Lisa Marie’s Six Favorite Super Bowl Commercials!


As you may know, if you’re one of our longtime readers, I only watch the Super Bowl for one reason.  Right now, I know that at least three TSL contributors are happy because the Patriots won.  And I know that at least one is upset that the Falcons lost.  But me — all I care about are the commercials.

What were the commercials like this year?  They weren’t terrible.  As tends to happen with Super Bowl commercials, quite a few of them tried way too hard.  A lot of people are going to go crazy praising the more political of the commercials.  A few commercials attempted to comment on everything that’s going on in this country right now.  That’s their right but I always find it amusing when big, faceless corporations spend millions on commercials bragging about how progressive they supposedly are.

That said, it was fairly easy for me to pick my six favorite commercials this year.  It was also pretty easy for me to pick my least favorite commercial.  Seriously, Febreze, what the Hell?

Here’s my top six.  I’m not saying that these commercials would convince me to buy or do anything.  But they did amuse me and that’s the important thing!

6) Yellow Tail Wine

I hardly ever drink so I don’t have any idea whether Yellow Tail is a good wine or not.  To be honest, I really don’t care.  Nothing bores me more than when people start getting all technical and in-depth about wine.  The important thing is that the kangaroo is cute.

In fact, he’s almost as cute as the beaver in this 2008 commercial from Australia.

5) Tide

“I know, you’re trending.”  This made me laugh out loud.

4) Bai

Christopher Walken and Justin Timberlake need to do more commercials together.

3) Wix.Com

Speaking of pairings that unexpectedly work, I hope that Gal Gadot and Jason Statham will return for this commercial’s sequel.

Finally, for my top two spots, I have to admit that I’ve gone back and forth as to which one of these commercials should come in first and which should come in second.  I was even tempted to declare a tie but, in the end, one commercial managed to cling to the top spot.

First, here’s the runner-up:

2) Snickers

This commercial didn’t get much attention in the days leading up to the game.  It probably didn’t cost a lot to make.  It wasn’t trendy.  It wasn’t flashy. It most definitely wasn’t political.  But, by highlighting the absurdity of Super Bowl commercials, it nearly won the night.  (Plus, it features Adam Driver and who doesn’t love that?)

And finally, my pick for the best commercial of Super Bowl LI…

(Drum roll, please…)

1) Squarespace

John Malkovich!

Playing Catch-Up With The Films of 2016: Nine Lives (dir by Barry Sonnenfeld)


Much like Warcraft, Nine Lives is another film that came out last year and got reviews that were far more negative than they should have been.  I mean, don’t get me wrong.  Nine Lives is technically a pretty stupid movie and it stars a lot of actors who probably should be doing something a little bit more substantial with their time.  That being said, it’s not as if Nine Lives ever promised to be anything more than what it is.

Two facts about Nine Lives:

Number one — it did not make me physically ill, which already makes it a better movie than Hardcore Henry.

Number two — it’s all about cats!  After being more or less pushed to the side by The Secret Life of Pets (which featured only one tokenish kitty), cats finally get a movie of their very own!

It may not be a very good movie but that’s beside the point.  KITTY POWER!

As for what the film is about — well, it’s a concept that is so silly and stupid and predictable that I’m not surprised that it was produced by a major American studio.  (Except apparently, it wasn’t!  Despite taking place in America, featuring a totally American cast, and English dialogue, this is actually a French film, produced by Luc Besson’s EuropaCorp.)  Kevin Spacey is an emotionally cold and ruthless businessman who discovers that he does have a heart when he switches bodies with a cat.  Don’t ask how he switches bodies, it’s just too silly for me to talk about.  The important thing is that he switches and it leads to a lot of litter box jokes that made me, as a proud cat owner, cringe.

BUT — and here’s why this film is not as bad you may think, the cat is really cute.  And if a cat did speak with a human voice, chances are that voice would sound a lot like Kevin Spacey’s.  It may sound like a pretty weird role for a two-time Oscar winner and multiple Emmy nominee (and don’t even get me started on the Golden Globes) but dammit, Kevin throws himself into voicing that feline’s thoughts and good for him!

Plus, this is yet another film that features a totally out there Christopher Walken cameo.  The presence of Christopher Walker automatically elevates any film.

Nine Lives may not be good but it’s not terrible.

(Of course, dog lovers will hate it….)

 

Film Review: Eddie the Eagle (dir by Dexter Fletcher)


 

eddie_the_eagle_poster

Hi, everyone!

So. I’m guessing, after what happened last night, some of our readers might need something to cheer them up.  If you’re a regular reader of this site, I’m going to imagine that you love movies.  And, in your moment of uncertainty or whatever, you might want to watch a movie.  And, of course, you’re asking yourself, “What does Lisa think I should watch?”

Well, I’ll be honest.  My cinematic tastes tend to be rather dark.  I like horror movies.  I like movies with sad endings.  I love brutal satire.  I love movies that attack their audience and that dare you to look away.  So, I might not be the best person to ask…

But you know what?

There actually is a movie that I can recommend to anyone who needs to be cheered up this week.  Eddie the Eagle, which came out way back in February, is exactly the type of movie that you would expect an arthouse snob like me to dismiss.  It’s a feel-good sports movie, one that is based on a true story but which also features a lot of composite characters and manufactured drama.  No, Eddie the Eagle is perhaps not the type of film that you would expect me to enjoy but, when I finally got around to watching it a few days ago, I absolutely loved it!

Eddie the Eagle tells the story of Eddie Edwards (Taron Egerton), a somewhat eccentric Englishman who dreams of competing in the Winter Olympics, despite the fact that he’s not all that athletically inclined.  When he’s turned down for a spot on the Olympic skiing team, Eddie decides to try to go to the Olympics as a ski jumper.  Working to Eddie’s advantage is the fact that there are no other English ski jumpers.  (We’re told that it’s been over 60 years since the UK even sent a ski jumper to the Olympics.)  In theory, Eddie should be able to qualify for the Olympic team just by showing up.  Working to Eddie’s disadvantage is the fact that the snooty British Olympic officials don’t want him to represent the UK in the Olympics.

Of course, there’s also the fact that Eddie has no experience as a ski jumper and only a few months to learn how to do it.  And, if Eddie makes any mistakes during one of his jumps, he could easily be severely injured or perhaps even die.

Most people would probably just give up and find something practical to do with their life but not Eddie!  Eddie has a dream and he’s going to achieve it, no matter what.  Fortunately, Eddie finds a coach.  Alcoholic Bronson Peary (Hugh Jackman) used to be a champion ski jumper but he’s spent the last few years drinking and being bitter.  At first, Bronson doesn’t want anything to do with Eddie but eventually, Eddie wins him over with his sincerity and his refusal to give up.  As Eddie explains to Bronson, he doesn’t care whether or not he wins a medal.  He just wants to compete…

And really, it shouldn’t work.  I should be complaining about how shamelessly manipulative this movie is.  I should be making fun of the fact that it features almost every sports film cliché imaginable.  But dammit, it’s such a sweet movie!  Director Dexter Fletcher does a great job filming Eddie’s jumps (often times from his point of view) and Taron Egerton is so charmingly odd in the role that you can’t help but cheer whenever Eddie manages to land without crippling himself.  Meanwhile, Hugh Jackman does a good job of grounding the movie in reality (which makes it all the more ironic that, unlike Egerton, Jackman is playing a fictional character).  Add to that, this film features a somewhat random Christopher Walken cameo!  Seriously, you’re sitting there and you’re thinking, “This is a good movie but I just wish Christopher Walken was here…” and then suddenly …. THERE’S CHRISTOPHER WALKEN!

Eddie the Eagle is a sweet and sincere burst of positivity.  It’s the perfect antidote to 2016!

Music Video of the Day: Weapon Of Choice by Fatboy Slim (2001, dir. Spike Jonze)


Leaving this out of a week of music videos that feature dancing would be a crime. I could leave it at that, but let’s talk a little bit about this music video.

Much like the mid-90s swing revival seemed to come out of nowhere, so did this video. We were all familiar with Fatboy Slim’s Praise You whether we wanted to be or not at this time. They played that song to death. Then came Mr. Deer Hunter and Gold Watch up your butt Christopher Walken dancing around a hotel like he was suddenly possessed by the spirit of Fred Astaire. Leave it up to Spike Jonze to think this one up, or at least I assume he did. This is one of those music videos that we not only know the director and producers, but the cinematographer, choreographers, the production designer, the 2nd camera operator, costume and wardrobe, visual effects, stunts, and it apparently had a “Philosophical Consultant”.

The choreographers were Spike Jonze and Christopher Walken themselves, but also a Michael Rooney. His work can be seen from as far back as Saved by the Bell to this year’s The Jungle Book.

Of course you’ll recognize the 2nd camera operator. That being director Roman Coppola.

The cinematographer is Lance Acord. He worked on Being John Malkovich (1999), Adaptation (2002), Lost in Translation (2003), Marie Antoinette (2006), etc.

The people you’ll recognize goes on.

Eric Zumbrunnen was the editor on this video a along with some notable videos such as Buddy Holly, Cannonball by The Breeders, and Sure Shot by Beastie Boys. He too would continue to work with Spike Jonze being the editor on Adaptation and Her (2013).

Producer Vincent Landay would continue to work with Jonze, but Deannie O’Neil doesn’t appeared to have done much of anything beyond this music video.

Production Designer Val Wilt would go on to do 96 episodes of Bones. Not bad.

Costume Designer Casey Storm would also go on to work for Spike Jonze and do Zodiac (2007) with David Fincher.

Visual effects person Ben Gibbs would work some more with Jonze, but I’m not sure about Jeff Kim.

As for the stunt people, Keith Campbell is one of those people who has done stunts on everything. Brian Friedman is apparently very well known as a dancer/choreographer on TV Shows. He also worked on several Britney Spears music videos.

The “Philosophical Consultant” K.K. Barrett worked with both Jonze and the Coppolas.

Wow! Now this is a well documented music video. This makes me happy. It also makes me happy watching Christopher Walken channel his inner Astaire. I love how Walken at first isn’t sure where the music is coming from and notices the little radio. Then he is overcome, and must dance. It’s true what Gloria Estefan said: “Rhythm Is Gonna Get You”.

This video is pure fun. It’s also funny that we got 70s cop shows for Beastie Boys, Happy Days for Weezer, 50s musicals for Björk, and then Walken doing a more expansive version of Fred Astaire’s number from 1951’s Royal Wedding.

Quick Review: Disney’s The Jungle Book (dir. by Jon Favreau)


THE JUNGLE BOOK

Without giving away the film, I haven’t much to say about Disney’s The Jungle Book other than I enjoyed it. Granted, it’s one that’s been done a number of times. 

When the trailer for Disney’s The Jungle Book was released, I was happy for it. It was good to see Jon Favreau back to directing bigger productions. After the misstep of Cowboys & Aliens and the success of Chef , it seems like he’s really back on track in a big way. That was my reason for seeing the film this past weekend.

Note that I’ve never seen the Disney Animated Version of The Jungle Book. I can’t really make any comparisons, other than the music, having listened to songs as a kid.

The Jungle Book is the story of Mowgli (newcomer Neel Sethi), a young boy who lives in the jungle and is raised by both a pack of wolves (lead by Lupita Nyong’o and Giancarlo Esposito) & a Panther named Bagheera (Sir Ben Kingsley). Evil rears its ugly head in the form of a Tiger named Shere Khan (Idris Elba), who wishes to have Mowgli killed because he knows how dangerous he can become once grown. Can the pack protect him, or will have have to find a way to save himself? That is pretty much what you need to know about the plot. I felt the movie had a number of comparisons to the Lion King (and even one reference to Return of the Jedi). Still, it manages to move at a good pace. Unlike Batman v. Superman: Dawn of Justice, I didn’t find myself rolling my eyes or counting the minutes until a bathroom break appeared. 

Casting in the Jungle Book is pretty good. There’s hardly a cast member out of place, though not everyone is given a great deal of screen time. It is Mowgli’s story, after all. Idris Elba is menacing as Shere Khan. Scarlett Johannson (Chef, Iron Man 2)  plays Kaa the Snake and has a song on the score. Bill Murray’s Baloo is cute and cuddly, but the biggest casting surprise has to be Christopher Walken as Big Louie. The film even manages to contain a few musical numbers, though I don’t know if it could be classified as a musical. Those moments are few and far between.

Visually, The Jungle Book is downright beautiful. The animals are rendered so well (in some cases) that one might suspect they had actual animals on hand for a reference or at least some on set. It’s still early, but this is a movie I’d tuck away until the next awards season, at least where the Visual Effects are concerned. The 3-D version of the film has some great moments, but I wouldn’t consider it a requirement to actually see it in this format.

Some elements early in the film may be frightening for the youngest of viewers. Tigers are meant to be scary, so Shere Khan definitely worked for me. The same goes with Kaa and with Louie. Overall, The Jungle Book is set to be a major hit and it’s nice to see Favreau with a directorial win.

Lisa’s 6 Favorite Commercials of Super Bowl 2016!


So, as our longtime readers know, the only reason I ever watch the Super Bowl is for the commercials.  Every year, I post my 6 favorite Super Bowl commercials.  Now, I have to be honest, it’s hard to pick 6 from this year’s crop.  This was a seriously bland year!  There were no sexy commercials.  There were no secretly subversive commercials.  There were no commercials so offensive that I simply had to post them just to be annoying.

Instead, we got stuff like the Super Bowl Babies.  And I know that a lot of people loved the Super Bowl Babies but … bleh.  Seriously, it was a really creepy and kind of annoying commercial and I refuse to believe that anyone actually enjoyed it.  I think people saw the babies and thought, “Oh, I have to enjoy this or else it means I don’t love babies.”  The babies were cute but the commercial was super creepy.

And then there was this stupid Puppy Monkey Baby thing.  What the Hell was that supposed to be!?

I have to say — if I was going to have a pet that was half baby, that’s not the half that I would want.

Anyway, I did finally manage to come up with 6 that I did like.  And here they are!  Please understand that being include on this list does not mean that this site or any author of this site is saying that you should use any of the services or products being advertised.  In fact, seeing as how we’re not getting any money for highlighting this excellent commercials, I would suggest that you not use anything featured in these commercials.

Here are the commercials:

6) Coca-Cola: Little Marvels

Those little minicans drive me crazy and I refuse to allow them in either the house or here at the TSL offices.  Just a few days ago, Leonard try to stock some in the break room fridge and I spent the next few hours pouring them all out on the floor just to make a point!  But, taking all that into consideration, I still like this ad because … well, Ant-Man’s cute.

5) Kia: Walken Closet

I liked this one because it featured Christopher Walken and … well, that’s pretty much the only reason.  But it’s a good reason!  If nothing else, it kept me from thinking about how much I hate car commercials.  I hope Walken does a truck commercial next because I want him to explain what torque means.

4) T-Mobile — Drop The Balls

I liked this one because 1) Steve Harvey has a good sense of humor about traumatizing Miss Colombia and 2) it makes fun of Verizon.  Seriously, Verizon commercials are so smug!  Anyway, you tell them, Steve and keep praying for all us heathens.

3) Avocados From Mexico: Avos In Space

I really enjoyed this ad.  I’ll probably hate it after I see it another 100 times but for now, good job!

2) Prius: Getaway Car

I’m still trying to get the Dazzling Erin to buy a Prius so I can make fun of her for getting one.  But, after seeing this commercial, I now understand that a Prius is also a great car to own if you’re planning on fleeing from the police.  Seeing as how I always root for the guy being chased whenever there’s a high-speed police chase, I appreciated this feature of the car.  Add to that, I love the way that the Prius 4 become celebrities because that’s exactly what would happen in real life.

1) T-Mobile: Restricted Bling

It’s Jimmy!  And he can walk again!

And that’s it for this year!  Next year, advertisers, let’s bring back the sexy and the pretentious, okay?  It’ll make it a lot easier to make out a list.

The Jungle Book Super Bowl Trailer


The Jungle Book

A month before we marvel at Captain America: Civil War we shall be treated to the latest film adaptation of Disney’s animated film The Jungle Book which itself is an adaptation of the Rudyard Kipling of the same name.

This film has such an impressive pedigree. In the director’s chair is Jon Favreau who is the man who help begin the massive Marvel Cinematic Universe with Iron Man. The cast is a who’s who of some of the most recognizable actors working today: Idris Elba, Ben Kingsley, Scarlett Johansson, Lupito Nyong’o, Christopher Walken, Giancarlo Esposito and Bill Murray.

The Jungle Book is being touted as the next step in visual effects in filmmaking with everything except the young Mowgli being computer-generated. The film’s sizzle reel trailer wowed everyone at this past summer San Diego Comic-Con and this Super Bowl trailer does everything to help make that sizzle turn into a full-blown firestorm of hype.

The Jungle Book is set to come out on April 15, 2016.

Here’s 4 Different Actors Reading Edgar Allan Poe’s The Raven!


edgar-and-the-raven-paul-green

Let’s all wish Edgar Allan Poe a happy 207th birthday!  In honor of the occasion, here’s four different actors reading The Raven!

First here’s Vincent Price!

And now it’s time for Christopher Lee!

http://www.youtube.com/watch?v=yb-hwaKWx7I

Check out James Earl Jones!

And, of course, we have to include Christopher Walken!

And here’s the poem, in all its glory.  Read it aloud in your own voice!

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.

And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“’Tis some visitor entreating entrance at my chamber door—
Some late visiter entreating entrance at my chamber door;—
This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
’Tis the wind and nothing more!”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”

But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
Then the bird said “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
Of ‘Never—nevermore’.”

But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!

4 Shots From 4 Films: Stephen King Edition


With just minutes left til the end of the day I thought it was time to wish one of my favorite a happy birthday.

I pretty much spent my junior high and high school years reading everything that Stephen King had written and published up to that point. The habit followed me after high school graduation and I’ve picked up on other authors since.

While Stephen King has slowed down some when it comes to the amount of novels he has released in the last decade or so, he is still one of the few authors whose books I will buy without even knowing what it’s about.

Here are just four films adapted from his stories that I consider favorites of mine. They’re just stories about a boy’s first car, a man waking up from a long sleep, a cat named Church and a grocery store full of people.

4 SHOTS FROM 4 FILMS

Shattered Politics #79: Man of the Year (dir by Barry Levinson)


Man_of_The_Year_(2006_film)

The 2006 comedy Man of the Year is a difficult film to review.  Some of that is because it’s not that interesting of a film.  It’s simplistic and predictable.  In fact, the only reason that I’m reviewing this film for Shattered Politics is because I needed an example of a bad, mainstream political film.

However, that’s not the only reason why it’s difficult to write about Man of the Year.  The bigger reason is that Man Of The Year stars Robin Williams and, in many ways, it’s typical of one of his later lesser films.  After his tragic death, it’s even harder to watch Robin Williams waste his talents in a bad film.

And, make no mistake about it, Man of the Year is a bad film.

Robin Williams plays Tom Dobbs.  Dobbs, we are told, is the most famous political commentator in America.  Watching the film, it’s obvious that Dobbs is meant to be the film’s equivalent of Jon Stewart and Stephen Colbert.  However, the difference is that Stewart and Colbert are both obviously liberal whereas, from what little we see of Tom Dobbs show, Dobbs doesn’t appear to have any positions beyond the few vague platitudes that pass for political thinking in most mainstream films.  Dobbs is against special interests.  He’s against career politicians.  He’s against … well, he’s against everything that most people are against and for everything that most people are for.  About the closest that Tom Dobbs come to being edgy is when he makes a stupid joke about Pope Benedict being German.

Anyway, Dobbs is recruited to run for President and he manages to get on the ballot in 13 states!  And he’s even doing well because, apparently in this film’s version of reality, Catholic voters have no problem supporting someone who makes fun of Pope Benedict for being German.  And he’s even invited to take part in a presidential debate.  When asked his first question in the debate, Dobbs starts talking and, because he’s being played by Robin Williams, he doesn’t stop.  The debate spirals out-of-control.  Dobbs goes on and on about the state of America, all the while assuming weird accents and slipping in and out of different personalities.

“Oh my God,” I thought, “he’s had a nervous breakdown.”

Except, of course, he hasn’t.  And, since this is a movie, everyone in America loves his performance.  On election night, Tom Dobbs apparently wins all 13 of his states and he’s elected President!

Except, of course, he hasn’t been.  It turns out there was an error with the voting machines.  Eleanor Green (Laura Linney), who works at the company that built the machines, figures out what happened.  In order to keep her from revealing the truth, the company drugs her and attempts to destroy her credibility and…

Wait, this is a Robin Williams comedy, isn’t it?  Well, it is and it isn’t.  Half of the film is devoted to Tom Dobbs saying things that are supposed to be funny but the other half deals with Eleanor trying to expose a giant cover-up without getting killed.  Director Barry Levinson can’t seem to figure out whether his film is supposed to be an unfunny comedy or a boring drama.  So, he tries to do both and … well, taken by that criteria, the film actually works.  If Levinson set out to be unfunny and boring, he succeeded.

One of the biggest dangers of making a film about a comedian is that, for the film to work, you have to believe that people would actually find the comedian to be funny.  When the jokes aren’t funny, it doesn’t matter how many reaction shots of people laughing that you stuff into the film.  Man of the Year is full of reaction shots.  During the debate, we continually see Eleanor’s teenage son laughing.  (How many teenagers, other than the weird ones and the ones assigned to do so for homework, actually watch a presidential debate?)  During one particularly painful moment, Tom starts rambling while traveling on the campaign bus and we are subjected to countless reaction shots of Christopher Walken and Lewis Black laughing so hard that they look like they might faint from exhaustion.

The problem is that it’s rare that a few hundred people will all start laughing and stop laughing at the exact same time.  Whenever you listen to a truly good comedian, you always hear a few giggles that indicate that at least a few audience members are still thinking about the last joke or else that they’re anticipating the next joke.  Often times, when a comedian says something especially funny or unexpected, you don’t even hear laughter.  You might hear a gasp of shock.  You might hear tittering.  You might hear applause.  You might hear someone shouting like they’re at a sporting event.

What I’m saying is that everyone reacts to humor in their own individual way.  Everyone has a laugh of their very own.  Uniform laughter, like the laughter in Man of the Year, sounds fake because it is fake.

Add to that, nothing that Tom Dobbs says is particularly funny.

So, no — don’t watch Man of the Year.  Watch Dead Poets Society.  Watch Good Will Hunting or Awakenings.  You could even watch Cadillac Man!  But don’t watch Man of the Year.