ll pay $10,000 to whoever helps him find a wife on the cruise.  The members of the crew each introduce Wilfred to a different woman and soon, Wilfred has five women following him all over the boat.  However, when Isaac hears Wilfred bragging about how he conned the crew into doing all the work for him and how he was lying about the $10,000, the crew hires Marilyn (Connie Stevens), who runs the ship’s flower shop, to pretend to Wilfred’s wife.

Ha!  Joke’s on Wilfred!  No wait, the joke’s on the crew.  Marilyn and Wilfred fall in love.  Meanwhile, Julie remains single.

Meanwhile, Howard Ethan (Dick Van Patten) boards the ship with his loyal and superefficient secretary, Doris (Rue McClanahan).  Doris is a great secretary but when Howard finds out that Cindy Nevins (Judy Landers) is looking for a secretarial job, he tries to figure out how to get Doris to quit so that he can hire Cindy.  Maybe he and Doris could just fall in love.  Myself, I wonder why people were always doing work while on The Love Boat.  Isn’t a cruise supposed to be a vacation?  And yet, every episode seemed to feature someone determined to spend the cruise in their cabin and getting some work done.  I appreciate the spirit, I guess.  I mean, I write film reviews while I’m on vacation so I guess I can relate.  But still, if you’re going to pay for a luxury cruise, wouldn’t you at least want to use it as an excuse to forget about your responsibilities on the mainland?

Finally, Bess Hensinger (Vera Miles) boards the boat with her daughter, Abigail (Denise Miller).  Abigail is stunned to learn that Bess invited a boy that Abigail likes to join them on the cruise.  How will Jim (James Osmond) react if he discovers that Abigail has …. scoliosis!?  This storyline was actually the best of the episode, if just because it was the only one where the male half of the romantic pairing didn’t come across as being totally sleazy.  Jim was a genuinely nice guy and, needless to say, he didn’t care that Abigail has scoliosis.  Denise Miller give an excellent performance as the insecure Abigail.  As an asthmatic teenager, I always dreaded the thought of using my inhaler in front of other people so I could relate to what Abigail was going through.  I may not have cared about the other two stories but I was happy things worked out for Jim and Abigail.

One good story out of three is usually not something brag about but Abigail and Jim were such a winning couple that they really did make this episode worth the trouble.  Despite Wilfred and Howard, this was a good cruise.

Retro Television Review: Fantasy Island 6.6 “The Beautiful Skeptic/The Last Platoon”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, someone tries to expose Fantasy Island!

Episode 6.6 “The Beautiful Skeptic/The Last Platoon”

(Dir by Ricard Montalban, originally aired on November 27th, 1982)

Your eyes do not deceive you.  This episode was directed by Mr. Roarke himself, Ricardo Montalban!

The main fantasy deals with Jack Oberstar (Gary Frank), who wants to go back to World War II so that he can find proof that his brother, Ken (Steve Kanaly), was killed in action and did not, as the army claims, desert and become a black market smuggler.  After the customary warnings from Mr. Roarke, Jack finds himself serving alongside his brother in France.  Jack not only gets to bond with his brother but he also discovers that it was the evil Galloway (Don Stroud) who stole his brother’s identity and went on to become a criminal.  Ken did die heroically but, without his dog tags, he was misidentified.  No sooner does Jack learn all this then he finds himself back in the present.  Jack is happy to know the truth but he regrets not having returned with proof.

However, Mr. Roarke reveals that, while Jack was having his fantasy, a career criminal died while serving a life sentence in France.   By checking his fingerprints, the authorities discovered that the criminal was Galloway, who was long believed to have died in World War II.  Jack realizes that he can now argue that Galloway stole Ken’s identity!  He’s happy, even if he doesn’t have his definite proof.  Myself, I started thinking about how different the world must have been in the days before DNA testing.  Today, Jack presumably wouldn’t even have to go Fantasy Island to prove that the body buried in “Galloway’s” grave was actually his brother.

As for the other storyline, it features Connie Stevens as journalist Christine Connelly, who is determined to prove that Mr. Roarke is a fake.  She tells Roarke that she interviewed eleven former guests and all of them were happy with how their fantasies went.  Christine argues that there’s no such thing as “eleven satisfied customers,” which is a weird way to put it.

Christine brings along two people who have fantasies.  Jay (Jimmie “JJ” Walker) wants to win a weight-lifting competition, despite being Jimmie “JJ” Walker.  Luckily, Roarke has some magic chalk dust that allows Jay to do just that.  (You have to feel bad for everyone who actually wasted their time training for the competition.)  Frank (Herb Edelman ) wants to be reunited with his estranged wife, Connie (Ruta Lee).  This actually proves somewhat difficult, as Connie really doesn’t want to see Frank.  But it turns out that this is because Connie thinks that Frank is having an affair with Christine.  I’m not sure that Roarke reunited Connie and Frank is really greater proof than Jimmie Walker winning a strongman competition but the important thing is that Christine learns to be less of a cynic and to open her mind to the magic of Fantasy Island.

This was not a bad trip to the Island.  Much as Mr. Roarke did with the Island, Ricardo Montalban kept the episode moving quickly and efficiently.  It’s interesting that Fantasy Island started out as this place that was shrouded in mystery but, by the sixth season, it was apparently well-known enough to attract the attention of tabloid television.  In the end, Mr. Roarke proved his good intentions and protected the Island.  Good for him!

 

Retro Television Review: Fantasy Island 5.1 “Show Me A Hero/Slam Dunk”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Almost the entire show is currently streaming on Daily Motion, YouTube, Plex, and a host of other sites.

Smiles, everyone, smiles!  It’s time to start the 5th season!

Episode 5.1 “Show Me A Hero/Slam Dunk”

(Dir by Phillip Leacock, originally aired on October 10th, 1981)

The fifth season brings some changes to Fantasy Island.

For instance, at the start of the season premiere, Roarke gifts Tattoo a platform that he can stand on while greeting and saying goodbye to the guests and so that he can, visually, be on equal footing with Mr. Roarke.  From what I’ve read, this was something that Herve Villechaize specifically requested as a condition for agreeing to continue with the show.  Considering that the previous season didn’t give Tattoo much to do, I can understand Villechaize’s logic.

The other big change is that Roarke has a new assistant.  His goddaughter, Julie (Wendy Schaal), has spent the summer working on Fantasy Island.  She only appears briefly in this episode, asking Mr. Roarke if she can greet the guests with him.  Roarke tells her that she’s not quite ready but perhaps next week, she will get the opportunity….

And really, Julie should feel good about that because neither fantasy is really that interesting this week.

Matt Kane (Sonny Bono) is a short sportswriter who wants to become a great basketball player and play for a team called the California Top Hatters (who the Hell came up with that name?) because he thinks that’s the only way that he’ll be able to win the heart of Ginger Donavon (Jenilee Harrison), the daughter of the team’s coach (Forrest Tucker).  Mr. Roarke warns Matt that there’s more to love than being able to play basketball but he still gives Matt a pair of magic sneakers.

Matt becomes a great basketball player.  (For some reason, the team is practicing on Fantasy Island).  Coach Donavon says that, if Matt wants a place on the team, he’ll have to beat out rookie sensation Skyhook Schuyler (Peter Isacksen).  Fortunately, Matt comes to realize that he can’t win Ginger by being the best player.  Instead, he has to be a better person.  He removes his shoes and bombs the try out.  But he gets to leave the island with Ginger.

Sonny Bono was a frequent guest star on both this show and The Love Boat.  He always played dorky guys who tried too hard to be cool.  That’s certainly the case here but what should be charming is made a bit bland by the total lack of chemistry between him and Jenilee Harrison.  On the plus side, Tattoo actually gets to do something in this fantasy, serving as a confidante to Skyhook.  It turns out that Skyhook is just as insecure about being tall as Tattoo is about being short.  To help Skyhook, Tattoo paints a picture of him so that Skyhook can see his kind soul.  Awwww!  Seriously, Herve Villechaize totally earned his right to stand on that platform.

As for the other fantasy, Helen Ross (Connie Stevens) is engaged to Ted Kingman (Martin Milner) but she can’t get over her former lover, John Day (David Hedison).  She thinks that John died while serving in the military but Mr. Roarke reveals that John actually survived the war and he lives on a nearby island.  Helen is reunited with John, just to discover that he’s a cad who faked his own death and became a deserter.  Helen leaves the Island feeling confident in her decision to marry Ted.

It’s only after she leaves that the truth is revealed.  Ted is currently serving a prison sentence.  Mr. Roarke arranged for Ted to have a weekend with freedom, on the condition that he lie about his situation to Helen so that she could move on from their failed romance.  So, basically, Mr. Roarke took Helen’s money and then lied to her.  Uhmm …. seriously, what the Hell, Mr. Roarke?

This was a bit of an underwhelming start for the fifth season but fear not!  Next week …. Roddy McDowall returns as the Devil and he wants Mr. Roarke’s soul!

Til then….

Retro Television Review: Playmates (dir by Theodore J. Flicker)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s Playmates!  It  can be viewed on YouTube.

Playmates tells the story of two divorces.

Marshall Barnett (Alan Alda) is an attorney.  He went to Yale and Harvard.  He has a successful career.  He has rich and educated friends.  He has a nice bachelor pad.  He also pays hundreds of dollars in alimony.  He and Lois (Barbara Feldon) got divorced 3 years ago and Marshall is still bitter.  He’s bitter that he has to pay her so much money.  He’s bitter that he only gets to see his son on the weekends.  He’s bitter that he can’t seem to start a new, meaningful relationship with anyone.  He’s bitter that his wife still asks him to critique her modernist paintings.

Kermit Holvey (Doug McClure) is a blue collar welder.  He has only been divorced for a few months and his relationship with ex-wife Patti (Connie Stevens) is nowhere near as contentious as Marshall’s relationship with Lois.  Still, Kermit is struggling to adjust to being single and to only seeing his son on the weekends.

Marshall and Kermit meet one weekend while they are both taking their sons to the Kiddieland Amusement Park.  Marshall is so overjoyed to meet someone else who is dealing with divorce that he comes on a bit strong in trying to get to know Kermit.  Kermit, however, does eventually get over his initial weariness and soon, he and Marshall are best friends.  It doesn’t matter that Marshall has a tendency to be a little bit condescending and that Kermit often can’t follow what Marshall is talking about.  They spend most of their time talking about their ex-wives.

But then Kermit meets Lois and he discovers that her paintings really aren’t as bad as Marshall made them out to be.  And Marshall meets Patti and he discovers that she’s not as dumb as Kermit made her out to be.  Soon, Kermit is secretly dating Lois and Marshall is secretly dating Patti and anyone who has ever watched a comedy before knows that there is a big mess waiting in the future.

Playmates was one of those films that pretended to be a lot naughtier than it actually was.  For all the winking and the occasional sly smiles, all that happens is that Kermit and Marshall both end up going out with women with whom they really don’t have much in common.  And while it’s tempting to read a lot into how quickly Kermit and Marshall become friends and how they both end up dating the other’s female equivalent, I think that might be giving this film too much credit.  (If it were made today, things might be different.)  In the end, the film really has more to say about class than it does marriage, as both Marshall and Lois obviously view spending time with Kermit and Patti as being a way of slumming and building up some working class bona fides without actually having to be working class.  Patti, to her credit, calls Marshall out on this.  Marshall admits that she has a point but he still come across as if he’s talking down to her, largely because he’s played by Alan Alda, an actor who is a master at being somehow both likable and condescending at the same time.

Playmates is a well-acted film and there are some funny lines.  The four main characters are all ultimately likable, even if they all have their moments where you can tell why they would be difficult to live with.  It deserves some credit for following its story through to its natural conclusion, with one couple realizing that they still love each other while the other realize that they are better off divorced.  The film may not be as radical as it pretends to be but it still doesn’t cop out on the ending.  In the end, Playmates is probably best watched as a time capsule.  It’s here if you ever want to experience 1972 firsthand.

Retro Television Review: The Love Boat 4.5 and 4.6 “The Mallory Quest/Julie, the Vamp/The Offer”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s a special two-hour episode of The Love Boat!

Episodes 4.5 and 4.6 “The Mallory Quest/Julie, The Vamp/The Offer”

(Dir by Richard Kinon, originally aired on November 15th, 1980)

This week, The Love Boat heads off on a two-week cruise that will take the ship, its crew, and its passengers through the Panama Canal.  There will also be stops at all the various islands on the way.  This is important because this is one of the episodes that was actually filmed on location.  Instead of the usual sets, we get to watch the action play out on an actual cruise ship.

Unfortunately, the actual cruise ship is kind of …. well, tacky.  Seriously, it’s hard not to notice that the hallways and the front lobby all look considerably more cramped and weathered than they have in other episodes of The Love Boat.  It’s also hard not to notice that the extras (who were apparently actual passengers) are all considerably older than the usual Love Boat background actors.

In fact, with the ship in such disrepair, it is any shocked that Captain Stubing is thinking of leaving?  When his old friend, Charlie (Dick Van Patten), boards the ship, he brings him a job offer.  If Stubing accepts the offer, he’ll be living in New York, he’ll be making three times the money, and Vicki will get to have a normal life.  Stubing loves the sea but he also wants Vicki to have a good future.  Vicki — in a scene that was well-acted by both Jill Whelan and Gavin MacLeod — tells him not to worry about her and that he needs to do what makes him happy.  And so, the Captain stays with the boat and I presume Vicki will continue to be taught by the tutor that we occasionally hear about but never actually see.

Meanwhile, Julie McCoy has been accused of being a vamp!  Maude Victor (Lani O’Grady) is convinced that Julie is trying to steal her fiancé, Roger (Bart Braverman).  Eventually, Roger himself become confused and Julie pretends to be interested in Roger just to get Roger and Maude back together again.  This was a dumb story and I don’t want to waste any more time on it.

Indeed, for all the Stubing drama and Julie silliness, this two-hour episode was dominated by one story.  Arrogant novelist Brian Mallory (Pernell Roberts) boards the boat with his long-suffering wife, Janet (Gayle Hunnicutt).  Brian has secretly bought tickets for three other passengers.  Peter (Skip Stephenson) is an insurance agent who is due to donate a kidney to his brother.  Marvin (Jimmie Walker) owns a bookstore.  Marcia Rand (Connie Stevens) brings along her fitness-obsessed boyfriend, Dave Porter (Peter Lupus).  Mallory reveals that Peter, Marvin, Marcia, and Gopher were the last four people to see his nephew, Tom.  Mallory has never met his nephew but he wants to track him down and apparently, Tom is living on one of the islands that the cruise is scheduled to visit.  Brian wants the four of them to help him look for Tom and he offers a $10,000 reward to make things interesting.  Why does Brian want to find his nephew?  Eventually, it is revealed that Tom is in possession of a family heirloom that Brian feels is rightfully his.  Sinister Lucius Kergo (Sorrell Brooke) is also on the cruise and he is determined to get the heirloom for himself.

Janet grows so tired of Brian’s arrogance and his obsession with finding his nephew that she declares that she’s leaving him.  Since the cruise is booked up, she ends up staying with Doc Bricker.  Doc falls for Janet but he realizes that she truly loves Brian and, when Brian starts to show some humility and some remorse for the way that he’s treated her, Doc encourages her to go back to him …. which she does because this is The Love Boat, not The Divorce Boat.

Anyway, Tom Mallory is eventually tracked down to a monastery in Puerto Rico.  Tom gives Brian the heirloom but the newly kind Brian gives it back to him so that he can sell it and use the money to build a free clinic.  Good for Brian!

Disheveled cruise ship aside and ignoring that terrible Julie plot, this was a fun episode.  The island scenery was gorgeous and the mystery of Tom’s location actually turned out to be a lot more intriguing than I was expecting it would.  Watching this episode made me want to take a cruise, even if it is a tacky one.

Retro Television Review: The Love Boat 3.21 “The Remake/The Perfect Match/The Captain’s Ne’er Do Well Brother”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, special guest star O.D. Warbux brings The Love Boat to life!

Episode 3.21 “The Remake/The Perfect Match/The Captain’s Ne’er Do Well Brother”

(Dir by Richard Kinon, originally aired on February 2nd, 1980)

At the start of this week’s episode, Marshall Stubing boards the ship.  As you can guess by his last name, Marshall is Captain Stubing’s brother.  He bears a pretty strong resemblance to Merrill, except he’s a little thinner and he has more hair and a pencil-thin smile.  He wears suits and has a quick smile and is quick to flirt with every woman the he sees.  He’s played by an actor named O.D. Warbux and….

Wait a minute….

That’s not O.D. Warbux!  That’s Gavin MacLeod!  Yes, in this episode, Gavin MacLeod plays both the serious Captain Stubing and his carefree, free-loading brother.  And you know what?  MacLeod/Warbux actually does a pretty good job playing the two roles.  In the scenes in which the brothers argue, MacLeod really does seem to be sincerely annoyed with himself.  Seriously, though, you have to give MacLeod some credit.  If he had joked his way through the double role, I doubt anyone would have called him out on it.  Instead, MacLeod gives two believable and emotionally nuanced performances.

As for why Marshall is on the boat, he’s looking for a woman to continue to fund his life.  Merrill threatens to kick Marshall off the cruise but Marshall reveals that he bought a ticket and he has ever right to be there.  As Merrill watches with a disapproving frown, Marshall meets and romances Ruby Gibson (Diane Ladd), who is the millionaire widow of an Oklahoma oilman.  Marshall actually does fall in love with Ruby but he fears that he’s not good enough for her.  Ruby announces that Marshall is perfect for her and even Merrill says that Marshall is actually a good guy.  Marshall leaves the boat with Ruby and I assume they got married a few weeks later.  That’s good.  Hopefully, Ruby will help to pay for Vicki’s college education (assuming Vicki is actually allowed to leave the boat to attend school).

Marshall Stubing is not the only family member on the boat.  Julie’s aunt, Christine (Florence Henderson), is also on the boat.  When she meets Neal Rich (James Broderick), he immediately reminds her of her late husband.  Neal and Christine fall in love on the boat but will Christine ever stop trying to make Neal behave just like her late husband?  Of course, she does.  This is The Love Boat!  Back when I was reviewing The Brady Bunch Variety Hour, I said some fairly negative things about Florence Henderson as an actress but she’s actually really good in the episode and she has great chemistry with James Broderick so I guess it was really the Brady children who were holding her back on the Variety Hour.  This was a sweet story and I have to say that I actually found myself really hoping that Christine and Neal would work things out.

Finally, Holly Christopher (Connie Stevens) boards the ship because she’s spent the last few weeks stalking Howard Samuels (Kent McCord), the man who she has decided will be the father of her child.  As Holly explains it to Doc, she doesn’t want to get married.  She doesn’t want a family.  She just wants a baby.  Doc, who has like a dozen ex-wives and whose entire life seems to revolve around searching for one-night stands on the boat, tells her that marriage and traditional courtship are wonderful and that she should consider them.  Holly realizes that she agrees with Doc and she decides that she wants an old-fashioned romance after all.  This whole storyline felt like it could have come from one of those old 1950s films that would star Troy Donahue and Sandra Dee as teenagers learning the facts of life.  Kent McCord was pretty dull as Howard but Connie Stevens brought a lot of energy to the role of Holly.  Out of the three couples who left the ship at the end of the cruise, Howard and Holly is the one that’s definitely not going to last.

With this episode, The Love Boat kept it all in the family and, overall, this was a pretty good cruise.  Both Gavin MacLeod and O.D. Warbux deserve a lot of credit for giving performances that elevated the entire episode.

Retro Television Reviews: Call Her Mom (dir by Jerry Paris)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s Call Her Mom!  It  can be viewed on YouTube!

While all of the other college campuses across America are in turmoil with protests and student walk-outs, Beardsley College remains at peace.  It’s a place where the 50s never ended.  Everyone is perfectly behaved.  No one is into politics.  Fraternity Row is a peaceful place, largely due to the elderly housemothers who keep the frats in order.

Except for Alpha Phi Epsilon, that is.  The A.P.E. House is known for being the wildest house on campus and every housemother that they get walks out on them.  If they can’t find a new housemother, they’ll lose their charter.  President Chester Hardgrove (Van Johnson) and Assistant Dean Walden (Charles Nelson Reilly) are practically salivating at the possibility of kicking A.P.E. off of campus.  And who can blame them?  Take a look at how wild these guys are:

These guys are crazy!  They wear yellow sweaters!  They play tennis indoors!  Occasionally, they leave a towel or two hanging on the bannister.  A.P.E. is out of control!

A.P.E. tries to find a new housemother but the word is out that A.P.E. is no good.  Not a single elderly woman in town is willing to work with them.  However, when the members of the frat realize that there’s not actually an age requirement for housemothers, they offer the job to Angie Bianco (Connie Stevens), who works as a waitress at the local pizza place.  Angie accepts the job.

It’s a scandal!  All of the older folks say that Angie is too young and too attractive to be trusted as the housemother for A.P.E.  Angie, however, proves herself to be a lot tougher than anyone was expecting.  The members of the frat soon come to respect her.  However, President Hardgrove is determined to force her out of the job and off of the campus.  Rumor has it that she’s encouraging the A.P.E. brothers to hold rollicking 20s style parties and she’s also allowing them to dance!

Check out this decadence!

The attempts to force Angie out of her job makes national news.  Soon, Angie and the frat brothers are featured in Time Magazine.  President Hardgrove points out that he’s never appeared in Time Magazine.  While an group of middle-aged women march outside of the A.P.E. House and demand that Angie be fired, the younger female students rally to Angie’s side.  Suddenly, Beardsley College is home to a protest!  (The protest is about as a wild as the 20s dance party at the A.P.E. House.)  President Hardgrove realizes that keeping Angie at the A.P.E. House will actually lead to the college getting more donations but Angie has decided that she has to quit.  Not only is she in love with A.P.E.’s sponsor, Prof. Calder (Jim Hutton), but a member of the fraternity has decided that he’s in love with her and he’s going to drop out of school to be with her.

Can A.P.E. convince Angie to come back?

Call Her Mom is a silly movie that was obviously meant to serve as a pilot for a television show, one in which I imagine Angie would have solved the fraternity’s problems on a weekly basis.  Seen today, it’s mostly memorable for its thoroughly innocent portrayal of college life.  A.P.E. House is the wildest frat on campus but no one is ever seen drinking.  Certainly no one is indulging in anything stronger than perhaps a Coke or a Pepsi.  I imagine this show was an accurate portrayal of what most parents hoped college was like.  That said, Connie Stevens and Jim Hutton made for a cute couple.  Hopefully, there were many good times in the future for the residents of A.P.E. House.

Retro Television Reviews: The Love Boat 2.13 “El Kid/The Last Hundred Bucks/Isosceles Triangle”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Welcome aboard!  Get ready for tonal whiplash on this week’s episode of The Love Boat!

Episode 2.13 “El Kid/The Last Hundred Bucks/Isosceles Triangle”

(Dir by Allen Baron, originally aired on December 9th, 1978)

Wes (David Madden) and Renee Larson (Dena Dietrich) are happy to be setting sail with their friend and business partner, April (Rue McClanahan).  They’re even more excited when the widowed April meets Van Milner (Dabney Coleman), a recently divorced businessman.  Not only is April falling in love with Van but it also appears that Van might even be willing to join the board of April’s hospital and invest some of his money into fixing the place up.  Except, of course, Van lost his job over a year ago and he really doesn’t have that much money left.  April is crestfallen to discover that Van is not the wealthy man that she believed him to be.  Was he just romancing her for her money?  When Van wins a few thousand dollars at the craps table, he donates the money to the hospital and April realizes that he was being honest about his feelings towards her.

This was a pretty predictable story and April was way too quick to forgive Van for his dishonesty but it was interesting to see an actor like Dabney Coleman, someone who brought a naturally cynical edge to any character that he played, on a show like The Love Boat.  As played by Coleman, Van seemed to be suffering from very real inner pain.  For once, the emotional drama on The Love Boat felt, if not quite real, then at least credible.

Speaking of pain, that’s what Larry (Robert Urich) and Cybill Hartman (Heather Menzies) had waiting for them when they took the Love Boat to Mexico so they could adopt a baby.  Upon arriving at the local orphanage, they were told that the mother of their baby had changed her mind and would not be giving up her baby after all.  Instead, Larry and Cybill left with 12 year-old Pepito (Gabriel Melgar), a little brat who steals Larry’s watch and sells it on the boat.  When Larry gets upset, Pepito grabs an inflatable lifeboat and prepares to jump overboard.  Fortunately, Larry and Cybill talk him out of it and he agrees to be their son and to stop stealing stuff.  This was an annoying story, largely because Pepito was so whiny.  It was hard not to feel that Larry and Cybill deserved better than having to raise Pepito.

Finally, Julie’s friend, Karen Maynard (Connie Stevens), boards the boat and both Captain Stubing and Doc Bricker spend the entire voyage pursuing her because it’s not like the Captain and the ship’s doctor would actually be expected do their job while the ship is floating in the middle of the ocean.  Gopher, Ike, and Julie take bets on who Karen will choose but, in the end, Karen chooses neither because both Doc and Stubing decide to respect the other’s feelings and stop pursuing Karen.  This whole storyline was silly because there was really no doubt about who Karen would have picked.  Seriously, anyone who is a passenger on a cruise is automatically going to fall for the captain because the captain is the most powerful person on the boat.  But, on the plus side, the storyline showed off the chemistry between all of the show’s regulars.  It was likable, even if it never quite felt plausible.

This was an episode about which I had mixed feelings.  The three storylines were so tonally dissimilar that they didn’t really seem that they all should have been happening on the same cruise.  Plus, Pepito was the most obnoxious orphan since the kids on One World.  I’m glad things worked out for Dabney Coleman, though.

Retro Television Review: Fantasy Island 2.9 “The Appointment/Mr. Tattoo”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week, Tattoo finally gets his chance to be in charge!

Episode 2.10 “The Appointment/Mr. Tattoo”

(Dir by Cliff Bole, originally aired on November 18th, 1978)

This week’s episode opens with Tattoo in a very good mood.  Apparently, Mr. Roarke has promised Tattoo that Tattoo will someday get a chance to be in charge of a guest’s fantasy and Tattoo has decided that he is now ready to take on that responsibility!  As is typical of this show, Roarke responds to Tattoo’s enthusiasm by pretending to not remember what Tattoo is talking about.  Tattoo not only has to explain their deal but he literally has to beg Roarke to uphold his part of the bargain.  Roarke smiles at Tattoo’s excitement and says, in a tone that suggests the opposite, “I can hardly wait.”

(In many ways, Tattoo has the same relationship with Roarke that Nick Nack had with Scaramanga in The Man With The Golden Gun.  There’s a lot of passive-aggressive resentment to be found in every exchange between the two.)

Tattoo is in charge of granting the fantasies of Dee Dee (Barbi Benton) and near-sighted Evelyn Kastenbaum (Connie Stevens).  Dee Dee and Evelyn are Vegas showgirls who want to marry millionaires.  Tattoo hires two lounge singers, Jack (Troy Donahue) and Bernie (Fred Grandy), and instructs them to write a Broadway musical that will star Dee Dee and Evelyn.  Investors will come to the Island to see about investing in the show and surely, two of them will fall in love with Dee Dee and Evelyn!

It sounds like a great plan!  Way to go, Tattoo!

The only problem is that Dee Dee and Evelyn end up falling in love with Jack and Bernie.  In fact, during the musical’s big wedding number, the four of them are married by a minister who, Roarke explains, has always had a fantasy about appearing in a musical.  Tattoo is upset.  He says that he failed to grant the girls their fantasies.  But then Roarke explains that Bernie and Jack are actually millionaire playwrights who came to the island to fulfill their fantasy of writing a musical.  It all works out, even if it does appear that Tattoo was actually never really in charge of the fantasy.

While this is going on, Dr. John Carlson (Bert Convy) has a fantasy about meeting with a big financial backer and getting the money to build a hospital that will be named after himself.  However, while trying to drive to the meeting, John comes across a Fantasy Islander (Nancy Kwan) who is in the middle of a very difficult labor.  It turns out that her village only has one doctor and he’s away.  To save her life, Dr. Carlson will not only have to miss his meeting but he will also have to rediscover the joy of taking care of patients on a one-on-one basis.

(Why did all of the native Fantasy Islanders live in remote villages with so few modern resources?  Did Mr. Roarke just not care about them?)

Oh no, Dr. Carlson didn’t get his fantasy!  But don’t worry.  It turns out that Dr. Carlson’s wife (Tasha Noble) had a fantasy that the doctor would finally rediscover his love for medicine and that their marriage would improve.  So, at least someone got what they wanted!

Dr. Carlson’s fantasy was fairly predictable but the stuff with the showgirls, the playwrights, and the Broadway show was actually pretty cute.  It was definitely silly but Fantasy Island is at its best when its silly.  Plus, Mr. Tattoo finally got his fantasy.  Yay!

It was a fun episode.