Review: The Walking Dead S4E05 “Internment”

Posted on November 10, 2013 by Arleigh

“If you’re not ready to lose one, then you’ll lose them all.” — Dr. Caleb Subramanian

[some spoilers]

As this season’s of The Walking Dead gets closer and closer to it’s mid-season finale it’s time to take stock on what has happened, so far. There human-on-human conflict w hich dominated season 3 has now been replaced by a new and more insidious danger: disease outbreak. It’s a concept rarely explored in apocalyptic stories and barely even mentioned in zombie fiction. We’ve seen how the progression of the disease going through the population of the prison community has become an even bigger danger to everyone. Glenn said it best in episode 2. Zombies and raiders they can take on and succeed, but this disease is something that they can’t see until it’s too late. With the state of medical healthcare in the zombie apocalypse being horrendous at best and non-existent for the most part, this new wrinkle in this group’s survival since the world went to hell was a good move and start for new showrunner Scott M. Gimple.

We’ve seen characters we;ve grown to love in the first four episode grow in surprising and, at times, disturbing ways. Carol has become a hardened survivor who will do what it takes to protect the group from dangers both outside and inside the fences. We’ve seen Rick deal with trying to shed the mantle of leadership for the sake of his children, but quickly realizing (with some help from Carol) that it’s what he’s good at and something he needs to rediscover once again to help the group survive.

Even Carl has shown that he’s not just marching straight into sociopathy in this new world order. He’s realized what his father has sacrificed to try and bring him back from the brink of losing his humanity. So far, it has worked and we see more and more of his father in how he’s handling situations that in the past he would’ve used violence as a solution.

Tonight’s episode, “Internment”, we get to see the opposite image of what Carol has turned into by focusing on the group’s spiritual leader. Hershel Greene has taken over the spiritual and calming guidance that Dale used to provide. Where Dale seemed too entrenched in trying to live life as if the world still operated under the old rules and morality, Hershel has been more flexible. He doesn’t let his idealism get in the way of doing what’s necessary in the end. Yet, he still believes that saving everyone should still be a goal they as a community need to do. He’s willing to sacrifice his own well-being if it means keeping the sick from dying even if it means just providing that calming presence. He’s not just trying to save their lives but give their soul a semblance of hope that things will work out for the best in the end.

The episode played out like a calm before the storm. Some would say that it was unfolding like a throwaway episode that’s trying to give it’s viewers a breather before moving on to the next couple episodes with something more meaty and considerable. But like all slow burns this one exploded into action when we least expected it even though the writers dropped crumbs throughout that something big was about to happen.

Followers of the show won’t be disappointed when that slow-burning fuse finally leads to that gathering explosion. An explosion that once again saw the prison community become smaller and smaller with loses both to the disease that’s overtaken it and the zombies who have awoken inside the prison walls because of it. Showrunner and series writer Scott M. Gimple promised to make the zombies scary once again and in tonight’s episode we finally get the payoff the first four episodes have been working on achieving. Yes, they’re the faceless horde that has made killing them become more a chore than an act of survival, but the way the episode used them tonight made them scary once again. Their numbers will always be legion and this season has shown just how that still remains the scariest part of this show. Human enemies and even diseases are scary as well, but the zombies have once a gain returned as that patient, ever-encroaching symbol for the inevitability of death.

“Internment” has seen one of the more quieter members of the group who was becoming Dale 2.0, but tonight saw Hershel was just as much a badass survivor as Rick, Carl, Carol, Daryl and, his own daughter, Maggie. His faith in whatever plan God has in testing them might have taken a blow, but he still looks to his faith to get him and his friends and family through it all. He hasn’t let his physical handicap slow him and down. He’s even come through the crucible of tonight’s episode with his eyes much more open to the new realities of this new world, but still keeping his faith.

Time to see what the final reveal of tonight’s episode will now mean to the survival of what remains of the prison community.

Notes

Tonight’s episode was written and directed by Channing Powell and David Boyd respectively.
Interesting opening shot of Rick driving back to the prison with a very serious look on his face. Rick almost looked as if he’s steeling himself for the reaction on the news of what Carol did to Karen and David.
Looks like we now know that zombie flesh and blood is not toxic to animals. The two feral dogs feeding on the immobile zombie by the shoulder of the road was a nice detail.
Give Scott Wilson the first star for his incredible performance as Hershel tonight. He pretty much carried the episode from start to finish and there wasn’t a fake or boring section with him in it.
Great to see Rick finally see Carl as someone who is not just willing to provide help and protection for the group, but one who is more than capable of doing so. Carl looked more capable than Rick tonight.
Maggie has been pretty absent this season, but great to see her rush into the teeth of danger just like her father to try and save Glenn and the rest.
This is the second episode this week where half the cast doesn’t get any airtime which more than helps the episode’s pacing.
I still believe that Carol is protecting the real killer of Karen and David by confessing to Rick about it. My money is on scary-sister Lizzie who has taken on some very disturbing habits of treating zombies like pets and then using blood to make patterns on the floor with her shoe. The creepy-meter on this girl is reaching record levels.
Love the use of Ben Howard’s “Oats In The Water” during Hershel’s moment alone after taking down all the zombies in the cellblock and saving Glenn.
Talking Dead Guests: Adam Savage of Mythbusters.

Season 4

TV Recap: Marvel’s Agents of S.H.I.E.L.D. Episode #6 “FZZT”

Posted on November 7, 2013 by Semtex Skittle

Back, and with 15% more snark! Yes, ladies and gentlemen, it’s time to talk about the latest offering from our friends at ABC. It’s time for Marvel’s Agents! Of! S.H.I.E.L.D.! My sunny disposition about this show from way back when has faded under a sea of kind-of-mediocre episodes, and the fact that I’m so used to seeing these comic book storylines adopted for the big screen instead… with plots that need to be condensed down to fit a two-hour window. There are things I like about this show, however. They seem to be making an effort to explore the characters a little, giving them nice moments in the show… and not just Coulson, but the ensemble cast. Actually, today, I spent a lot of time with Agent Fitz and Agent Simmons of Agents Fitz-Simmons. Let’s talk about it, shall we?

Cold open: boyscouts. The troupe leader is telling a spooooooky stooooory… the ending of which he completely whiffs, doing a rather weak ‘cry’ for his crying man. Shortly thereafter, he goes off to investigate a strange noise or something, though nobody else heard anything. The kids are a little more creeped out than they want to admit, so it’s time for some s’mores. Or, it would be, except now there’s a pan floating in midair, and arcing electricity. Also some horrible screams from the forest. Maybe we better get out of here? Everyone gets in the truck, the battery of which promptly explodes out from beneath the hood and lands on the ground not far away. Uh-oh. Actually, isn’t this how a lot of these episodes start? It reminds me of a cold open for an episode of ‘Supernatural’ blended with elements of ‘CSI’.

It’s time for Act I!

Agent Coulson is on the treadmill, apparently having a physical with Agent Simmons. Not a euphemism for anything, sadly, Coulson claims that his physical therapist overreacted to a remark he made, and demanded that he get a physical. Simmons explains that he’s in great shape for a man of his age, a comment which makes Coulson bristle. Scene change!

Agent Ward is not happy. His cool futuristic gun is an once off on weight. Fitz is uncomprehending, Skye is disdainful. Ward describes an improbable long range scenario. Fitz points out that there are rifles designed for such a scenario. Ward woodenly demands that Fitz find a way to lose the extra once. Fitz does an impression of Ward, which Skye gives about 700% more laughter than is really necessary. Fitz decides this is a signal for him to flirt with her. Skye is not happy, but it has nothing to do with Fitz. She is now wearing her house arrest wristband. She has been roundly chastised for her loyalties. Fitz does not care about any of this, but rather is interested in the fact that Skye is very pretty. Somehow, the two are sending each other an endless series of the exact wrong signals, and nothing is getting through. The conversation ends with Skye commenting that Fitz and Simmons are so close, they might as well be ca… oh wait, we already call them Fitzsimmons. Huh. Simmons arrives just then and does another Ward impression. How cute! They even have matching Ward impressions! Just then Ward arrives, it’s time to gear up. Mission time. Simmons gives him back his super future pistol, claiming that the ounce was just a dummy round left in the gun, and now it’s fixed.

On the ground, there’s this electrostatic discharge thing going on. Like lightning strikes. Except there wasn’t a storm with sufficient intensity within a thousand miles last night! Skye is shadowing Ward as he goes all “CSI detective character” up on this scene’s business. Or possibly its grill. Oh, also, there’s a guy hovering in midair in a clearing. He appears to be dead. Fitzsimmons, after a false start, admit that they have no idea how this could be possible. Ward suggests that it could be a weapon (of course he does). Skye’s theory is metahuman. Ming-Na Wen is careful to avoid using any inflection in her voice was she explains that there is no such metahuman. Well, says Coulson, not that we know about. Better follow up on that. Simmons gets close to the body, gets a little jolt of juice, and the corpse falls to the ground. Well, that was weird.

Back on the plane, Skye has already google searched our dead troupe leader, and has plenty of basic biographical information for Agents Coulson and Ward. She makes a Big Lebowski joke that falls flat, crushing my hopes and dreams. Ward this guy’s – coach, troupe leader, volunteer firefighter – entire enemies list. Skye says she already facebook’d him too! He doesn’t have any enemies. People with a vague dislike of him probably don’t have the power to do something completely unprecedented in human knowledge to him. Coulson thinks something must be missing and Skye rolls her eyes out of the scene. Coulson wants to know why Ward is being so hard on Skye. I mean, he always is. But this specific time? Coulson is curious. Ward is mad because Skye lied to them. She’s going to have to earn his trust again, damnit. Coulson points out that she’s good at googling people, and cleverly segways into our next scene!

Ming-Na Wen glares across a table at the, what, assistant troupe leader? Apparently it’s a hard line interrogation, because her expression is extra stoic.

Simmons is performing a full autopsy. Fitz doesn’t like the corpse stank, so he’s outside. Coulson wants to know what’s going on, but Simmons really hasn’t discovered much yet about this event that is completely unprecedented in the human experience. Ming-Na comes in to ask a question. Stoically. Suddenly it’s time for a scene change, get the action running again… Fitz is tracking another electrostatic signal! It’s going nuts! Then it suddenly pulses… and it’s gone. Better check it out.

In their actionmobile (it’s another totally inconspicuous black SUV with heavy tint) Agents Coulson, Ward and May arrive at a barn. It’s barred from the inside, but while Coulson and Ward pointlessly argue about how to enter the structure, Ming-Na just kicks the damn thing. Well, that’s one way. Unsurprisingly, there’s a hovering dead guy in the barn. But there’s no sign of vehicles in the area, so whoever did it… couldn’t have gone far. Skye’s got the satellites moving in for surveillance. Also, she’s on Google again. This second guy was a firefighter too! And he and our first unfortunate victim were first-responders to an alien crash in New York City (remember that little thing with the Chitauri?). Anyway, it’s super weird, but with the possibility of alien involvement, now we can’t rule out the possibility of an alien weapon being used to kill… firefighters? Coulson’s got the right idea: get to the station house before anybody else turns into an electrostatic bomb and dies.

Scene change!

At the stationhouse, the actionmobile disgorges our Agents again. Meanwhile (they keep slipping in these quick cuts!) back on the plane… Simmons says something weird is going on. I don’t know how else to describe some of these scenes with pseudo-science dialogue. They feel like padding. It’s kind of annoying. At the station, one of the firefighters isn’t feeling so hot. Coulson deduces this isn’t good. Back on the ship, Simmons has real information for us: she doesn’t think they were shot with some kind of a weapon, the wounds on their bodies are actually exit wounds. They were killed from within! Well, what does that mean? Coulson confronts our sick firefighter and draws a gun when he sees a hovering pan. It all comes together now. Agent May has spotted a Chitauri helmet in the station. Tony the firefighter says they cleaned the helmet, a souvenir they took from the alien crash site. Simmons has the answer: it wasn’t dirt or rust on the helmet, it didn’t need cleaning, and by stirring up those alien particles, the firefighters exposed themselves to an alien virus. Well, shit.

Coulson orders everyone else out of the station and sits down for a heart to heart with Tony. Our firefighter is terrified, and now appears to be staring down his own inevitable doom. Coulson wants to know if Tony wants to call anyone, notify anyone. If there’s anything he can do. Trying to empathize, Coulson tells a story about that time that he was killed by Loki. He really was dead; they said it was only for 8 seconds, but Coulson felt that it was much longer. He saw something beyond, he says, something beautiful. Ming-Na almost has a facial expression at this revelation. Though I’m not really sure how she can hear him. Tony starts to arc lightning, and suggests that Coulson make himself scarce. You know, before they all die. Outside, all the S.H.I.E.L.D. guys watch grimly as there’s a flash of light… and Tony’s gone.

Fitz comes down with a medical scanner and examines everyone from the ground team to make sure the virus hasn’t spread to them. The remaining firefighters are going into quarantine. The plane is going to be used to transport the alien artifact to “The Sandbox”, a place I imagine looks like this.

Aboard the plane, May is concerned about Coulson. Why did he get a routine physical? Does he want to talk about it? He’d talk to her if something was wrong, right? By the way, it wasn’t his fault that Tony died horribly.

Scene change!

In the lab, Simmons is really excited about what she’s discovering about the Chitauri pathogen. She’s examining the remaining brain cells of the deceased. Her discovery? Apparently this is a virus that does not spread through the air, or fluid transmission…but through electrostatic shock! Such a thing doesn’t exist on earth! She didn’t think it was possible. Also…something’s floating behind her. Coulson apologies, then puts Simmons into quarantine.

Shortly after, Fitz is sitting back up against the quarantine window. FitzSimmons collectively look miserable. Coulson explains that Simmons has only two hours to live, but the plane also has nowhere to land in range in time. If Simmons explodes, it will knock the plane out of the sky. Skye obviously feels helpless, and it’s angering her. Coulson has confidence in Simmons’ ability to figure out an antiserum before her time is up. With Fitz’s help, Simmons begins working on a cure, but their information is still limited. She’s trying out her experiments on laboratory rodents, but the results so far… aren’t so good.

Upstairs, Ward is watching the lab through the video monitor. Skye pokes her head in, asks why he doesn’t just go down there. Ward shrugs it off, “They don’t need an audience.” Skye stays, angry at her helpless feeling. Ward has it even worse. In a rare emotive moment, he opens up, his frustration actually fairly tangible in the moment. Good work, Ward! Then he really brings the temperature in the room down to freezing with our scene outro, Ward’s warning to be ready “For whatever we’re called on to do.” I think we all know what that means.

…But let’s have Coulson talking to headquarters, and get his order explicitly spelled out anyway: Simmons needs to be jettisoned from the plane so she doesn’t explode and kill everyone. Coulson bails on the transmission, then has a terse (and stoic) exchange with Ming-Na.

In what is really probably the strongest bit of the episode, Fitz and Simmons are working on borrowed time. They start arguing, pretty much about nothing, trying to make it about something, and it’s by far the most genuine moment we’ve gotten out of either character so far. They both grow a lot for me right here; I suddenly wonder why they’re being underused as comic relief when the characters have some range, some background, some chemistry! Down with the Ward and Skye fighting scenes! Up with FitzSimmons! …what it all boils down to, is that human antibodies just aren’t properly developed to fight alien disease. There’s no one to make a new antiserum from. Wait, what if there are some cells in that alien helmet? Fitz is off to take some scrapings. And he’s off at a sprint. Over Coulson’s shouted objection, Fitz bursts into quarantine, and FitzSimmons resolve to work together to fix this damn thing. Yay!

Despite his earlier comments, Ward joins literally the entire team as they stand in the cargo bay and watch FitzSimmons work. They do stuff. Feels like padding. Finally, they have a new antiserum! Fitz applies it to the last lab rat, who uh… begins hovering in the air. There’s a moment of stunned silence. Simmons approaches Coulson, and asks him to notify her father, first, and let him tell her mother. Then she asks them to clear the room. Fitz is still working furiously, but Simmons has lost hope. She clubs Fitz in the back of the head with a fire extinguisher.

Upstairs, headquarters is calling again. They probably want Coulson to go ahead and put a bullet into the back of Simmons’ head and dump her body. Coulson’s not into it. But apparently SImmons has opened the cargo ramp and jumped out of the plane. Tragically, just before Fitz awakens and discovers the rat still alive… it was only knocked unconscious by the pulse, which was much weakened by the antiserum. Fitz goes for a parachute, but is shoved aside by Ward, who takes both the cure and the ‘chute and jumps. After a long fall sequence where we get many shots of the ocean drawing ominously closer, Ward, of course, catches Simmons, cures her, and deploys the ‘chute. Yay!

On the plane, Coulson yells at Simmons, though it’s obvious he’s more relieved than angry. Ward plays it cool. Simmons for some reason goes for a callback on the pistol: it’s still an ounce off. Ward knew that. Then he does an impression of Simmons’ impression of him, which she critiques. It’s kind of a weird moment. But then Skye is there too, and practically breaks Simmons with a hug. Emotional plot resolved!

Ming-Na is in Coulson’s office. She wants to know about that physical again. Coulson explains that he ordered the tests on himself because he doesn’t feel fine, even though all the tests claim otherwise. After he got killed by Loki, he’s just never felt right again. Ming-Na seems to actually be acting harder to not assume a facial expression, which I’ll count as progress, as she forces Coulson to examine his scar from Loki’s staff. It’s pretty gruesome. Ming-Na points out that he could not possibly have had that experience and come away totally unchanged. He has scars other than just the physical one. She implies something like that happened to her.

Bonus scene change!

FitzSimmons are talking. He was going to come for her. He’s obviously a little embarrassed that Ward shoved him aside and did the death-defying resdcue bit. Simmons points out that Fitz gave her hope when she had none, that he helped create the antiserum, that he’s the real hero of the piece. Then she bounces. Fitz doesn’t look entirely convinced. Sad face.

And then in our final scene, Agent Blake comes aboard to take possession of the alien artifact. He’s concerned that Coulson disobeyed a direct order, and that S.H.I.E.L.D. is going to yank his team out from under him. Coulson is assertive. Blake delivers a really cheesy line I won’t reprint. Coulson’s character is having growth because this short scene showed him parroting the lessons he took from Ming-Na Wen! We’re moving forward!

Well… my takeaway from this episode is… I found it mostly to be lightly entertaining fluff, but with a nice sequence for the characters of Fitz and Simmons. When the show explores its stronger characters, it’s at its best (since we’re obviously not going to get a small-screen version of the Avengers). I still feel like something is missing. I don’t know that the show is achieving the goal of showing us what life is like for people in a world that has superheroes and aliens and blah blah blah. I hope Agents of S.H.I.E.L.D. finds its momentum, because while I was fairly entertained by this episode, it was in a more “this could be on in the background and I wouldn’t be mad” than a “I’m totally engaged in the story being told here”.

Review: The Walking Dead S4E04 “Indifference”

Posted on November 3, 2013 by Arleigh

“You can’t be afraid to kill.” — Carol Peletier

This week the godfather of the zombie genre was interviewed and the question of The Walking Dead was brought up. Well, it would seem that George A. Romero turned down the offer to direct a couple of episodes of The Walking Dead. His answer was that the show was really just a soap opera with the occasional zombie. His answer hasn’t sit well with fans of the show while those who have been major critics and detractors of it feel content at hearing their argument validated. Yet, it’s those very words that probably just gave the best answer as to why The Walking Dead the show continues to get huge ratings and just gain more and more fans with each new season…with each new episode.

Yes, it is a soap opera with zombies and we all know just how ridiculously popular soap operas can be when it hits a particular button with the general public. I think the writers and producers of the show know this to be true.

“Indifference” marks the fourth episode of the new season and it focuses on that very soap opera-ish aspect of the show that Romero spoke about in his interview. Yet, as the show delves more on the character interactions and conflicts with this episode it does so minus the flaws from past attempts which led to nowhere and no growth for the characters involved. Tonight’s episode explores the theme of not just the indifference which has settled on some of the survivors but also the concept of entropy which the zombie apocalypse itself has ultimately brought to the world from it’s very onset.

We see the time spent between Carol and Rick during this episode a battle of wills between two characters who become integral part of the groups survival dynamics since season 1. Yet, we see only true growth with Carol in this season. She has come a long way from the meek, silent abused housewife from season 1 to a battle-hardened leader-type who’s willing to make the difficult decision in behalf of the group. This used to be Rick’s role in the past three season, but the burden of leadership seemed to have weighed too much on this father of two. His decision during the timeskip to stop being the group’s leader and just become a farmer looks more and more like the very indifference and entropy tonight’s episode has been exploring.

Does Carol’s actions in killing both Karen and David make her out to be villain or does it just goes to show that she’s learned not to be afraid to kill if it means saving the rest of the group. She knows that what she did many wouldn’t understand, but she also knows that Karen and David were already dead and a danger to everyone. Her decision to unilaterally kill the two might have been correct when thought through logically, but Rick doesn’t see it that way. His reaction and decision to exile Carol was Rick’s emotional and attempt to hold onto the concept of humanity for the sake of Carl and Judith. Even as he drives away he understand that his decision might be wrong, but his narrow vision on trying to protect his children from calculated and logical decisions was another form of Rick’s indifference at the world as it is now and not as he wants it to be.

There’s change coming on the show’s group dynamics and we just don’t see it between Carol and Rick, but just as important between Tyreese and the rest of the scavenging group, Bob and Daryl and between Daryl and Michonne. We see Tyreese’s continue his change from the compassionate survivor who confessed to not having the stomach to killing the zombies day in and day out. His inconsolable rage from losing Karen (to a certain extent one of his last grasps in keeping his humanity) has made him a liability as he loses focus in his rage. yet, it’s this very indifference to whether he lives or dies that could become Tyreese’s ultimate wake-up call to become a better survivor in the long-run. The same couldn’t be said for Bob who we find out has already seen two groups of survivors not make it through with him being the only survivor. Just like Rick he has retreated back from trying to make things work through the very bottle he himself confessed probably killed Zach in the season’s premiere episode.

The show has improved from season to season. Season 4 looks to be more focused than seasons past. It still has some problems with having too many characters who do nothing but act as cannon fodder and/or plot devices (example Ana and Sam just for tonight’s episode). But even with the show looking like it’s just about talking and more talking it still manages to move the story forward when in the past it led things in circles. Yes, it’s this very dialogue-heavy and interpersonal conflicts that gives the show it’s soap opera label, but this season it’s this very drama that has made it very interesting on top of entertaining.

While Romero’s decision to turn down directing episodes of the show was based on this very soap opera-ish part of the show one has to remember that zombie fiction, even Romero’s very own classic films from Night of the Living Dead, Dawn of the Dead to Day of the Dead lived off of the very soap opera-like narrative and conflicts that The Waling Dead just happens to use and mine with each new episode. I don’t think the show will ever shed this part of it’s storytelling style. It’s a major appeal to the legion of fans who love and follow the show. It’s both a pro and con for the series. The question that continues to be explored with each new episode is whether Scott M. Gimple as the series’ new showrunner will be able to sustain this pace and not lose it in the end the way Mazzara did in season 3.

Notes

Tonight’s episode, “Indifference”, was directed by Tricia Brock and written by Matt Negrete.
A great cold opening with Carol doing her best warrior-mom role to make sure Lizzie doesn’t fear what needs to be done to survive. All the while this is happening we see Rick walking through the crime scene of Karen and David’s death and imagining just exactly how Carol did the deed.
Tyreese is really raging in tonight’s episode and doesn’t bode well for his long-term well-being if he continues to put the rest of the group in danger.
It looks like tonight’s episode will only use a small part of the cast which should keep irrelevant interactions to a bare minimum.
Bob confesses to having to bear witness to two previous groups of survivors he’s been a part of lose their fight against the zombies (and maybe other humans). I know that there’s been no sign of the Governor since the final episode of last season, but could Bob be talking of having been part of the Woodbury group.
We get two new redshirts in tonight’s episode with the very happy and wanting to help to a fault Ana and Sam. The story they told Rick and Carol about how they’ve survived in the housing community for so long sounds credible enough, but one could see Rick and Carol (especially Rick) not believing most of what’s being told to them.
It will be interesting to see how Rick will explain to the group in the prison (and to Daryl) just exactly what happened to Carol and whether he will tell them the truth of why she’s not with them anymore.
Talking Dead Guests: WWE wrestler Chris Jericho and Community‘s own Britta, Gillian Jacobs.

Season 4

Horror On TV: Twilight Zone — “To Serve Man”

Posted on October 31, 2013 by Lisa Marie Bowman

As Halloween comes to a close, so does both horror month here at the Shattered Lens and our series of televised horrors. What better way to finish out this feature than with one of the best known and most popular episodes of The Twilight Zone?

There’s a lot I could say about To Serve Man but really, all that needs to be acknowledged is that it’s a classic and features one of the best endings ever.

To Serve Man was written by Rod Serling and directed by Richard L. Bare. It originally aired on March 2nd, 1962.

Bon appetit!

Horror On TV: Twilight Zone 5.30 “Stopover In A Quiet Town”

Posted on October 30, 2013 by Lisa Marie Bowman

After having too much to drink at a party, Bob and Millie (played by Barry Nelson and Nancy Malone) wake up in a strange bed with no memory of how they got there. Hey, who hasn’t had that happen once or twice, right? However, Bob and Millie soon discover that not only is the house deserted, but so is the strange town outside.

This episode of the Twilight Zone was written by Earl Hamner, Jr. and directed by Ron Winston. It was originally broadcast on April 24th, 1964.

Horror On TV: Twilight Zone Ep. 1 — “Where is Everybody?”

Posted on October 29, 2013 by Lisa Marie Bowman

With Halloween only two days away, what better time to watch the pilot episode of the original Twilight Zone.

“Where Is Everybody?” was written by Rod Serling and directed by Robert Stevens. It was first aired on October 2nd, 1959.

Horror Review: The Walking Dead S4E03 “Isolation”

Posted on October 28, 2013 by Arleigh

“You step outside. You risk your life.” — Hershel Greene

The first two episode of The Walking Dead for season 4 has been all about upending the sense of normalcy and serenity that Rick and his group of survivors have fought and worked to create within the safety of the prison. We saw a timeskip of many months from the time Rick brought the survivors of Woodbury back to the prison to show them that they weren’t the monsters the Governor had made them up to be and from there started up this community that the audience was dropped into in season 4.

As we saw with last week’s episode, “Infected”, that sense of civilization and safety was nothing but an illusion. The zombies got into the prison and attacked a major chunk of the survivors and now a new threat has reared it’s viral head to make the lives of Rick and the gang that much more difficult, if not, hopeless. Zombies, even herds of them, and other people this group could handle as Glenn commented to his father-in-law, but the disease which struck Patrick and looks to be burning through those who were in the compromised Cell Block D was one thing they couldn’t fight.

“Isolation” marks another forward step for a show that has had a difficult time trying to stay on course when it comes to it’s overarching story arcs for the season. New showrunner Scott M. Gimple promised a season that was going to avoid standing pat, but reintroduce a sense of mystery and unknown dangers to a group that’s as battle-hardened as any military unit after three seasons of constant fighting. Now we know that one of these new dangers is a disease (maybe a particularly strong strain of the flu or maybe even the plague itself) which has used the cramped living spaces of the prison and a shortage in proper medicines to incubate and spread itself amongst the survivors.

The entire episode works almost like an isolation ward for the main characters and some of the newer ones. They’ve come such a long way to survive this hellish new world and partly due to isolating themselves from the problems inherent in a zombie apocalyptic world, but also in a community that’s one step removed from the disease-ridden refugee camps we see televised on TV on a daily basis. This was a group that had fooled itself into thinking that isolating their little piece of “heaven” from the outside would keep them safe. It has to a certain degree but it also made them complacent. Yes, they’ve become more compassionate (though smarter) about letting new people into the community, but they’ve stopped trying to venture farther out into the wilderness to find other communities who could share resources and help rebuild the very civilization Rick and the council has been working so hard to accomplish.

Now, their isolation will need to end as they must find new sources of medicines to help combat the disease that’s burning through the prison. Their mission has become much more dire in that it’s not just the new additions to the group who have now become infected but one of their in Glenn has succumbed to it as well. And for all the hardcore survival instincts and skills Daryl, Michonne and the rest have honed to a deadly degree the world outside still remains one that could kill them all without hesitation no matter their skills. The pan of the camera to show the oncoming herd (much bigger than past shown herds) on the group of Daryl, Michonne, Tyreese and Bob was something we rarely see in zombie flicks and tv (though World War Z did it through use of CG). This sequence just shows how easily people who’ve isolated themselves from this never-ending danger could easily lose hope as Tyreese looked to have at first glance.

This latest episode of The Walking Dead really didn’t have any of the action we saw in the first two episode of the new season, but it’s been one that avoided the past season mistakes of not moving the story forward. Yes, they’re still stuck in the prison, but the narrative has continued to propel forward. We find out who killed Karen and David (the burnt bodies that ended episode 2) instead of the writers stretching it out over several episodes. The answer to this mystery brings up new questions as to why this long-standing character decided to act unilaterally even if it was for the greater good of the community. The fact that their actions ultimately failed to keep the disease in check still doesn’t change the fact that even the meekest of the group has grown and change to adapt to a world where even something as simple as a common cold or the flu could kill just as quickly as the zombies gathering at the prison fences.

“Isolation” was written by comic book creator Robert Kirkman who has grown to become better in translating ideas he has written for the series’ comic book counterpart and ideas discarded along the way into something that helps the tv show distinguish itself from the original source material. The show has almost become a way for Kirkman to recreate the early days of the comic book source with new themes and characters. With the comic book itself already years ahead of the show it’s going to be interesting to see whether the tv show will skip some of the smaller story arcs that occur after the prison and move the group closer to the timeline comic book readers are currently at.

While short on action, “Isolation” brings to the fore new problems for the group both immediate and moral. Will the admission of one of their own to the culpability of Karen and David’s murder be told to the rest of the council or will Rick keep this secret to himself? Is the brief radio signal caught in the car radio as Daryl and his scavenging group drive down the road lead to the Governor or a truly safe haven?

One thing that’s been consistent with this new season so far has been that the writers have learned to not stand pat with the show’s narrative. Previous showrunner Glen Mazzara preached forward momentum with season 3 but ultimately failed as the season limped to it’s finale. Only time will tell whether new showrunner Scott M. Gimple will do the same or actually finish this season strong and actually stay around for a following season.

Notes

“Infected” was written by source material creator Robert Kirkman and veteran tv director Dan Sackheim.
The fight between Rick and Tyreese was one of several fandom moments which mirrors similar scenes in the comic book, but with the show arriving to the scene in a much different manner. In the comic book, this fight occurred after Tyreese found out about her daughter’s death as part of a suicide pact with her boyfriend and Tyreese murdering the boyfriend and then shooting her daughter after she turned.
The other moment being Tyreese’s hammer rampage on the zombies that surrounded their car on the way to the veterinary college. In the comic book, this scene happened in the prison indoor gym.
We learn more about just how virulent the disease that took Patrick really is as survivors of Cell Block D and some of those who fought to save it succumb less than a day from Patrick dying from it.
I know it’s become a joke when it comes to Carl and his trusty gun, but it’s good that the writers saw fit to not prolong this particular storyline. Rick, more than anyone else, understands that Carl is one of the better fighters in the community and he’s come to regret trying to hamper the boy and in return make the group less effective.
Carl actually listening to Hershel about not having to kill every zombie they come across was a surprise. We’ve seen how leaving a zombie still standing and operating led to disastrous results for season 2. Will Carl practicing restraint come to bite the group again or does it mean Carl has edged back away from becoming a sociopath and into something more like his father and less like Shane. With each passing episode Carl looks to be emulating Daryl more and more and that could be a good thing in the long run seeing how Rick is not what one would call mentally stable.
Nice to see the writers actually giving one of the new characters, Larry Gilliard, Jr’s Bob Stookey, some character growth moments where in the past such new faces were relegated to becoming either zombie chow or cannon fodder. His reaction to finding out that they will be taking Zack’s car (Beth short-lived boyfriend from the season premiere) to their scavenge run to the local veterinary college 40 miles away shows how much guilt he feels at having caused the young man’s death.
One of the best reveals of the season so far has been that massive herd that looks to be in the thousands bearing down the highway and Daryl, Michonne, Tyreese and Bob stuck in their car. A question that rises up from this sequence is to whether this herd is heading towards the prison or will it just bypass their haven altogether.
Carol, Carol, Carol has become the new lightning rod for this season. Some have enjoyed the characters growth into a bonafide survivor in more than one sense. Some don’t like the fact that she’s become too cold and calculating even if it’s for the greater good of the group. Some just can’t get behind the fact that a woman on the show has actually become one of it’s more level-headed characters. I, for one, hope she sticks around past this season. This Carol has become the show’s comic book version of Andrea and that should be celebrated instead of denigrated.
Talking Dead Guests: Series executive producer Gale Anne Hurd, Jack Osborne and Marilyn Manson. Manson definitely made for a unique guest on the post-episode show. To say that he made show host Chris Hardwick more than just a tad uncomfortable would be an understatement.

Season 4

Horror On TV: Door Into Darkness Episode 1 “The Neighbor”

Posted on October 28, 2013 by Lisa Marie Bowman

For some of our readers, this will probably be the most challenging episode of television that I’m going to post this Halloween season.

But first, what is Door Into Darkness?

In 1973, after he had directed his highly successful Three Animals Trilogy, Dario Argento produced a television series called Door Into Darkness. Each episode of Door Into Darkness told a different story of horror and suspense. Argento would appear at the beginning of each episode and introduce the story.

Of the four episodes of Door Into Darkness that were produced, most critics agree that the first one was the best. Titled Neighbors, it was also the directorial debut of Argento’s long-time assistant, Luigi Cozzi.

Neighbors tells the story of a newlywed couple who, along with their newborn baby, move into a seaside villa. (Along the way, they also manage to run their car into a ditch, effectively leaving them stranded at their new home.) When they arrive at the villa, they discover that the power hasn’t been turned on yet so they decide to hang out in the apartment upstairs. Once up there, they come across the dead body of their neighbor’s wife. When the neighbor arrives back home, the couple have to try to survive in the darkness while he looks for a place to hide the body of his dead wife.

Neighbors is an effectively suspenseful story that makes good use of both our inherent fear of the dark and the fact that we can never be quite sure of what our neighbors are doing.

I’m happy to say that a user in Italy has downloaded all four episodes of Door Into Darkness to YouTube and, hence, we can now share Neighbors on this site.

However, that’s where the challenge comes in.

The episode below is in Italian.

It has not been poorly dubbed into English and there are no subtitles. Personally, that’s not an issue for me. The plot of Neighbors is effectively simple and easy to follow and Italian suspense has always been a visual genre. Add to that, I love Italy. I’m a fourth Italian. I could listen to people speak Italian for days without understanding a word with it. I just love the sound of the language.

With all that in mind, here is Door Into Darkness…

Horror On TV: Are You Afraid Of The Dark 5.13 “The Tale of the Badge”

Posted on October 27, 2013 by Lisa Marie Bowman

This episode of Are You Afraid of the Dark? is important for two reasons.

First off, when it originally aired on April 20th, 1996, it was meant to be the series finale. It would be another 3 years before the show would start up again with a new Midnight Society sitting around the campfire and telling tales.

Secondly, and most importantly, this episode is about Irish magic!

And, as we all know, that’s the best type of magic that there is.

Horror On TV: Twilight Zone Ep. 123 “Nightmare at 20,000 Feet”

Posted on October 26, 2013 by Lisa Marie Bowman

When I first decided to feature old, horror-themed television episodes this month, I knew that I had to include Nightmare At 20,000 Feet.

This is perhaps the most famous episode of Twilight Zone. William Shatner plays a man on an airplane who is both terrified of flying and who has spotted a gremlin out on the wing. As Shatner desperately tries to convince his fellow passengers that he’s not crazy, the gremlin cheerfully goes about his destructive business.

This is one of the few episodes of The Twilight Zone not to have been downloaded onto YouTube and, at first, I was worried that I wouldn’t be able to share it. Fortunately, site subscriber and frequent commenter KO tracked it down on Hulu for me and, as a result, we are very happy to present the classic fright fest Nightmare At 20,000 Feet!

This episode was written by Richard Matheson and directed by Richard Donner, who would later direct such films as The Omen, Superman, and Lethal Weapon. It originally aired on October 11th, 1963.

http://www.hulu.com/watch/440824
(Incidentally, originally an episode of Goosebumps was scheduled to be featured tonight. However, the YouTube account that was hosting that video has been suspended. The episode in question was The House of No Return, which many people believe features an early performance from Ryan Gosling. Having seen the episode before it was taken off YouTube, I can assure you that Ryan was nowhere to be seen.)