You all remember what happened in early May, right? All the broadcast networks presented their shiney new shows for advertisers, in something called the ‘upfronts’. They gave us their schedules, what will be airing when….*record scratch* Wait, What? Only four weeks later every thing has changed!
Let’s start with ABC.
At the up fronts, ABC had “Of Kings and Prophets” airing in their 10 pm East/ 9 Central Sunday time-slot-of-death. (Remember 1600 Pennsylvania Avenue, The Gates, American Crime, Revenge? Yeah, me neither) But according to TVline, ABC has pulled “Of Kings and Prophets” for a re-cast, which, in my opinion, will mean a never air. (http://tvline.com/2015/06/02/abc-fall-schedule-quantico-sunday-replaces-kings-and-prophets//) Now “Quantico” which has had its own problems will move into the Sunday time-slot-of-death was originally scheduled to be Tuesday at 10 East/ 9 Central
And NBC:
Well, we were all looking forward to Melissa Georges’ heart wrenching “Heartbreakers” (sorry for the pun!) But NBC has decided to move up another Dick Wolf show in “Chicago Med.” (Okay, seriously! I am moving to Chicago and getting me a job in the PD, FD or Med field!) I digress, NBC has replaced “Heartbreakers” with “Chicago Med” on Tuesday nights, either show will get a significance bump from “The Voice” lead in. (http://deadline.com/2015/06/heartbreaker-pushed-melissa-george-pregnant-chicago-med-fall-launch-nbc-1201438347/)
For FOX and CBS, let’s give them credit! So far they have stuck with their schedules. For now…all schedules are subject to change!
In get your streaming news together:
Orange Is The New Black got released a bit early; not like the orange jump suit prisoners in New York! According to Variety and other sources, you can get out of jail early, or at least watch #OITNB early!
But let’s not forget Ron Moody, can Fagin ever be played again the way Ron did? (https://www.youtube.com/watch?v=xWlHquk8si4) His interpretation of Fagin always leaves me breathless! Not what Charles Dickens did, but what Ron did with Fagin! How he transformed a character!
And Ornette Coleman
The only thing I can say about this amazing man is what he said about himself…”I don’t want to get paid, I just want to get heard, that is why I am broke”!
And I will be back next week with another news round up!
Emma Ishta (Manhatten Love Story) as Kirsten Kyle Harris (The Carrie Diaries) as Cameron Allison Scagliotti (Warehouse 13) as Camille
and Salli Richardson-Whitfield (Eureka) as Maggie
ABC Family has come a long way with their drama series, from “So little time” to “Kyle XY” (which I loved) “Ravenswood, “Twisted” “The Fosters” and arguably their biggest hit “Pretty Little Liars“. The network now offers us a new look into the teen drama with “Stitchers”
Following the path of Kirsten, a young woman drafted into a government agency to be ‘stitched’ into the minds of the recently dead to use their memories to solve mysteries that would otherwise gone unsolved. That is the premise. Seems simple, right? Yeah, that is what I thought too.
Now, let’s get things complicated. Kirsten suffers from temporal dysplasia, a condition that can not let her have any perception of time. I don’t know if this leaves her without empathy or that she just doesn’t care, either way it will be interesting to find out.
Kirsten, as a character, leaves me a bit cold, and when your leading character does nothing to add to the show, it is bound to end up bad!
Given that “Stitchers” premieres after the CW’s iZombie and is in the same vein (sorry for the pun), the comparisons are there. For me though, iZombie is the better show. There are enough questions to keep me interested, but for how long?
Quotes:
“I’m to old to do a stint in Gitmo… I’m not”
“Trained monkey? I can work with that.”
“You can harvest the memories of the dead, but this requires a whole new set of skills”
“Stitchers” premiers on ABC Family after “Pretty Little Liars” June 2nd at 9 east.
So, as you probably heard, AMC is doing a spin-off of The Walking Dead. It’s going to be called Fear the Walking Dead, which is not exactly the greatest title that I’ve ever heard.
(Seriously, Fear the Walking Dead sounds like it should be the title of a low-budget, Asylum-produced mockbuster version of The Walking Dead...)
But, despite that imperfect title, Fear the Walking Dead is still highly anticipated by Walking Dead fans. (Is Chris Hardwick going to host Talking Fear?) Apparently, it’s going to be a prequel, dealing with the early days of the zombie outbreak and maybe it will even offer up some clues as to why it all happened in the first place. Even better, it’s going to take place in Los Angeles so we won’t have to deal with any dodgy accents.
Here’s the first promo for Fear the Walking Dead. It aired last night during the Walking Dead‘s season finale. It really doesn’t tell us much about the show itself but, at the same time, it does have a nicely ominous feel.
“Simply put, there is a vast ocean of shit that you people don’t know shit about.” — Sgt. Abraham Ford
[spoilers within]
The Walking Dead has been derided as badly-written (early seasons definitely had it’s story issues) with recycled themes and subplots with characters that barely rise above one-dimensional. Only the most ardent fan would take those criticisms of the show and dismiss them outright. The series has had it’s many flaws and the three mentioned have been ones earned through the show’s first three seasons of revolving door showrunners.
There was the show’s original creator, Frank Darabont, who injected a cinematic quality to a tv show that could easily have gone campy (Z Nation), but whose need to control every aspect of the show made him lose the support of the very studio that helped him get the show up and running. It didn’t help that his first half of season 2 where the group searched endlessly for Sophia almost sunk the show.
With Darabont given his walking papers the show turned to series writer and producer Glen Mazzara to right the ship after a listless first half of season 2. Things definitely turned for the better with Mazzara in charge and for the first half of season 3 it looked like Mazzara might have finally figured out what sort of show The Walking Dead should be. In the end, he too ran out of steam as season 3 limped into an underwhelming season finale.
Scott M. Gimple took the reins and things for the show has been improving at a steady rate since season 4 and finally culminates in a season 5 finale that was both full of suspense, action and melodrama in equal amounts that has been the mark of his current tenure as series showrunner. If the show has an award for series MVP it should be handed gladly over to Scott M. Gimple.
“Conquer” starts with a cold opening that already signals that great things are afoot for the rest of the season finale’s extended 90-minutes. We find Morgan asleep (quite peacefully) inside a derelict car in the middle of the woods. We see him wake up and go about what’s probably a daily ritual for him when his breakfast gets interrupted by a stranger who happens to be sporting a “W” mark on his forehead (with dirt instead of carved into). He’s the first person we meet who seems to be affiliated with the very Wolves this second half of the season has been working up as the next Big Bad to threaten Rick and his people. It’s a sequence that gives us a clue as to the sort of bad guys these “Wolves” are going to be for Rick and Company. With some fancy staff fighting and a zen quality to his actions, Morgan more than holds off the two “Wolves” looking to steal his gear and add them to their collection of “W” marked zombies.
The rest of the episode takes on three different storylines involving Rick, Father Gabriel and Glenn.
With Glenn we see him follow Nicholas seen climbing over the walls of Alexandria. While not the most smart thing he has done of late, Glenn has a right to be suspicious of Nicholas who has done nothing but get people (both his own and Rick’s) killed while pumping himself out to be a strong protector when Glenn and the audience know that he’s far from it. It’s a sort of chase sequence as Glenn and Nicholas end up going at it mano-y-mano with Nicholas starting it off with a failed ambush that only wounds Glenn, but does hurt him enough that at times during the episode there was a great chance it was going to be him that would be the significant death to mark the season finale.
The writers (Scott M. Gimple and Seth Hoffman) don’t do the obvious and kill Glenn off, but does make him teeter on the brink of doing what many in the audience hope would happen and that was kill Nicholas once he finally had him beaten down. Instead, Glenn shows that despite his extended time out in the savage wilds outside the walls of Alexandria, he still has some compassion (misguided it might well turn out to be) and the need to see justice done. While Glenn might not have died in this finale his growing role as the voice of reason and compassion in a group that’s become fractured emotionally and mentally means his days on the series could very well be numbered.
Father Gabriel was the more frustrating segment of tonight’s finale. His time with the group has found him to be both naively stupid of the new world around him and mentally unstable because of what he had to do to survive. Yet, we find him talking a walk outside the walls in a bright, clean white shirt like he has cleansed himself prior to make sure he dies with a clean conscience. Instead, the instance a zombie was about to do what he seems to want he finally decides to want to live. But then does another 180 degrees and decides to leave the compound’s gate unsecured knowing it means zombies will definitely wander in.
The writers don’t seem to know what to do with Father Gabriel. From the moment he was introduced they seem to be flailing in the dark with so many ideas on how to treat an unstable man whose faith has been shattered by this new world where the dead don’t remain dead and those who survive must turn to their darker instincts (him included). One moment he’s trying to poison the minds of Deanna about Rick and his people while not confessing to the dark deeds he has done. Next he’s trying to atone for those very sins only to turn around and do something that would add more sins to his ledger.
It’s a shame that Father Gabriel has become such an albatross this season for the show since Seth Gilliam is such a great actor (as his time on HBO’s The Wire has shown). There’s still a glimmer of hope for the fallen priest as we saw when Maggie arrives just in time to keep Sasha from killing Father Gabriel. Will Maggie’s own Hershel-like act of mercy be enough to finally turn Father Gabriel towards something more concrete (whether as a good guy or a bad guy) would have to wait for season 6 this coming October.
We finally come to Rick who is in a sort of timeout after his total breakdown in the previous episode. He finally understands that he might have gone a bit Shane-like and overboard with his behavior, but he also still believes that Alexandria’s best chance of surviving beyond the luck they’ve had before their arrival was for them to stay and takeover. Whether they take over by the examples of their words and deeds or through force if the Alexandrians try to kick them out would depend on the very people who don’t seem to understand what’s truly at stake.
Rick gets a sort of visit from all the differing voices within his group. There’s Glenn and Michonne who wonder if Rick never wanted for their stay in Alexandria to work. Then there’s Carol and, to a certain extent Abraham, who has seen enough of how Alexandria operates to know that these people are like children who have had the luxury of never having been confronted with a no-win situation to wake them up from their fantasy of trying to rebuild civilization. It’s the sort of angel and devil on the shoulder bit that could’ve gone terribly cheesy, but ended up being natural and poignant to the episode’s narrative. A narrative that showed how both Rick and Deanna have been both wrong and right in their stances of how Alexandria should be led.
It would take a death to someone Deanna holds dear for her to finally understand what Rick and his people have bee trying to tell her and the rest of the Alexandrians. Abraham (who has become the show’s go-to-guy for memorable one-liners) said it best himself during the night meeting to decide Rick’s fate. In the only way Abraham knows how he says, “Simply put, there is a vast ocean of shit that you people don’t know shit about.”
In the end, Abraham was correct in that the Alexandrians just do not understand the world they’re living in. They might have the strong walls (not so strong that people can’t climb over them) to keep the zombies out. They have power and running water and some luxuries of the life long past dead. Yet, they’re naive and delusional to think that they won’t have to get their hands dirty to keep their way of life going. These people need people like Rick Grimes and his band of survivors. They might not be the best examples of how society and civilization was before the zombie apocalypse fell on everyone, but they were the ones who best adapted to it and still kept a semblance of their humanity in some way.
So, season 5 ended with not just Rick using a brand of reasoning and a recent example of how things could easily go from good to bad to make his point, but with Daryl and Aaron bringing Morgan back to Alexandria for a reunion between the first two characters we met on this show. Last time we saw Rick and Morgan together was in season 3’s “Clear” and Morgan was definitely not in his right mind while Rick was still holding onto his pre-apocalypse principles. with their latest reunion it looks like things have reversed with Rick looking more and more like the Morgan of “Clear” while Morgan has recovered from his crisis of conscience to come out the other side clear of mind.
We already know that there will be a season 6 and a season after that (AMC knows a goldmine when they see it and this show is literally printing them cash). The questions left unanswered by tonight’s finale looks to be the driving force for the next season. The Wolves now have an idea that Alexandria exists (from the knapsack full of pictures Aaron dropped at the canned food warehouse depot) and will probably try to visit them soon. Then there’s the question of how will Glenn finally expose Nicholas’ cowardice and duplicity to the Alexandrians and whether Nicholas will remain a problem for Glenn moving forward. The biggest question remains on whether these Wolves will involve Negan of the comics in some capacity or just the tip of a bigger danger.
The season closes with a very appropriate scene before fading to black. A car in the canned food depot marked in stark white spray paint with the words: “Wolves Not Far.”
Notes
Tonight’s season finale was directed by series exec. producer Greg Nicotero and written by showrunner Scott M. Gimple and series writer Seth Hoffman.
The Wolves seem to be a new group made just for the show. They don’t seem to correspond to any past group that the comic book has had Rick encounter and/or fight against.
The trailers trap full of zombies with the “W” marks on their foreheads was reminiscent of a similar scene and trap from Resident Evil: Extinction.
Aaron had his own moment during the escape out of the car that was straight out of the original Dawn of the Dead.
Kill of the season has to be when Daryl took the chain, whipped it around his head to take the top of the heads of three zombies with precision. that’s kill of the week stuff that even Zombieland would be proud of.
When Father Gabriel fails to secure the main gate and then his subsequent behavior and confession to Maggie at the chapel was also reminiscent of a character from a George A. Romero zombie film: Day of The Dead. When Pvt. Salazar decides to commit suicide by letting in zombies into the secured compound.
Lennie James was trained to use a walking/fighting stick by the original Donatello from the first Teenage Mutant Ninja Turtles.
The scene at the meeting where Pete accidentally kills Reg and the aftermath was straight out of the comic book frame for frame.
Talking Dead guests tonight are Morgan, Carol and Daryl (Lennie James, Melissa McBride and Norman Reedus) from The Walking Dead.
“It’s their world, we’re just living in it.” — Enid
[spoilers within]
Tonight’s episode of The Walking Dead marks the penultimate one for the show’s fifth season. It has been a season that’s seen the series remain on a consistent high. It still had some episodes which fell a bit flat, but overall season 5 has been the show’s best and delivered on showrunner Scott M. Gimple’s promise to keep the story moving forward.
The episode begins with a cold opening that shows the aftermath of the deadly supply run to the solar factory warehouse in the previous episode. We have to stories being told. There’s Glenn still haunted by having to witness Noah’s death by zombies very up close and personal. We see him tell Rick about how he and the others made a mistake and how it led to the deaths of Aidan and Noah. He feels responsible and hopes that it doesn’t ruin their chance in making the Alexandria experiment work. He still believes in the concept that is the ASZ (Alexandria Safe-Zone) and even Noah’s death doesn’t budge him from that belief. Rick, on the other hand, only sees danger and trouble when it comes to the ineptitude of the Alexandrians. His fears and doubts about whether the Alexandrians can pull their weight when it comes to keeping everyone safe has been confirmed.
Deanna, on the other hand, hears a different tale from Nicholas. It’s a tale of how it was he who tried to save Aidan and not leave him behind. It was Glenn who distracted and caused the death of Aidan and whose bloodthirsty attitude got Noah killed. Nicholas spoke about how he would never leave Aidan, his friend, behind and even included newcomer Tara as someone he tried to save. There’s some hints that Deanna has a sense that Nicholas wasn’t telling her the truth of what happened, but we don’t get to hear her voice out these doubts.
“Try” is a very appropriate title for tonight’s episode. We see several characters attempt to try and find a way to make the combination of Rick’s people and the Alexandrians co-exists together peacefully. Glenn, despite what some of these Alexandrians have done, still believes that they need to make Alexandria work. It’s their last chance to go beyond just existing and surviving but actually living life. He’s become the show’s moral compass (hopefully not a death sentence) now that Hershel and Tyreese are gone. Yet, unlike the previous moral compasses in the show, Glenn does understand that sometimes pragmatism must rule the day above all else. He just believes that Alexandria needs a chance to survive the growing pains of their group’s arrival.
Another of Rick’s people trying to make it work is Michonne. She’s had her time in exile in the wilds of this new and dangerous world. Her survival to this point has been in part due to those solitary months on her own with only herself to keep safe. Yet, she has also found out that being alone was a detriment to her psyche’s well-being and finding Rick and his people was what ultimately saved her not just from the zombies but from her own self-destructive ways.
She sees what’s happening with Sasha. A friend and fellow survivor deep in the midst of PTSD who has lost so much in such a short period of time that she hasn’t had the chance to take in and accept those losses let alone mourn them. Michonne understands what Sasha is going through but also realizes that they need her for what’s to come. Michonne wants to make Alexandria work and instability brought on by Sasha’s death wish and Rick’s inability to trust the Alexandrians will only make that prospect harder to achieve.
It is no surprise that the episode ends with Michonne taking control of a situation brought on by Rick’s blunt force behavior in trying to convince the Alexandrians that the way they were doing things were not going to work going forward. Michonne’s belief in the Alexandrians’ survival skills might mirror Rick’s own thoughts on the matter, but where Rick wants a confrontation to be the catalyst of change she seems more than willing to lead by example.
On the other side of things are Rick and Deanna looking to be at loggerheads about what’s truly best of Alexandria. It’s easy to take Rick’s side that the way Deanna and the rest of the Alexandrians have been doing things were just not going to cut it in this new world. It’s a world that Rick and his people have experienced first-hand and lost people along the way, but in the end have survived all it has thrown at them. Deanna, on the other hand, still believes in the rule of law and order, civilization over anarchy. She doesn’t believe in killing those who could be a danger to the ASZ (like Peter who also happens to be the lone physician and surgeon), but instead would rather exile them out into the wilds.
It’s a way of doing things that Rick sees as another way of putting the ASZ in danger. Deanna doesn’t think so and this clashing of philosophies on how things should be done looks to be one that’s heading into a confrontation that puts everyone in danger. Neither side seem willing to try and compromise and find a way to make the two groups con-exist. No attempt to allow the Alexandrians to learn from what Rick and his people could teach them to be better survivors. No attempt from Rick and those who believe him to adjust to this new life. A life that they see as a danger in itself. They see Alexandria’s walls as something that could make them soft and distract them from surviving.
So, we have the extended season finale next week and the question of whether Rick is too far gone to stay in Alexandria will be one of the questions that need answering. Will the group have to suffer through another loss of one of their own for the Alexandrians to finally realize that their survival before Rick and his people arrived have been through blind luck not through the civilizing rule of Deanna? Will Rick and the others just leave Alexandria or will the group finally splinter-off from those wanting to try and make it work and those unable to?
Then there are those zombies with the “W” cut into their foreheads looking to crash the party.
Notes
Tonight’s episode of The Walking Dead, “Try”, was directed by Michael E. Satrazemis and written by series veteran Angela Kang.
“Keep walking” has become Rick’s version of Carol’s “look at the flowers”. Pete should’ve been sprinting away the moment Rick uttered those wordsa at him with those Rick dead-eyes.
Nine Inch Nails’ “Somewhat Damaged” plays during the episodes cold opening and was a nice reminder that both groupsm Rick’s and the Alexandrians, have been damaged in some fashion since the start of the zombie apocalypse.
Still wondering how Nicholas knew about the Glock Rick hid in the blender out in the woods (Nicholas was in the ASZ when Rick and the group arrived). Is there someone outside the walls that told Nicholas of the hidden pistol?
Talking Dead guests tonight are Yvette Nicole Brown (Community), series executive producer Gale Anne Hurd and Chandler Riggs (Carl Grimes of The Walking Dead)
The cast of The Neighbors. Yes, that is Tommy Wiseau in a blonde wig…
Earlier tonight, I went onto Hulu and I watched the first episode of The Neighbors, which is the latest project from cult movie icon Tommy Wiseau.
Before I even start watching, I knew that The Neighbors would be bad. That’s really the only reason that anyone would choose to watch The Neighbors, just to see how bad it could possibly be. After all, Tommy Wiseau is best known as the director of The Room, a film that has become famous for being one of the worst ever made. And, as I’ve made clear on this site in the past, I absolutely love The Room. I own a copy. My boyfriend and I have attended countless midnight showings of The Room, where we’ve shouted out all the lines and we’ve thrown plastic spoons at the screen with joyous abandon. When Clint Jun Gamboa showed up on American Idol, I wanted him to win just because he composed three of the songs that appear on The Room soundtrack. I consider The Disaster Artist to be one of the best film books ever written. I’ve even been lucky enough to interact with Room co-star Greg Sestero on twitter. The Room is a bad film that you can’t help but love and I think that a lot of people — like me — assumed that The Neighbors would be a bad sitcom that you could not help but love.
Uhmm yeah … about that.
Having now watched the first episode of The Neighbors (entitled “Meet the Neighbors”), I can definitely say that sitting through it was perhaps the most unpleasant 31 minutes of my life so far.
The Neighbors is about an apartment complex. (Every few minutes, we see the exact same establishing shot of the building while some rudimentary but catchy EDM plays in the background.) The tenants are an eccentric bunch but, fortunately, they’re all watched over by property managers Charlie (Tommy Wiseau) and Bebe (Gretel Roenfeldt). Remember how, in The Room, everyone was always asking Johnny for his advice? Well, the same seems to apply for Charlie here. For the most part, the first episode of The Neighbors consisted of characters stepping into Charlie’s office and telling him about their problems. Charlie gives advice that is, of course, delivered in that famously impenetrable Wiseau accent. Characters leave the office. “What a day!” Charlie says.
(It’s interesting that, in both The Neighbors and The Room, Wiseau played a wise man who keeps his childish friends from making terrible mistakes. Based on his performances and the portrait of him that emerges in Greg Sestero’s book, The Disaster Artist, I imagine that’s the way that Wiseau prefers to view himself in real life.)
The other main storyline deals with CiCi (Pamela Bailey), a woman who owns a chicken. When she can’t find her chicken, she wanders around the apartment complex, screaming at people and demanding that they return her chicken. Eventually, she finds her chicken.
Yay.
There are other things going on, of course. There’s a guy who is thinking about hanging himself but then he’s paid a visit by Philadelphia (Karly Kim), who has big plastic boobs, looks straight at the camera whenever she has to deliver her lines, and who spends the entire episode wearing a pink bikini. And then there’s Troy (Andrew Buckley) who smokes weed and sells gun and yells a lot. When we first meet Troy, he’s angry because he’s found a big note on his door that reads, “BRING $850 TODAY OR BE EVICTED.” And then there’s Tim (Raul Phoenix) who always has a basketball with him and who is always borrowing money from Tommy so that he can pay back Bebe or from Bebe so that he can pay back Tommy. There’s a handyman named Ed (Jonathan Freed) and a pizza boy named Joe (Brian Kong) who rents an apartment of his own. Joe is Asian but his last name is Spielberg because that’s what passes for the height of hilarity in The Neighbors. Both Joe and Ed also wear Tommy Wiseau-brand underwear.
There was one character that I did like. Lula (Cheyenne Van Zutphen) is the girlfriend of drug dealer Ricky Rick (played, in a blonde wig, by Tommy Wiseau). Lula has the power to literally hypnotize people with her charm. That’s a great power to have and, at one point, she uses it to get a free gun from Troy. When Troy comes out of his charmed state, he yells and yells while the camera zooms in on his sweaty face.
There’s also a tenant who is upset because his pregnant wife has figured out that he’s gay. His name is Don and when he first steps into the office, Charlie says, “Oh hai, Don,” and you’re briefly reminded of how much more fun The Room was compared to this. Don and his wife have a huge fight in the manager’s office while Charlie and Bebe try to maintain the peace. It all adds up to a lot of yelling.
And that, to be honest, is why The Neighbors was such an unpleasant viewing experience. Everyone in this show yells nonstop. They yell when they argue. They yell when they say hello. They yell when they tell jokes. They yell when they say goodbye. After spending just a few minutes of listening to them, I had a massive headache. Imagine if the “WHERE’S MY FUCKING MONEY!?” scene from The Room had gone on for 32 minutes and you have a pretty good idea of what it was like to watch The Neighbors.
One reason why The Room is so beloved is because, as bad as it is, it’s also a legitimate movie. The Room is blessed with such a mix of sincerity and ineptness that the film becomes both terrible and endearing. You marvel at how bad the film is while also respecting Wiseau for staying true to his own eccentric vision. The Neighbors, on the other hand, has all of the ineptness of The Room but none of the sincerity. The Room is fascinating because it’s so clearly the product of Wiseau’s own eccentric world view. The Neighbors, meanwhile, is the product of Wiseau’s newfound fame. The Room was made by a director who wanted to make a statement. The Neighbors, on the other hand, was made by a director who knows that people will watch anything that has his name slapped onto it, regardess of what it may be.
The Room is a guilty pleasure. The Neighbors is just guilty. (One side effect of thinking about Tommy Wiseau is that you soon find yourself writing like him as well.)
That said, I’m still probably going to watch the other three episodes of The Neighbors. The first episode was so bad that the show itself has nowhere to go but up.
Pictured above, you’ll find Liv Moore (played by Rose McIver), the character who is at the center of the new CW show, iZombie.
Just a few months before the start of iZombie, Liv was a friendly and optimistic medical student who was engaged to marry the handsome and rich Major Lillywhite (Robert Buckley), whose personality can pretty much be summed up by the fact that his name is Major Lillywhite.
However, then Liv happened to attend a party where things went dramatically wrong. How wrong? Liv was offered a mysterious drug by a mysterious man. Liv turned the man down. Everyone else at the party took the drug and soon, it was zombie apocalypse time! Liv was one of the few “survivors,” practically bursting out of a body bag that she had been placed into and discovering that her arms were covered with zombie scratches. That would traumatize anyone, right?
Now, several months later, Liv is no longer in medical school and she’s broken things up with Major. She works as a coroner’s assistant, spending her time surrounded by the dead. Her skin is deathly pale. Her hair is nearly white. She no longer smiles and instead, she reacts to almost every situation with a sarcastic comment. Her family and former friends assume that she’s just going through a phase and that eventually, she’ll get over it and end up back with Major.
What her family and friends don’t know is that, at work, Liv eats the brains of cadavers. Eating brains is the only thing that keeps her own mind alert. Much like the lead character in Warm Bodies, eating a brain allows her to access both the memories and the skills of the brain’s previous owner.
As you probably guessed from the show’s title, Liv is now a zombie. She’s a walking, talking, and thinking zombie and she’s not particularly happy about it. Apparently, the only way that she can keep from turning fully into a mindless flesh eater is by eating brains.
She’s also a zombie who solves crimes! (And I’m just going to say right now that I’ve been waiting my entire life to have an excuse to write that sentence.) She does so with the help of her boss, Dr. Ravi Chakrabarti (Rahul Kohli) and Detective Clive Babinaux (Malcolm Goodwin). Ravi knows that Liv is a zombie and is overjoyed to have the chance to study her existence. Detective Babinaux, meanwhile, thinks that Liv is a psychic.
Ever since I first saw the teaser trailer in January, I’ve been looking forward to seeing iZombie. Not only did I think that the concept was a promising one, but I was excited to hear that iZombie was the latest from Rob Thomas, who previously gave the world Veronica Mars.
As well, and with all due respect to The Walking Dead, it was hard not to feel that it was time for a zombie show that was actually fun to watch. (The Walking Dead is a great show but, whenever I watch it, I’m always thankful for the knowledge that each somber and grisly episode will be followed the always funny and adorable Chris Hardwick. We need Hardwick there to keep the Walking Dead experience from becoming too oppressively depressing.) From the minute I first heard about iZombie, I thought it seemed like it would be a fun show.
And you know what?
Judging from the pilot, it is.
The first episode of iZombie aired on Tuesday night and it was pretty good. The procedural aspects of the pilot’s mystery didn’t really interest me but then again, the pilot really wasn’t about the mystery. The pilot was all about establishing Liv and her existence and it succeeded quite well in accomplishing just that. Rose McIver brought a lot of life to the role of the undead Liv and the pilot made good use of the show’s moody Seattle setting.
Add to that, the pilot features a great throw-away line in which Liv dealt with an annoying hipster by calling him, “Karl Marx.” Seriously, you can’t set a show in Seattle unless you’re willing to make fun of hipsters…
So, I’m definitely looking forward to seeing where iZombie goes. Hopefully, the show will continue to mix comedy with drama and it won’t allow itself to get bogged down in the whole procedural format. Am I saying that I’m hoping that future episodes will continue to follow the lead of the pilot and turn out to be Zombie Veronica Mars? Yes, I am.
I’ve read some comments on the imdb from people who are angry that Liv is not a “real” zombie because she can think and talk and all the rest. Those people need to relax and stop taking their CW shows so seriously. Obviously it’s too early to say whether or not iZombie is going to live up to its full potential but the pilot was definitely a step in the right direction.
“We know what we’re doing. It’s why you wanted us here.” — Maggie Greene
[spoilers within]
Tonight’s episode of The Walking Dead was shaping up to be a sort of throwaway one. The series seems to have several of these each year. They’re episode that seem to just rehash past themes and ideas to help table set the season finale. Some of them have been good stand-alone ones while other have been some of the series’ low points. One couldn’t fault the writers to come up with another one. It’s become an almost ritual for the show to have low points in the series before peaking once again for the last two episodes of the season.
“Spend” wasn’t a throwaway episode and definitely not one of this season’s low points.
Let’s just start things by saying that tonight’s episode was directed by Jennifer Lynch (daughter of filmmaker David Lynch) and her fine touch with the darker aspects of show’s genre roots showed. It was definitely one of the darker episodes of the series to date. Right from the cold opening of the episode as we watch Father Gabriel having a moment of crisis as he steps into the chapel once again we get a feeling that this episode will not be happy one for everyone.
We get three particular storylines throughout the episode which at times made for some jarring scene changes. The main one focused on Glenn taking Tara, Eugene, Noah, Aiden and Nicholas on a supply run to help fix the ASZ’s (Alexandria Safe Zone) power grid of solar panels. One could be forgiven for thinking that the episode was going to be a ho-hum one as we get some major time with Eugene who wasn’t very happy being dragged along on this supply run outside of the ASZ’s walls. He admits more than once and of his own free will that he’s a coward through and through. Yet, by episode’s end we Eugene go through a harrowing crucible to find the courage that allowed him to survive this long. His own intellect and logic were major factors in him always picking the right group to stick with for the best chance of survival, but when he needed to finally step up and be more combat-inclined he passed with flying colors.
This was in contrast to what we’re starting to see with the Alexandrians as a whole. While not all cowardly, the people who have been living within the relatively safe confines of the ASZ’s walls have shown that they’re willing to abandon friends to the zombies if it meant saving their own life. We see this happen several times with tonight’s episode and in a couple of them we see the devastating result of the Alexandrians’ modus operandi.
This doesn’t sit well with Glenn who has grown from being the quiet, scout we met in the first season to a leader who still exhibits a sense of compassion in addition to the brutal, cold logic needed to survive in this zombie apocalypse. He sees the weak core underneath the smiling and civilized facade of the Alexandrians, but he also understand that in order for him, Maggie and the rest of his group to have a life beyond just mere day-to-day survival he needed to make sure that the ASZ and it’s people learned how to do things the right way.
Despite the violent altercation that he and Aiden (Deanna’s son) had just a couple episodes back, the two seem to be working towards a compromise in how things were to be done. But this being The Walking Dead, the prospect of Aiden learning from Glenn or any of the newcomers to the ASZ was cut short as his inexperience with the world outside of the ASZ’s walls led to his gruesome death (a situation brought on by Aiden’s own stupidity as he accidentally shot a grenade). A death that Glenn and Noah tried to prevent but just ran out of time.
The same thing happens just minutes later as we see Glenn, Noah and Nicholas (who left Aiden to die and as he admitted did to others as well in the past) finding themselves trapped in separate sections of a revolving door with zombies in the other side waiting for the inevitable. I’m one could see where this was heading with Nicholas abandoning the Glenn and Noah to save his own skin…again. Noah would end up drawing the short straw in tonight’s episode. A straw that saw him die even more horribly than Aiden and with Glenn just a few feet away witnessing the whole gory tableau.
We see, in a smaller scale, the same situation happen with Abraham as he joins the construction crew tasked with gathering the supplies to help strengthen and expand the walls of the ASZ. Once again it’s due to the inattention of the groups leader, Tobin, that the Alexandrian’s allow a sizable group of zombies to get close to them. It doesn’t help that Tobin himself ends up shooting the hydraulics on the lifter end of a bulldozer that dumps one of his own people in the middle of an encroaching group of zombies. He and the rest of the Alexandrians decide to haul ass and leave their friend behind, but not Abraham who rushes into the fire, so to speak, to try and make sure they don’t leave one behind.
Unlike Nicholas’ brand of cowardice, Tobin and the rest of the Alexandrians see Abraham’s courage and end up following suit. Tobin himself admits to Deanna and Reg Monroe that if it wasn’t for Abraham not doing things the Alexandrian Way (meaning run and hide when things get tough) then Francine (the one who fell off the dozer lifter) would have surely died. Abraham was the right person and leader to run the construction team and Tobin was man enough to admit to it.
It’s a situation that both Deanna and Reg don’t seem to like hearing. Rick and his people have just recently arrived and already seem to be putting themselves in leadership roles. Rick was one Deanna understood with his law enforcement background, but the fact that both Abraham and Glenn seem to exhibit similar leadership qualities that her own people seem to lack could be the sign that the ASZ might just get a change in how things are run and who runs them.
The third storyline continues the adventures of Rick and Carol as they try to navigate, in their own fashion, this fake Eden they’ve found themselves in. Carol finds herself being followed by Jessie’s youngest son Sam. It didn’t matter that Carol herself threatened Sam with kidnapping and death by zombies, he still kept her secret and only tagging along to have more of the cookies Carol made for him. We find, and Carol, find out in no uncertain way from Sam that his dad might very well be an abusive husband and father. This doesn’t sit well with Carol who has some first-hand experience with a family abuser. It doesn’t take much for her to figure this out. Carol doesn’t hesitate in making sure Rick finds out and her recommendation to Rick on how to deal with Pete shouldn’t surprise people who’ve seen Carol’s growth from battered housewife to all-around badass.
The whole Alexandria Safe Zone arc has been met with some trepidation by fans and critics. It’s another static location like Hershel’s farm and the Prison that led to some very wheel-spinning storytelling. It’s a reaction that’s understandable. Having a regular setting and not keeping the group on the move sometimes led to plotlines that stagnated. When on the move the stories being told in the show seem to have a sense of forward momentum. Even some of the weaker on-the-road stories felt like it had a quicker pace to them. This doesn’t seem to be the case with Alexandria.
The group hasn’t been wasting their time to spend wallowing in the existential problems brought about by the zombie apocalypse. They’ve actually done in their own individual way something to find out more about the ASZ and those who run and been kept safe behind it’s walls. Tonight we find out more of what makes the Alexandrians tick and it’s not a pretty sight. Gabriel might be trying to poison Deanna’s mind when it comes to Rick and the others. He wasn’t wrong when he said that Rick and his people were not good people. They have done some unspeakable things to survive. Yet, Maggie also understands some of Deanna’s own agenda for allowing Rick and his people to join the Alexandrians.
Rick, Glenn, Carol, Abraham, Daryl and others know what they’re doing. They’ve survived out in the wild for almost two years now and even after some devastating losses they still manage to persevere. Sure the group seem to be suffering through a collective form of PTSD, but they still know what it takes to survive and they seem able to do so without having to always fall back on their basest nature to do it.
Will this mean that Rick still doesn’t seem to covet his neighbor’s wife (Rick definitely channeling his inner Shane in the Alexandria story-arc)? Will Sasha ever leave her lookout tower ever and not go on a killing spree? Will Carol hold back from doing what’s necessary when it comes to the Alexandrians (meaning will she kill them all to save the others)?
These were questions that weren’t answered in tonight’s episode, but at least we’ve now been given some reasons why it wouldn’t be so bad if Rick and his people just took over the ASZ and ran things their way. There would certainly be less people dying for stupid reasons and everyone wouldn’t have just predetermined jobs the way Deanna likes things done, but all chipping in to protect with everything they’ve got including their own lives.
There’s a war brewing in the future and whether it’s between the Alexandrians and Rick’s people still needs to be determined. The Wolves are still out there and Noah knew it and wanted to make sure the walls never falls the way his own community walls fell while he was away. It’s a shame and a currency spent that he would never get to see his promise come true.
Notes
Tonight’s episode of The Walking Dead, “Spend”, was directed by Jennifer Lynch and written by series veteran Matthew Negrete.
Jennifer Lynch’s work as director with tonight’s episode was excellent and here’s to hoping she returns for future episodes for seasons to come.
Even in the zombie apocalypse there is still dubstep.
Carol seems to have gained herself a lost puppy in Jessie’s youngest son Sam.
When did Abraham suddenly become the catchphrase guy. He already gave birth to the catchphrases “dolphin smooth” and “Who’s DEANNA?!”. Tonight we get the best yet when he finds himself surrounded by zombies and all he can do is smile and utter “mother dick”.
The death scenes for both Aiden Monroe and Noah were reminiscent of a couple deaths in the end of Day of the Dead: Capt. Rhodes and Pvt. Torrez.
Some great work by Greg Nicotero (whose bday was tonight) and his KNB EFX make-up crew with the deaths of Aiden and Noah.
Talking Dead guests tonight are Josh McDermitt, Tyler James Williams and Steven Yeun (Eugene, Noah and Glenn of The Walking Dead)
“I accept your conviction. The lone man who thinks he can make a difference.” — Wilson Fisk
Today we saw the release of the official trailer for Netflix and Marvel Television’s first of five series based on characters from the Marvel Universe. Daredevil will be the first out of the gate and it looks to darken things a bit in the Marvel Cinematic Universe by bringing to the small screen one of it’s street-level heroes.
Daredevil (aka Matt Murdock) will soon be joined by Jessica Jones, Luke Cage and Iron Fist in their own web series on Netflix before teaming up for the Defenders series.
Under the guiding hands of showrunner (and Whedon alum) Stephen S. DeKnight, Daredevil will soon be available for bingewatchers everywhere on April 10, 2015.
Can a group of people who have survived through the most dangerous situations ever remember to return to some form of normalcy? Can they ever accept such an offer and not feel out of place?
Tonight’s episode of The Walking Dead brings up this question as we finally see the group enter the fortified walls of the Alexandria Community. Rick and his people have been on the road for as long as they’ve found themselves a safe haven to call home since the zombie apocalypse began. They’ve lost many along this journey through attrition, carelessness and betrayal. This is a group that has lived every day in a constant state of war. It’s something that the people of Alexandria seem to be very short in.
There’s an almost comical difference in how Rick’s unwashed, hardened survivors when compared to the people of Alexandria who seem to have been able to weather much of the storm that the apocalypse has rained down upon the world. They’ve been able to have constant running water, electricity and an abundance of food. They also have walls which seem to be designed to maximize protection from both zombies and raiders alike. It’s the gated community for the apocalypse and it’s current inhabitants either put too much faith in what has kept them safe and alive or playing at being badass survivors when we as an audience can see the opposite.
Alexandria is not like Woodbury where just enough of what was past was brought back to keep people happy. It’s not like Terminus which became corrupted once the dangers outside the walls entered. This is a community that seems like paradise and willing to give Rick and his people a chance to fit in and contribute. It’s the hope they’ve been searching for since they left the prison. A place that has a chance to sustain not just everyone physically but mentally and spiritually.
Yet, we also see that Rick and his people still have their guard up despite it all. Like pets who have gone feral, Rick and his people want to accept this hopeful situation as genuine, but also aware that when things look to be too good to be true then it probably is. They search for a hidden agenda in what Alexandria’s leader, former Ohio Senator Deanna Monroe, has for taking them in when she has admitted to Rick herself that his group was the first large group of outsiders they’ve deemed worthy enough to invite in.
Characters like Carol, Daryl and Glenn seem to share Rick’s doubts about this new safe haven in one way or another. With Daryl we see him become even more outward with his belligerence towards the strangers in their midst. There’s nothing hidden about how Daryl feels, but he’s willing to go along with things while Rick and Carol play along. With Glenn he wants this opportunity to finally get off the road and settle down to work, but we can see that he’s already waiting for that hidden agenda to reveal itself as another betrayal.
Outside of Rick it’s Carol who seems to be looking to play the long game with Deanna and her people. We see how Carol begins to act like her former self from all the way back in season 1. Melissa McBride’s performance during tonight’s episode shows why she has become one of the stalwarts in this huge cast. One second she’s the observant, veteran killer looking for the danger she knows is just waiting for them. Then next moment she’s the clumsy, mousy and battered housewife we first saw in season 1 and 2. She understands that this place can be a good place for them, but once again willing to be the one to do the dirty work to protect her new family when the time comes.
Tonight’s episode was all about Rick Grimes and whether he’s able to remember how things were suppose to be for him and his family when they had something good going in their prison community. Since they fled that sanctuary’s destruction Rick has been going through several moments of crisis that just chip away at the Officer Friendly that we first met in season 1. The bigger and more unkempt his beard got the more Rick steeled himself form the dangers that strangers posed for him and his group.
There’s a moment when he’s being interviewed and videotaped by Deanna that showed Rick’s two side at war with each other. The Rick of the road was ready to strike at the possible dangers around him. Unable to sit still and even uncomfortable to be sitting in a nice sofa chair. This is the Rick that has learned what deprivation and constant danger means and lived through everything this new world threw at him. Yet, we also saw the Officer Friendly of those early seasons wanting to accept this offer of hope and renewal. Even the act of shaving off the beard was a powerful symbol of Rick trying to shed some of the mistrust and paranoia he’d acquired since leaving the prison.
The Walking Dead will always have it’s great moments of zombie gore and action. It’s the show’s bread and butter, but when the show’s writers decide it’s time to lay down the seeds for a much longer game the show under current showrunner Scott M. Gimple seem to have gotten better. Not much zombies or action, but the episode still was full of tension as we’ve all come to expect that other shoe to drop and when it does it comes from a surprising source.
Will Rick and his people remember what it was to be able to trust others again? Will Rick be able to get back to that balancing act of being both pragmatic and compassionate when it comes to being leader of his group? Or are Rick and the group too far gone to remember what made them decent people even when the apocalypse landed in their laps.
Notes
Tonight’s episode of The Walking Dead, “Remember”, was directed by series producer Greg Nicotero and written by series writer Channing Powell.
It looks like Law & Order‘s own Danielle Melnick (Tovah Feldshuh) will be the leader of the Alexandria Community.
In the comics the leader of Alexandria was also a senator but was a man named Douglas.
Alexandra Breckinride has gone ditched the red locks of her American Horror Story character and gone blonde as Jessie of the Alexandria Community.
Deanna’s son Aiden, a former lieutenant in the ROTC (snicker), does not deserve the rifle he was carrying when he took Glenn, Tara and Noah our for a dry run outside the walls of the Alexandria community. I think that SCAR-L should be given to someone who can use it better like Glenn or Carl or Abraham.
I do believe that was Scott Ian of Anthrax playing the zombie that Carl killed with the steel pole.
Talking Dead guests tonight are Timothy Simons (Veep) and Alanna Masterson (Tara of The Walking Dead) and Denise Huth (series producer)
Through the Shattered Lens 