Brad reviews REGARDING HENRY (1991), starring Harrison Ford!


I noticed that today is Harrison Ford’s 83rd birthday. Like most people born in the early 1970’s, I’m a big fan of Harrison Ford. My formative years included the Star Wars movies, the Indiana Jones movies, and many other great films like BLADE RUNNER (1982) and WITNESS (1984). He would go on to make more classics like THE FUGITIVE (1993) and AIR FORCE ONE (1997) as I got older and moved into adulthood, but one of my personal favorite films starring Harrison Ford is REGARDING HENRY (1991).

In REGARDING HENRY, Harrison Ford stars as Henry Turner, a ruthless bastard, who also happens to be a hugely successful and cutthroat attorney in New York City. This horrific approach to being a human being does seem to provide plenty of money for his wife Sarah (Annette Bening) and his daughter Rachel (Mikki Allen), but you don’t get the feeling there’s that much actual love being shared between the three. Then one night, after another successful day of sticking it to the masses, Henry’s world is turned upside down when he’s shot in the head at the corner convenience store by a guy sticking up the place (John Leguizamo). The bullet to the brain doesn’t kill Henry, but it does leave him with severe brain damage and extremely impaired motor skills. This turns out to be a nice turn of events for Henry, and his family, for several reasons. First, he meets Bradley (Bill Nunn), his physical therapist and all around nice guy, who really helps him get headed back in the right direction in health, and in life, again. Second, he begins to reconnect with his wife who likes this more thoughtful, caring and affectionate version of Henry that seems to be emerging. Finally, he starts to show his daughter some much needed love and attention, rather than just wanting to ship her off to boarding school as quickly as possible. Wouldn’t you know it though, just when things are going so perfect, the sweet, innocent Henry stumbles up some very uncomfortable truths about his former life. Will these revelations upend his new life, or will he be able to move forward with a fresh start and a household filled with love?!!

There are two main reasons that I love REGARDING HENRY. The first reason is undoubtedly the feel-good story at the heart of the film. This is J.J. Abrams second writing credit and his screenplay takes Henry from being an arrogant, selfish jerk who is only interested in his own glorification, to a sweet-natured man of integrity who elevates his wife and his daughter to the prominent positions they rightfully deserve. Is this transformation grounded in reality… no, but I love movies because I want to escape reality and live vicariously through the heroes on the screen. Henry may not be a hero in the same way as Superman, Charles Bronson, or Chow Yun-Fat, but he is someone that I can relate to. I want to be a better dad. I want to be a better husband. I want to be a man of principle and integrity in the workplace. I may not always be perfect, but watching Henry navigate his life and correct past wrongs is very satisfying and uplifting to see. I love the look in the eyes of his wife and daughter as they are so proud of him. I want my family to look at me in that same way. This movie just makes me feel good. When I want realism, I’ll go visit a shrink and watch documentaries about men and women dealing with traumatic brain injuries. 

The second reason I love REGARDING HENRY stems from the performances of several of the cast members. Harrison Ford is so good in the title role. His transformation from a cold hearted lawyer to a simple-minded family man is one of those things that could be really bad with the wrong actor, but I’ll gladly follow Ford through the process. He’s believable on both sides, and he has to be for the movie to work. Annette Bening is also great as his wife, Sarah. Her transformation isn’t a physical transformation, but an emotional transformation, and she’s just as convincing. The love she conveys toward Henry as he embraces his new life, followed by the way she plays the scenes when Henry uncovers some of the painful truths of their former life, are actually some of the strongest moments in the film. Finally, I want to give an extra shoutout to Bill Nunn as Bradley, possibly the greatest physical therapist on earth. If dictionaries had pictures, the word “likable” should have a picture of Bill Nunn from REGARDING HENRY. Nunn was a fine character actor, with many credits to his name, but I will never see him in a role that doesn’t take me back to his performance in this film. 

Overall, I highly recommend REGARDING HENRY to any person who enjoys a well-made and well-acted feel good story. It’s not the most realistic film in the world, but it’s one that I truly love. 

Retro Television Review: Miami Vice 3.19 “Red Tape”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week …. has Tubbs turned evil?

Episode 3.19 “Red Tape”

(Dir by Gabrielle Beaumont, originally aired on March 13th, 1987)

There’s a turncoat in the Vice Department.  Someone is leaking information about search warrants to the bad guys and, as a result, cops are walking straight into booby traps.  When a routine search for a low-level thief leads to an explosion that kills one cop (Viggo Mortensen) and leaves Tubbs covered in the man’s blood, Tubbs announces that he’s fed up with all of this and he refuses to take another assignment until the leaker has been caught.  Castillo tells Tubbs he can either accept his new assignment or quit.  Tubbs says he’s done.

The problem is that all of Tubbs’s money is wrapped up with the department’s credit union and Tubbs can’t withdraw it quickly enough to get back to New York.  The usually cool and collected Tubbs throws a fit, getting himself arrested when he starts threatening people at the credit union.  Crockett gets him out of jail and Tubbs says their partnership is done.  Switek tries to open up about his feelings after Zito’s death.  Tubbs says he doesn’t care.  What’s going on with Tubbs?  He’s acting like a total jerk and he’s also loudly letting everyone know that he’s desperate to get out of Miami and that he needs money quickly….

If you guessed Tubbs was working undercover, you are correct!  It’s all an elaborate ruse to get crooked Detective McIntyre (Scott Plank) to approach Tubbs with an offer.  (McIntyre’s girlfriend is played by a young actress named Annette Bening)  Unfortunately, only Tubbs and Castillo know that Tubbs is still one of the good guys,  A hot-headed young detective named Bobby Diaz (Lou Diamond Phillips) thinks that Tubbs really is crooked.  Diaz already lost one partner to the leaker.  He’s looking for revenge and even while Tubbs and Castillo are planning to take down McIntyre, Bobby is planning to take down Tubbs.  In typical Miami Vice fashion, it all leads to shoot out that leaves the bad guys dead but which also leaves Diaz mortally wounded and cursing Tubbs with his dying breath.  Tubbs goes from pretending to hate his job to actually hating it.

Seriously, were there ever any unambiguously happy endings on Miami Vice?  It seems like nearly every episode ended with Crockett and Tubbs realizing that their latest victory — assuming they were lucky enough to even have one — would prove to pyrrhic. There would always be a new drug boss ready to replace anyone that they took out of the game.  There would aways be a new cop willing to betray his colleagues.  And there would always be a mountain of red tape, waiting to keep them from making a difference.  This episode was dark!

This season seems like it’s been more Tubbs-centric than previous seasons and, as dark as thing got, it was still a little fun to watch Phillip Michael Thomas go totally over the top as the angry Tubbs.  The scene in the credit union was one that I’m sure would be enjoyed by anyone who has ever had to deal with red tape.  One could argue that Tubbs go so far overboard that the bad guys should have been able to see through his ruse.  But, still, this episode was effectively moody and dark.  Watching it, it was hard not to feel that Thomas deserved more storylines than he got.

Next week: Crockett falls in love with Melanie Griffith!

Catching Up With The Films of 2023: Nyad (Dir by Elizabeth Chai Vasarhelyi and Jimmy Chin)


64 year-old swimmer Diana Nyad swimming all the way from Cuba to Florida (and making it on her fifth attempt) is one of those inspiring stories that I totally missed when it happened.  I can’t remember for sure exactly what was going on in my life in 2013 but paying attention to inspirational sports stories was apparently not high on the agenda.

Fortunately, any amazing true story will eventually be turned into a film and that film will eventually premiere on Netflix in time for Oscar consideration.  That’s certainly the case with Nyad, which stars Annette Bening as the title character and Jodie Foster as her best friend and coach, Bonnie Stoll.  The film follows Nyad as she spends four years of her life trying to make it from Cuba and Florida and prove the naysayers wrong.  Along the way, she learns about humility, she learns to value her friends, and she also starts to deal with the various traumas of her youth.

It’s not a bad film.  It may sound like a traditional sports biopic and, in many ways, it is.  The directors are documentarians making their feature debut and they do have a tendency to rely a bit too much on archival footage of network news reporters announcing that Nyad will be making another attempt to make the swim.  The film (and the characters) unquestioning love for Cuba can be a bit hard to take, considering that the story takes place at a time when Raoul Castro was still ruling the country.  (The amount of “Visit Cuba” shirts felt more than a little excessive.  Don’t visit Cuba as long as Jose Daniel Ferrer is being detained.)  That said, the cinematography is gorgeous and the film does a wonderful job of showing just how physically and mentally exhausting Nyad’s accomplishment was.  It’s not just that Diana is physically drained from the experience.  She also occasionally suffers hallucinations as a result of exhaustion and exposure and, often times, she’s unaware of how far along she is in her journey.  While Diana swims, Bonnie and the rest of her team steer her, trying to keep her moving with the unpredictable current.  This is a film that will leave you respecting professional swimmers and their support teams.

The film’s cast does a great job bringing the story to life.  As portrayed in the film, Diana Nyad can be a bit of a pain to deal with and, to her credit, Annette Bening doesn’t try to soften any of the character’s rough edges.  Nyad is a egotistical, grandiose, impractical, demanding, and frequently self-centered and it says a lot of about Bening’s performance that the audience still ends up sympathizing with her and her desire to not be dismissed as obsolete at the age of 60.  That said, the film truly belongs to Jodie Foster and Rhys Ifans, playing Nyad’s coach and her navigator.  While Nyad rails against age and insists that her destiny is to successfully make the swim,  it falls to the characters played by Foster and Ifans to just keep Diana alive.  Foster is the film’s heart, playing Bonnie as a tough but caring coach who understands that, even though they drive each other crazy, she and Nyad are meant to make the journey together.  While the film portrays Nyad’s accomplishment, what it truly celebrates is her friendship with Bonnie.  We should all be so lucky to have a friend and supporter like Bonnie in our lives.

It may not break any new cinematic ground but Nyad still does a good job of telling a worthy story.

The Las Vegas Film Critics Society Honors Oppenheimer!


The Las Vegas Film Critics Society announced their picks for the best of 2023!  The winners are listed in bold.

Best Picture
Barbie
The Killer
Killers of the Flower Moon
Maestro
Oppenheimer

Best Actor
Nicolas Cage – Dream Scenario
Bradley Cooper – Maestro
Colman Domingo – Rustin
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction

Best Actress
Annette Bening – Nyad
Emma Stone – Poor Things
Greta Lee – Past Lives
Carey Mulligan – Maestro
Natalie Portman – May December

Best Supporting Actor
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Charles Melton – May December
Mark Ruffalo – Poor Things

Best Supporting Actress
Jodie Foster – Nyad
Da’Vine Joy Randolph – The Holdovers
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Rosamund Pike – Saltburn

Best Director
Bradley Cooper – Maestro
Greta Gerwig – Barbie
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Celine Song – Past Lives

Best Original Screenplay
Air
Barbie
Maestro
May December
Past Lives

Best Adapted Screenplay
American Fiction
Are You There God? It’s Me, Margaret.
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Cinematography
Killers of the Flower Moon
Maestro
Napoleon
Oppenheimer
Saltburn

Best Film Editing
Air
Barbie
Maestro
Oppenheimer
Poor Things

Best Score
The Killer
Killers of the Flower Moon
Oppenheimer
Society of the Snow
Spider-Man: Across The Spider-Verse

Best Song
I’m Just Ken – Barbie
What Was I Made For? – Barbie
Road to Freedom – Rustin
Peaches – The Super Mario Bros. Movie
Better Place – Trolls Band Together

Best Documentary
American Symphony
Beyond Utopia
Kokomo City
Little Richard: I Am Everything
Still: A Michael J. Fox Movie

Best Animated Film
The Boy and the Heron
Elemental
Spider-Man: Across The Spider-Verse
The Super Mario Bros. Movie
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best International Movie
Anatomy of a Fall
Godzilla Minus One
Society of the Snow
When Evil Lurks
The Zone of Interest

Best Costumes
Barbie
The Color Purple
Napoleon
Oppenheimer
Poor Things

Best Art Direction
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Visual Effects
The Creator
Guardians of the Galaxy Vol. 3
Godzilla Minus One
Oppenheimer
Spider-Man: Across The Spider-Verse

Best Action Movie
Dungeons & Dragons: Honor Among Thieves
Godzilla Minus One
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible – Dead Reckoning Part One

Best Comedy
American Fiction
Barbie
Dumb Money
Joy Ride
No Hard Feelings

Best Horror/Sci-FI Movie
The Creator
Godzilla Minus One
Talk To Me
Thanksgiving
When Evil Lurks

Best Family Film
Are You There God? It’s Me, Margaret.
Barbie
Elemental
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Ensemble
Barbie
The Color Purple
Killers of the Flower Moon
Oppenheimer
Saltburn

Breakout Filmmaker
Cord Jefferson – American Fiction
Adele Lim – Joy Ride
Celine Song – Past Lives
Nida Manzoor – Polite Society
Molly Gordon, Nick Lieberman – Theater Camp

Best Stunts
John Wick: Chapter 4
The Killer
Mission: Impossible – Dead Reckoning Part One
Polite Society
Silent Night

Youth In Film (Male)
Milo Machado Graner – Anatomy of a Fall
Jake Ryan – Asteroid City
Christian Convery – Cocaine Bear
Jude Hill – A Haunting in Venice
Chase Dillion – Haunted Mansion

Youth in Film (Female)
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Elle Graham – Are You There God? It’s Me, Margaret.
Ariana Greenblatt – Barbie
Iman Vellani – The Marvels
Violet McGraw – M3GAN

The William Holden Lifetime Achievement Award
Nicolas Cage
Paul Giamatti
Hayao Miyazaki
Julianne Moore
Rodrigo Prieto

Here Are The 2023 Nominations of the Las Vegas Film Critics Society


The Las Vegas Film Critics Society announced their nominations for the best of 2023 on December 8th.  While a lot of the usual suspects make an appearance on the list, there are still a few interesting nominations, like David Fincher’s The Killer for Best Picture and Nicolas Cage for Best Actor in Dream Scenario.

The winners will be announced on December 13th!

Best Picture
Barbie
The Killer
Killers of the Flower Moon
Maestro
Oppenheimer

Best Actor
Nicolas Cage – Dream Scenario
Bradley Cooper – Maestro
Colman Domingo – Rustin
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction

Best Actress
Annette Bening – Nyad
Emma Stone – Poor Things
Greta Lee – Past Lives
Carey Mulligan – Maestro
Natalie Portman – May December

Best Supporting Actor
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Charles Melton – May December
Mark Ruffalo – Poor Things

Best Supporting Actress
Jodie Foster – Nyad
Da’Vine Joy Randolph – The Holdovers
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Rosamund Pike – Saltburn

Best Director
Bradley Cooper – Maestro
Greta Gerwig – Barbie
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Celine Song – Past Lives

Best Original Screenplay
Air
Barbie
Maestro
May December
Past Lives

Best Adapted Screenplay
American Fiction
Are You There God? It’s Me, Margaret.
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Cinematography
Killers of the Flower Moon
Maestro
Napoleon
Oppenheimer
Saltburn

Best Film Editing
Air
Barbie
Maestro
Oppenheimer
Poor Things

Best Score
The Killer
Killers of the Flower Moon
Oppenheimer
Society of the Snow
Spider-Man: Across The Spider-Verse

Best Song
I’m Just Ken – Barbie
What Was I Made For? – Barbie
Road to Freedom – Rustin
Peaches – The Super Mario Bros. Movie
Better Place – Trolls Band Together

Best Documentary
American Symphony
Beyond Utopia
Kokomo City
Little Richard: I Am Everything
Still: A Michael J. Fox Movie

Best Animated Film
The Boy and the Heron
Elemental
Spider-Man: Across The Spider-Verse
The Super Mario Bros. Movie
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best International Movie
Anatomy of a Fall
Godzilla Minus One
Society of the Snow
When Evil Lurks
The Zone of Interest

Best Costumes
Barbie
The Color Purple
Napoleon
Oppenheimer
Poor Things

Best Art Direction
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Visual Effects
The Creator
Guardians of the Galaxy Vol. 3
Godzilla Minus One
Oppenheimer
Spider-Man: Across The Spider-Verse

Best Action Movie
Dungeons & Dragons: Honor Among Thieves
Godzilla Minus One
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible – Dead Reckoning Part One

Best Comedy
American Fiction
Barbie
Dumb Money
Joy Ride
No Hard Feelings

Best Horror/Sci-FI Movie
The Creator
Godzilla Minus One
Talk To Me
Thanksgiving
When Evil Lurks

Best Family Film
Are You There God? It’s Me, Margaret.
Barbie
Elemental
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Ensemble
Barbie
The Color Purple
Killers of the Flower Moon
Oppenheimer
Saltburn

Breakout Filmmaker
Cord Jefferson – American Fiction
Adele Lim – Joy Ride
Celine Song – Past Lives
Nida Manzoor – Polite Society
Molly Gordon, Nick Lieberman – Theater Camp

Best Stunts
John Wick: Chapter 4
The Killer
Mission: Impossible – Dead Reckoning Part One
Polite Society
Silent Night

Youth In Film (Male)
Milo Machado Graner – Anatomy of a Fall
Jake Ryan – Asteroid City
Christian Convery – Cocaine Bear
Jude Hill – A Haunting in Venice
Chase Dillion – Haunted Mansion

Youth in Film (Female)
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Elle Graham – Are You There God? It’s Me, Margaret.
Ariana Greenblatt – Barbie
Iman Vellani – The Marvels
Violet McGraw – M3GAN

The William Holden Lifetime Achievement Award
Nicolas Cage
Paul Giamatti
Hayao Miyazaki
Julianne Moore
Rodrigo Prieto

Here’s The Trailer For Nyad


Obviously, no one wants to be dismissive of a trailer for a film that features both Annette Bening and Jodie Foster but I have to admit that, when I first watched the trailer for Nyad, it almost felt like a parody of what would have been automatic Oscar bait in 2010.  I mean, it’s a true story and Bening and Foster are almost always both great and I sure as heck couldn’t swim all the way from Florida to Cuba but …. well, we’ll see!  Nyad will play in theaters starting on October 20th and is schedule to stream on Netflix in November!

Here’s the trailer!

Film Review: Death on the Nile (dir by Kenneth Branagh)


The main mystery at the heart of Kenneth Branagh’s adaption of Agatha Christie’s Death on the Nile is not who committed the film’s murders but just how seriously we, the audience, are meant to take what we’re watching.

In this much-delayed (by COVID and a cast full of actors who could not escape personal scandal) follow-up to 2017’s Murder on the Orient Express, Kenneth Branagh again plays the eccentric detective Hercule Poirot.  Poirot is again in an exotic land, this time Egypt.  And again, circumstances have conspired to isolate him and a group of wealthy and glamorous suspects from the rest of the world.  In Murder on the Orient Express, everyone was stuck on a train.  Here, they are stuck on a boat.  Admittedly, the boat provides a nice view of the pyramids but, eventually, even those testaments to engineering seem to be mocking the people stuck on the boat.  The pyramids, after all, have survived for centuries.  The same cannot be said for the people who have come to see them.  Over the course of the film, there are several murders.  (Indeed, Death on the Nile is significantly bloodier than Murder on the Orient Express and, unlike what happened on the Orient Express, the majority of the victims have done nothing to deserve their grisly fate.)  Like Murder on the Orient Express, Death on the Nile is based on a novel by Agatha Christie.  Branagh changes a few details from Christie’s novel, which is understandable since it’s important to keep the audience guessing.  For instance, Bouc (Tom Bateman), who was Poirot’s assistant in Murder on the Orient Express, returns in Branagh’s film version and provides some continuity between the two films.  It also provides a nice side-mystery as the audience tries to figure out how Poirot and Bouc could just happen to run into each other in Egypt.  Fear not, the film offers up a solution.

As is to be expected, the victims and the suspects are brought to life by a cast of stars and familiar character actors, all of whom act up a storm.  Some, of course, do a better job of embracing the melodrama than others.  Armie Hammer and Gal Gadot play a glamorous couple and, regardless of how we feel about Hammer as a human being, it works because Gadot and Hammer both look they could have stepped out of a sophisticated, 1930s RKO comedy.  (Hammer’s stiff line readings, which are totally appropriate for his character, would actually be a highlight of the film if he wasn’t Armie Hammer.)  Russell Brand is oddly subdued as the doctor with the secret while Dawn French and Jennifer Saunders show up to keep all of the British comedy fanatics happy.  Sophie Okonedo plays a jazz singer and how you react to her character will depend on how much patience you have for anachronistic musical numbers.  (There’s a surprisingly large amount of them.)  Annettte Bening plays Bouc’s mother and there’s really not a subtle moment to be found in her performance but again, it works because Death on the Nile is not a particularly subtle film.  It’s a film that demands a certain amount of calculated overacting and Bening is enough of a veteran performer to deliver exactly what the film needs.

No, there’s nothing particularly subtle about Death on the Nile but then again, that’s always been a part of Kenneth Branagh’s appeal.  Branagh’s endless (and often justified) faith in his own abilities as a director and an actor means that Branagh is willing to do things that others would avoid, whether that means making a 4-hour version of Hamlet or a black-and-white film about growing up in Belfast or, for that matter, a gaudy Agatha Christie adaptation in which he plays the lead detective.  Death on the Nile is a celebration of melodrama, beautiful people, and nice clothes.  Even the fact that the Egyptian backdrops are obviously phony works to the film’s advantage, giving the proceedings a bit of a retro, Hollywood studio system feel.  At its best, Death on the Nile is an homage to old-fashioned camp..

And yet, there are hints that Branagh means for the film to be something more.  The films opens with a prologue, one that is not included in Christie’s book or in anything else that Christie wrote about Poirot.  The prologue, which is filmed in black-and-white, features Poirot getting terribly wounded during World War I and growing his famous mustache to cover his scars.  We also discover that the great love of Poirot’s life was a nurse who died during the war.  Later, while solving the murder, Poirot often talks about how he has shut himself away from the world, never wanting to risk falling in love again.  There’s even a hint that Poirot has fallen for one of the suspects.  Branagh’s a good actor and can obviously pull off Poirot’s inner turmoil but those little serious asides still feel out of place in a film that features Armie Hammer and Russell Brand as romantic rivals.  It’s hard not to wonder if Branagh is in on the joke or if he’s seriously attempting to use Poirot as a symbol for an alienated and traumatized society.

One could argue that Poirot uses his mustache to hide from the world in much the same way that many people have spent the past two years using their masks to hide from COVID.  Except, of course, Death on the Nile was actually filmed three years ago, before anyone had even heard of COVID-19.  The film was first delayed by the theaters shutting down.  It was delayed a second time by the scandals surrounded Armie Hammer.  (Indeed, this film will probably be the last major studio release to feature Armie Hammer.)  It was finally released in February of this year and, within a month, it was on Hulu and HBOMax.  It didn’t exactly kill at the box office but I think Death on the Nile will be rediscovered over the years.  It’s a minor entry in Branagh’s filmography but it’s still enjoyably silly, regardless of whether that was Branagh’s intention or not.

The Great Outdoors (1988, directed by Howard Deutch)


Chet Ripley (John Candy) wants to have a nice vacation up at the lake with his wife (Stephanie Faracy) and their two sons, Buck (Chris Young) and Ben (Ian Giatti).  Unfortunately, no sooner has he arrived than the vacation is crashed by Chet’s sister-in-law (Annette Bening, making her film debut) and her husband, Roman (Dan Aykroyd).  Roman represents everything that that the mild-mannered Chet hates.  Roman is loud, obnoxious, and obsessed with showing off his wealth.  Roman knows nothing about how to survive in the great outdoors and he treats Chet like he’s a loser but, for the sake of giving his family a good vacation, Chet tries to get along with Roman.  At first, it doesn’t work but eventually, Chet and Roman have to team up to find Roman’s daughters and deal with not only a bear but also talking raccoons.  Meanwhile, Buck falls in love with local girl, Cammie (Lucy Deakins).  I imagine the same can be said of a lot of people who caught this film on HBO when they were twelve.

The Great Outdoors is very much a comedy of the late 80s.  Roman may be a crass Yuppie but it doesn’t appear that Chet is suffering financially either.  The humor is broad and physical but the film never resorts to the gross-out style that has since come to define cinematic comedy.  It’s a film that makes fun of the obligations of family life while also celebrating them and you won’t be shocked to learn that the script was written by John Hughes.  John Candy is likable and Dan Aykroyd has a demented twinkle in his eye.

It’s not a bad movie but I just wish it had been funnier.  Don’t get me wrong.  When you’re a kid and you come across The Great Outdoors on cable, it’s hilarious because it’s got John Candy waterskiing and a bear and, of course, the talking raccoons.  Watching it as an adult, though, it’s easier to see just how much the material and the film’s family-safe approach holds back both Candy and especially Aykroyd.    Both of them were capable of being wild comedic performance but, in The Great Outdoors, the movie doesn’t let either one of them really go crazy and that’s too bad.  Instead of being a showcase for the best of SNL and SCTV, it becomes an amusing but ultimately very safe family comedy.  (Arguably, Hollywood never really figured out the best way to use Candy and Aykroyd’s comedic talents, though Candy’s films before his untimely death suggested that he was on the verge of a genuine breakthrough.)

I did laugh when I rewatched The Great Outdoors but I didn’t laugh as much as I did when I was a kid.  Now, I feel old and I’m thinking about how unfortunate it is that John Candy died before production could start on the biopic of Fatty Arbuckle that Candy was tentatively set to star in.  Much like Phil Hartman, it’s hard to watch John Candy today without thinking about how he was taken when he was on the verge of probably doing what would have been his best work.

Time to cheer myself up with What About Bob?

Film Review: Georgetown (dir by Christoph Waltz)


Georgetown is one of those films that’s been around for a while.

The movie, which is the directorial debut of Christoph Waltz. was originally filmed in 2017.  It made its debut at the Tribeca Film Festival in 2019, where it received respectful reviews.  It played in at least some parts of Europe in 2020.  But it didn’t get a limited theatrical release in America until May of 2021 and it was released on VOD just a few days later.  Some of the delays in the film’s release were undoubtedly due to the uncertainty bred by the COVID lockdowns.  And some of it was probably due to no one being sure how to market a true crime film about murder amongst the rich and powerful of Washington D.C.  As such, Georgetown didn’t really get much attention when it was released.  That’s a shame, because it’s actually a pretty good movie, a clever mix of social satire and legal drama.

Christoph Waltz not only directs but also stars as Ulrich Mott.  Mott is a somewhat ludicrous figure.  His past is shadowy.  He claims to have served as a member of the French Foreign Legion, though his breaks down in tears after a snarky State Department official points out that none of Mott’s medals appear to be genuine.  Mott claims to have a lot of powerful and influential acquaintances, even though many of them only know him because he aggressively approached them at a party and forced them to take one of his business cards.  He occasionally wears a eye patch, even though he doesn’t need it.  After the fall of Saddam Hussein, Mott announces that he has been named a brigadier general in the Iraqi army and he claims to be a lobbyist for the new government.  Mott is also the head of a consulting firm called the Eminent Persons Group, which is later described as just being a Ponzi scheme for the rich and powerful.

It’s easy to make fun of Ulrich Mott but, throughout the film, we watch as he arranges dinners with men like future Defense Secretary Chuck Hagel and former French Prime Minister Michel Rocard.  He meets with former Defense Secretary Robert McNamara.  He mentions the he knows George Soros.  Mott is well-known among America’s elite, if not exactly respected.  This is almost entirely due to his marriage to the much older Elsa Breht (Vanessa Redgrave), a journalist who is, at one point, described as being “the queen of Georgetown society.”

When the 91 year-old Elsa is discovered dead at the foot of her staircase, the police originally think that she may have just suffered from an accidental fall.  Mott, however, declares that it’s obvious that Elsa was murdered by his enemies and that he will dedicate the rest of his life to tracking them down and getting justice.  Meanwhile, Elsa’s daughter (played by Annette Bening) is convinced that Mott murdered her mother.  The police agree and Ulrich Mott is soon on trial.  Mott’s main concern is that he be allowed to wear his red beret in the courtroom.  After all, it’s apart of his uniform as a brigadier general in the Iraqi army.

Flashing back and forth from the past to the present, Georgetown is primarily a character study of a man who has little talent and not much of a conscience but who does have a lot of ambition and a lot of charm.  Mott works his way up into the upper channels of D.C. society through a combination of flattery and compulsive lying and Waltz gives such a charismatic performance in the lead role that you believe every minute of it.  He’s appealingly vulnerable when he approaches the first clients for what will become the Eminent Persons Group and it’s hard not to sympathize with him when he breaks down in tears after being exposed, for the first time, as a fraud.  However, as the film progresses, we’re left to wonder if the vulnerability and tears were genuine or if they were just another part of Ulrich Mott’s performance.  Mott is both diabolically arrogant and almost compulsively self-destructive and Waltz does a great job of portraying those two seemingly conflicting sides of his personality.  He’s well-matched by Vanessa Redgrave, who makes Elsa’s love for Mott feel real and credible.  Watching the film, one can understand why Elsa initially believed in Mott and also why she stayed with him even as she discovered that he was never quite who he claimed to be,

Georgetown is nicely done portrait of duplicity and murder among America’s elite.  It’s both sharply satiric and, in its way, rather heart-breaking.  It definitely deserves more attention that it originally received.

Here’s The Trailer For Georgetown


Georgetown, which is based on an actual Washington, D.C. murder, is one of those films that’s been out there for a while. Filming was completed in 2019 and it played at the Tribeca Film Festival that year. However, the film’s general release was held up by the both the pandemic and the fact that critics who saw it were fairly indifferent to it. Now, two years later, Georgetown will finally be getting a May 14th release before going to VOD a week later.

The main reason I’m curious about Georgetown is that it both stars and was directed by Christoph Waltz, an actor who sometimes seems to have kind of disappeared despite winning two Oscars and playing a Bond villain. Of course, Waltz hasn’t really disappeared. It’s just been a while since he appeared in a film that really captured the popular imagination. Along with Georgetown, he’ll be appearing in both The French Dispatch and No Time To Die in 2021.

Here’s the trailer for Georgetown, which co-stars Vanessa Redgrave and Annette Bening.