Horror On The Lens: The Invasion of Carol Enders (dir by Dan Curtis)


In 1973’s The Invasion of Carol Enders (Meredith Baxter) is attacked while walking in the park with her boyfriend (Christopher Connelly) and strikes her head.  At the same time, Diana Bernard (Sally Kemp) crashes her car while driving home in the rain.  Both women end up at the hospital at the same time.  Both die but Carol is brought back to life.  Except now, there’s someone else in Carol’s head….

This is a bit of an odd made-for-TV movie, even by the standards of the 70s.  It’s only 69 minutes long and it was shot on video tape, giving the whole thing the look of an old daytime drama.  It’s easy to watch this movie and imagine that it’s just a supernaturally-tinged episode of General Hospital or Days Of Our Lives.  Both the acting and the plot add to the daytime drama feel of the production.  This is a movie that fully embraces the melodrama.

I think the most interesting thing about this film is that everyone is very quick to accept that Diana has somehow willed her spirit into Carol’s body.  There’s very little hesitation about accepting Diana/Carol at her word and no one even thinks to suggest that maybe Carol is having some sort of mental episode as a result of the attack.  Adam hears that his girlfriend has been possessed and he immediately gets to work helping out the woman who has possessed her.  I mean, good for Adam.  I like a man who is willing to do whatever has to be done.  Still, everyone acts as if possession happens every day.

This is kind of a silly movie, which is probably why I enjoyed it.  It’s short, it’s simple, and it embraces the melodrama.  What’s not to enjoy?

Horror Film Review: The Invasion of Carol Enders (dir by Dan Curtis)


The Invasion of Carol Enders….

AGCK!  That’s a scary title that just brings to mind all sorts of disturbing images.  And this 1973 made-for-television film does get off to a rather disturbing start, with Carol Enders (Meredith Baxter) and her boyfriend, Adam Reston (Christopher Connelly), getting attacked in the park by a random criminal.  Carol falls and strikes her head.  She is rushed to the hospital in a coma and is not expected to survive.

Meanwhile, Diana Bernard (Sally Kemp) has an argument with her former lover (John Karlen) and then goes for a drive in the rain.  When the car crashes, Diana is rushed to the same hospital as Carol.  Ironically, it’s the same hospital where her husband, Peter (Charles Aidman), works.  Like Carol, Diana is not expected to survive.

Diana and Carol both appear to die at the same time.  Except Carol doesn’t actually die.  Instead, she has a miraculous recovery.  She comes out of her coma and she is remarkably articulate for someone who has just suffered serious brain damage.  However, there is one problem.  Carol swears that she’s never seen Adam before, that she’s married to Peter, and that her name is Diana!

That’s the invasion of Carol Enders.  When Diana died, her spirit moved into Carol’s body and took control.  Diana is convinced that her car accident was not actually an accident.  She thinks that she was set up by her ex and she sets out to try to prove that the accident was actually attempted murder.  (Actually, it’s only attempted from Diana’s point of view.  As far as the rest of the world is concerned, Diana is dead.)  While Adam tries to help Diana solve her murder out of a hope that she’ll go away and allow Carol to once again be in control of her own body, Diana runs off to her husband.  However, it turns out that there’s a lot more going on than even Diana realizes.

This is a bit of an odd made-for-TV movie, even by the standards of the 70s.  It’s only 69 minutes long and it was shot on video tape, giving the whole thing the look of an old daytime drama.  It’s easy to watch this movie and imagine that it’s just a supernaturally-tinged episode of General Hospital or Days Of Our Lives.  Both the acting and the plot add to the daytime drama feel of the production.  This is a movie that fully embraces the melodrama.

I think the most interesting thing about this film is that everyone is very quick to accept that Diana has somehow willed her spirit into Carol’s body.  There’s very little hesitation about accepting Diana/Carol at her word and no one even thinks to suggest that maybe Carol is having some sort of mental episode as a result of the attack.  Adam hears that his girlfriend has been possessed and he immediately gets to work helping out the woman who has possessed her.  I mean, good for Adam.  I like a man who is willing to do whatever has to be done.  Still, everyone acts as if possession happens every day.

This is kind of a silly movie, which is probably why I enjoyed it.  It’s short, it’s simple, and it embraces the melodrama.  What’s not to enjoy?

The TSL’s Horror Grindhouse: Without Warning (dir by Greydon Clark)


1980’s Without Warning opens with a father (Cameron Mitchell) and his gay son (Darby Hinton) on a hunting trip.  The father taunts his son about not being what the father considers to be a real man.  He says that his son would have no chance of surviving in the wilderness.

“Why does it always have to be like this?” the son asks with a sincerity that will break your heart.

Suddenly, a bloodsucking starfish flies through the air, lands on the father, and starts to suck out his blood with a phallic stinger.  The father dies while his son watches.  The son picks up his rifle and prepares to fight back.  This will be the son’s chance to prove that his father was incorrect.  This is the son’s chance to prove that he can survive in the wilderness and….

Just kidding.  The son forgot to load the rifle and promptly gets a starfish to the eye.

That’s the type of film that Without Warning is.  Characters are introduced.  The majority of them are played by B-actor who have seen better days.  They get a few minutes of character development.  Then, they die and the viewer is left feeling a bit depressed because they all seemed like they deserved just a bit more screentime than they received.  Larry Storch shows up as a boy scout leader who gets a starfish to the back while trying to light a cigarette.  Neville Brand, Ralph Meeker, and Sue Anne Langdon hang out in a bar and refuse to believe that the Earth has been invaded by blood-sucking starfish.  Jack Palance plays a hunter and gas station owner who wants to capture an alien as a trophy.  Martin Landau plays Sarge, an unbalanced Vietnam Vet who has been telling people for years that there are aliens out there.  Everyone laughed at old Sarge but they won’t be laughing for long!  At the time this film was made, Palance was a two-time Oscar nominee.  He finally won his Oscar for City Slickers, a decade after Without Warning.  Martin Landau, for his part, won his Oscar 15 years after Without Warning.  Good for them.  If nothing else, this movie should remind everyone who has dismissed Eric Roberts’s chances that there’s still time!

That said, none of these familiar faces are the stars of the film.  Instead, the majority of the film follows four teenagers on a road trip, Sandy (Tarah Nutter), Greg (Christopher S. Nelson), Beth (Lynn Theel), and Tom (David Caruso).  David Caruso as a sex-crazed teenager sounds more amusing than it actually is.  If anything, the sight of him wearing shorts and t-shirt is almost blinding.  (As a fellow redhead, I sympathize.  We burn but we don’t tan.)  Tom and Beth die early on, leaving Greg and Sandy to try to escape from the alien (Kevin Peter Hall) who is tossing around the starfish.  Both characters are pretty generic but Christopher Nelson is at least likable.

Without Warning has a reputation for being the best film that Greydon Clark ever directed and I would agree that it’s one of his better ones, though I prefer The Forbidden Dance.  Then again, when you consider some of the other films that Clark directed, it’s easy to see that Without Warning didn’t exactly have a huge bar to clear.  Though the script borrows a bit too much from nearly every other horror film ever made, Without Warning is nicely paced and the killer starfish are genuinely frightening and their bloodsucking is almost Cronenbergian in its ick factor.  Just as he would for John Carpenter, cinematographer Dean Cundey gives us some nicely eerie shots of the alien.  Landau and Palance go all out, understanding that subtlety has no place in a film like this.  Without Warning is a dumb B-movie but it’s definitely entertaining.

Without Warning (1980, dir by Greydon Clark, DP: Dean Cundey)

Horror on the Lens: Without Warning (dir by Greydon Clark)


For today’s horror on the Shattered Lens, we have 1980’s Without Warning.  

In this horror/sci-fi hybrid, humans are hunted by an alien hunter who uses a variety of weapons and … what was that?  No, we’re not watching Predator.  We’re watching Without Warning.  For the record, Without Warning and Predator may have almost exactly the same plot but Without Warning came out long before Predator.

(Interestingly enough, Kevin Peter Hall played the intergalactic hunter in both films.)

Anyway, Without Warning is probably the best film that Greydon Clark ever directed.  Some would say that’s not saying much but seriously, Without Warning is a surprisingly effective film.  It also has a large cast of guest stars, the majority of whom are killed off within minutes of their first appearance.  That alien takes no prisoners!  (I especially feel sorry for the cub scouts.)

Of course, the main characters are four teenagers.  One of them is played by David Caruso, which I have to admit amuses me to no end.

Enjoy!