Song of the Day: Suzi Snowflake by Rosemary Clooney


Oh God, this song brings back memories.

To help cover expenses while I was in college, I would usually get a part-time retail job during the winter break, helping to restock shelves and telling customers where they could find the really cheap Christmas gifts that had put on clearance because only the only people who buy them were the desperate fools who had put off shopping until the last minute.

Christmas music was usually playing nonstop.  It drove some people mad.  I could always handle it except for the year that they wouldn’t stop playing this song.  I know you’re saying what many other people said to me when I complained that year, “Jeff, it’s a cute song!”  Imagine having to hear it ten times a day.

From my nightmares, here is today’s song of the day.

I’ll spare you the details of some of the variations that my coworkers and I came up with for Suzi Snowflake.  They definitely were not safe for work.

Scenes That I Love: David Bowie and Bing Crosby Sing A Duet in Bing Crosby’s Merrie Olde Christmas


In this scene from Bing Crosby’s Merrie Olde Christmas, David Bowie stops by the home of his old friend, Sir Percival Crosby, and meets Sir Percy’s long-lost American relative, Bing Crosby!  A discussion of modern music and parenting techniques leads to them performing a duet of Peace On Earth/Little Drummer Boy.

This was Bing’s final Christmas special and he died just five weeks after filming completed.  This scene is a holiday classic and has been described. by the Washington Post, as “one of the most successful duets in Christmas music history.”

When asked about David Bowie, Bing said he was “clean-cut kid and a real fine asset to the show. He sings well, has a great voice and reads lines well.”

Enjoy!

4 Shots From 4 Films: Special Richard Fleischer Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Director Richard Fleischer was born 109 years ago today.

4 Shots From 4 Richard Fleischer Films

Fantastic Voyage (1966, directed by Richard Fleischer)

Soylent Green (1973, directed by Richard Fleischer)

Mr. Majestyk (1974, directed by Richard Fleischer)

Red Sonja (1985, directed by Richard Fleischer)

Monday Live Tweet Alert: Join Us for Riot!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1996’s Riot!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Riot on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

 

Music Video Of The Day: Wonderful Christmastime by Paul McCartney (1979, directed by ????)


As a group, The Beatles never released an “official” Christmas song, though the members of their fan club received a recording of Christmas Time Is Here Again in 1967.  After the band broke up, all four of the members recorded Christmas songs on their own.  Paul McCartney’s Wonderful Christmastime is probably the most remembered.  I don’t know if I would say it was the most popular but anyone who has ever had to rush out to do some last minute Christmas shopping has heard it playing in countless stores on December 24th.  Whenever I’ve been in a store while Wonderful Christmastime was playing, I’ve always felt as if the song was taunting me but it is definitely a part of the season.

McCartney recorded this song at his farm.  He was just getting into what was then known as “electropop,” which is why he used a Sequential Circuits Prophet-5 synthesizer in the song.  More than anything, that weird bouncing noise probably explains why this song is so well-known.  Whenever I hear this song, I imagine that this is what Christmas sounds like on Mars.

The video was shot at at the Fountain Inn in Ashurst, West Sussex.  Though the members of Wings had nothing to do with recording the song, they all appeared in the video because they were all hanging out with McCartney on the night that it was filmed.

Reportedly, Paul McCartney receives $400,000 a year in royalties from Wonderful Christmastime.

Enjoy!

Here Are The 2025 Nominations of the St. Louis Film Critics Association


Here are the wonderfully quirky 2025 nominations of the St. Lous Film Critics Association!  Thank you, St. Louis, for thinking outside the box.

BEST FILM
Frankenstein
Hamnet
It Was Just an Accident
Marty Supreme
One Battle After Another
The Phoenician Scheme
The Secret Agent
Sinners
Superman
Weapons

BEST DIRECTOR
Paul Thomas Anderson – “One Battle After Another”
Ryan Coogler – “Sinners”
Jafar Panahi – “It Was Just an Accident”
Josh Safdie – “Marty Supreme”
Chloe Zhao – “Hamnet”

BEST ACTRESS
Jessie Buckley – “Hamnet”
Rose Byrne – “If I Had Legs I’d Kick You”
Chase Infiniti – “One Battle After Another”
Amanda Seyfried – “The Testament of Ann Lee”
Emma Stone – “Bugonia”

BEST ACTOR
Timothee Chalamet – “Marty Supreme”
Leonardo DiCaprio – “One Battle After Another”
Ethan Hawke – “Blue Moon”
Michael B. Jordan – “Sinners”
Wagner Moura – “The Secret Agent”

BEST SUPPORTING ACTRESS
Glenn Close – “Wake Up Dead Man”
Elle Fanning – “Sentimental Value”
Inga Ibsdotter Lilleaas – “Sentimental Value”
Amy Madigan – “Weapons”
Teyana Taylor – “One Battle After Another”

BEST SUPPORTING ACTOR
Benecio del Toro – “One Battle After Another”
Paul Mescal – “Hamnet”
Sean Penn – “One Battle After Another”
Andrew Scott – “Blue Moon”
Stellan Skarsgard – “Sentimental Value”

BEST ADAPTED SCREENPLAY
Frankenstein
Hamnet
One Battle After Another
Train Dreams
Wake Up Dead Man

BEST ORIGINAL SCREENPLAY
Blue Moon
It Was Just an Accident
Marty Supreme
Sinners
Sorry, Baby
Weapons

BEST CINEMATOGRAPHY
Frankenstein
Hamnet
One Battle After Another
Sinners
Train Dreams

BEST COSTUME DESIGN
Frankenstein
Hamnet
Sinners
The Testament of Ann Lee
Wicked: For Good

BEST EDITING
F1
A House of Dynamite
Marty Supreme
One Battle After Another
Sinners

BEST PRODUCTION DESIGN
Frankenstein
Hamnet
The Phoenician Scheme
Sinners
Wicked: For Good

BEST ORIGINAL SCORE
Frankenstein
Hamnet
One Battle After Another
Sinners
The Testament of Ann Lee

BEST VISUAL EFFECTS
Avatar: Fire and Ash
F1
Sinners
Superman
Tron: Ares

BEST SOUNDTRACK
KPop Demon Hunters
Marty Supreme
Sinners
Springsteen: Deliver Me from Nowhere
Wicked: For Good

BEST VOCAL PERFORMANCE

Arden Cho – “KPop Demon Hunters”
Ginnifer Goodwin – “Zootopia 2”
Damian Lewis – “Orwell: 2+2=5”
Will Patton – “Train Dreams”
Scarlet Sher – “Weapons”

BEST ANIMATED FILM
Arco
Elio
KPop Demon Hunters
Ne Zha II
Zootopia 2

BEST ENSEMBLE

Black Bag
Hamnet
A House of Dynamite
One Battle After Another
Sinners

BEST HORROR FILM
28 Years Later
Companion
Frankenstein
Sinners
Weapons

BEST STUNTS
Ballerina
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
Warfare

BEST COMEDY FILM
Eephus
Friendship
Good Fortune
The Naked Gun
The Phoenician Scheme

BEST ACTION FILM
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
Superman
Warfare

BEST DOCUMENTARY FEATURE
2000 Meters to Andriivka
Afternoons of Solitude
Deaf President Now
Orwell: 2+2=5
The Perfect Neighbor

BEST INTERNATIONAL FEATURE FILM
It Was Just an Accident
No Other Choice
The Secret Agent
Sentimental Value
Sirāt

BEST FIRST FEATURE FILM
Emilie Blichfeldt – “The Ugly Stepsister”
Andrew DeYoung – “Friendship”
Drew Hancock – “Companion”
Carson Lund – “Eephus”
Eva Victor – “Sorry, Baby”

BEST SCENE
The Globe theatrical production in “Hamnet”
Finale in “It Was Just an Accident”
Music evolution “I Lied to You” in “Sinners”
Baktan Cross Car Chase Scene in “One Battle After Another”
The fate of Aunt Gladys in “Weapons”

Sinners Wins In Washington!


The Washington DC Area Film Critics Association have announced their picks for the best of 2025!  The winners are in bold!

Film
Hamnet
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

Director
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Jafar Panahi – It Was Just an Accident
Josh Safdie – Marty Supreme
Chloé Zhao – Hamnet

Actor
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners

Actress
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Cynthia Erivo – Wicked: For Good
Chase Infiniti – One Battle After Another
Renate Reinsve – Sentimental Value

Supporting Actor
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Delroy Lindo – Sinners
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value

Supporting Actress
Ariana Grande – Wicked: For Good
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another

Youth Performance
Miles Caton – Sinners
Cary Christopher – Weapons
Shannon Mahina Gorman – Rental Family
Jacobi Jupe – Hamnet
Mason Thames – How to Train Your Dragon
Nina Ye – Left-Handed Girl

Voice Performance
Jason Bateman – Zootopia 2
Arden Cho – KPop Demon Hunters
Ginnifer Goodwin – Zootopia 2
Yonas Kibreab – Elio
Ke Huy Quan – Zootopia 2

Motion Capture Performance
Oona Chaplin – Avatar: Fire And Ash
Stephen Lang – Avatar: Fire And Ash
Zoe Saldaña – Avatar: Fire And Ash
Sigourney Weaver – Avatar: Fire And Ash
Sam Worthington – Avatar: Fire And Ash

Ensemble
Hamnet
It Was Just an Accident
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Wake Up Dead Man

Original Screenplay
It Was Just an Accident
Marty Supreme
Sentimental Value
Sinners
Weapons

Adapted Screenplay
Bugonia
Frankenstein
Hamnet
One Battle After Another
Train Dreams

Animated Film
Arco
Elio
KPop Demon Hunters
Little Amélie Or The Character Of Rain
Zootopia 2

Production Design
The Fantastic Four: First Steps
Frankenstein
Hamnet
Sinners
Wicked: For Good

Cinematography
Frankenstein
Marty Supreme
One Battle After Another
Sinners
Train Dreams

Editing
F1: The Movie
Hamnet
Marty Supreme
One Battle After Another
Sinners

Score
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners

Joe Barber Award for Portrayal of Washington, DC
Anniversary
Captain America: Brave New World
A House of Dynamite
Nuremberg
Thunderbolts

Stunts
F1: The Movie
Mission: Impossible – The Final Reckoning
One Battle After Another
Sinners
Superman

Documentary
Come See Me in the Good Light
The Librarians
Orwell: 2+2=5
The Perfect Neighbor
Put Your Soul on Your Hand and Walk

Foreign Language Film
It Was Just an Accident
Left-Handed Girl
No Other Choice
The Secret Agent
Sentimental Value

Why I Love Elf (2003, Dir. by Jon Favreau)


I love Elf!

I’m an adult and I learned the truth about Santa Claus a long time ago but I still put up the tree the day after Thanksgiving, still hang stockings with the names of my sisters on them, and I still get excited when I see the Christmas lights going up across the neighborhood.  I am unapologetically, deliriously in love with Christmas. And every single year, without fail, I curl up with the same worn-out blanket, the same bowl of freshly-popped popcorn, and I watch Elf.  I don’t watch it because it’s cool or ironic.  I watch it because it’s as unabashedly in love with Christmas as I am.

The older you get, the more cynical the world wants you to be about everything.  Elf doesn’t have time for cynicism.  Will Ferrell plays Buddy, a human who was raised by Santa’s elves and who goes to New York City to find his real father (James Caan) and who never loses his innocence and Christmas spirit, no matter what the world throws at him.  Buddy isn’t dumb, not really.  He’s someone who still believes in giving and celebration and love.  When he tells the fake Santa that he sits on a throne of lies, he’s not trying to make trouble.  Buddy knows the real Santa and he’s not going to let some fake in a beard steal the credit for his work.  (Especially when he’s played by Artie Lange!) Buddy is ridiculous. He’s too tall, too loud, too earnest, too everything. He puts maple syrup on spaghetti and calls it gourmet. He spins in revolving doors until he’s dizzy with joy.  Everyone should be as lucky as Buddy.  Everyone should be as filled with joy and wonder as Buddy.  Buddy doesn’t let the world get him down but, even more importantly, he never loses his belief.  Just as Linus will always wait for the Great Pumpkin, Buddy will always believe that Santa is coming.

This is my favorite Will Ferrell performance.  The way he throws himself into every moment makes me smile every time.  But I like everyone in this film, from Bob Newhart as Buddy’s adopted father to James Caan as his real father to Ed Asner as Santa.  When Zooey Deschanel starts singing Santa Claus Is Coming To Town, I feel it in my heart because I believe it.  Elf believes it too, without apology.  That’s what makes Elf a great movie.

I’m an adult.  I’ve been an adult for a while.  I still love Elf and I always will!

Retro Television Review: Homicide: Life On The Street 4.16 “Stakeout”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, the detectives take over someone else’s house.

Episode 4.16 “Stakeout”

(Dir by John McNaughton, originally aired on March 15th, 1996)

When a young man confesses to helping an older man carry out a series of murders, the Homicide Squad stakes out the older man’s house.  Jim True-Frost and Kate Walsh play the owners of the home that the squad takes over.  The husband is out of work.  The wife has a habit of oversharing.  While they try to adjust to having cops hanging out in their living room, the detectives adjust to the idea that Bayliss may be leaving them.

Once again, Bayliss is thinking about leaving Homicide.  This has been a recurring theme with Bayliss, ever since he failed to close the Adena Watson case.  (In this episode, he mentions that his number one suspect — Risley Tucker — has recently died.)  Bayliss’s complaint is that he still feels like he barely knows the other detectives.  He mentions that he’s never even been to Pembleton’s house.  Pembleton asks if Bayliss is really that surprised that Pembleton might want time to himself when he’s not on the clock.  Bayliss talks about how the Vice Squad regularly has barbecues.  He talks about the comradery that he felt when he was on the Governor’s security detail.  But Homicide tends to attract the misanthropes and the eccentrics.

Of course, Bayliss doesn’t leave Homicide.  At the end of the episode, he takes one look at the board and sees that he still has one open case.  “I can’t leave until the Lambert case is closed,” Bayliss says while Pembleton smiles.

Giardello, meanwhile, is struggling with the knowledge that his daughter is getting married to a man that he’s never even met.  Giardello has been invited to the wedding in San Francisco but he keeps finding excuses not to go.  Pembleton finally convinces Giardello that he needs to go to his daughter’s wedding.  Unfortunately, when Giardello arrives at the airport, he’s told that all flights have been grounded due to the weather.  So, Giardello misses the wedding regardless.

Eventually, the killer returns to his home.  He’s a stout man who looks like he should be selling insurance.  Bayliss and Pembleton arrest him and the stakeout ends.  The husband, who has been out looking for a job, pulls up just as Bayliss and Pembleton are leaving.  Life goes on for everyone but the dead.

This episode was okay.  I appreciated that it was a return to the character-driven drama of the earlier seasons.  The snowy imagery brought a lot of atmosphere to the episode and director John McNaughton (of Henry: Portrait of a Serial Killer fame) did a good job framing scenes that could have come across as being excessively talky in lesser hands.  That said, the husband and the wife were not that interesting and I never really bought the idea that they would pour out all of their marital woes to a bunch of strangers in their living room.

This is my final Homicide review for 2025.  Retro Television Reviews is taking a break for the holidays!  Homicide will return on January 11th, 2026.