What has become a yearly ritual, whenever a new season of The Walking Dead inches closer to it’s premiere AMC and the folks running the show shoot a series of webisodes telling the story of a group of survivors outside of the show’s main cast. These individuals never come into contact with Rick and his band of survivors, but they do come across similar places that we’ve seen in past episodes.
The first webisode series was the 6-parter “Torn Apart” arrived just prior to Season 2 and told of the origins of the so-callled “Bicycle Girl” zombie Rick comes across soon after waking up from his coma. Then we had the 4-parter “Cold Storage” preceding Season 3’s premiere. Now we have the 3-parter “The Oath” which extends each webisode and deals with a surviving couple whose camp have been overrun by a swarm the night before.
“The Oath” stars Ashley Bell (The Last Exorcism) as Karina with Wyatt Russell (Cowboys & Aliens) playing Paul. The duo races to find medical help in the early months of the zombie apocalypse and they soon come across an abandoned hospital that should be familiar to fans of the show from the very beginning. We even see the origin of the barricaded door in the hospital with the ominous warning to keep any passer-by away.
While the webisodes themselves have been hit-or-miss when it comes to the casts performances they do fill in some backstory on the fringes of the main show. With “The Oath” we see that the Governor and Michonne may not be the only ones to have found a way to use the zombies as a sort of mascot/camouflage.
Overall, “The Oath” was a nice webisode with some average acting from the cast. The teleplay by Luke Passmore was actually quite good and series executive producer Greg Nicotero does a good job directing the whole affair. Some sequences turn out to be very tense and scary. Maybe it’s the nature of the webisode itself that the acting could be uneven, but it was still a good little story that should help whet the appetite of the fans who have been waiting a year for Season 4 to start.
Along with starting each day of October with a horror film here at the Shattered Lens, we’re going to end each day with a horror-themed television show.
While I had previously caught a few episodes of the Twilight Zone during one of the annual holiday marathons on SyFy, I didn’t truly appreciate the show until I first exchanged e-mails with my friend in Australia, Mark. Among other things, Mark expressed a very eloquent appreciation for The Twilight Zone and that inspired me to watch quite a few episodes that have been uploaded to YouTube. Along with being an essential piece of television history, the best episodes of the Twilight Zone remain watchable and entertaining 50 years after they were first broadcast.
Considering the esteemed place that the Twilight Zone continues to occupy in American culture, it seems appropriate to feature it during Horror Month here at the Shattered Lens.
The episode below is called The Jungle and it first aired on December 1st, 1961. It was written by Charles Beaumont and directed by William Claxton. John Dehner plays an engineer who, having recently returned from overseeing a project in Africa, foolishly believes that he’ll be safe from a tribal curse just because he’s in New York. This is an effectively creepy 23 minutes of television and the ending is a classic.
The promotional blurbs on A&E’s cover packaging for the various box set and stand-alone DVD releases of Patrick McGoohan’s classic series The Prisoner refer to it as “television’s first masterpiece,” but let’s be brutally honest here — for a good long time there it probably stood as television’s only “masterpiece.”
Which isn’t to say that there haven’t been some good shows over the years, but start-to-finish, wire-to-wire masterpieces have been pretty tough to come by. I won’t speculate here as to why that’s been with any kind of probing analysis, apart from making the obvious observation that American TV, in particular, has been geared to appeal to the so-called “lowest common denominator” for so long now that frankly most people don’t even expect for there to be anything good on the tube when they turn it on, even with 200-300 channels to choose from. We all just sorta watch it anyway.
I’ll be the first to admit that my two favorite shows of all time — Doctor Who and Twin Peaks — hardly fit the definition of “masterpiece” even though I love ’em dearly. Hell, one of the best things about Who — and I’m referring to old-school Who here, not the current abomination running around cloaked in its title, which hasn’t held much of any appeal to me since the end of its first return season with Christopher Eccleston in the lead role — is that it’s so damn imaginative and clever and stupid in a fun way and addictively, insanely watchable and re-watchable in spite of its glaring production value weaknesses, often hammy acting, and atrocious dialogue that those so-called “deficiencies” actually become part of its charm. And I’m willing to be that “charm” is one of the things that has engendered such a strong following for various other “fan-driven” series, such as Joss Whedon’s Buffy The Vampire Slayer and Angel, both of which have rabid cult followings, to be sure, but neither of which, I think, even the most zealous Whedon fan (and there’s plenty of competition for that title) would admit, at least in their more honest moments, was anything like a “masterpiece.”
Charm is not something that Breaking Bad ever had much of, though, is it? From the outset, we knew we were being asked to become involved in the life story of a guy who was dying, and furthermore was broke and dying. It’s been a pretty “heavy” show from day one, hasn’t it?
Which isn’t to say that it didn’t have lighter moments interspersed here and there throughout, because of course it did, and in early days it even looked like Dean Norris’ Hank character was never going to amount to much more than bog-standard, albeit well-written, comic relief. But as things progressed, even he became a more multi-dimensional character, and as Bryan Cranston’s Walter White sold out more and more of his soul to purportedly “provide for” his family, a show that started out heavy only became heavier.
And yet — lack of charm and a general “bummer” tone don’t preclude a show from being great, do they? And I would contend that Breaking Bad will be remembered as being more than just great, it will be remembered as — here’s that term again — a masterpiece (the third by my count anyway, in TV history — anyone care to guess what I think the second was? The only hint I’ll give is that it was a relatively recent show).
It was difficult, at times, to be sure. Watching the lives of all these people go to hell in a handbasket even became something of a chore during this final season, particularly the season’s second half following its over-12-month hiatus. Walt was a real bastard, wasn’t he? And that could be downright excruciating to witness. But here’s the thing:
You just never knew what the hell was going to happen next. Series creator Vince Gilligan and his coterie of writers always had another rabbit in their hat, another brightly- colored handkerchief tied to that long string of them coming out of their sleeve. The show never once lost its power to surprise.
Until tonight’s series finale, “Felina,” written and directed by Gilligan himself, which pretty much saw all loose ends tied up more or less exactly as you thought they would be.
I’m sure there might be some hand-wringing among fans that long-suffering characters like Anna Gunn’s Skyler and Aaron Paul’s Jesse weren’t given necessarily “that much to do” in this wrap-up episode — hell, RJ Mitte’s hapless Walter Jr./Flynn didn’t even have a single line of dialogue! Meanwhile, a couple characters we hadn’t seen much of since the second season, Gretchen and Elliot Schwartz, played a pivotal part in Gilligan’s last script.
And yet — everything ended on just the right note for all these people, whether they were given too much to do, too little, or just enough. Events played out more or less in exactly the fashion we expected them, maybe even needed them, to.
And that, finally, may prove to be Breaking Bad’s greatest trick of all : a series that thrived on the element of surprise gave us an entirely predictable conclusion that nonetheless felt exactly right.
Walter White is dead and gone now, and Heisenberg with him. His hat’s off. And so is mine. This series hit it out of the park from the word “go” to the word “stop.” As a slow-burn tale of human tragedy — hell ,of loss of humanity altogether — it stands unequaled. A “happy ending” or “loose, interpretive ending” would have been a huge cop-out. There’s only one way things could have gone here — only one way they were ever going to go.
It would not be an exaggeration to say that Marvel’s Agents of SHIELD has been the most eagerly anticipated new series of the 2013 television season.
Ever since the show was first announced, fans of both Joss Whedon and the Marvel cinematic universe have been waiting to see whether the show would live up to its impressive pedigree. Every casting announcement has been analyzed and every clip on Youtube has been viewed and debated.
Questions were asked: how would Phil Coulson (played by the wonderful Clark Gregg) manage to be the main character in this series when his death was a major plot point in The Avengers? Who was the man who was seen jumping out of a burning building and landing without a scratch on his body? Would Marvel’s Agents Of SHIELD be a prequel or a sequel to The Avengers? Would the TV show even acknowledge the films from which it spawned? Would Samuel L. Jackson show up to utter a few badass quips on network television?
But the most important question of all was this: Would Marvel’s Agents of SHIELD live up to all the hype or would it be another case of a show being smothered by the weight of high expectations?
Having just watched the first episode of Marvel’s Agents of SHIELD, I can now answer some of those questions.
How is Phil Coulson still alive? Well, it turns out that he never died in the first place. As he explains to newly recruited S.H.I.E.L.D. agent Grant Ward (Brett Dalton), he nearly died when he was attacked by Loki but ultimately, he survived. Nick Fury told the Avengers that Coulson had died because he understood that Coulson’s “death” would cause the heroes to bond together.
After the end of The Avengers (or, as the show puts it, “the Battle of New York,”), Coulson spent a while recuperating on a beach and “reading Travis McGee novels.” Now Coulson’s back and he’s in charge of the highly secretive Level 7. (The Avengers, we’re told, are only Level 6.) Level 7 investigates “special and strange” cases involving super powered individuals.
Who was the man that we saw jumping out of the burning building? A lot of people online assumed that he was Luke Cage but instead, he turned out to be Mike Peterson (J. August Richards). Mike is the show’s first “case,” a decent man who has recently lost his job and is struggling to deal with suddenly being super powered. In a neat twist, the more powerful Mike becomes, the more easy it is for him to rationalize being destructive.
Coulson and Level 7 track Mike down with the help of Skye (Chloe Bennet), a forcefully recruited hacker and anti-government activist. At the end of the episode, once Mike has been subdued through a combination of Coulson’s humanity and a tranquilizer dart fired by Grant, Skye is recruited into Level 7.
How direct a sequel is this show to the Marvel films? It’s such a direct sequel that it would probably be unintelligible to anyone who hasn’t seen the films. Not only is Mike’s origins story indirectly related to Capt. America’s (both of them owe their powers to a form of the super soldier formula) but the entire series takes place in a world that has been massively changed by the events of The Avengers. Agents of SHIELD takes place in a world that now knows that there are super powered beings walking among us.
The show is also full of little comments and throw-away references to the characters and events of the films. Those references are a nice gift to those who have seen all of the films that have seen all of the films that led up to Agents of SHIELD. At the same time, I have to admit that pretty much all of my knowledge of the Marvel universe comes from watching the films in the Avengers and X-Men franchises. My boyfriend, however, grew up reading Marvel comics. He assures me that, for every film reference that I picked up on, there were dozens of other references that would only be significant to those who have read the comic books. If nothing else, this shows that Whedon and the show’s other writers respect their audience. As a result, Agents of SHIELD invites its viewers to join the exclusive club of people who understand the importance of tweeting, “COULSON LIVES!”
No, Samuel L. Jackson does not show up but Cobie Smulders reprises her role from The Avengers, interviewing Grant and introducing him to Agent Coulson. However, guest star power isn’t necessary because Clark Gregg is such a compelling and likable actor that he perfectly anchors the show. Gregg brings a much-needed everyman quality to the role of Agent Coulson and, as such, he serves as the perfect guide through the world of super powered flamboyance.
Finally, did the pilot of Agents of SHIELD live up to all the anticipation?
In a word — yes.
Now, I should admit that I am a long-time fan of Joss Whedon’s and a good deal of my positive response to Agents of SHIELD has to do with the fact that it’s clearly a Whedon show. Not only is the show populated by characters that’ll be familiar to any Whedonite but the self-aware and relentlessly quippy dialogue suggests that, on some level, they are all aware that they are characters on a television show along with being agents of S.H.I.E.L.D. Along with Clark Gregg, the cast superstar so far is Chloe Bennet, who has a way with a one-liner and, on the basis of the pilot, an appealing chemistry with Brett Dalton. Personally, I’m hoping that we’ll learn more about the appealingly eccentric Agents Fitz and Simmons (played by Ian De Caestecker and Elizabeth Henstridge). I’m also hoping that J. August Richards will return in a future episode. He generated a lot of empathy for the character of Mike and, as the result, prevented Agents of SHIELD from turning into an elaborate inside joke that would appeal only to us Whedonites.
Pilots are strange things. Not only does a pilot have to introduce all the characters and justify the show’s existence, it also has to find the time to tell a fairly compelling story that will hopefully inspire people to tune in the following week. Agents of SHIELD succeeded in doing all of that and I look forward to seeing in which direction the show ultimately heads.
Last night, after I got back from dance class, I watched the first episode of the new CBS series, Hostages.
Why Was I Watching It?
I spent the last three months watching and reviewing Big Brother for the Big Brother Blog. During every episode of Big Brother, CBS would show at least one commercial for Hostages. It was obvious that CBS was obsessed with the idea of making Hostages into the show that the entire nation would be watching and debating, a bit like a network TV version of Homeland or Breaking Bad.
The commercials, for the most part, all featured Dylan McDermott looking grim while Toni Collette frowned and, occasionally, some old white guy would tell Collette that she was the only doctor he trusted to operate on her and she would reply, “Thank you, Mr. President.” In short, the commercials made the show look terrible. The only question was whether or not Hostages would be intentionally bad or unintentionally awful.
Last night, I got my answer.
What Was It About?
President Paul Kinkaid (James Naughton) needs to have surgery and, of course, only one doctor can perform the operation. That doctor is Ellen Saunders (Toni Collette). Ellen is so concerned with the President’s health that she doesn’t realize that her husband (Tate Donovan) is having an affair, her son is selling weed, and her daughter is pregnant.
Meanwhile, Duncan Carlisle (Dylan McDermott) is a FBI hostage negotiator. When we first see him, he’s gunning down a bank robber and smirking while he does it. It turns out that Duncan needs money to take care of his sick wife.
Eventually, Duncan and a team of other black-clad operatives end up inside the Saunders home where they take the entire family hostage. They tell Ellen that, if she wants to save her family, she must assassinate the President…
What Worked?
The show turned out to be just as bad as I was expecting it to be! Whenever I saw the commercials for Hostages, I would think to myself: “That looks like it’s going to be a really boring, tedious series.” Judging from the pilot, I was right. It always feels good to be right.
That said, I do have to say that, alone among the cast, Dylan McDermott seems to understand that he’s playing a ludicrous character in a silly show and — much as he did in American Horror Story — he responds by giving an appropriately melodramatic performance. While the rest of the cast appeared to be convinced that they were appearing in the next Homeland, McDermott seemed to be enjoying a joke that only he and the viewing audience could understand.
What Did Not Work?
If there’s even been a show that would obviously benefit from an over-the-top, melodramatic approach, it would be Hostages. So, why did the pilot appear to be taking itself so damn seriously? As I watched last night’s episode, I found myself wondering if anyone involved in the show (other than Dylan McDermott) understood just how silly this all was. Instead, the show moved at an almost somber pace and all of the actors (again, with the notable exception of McDermott) delivered their lines with the type of gravity that one would usually associate with Jeff Daniels delivering one of Aaron Sorkin’s pompous polemical speeches on The Newsroom. Considering all of the melodramatic potential of this show’s plot, Hostages really has no excuse to be as boring and predictable as it was last night.
Toni Collette is one of my favorite actresses so it was kind of sad to see her give such a boring performance in the lead role of Ellen Saunders. Then again, as written, Ellen Saunders is a pretty boring character. It’s as if the show’s producers and writers were so proud of creating a professional woman that they didn’t notice that they neglected to give her a personality.
Finally, the President is just some boring old white guy. What’s up with that?
“Oh my God! Just like me!” Moments
I was tempted to say that, like the family in Hostages, I would totally freak out if a bunch of people appeared in the house, pointed their guns at me, and announced that they were holding me hostage. However, it then occurred to me that nobody in Hostages really freaked out about being held hostage. They were certainly annoyed and occasionally, they even attempted to be defiant. But they never really freaked out.
Nor could I really see much of myself in the character of Ellen Saunders or her daughter. Since neither one of them came across as being anything more than a two-dimensional plot device, neither one of them was capable of inspiring any “just like me” moments.
I tried to relate to Sandrine Holt, who plays Maria, the only female hostage taker. However, Maria spent most of the episode carrying around a gun and, while I’m totally into the 2nd amendment, I’m not really into guns.
Then I remembered that, early on in the episode, Ellen’s daughter talks to her best friend. The friend takes one look at her and says, “Your eyes are puffy,” which is the exact same thing that I would say if one of my friends had puffy eyes.
So, that was my “Oh my God! Just like me!” moment.
Last night, my BFF Evelyn and I watched yet another old episode of California Dreams.
Why Were We Watching It?
As I’ve explained before, my sister Megan got me hooked on this silly old show called California Dreams last Christmas. For whatever reason, I continue to find myself oddly intrigued by this mediocre 90s sitcom. While I was on my vacation last week, it occurred to me that it had been a while since I last shared and reviewed an episode of California Dreams on this site so I resolved that, as soon as I got back, one of the first things I would do would be to remedy that situation.
As for how Ms. Evelyn ended up watching it with me — well, Evelyn’s a very good friend.
What Was It About?
It’s time for another wacky class assignment! Since the members of the California Dreams all have the exact same class schedule, that means that they all get the same assignment: to research their family trees.
All the Dreams discover that they come from distinguished backgrounds, except for Tony who opens up one book to one random page and, after spending less than a minute reading, announces: “My ancestors were slaves!”
So, Tony claims to be descended from royalty and, because everyone at Pacific Coast High School is an idiot, they’re soon carrying him around on their shoulders and talking about setting up a royal harem.
Things are looking pretty good for Tony but then, as often happens on this show, a ghost visits him during the night and sets him straight.
What Worked?
I’ll be the first to admit that I’m usually pretty lenient when it comes to judging old episodes of California Dreams. After all, it was made back in the 90s and, especially when compared to something like Saved By The Bell: The New Class, the members of the cast did the best that they could with the material they were given.
But seriously, of all the episodes that I’ve viewed on YouTube so far, Family Trees is without a doubt the worst. Good intentions aside, absolutely nothing worked in this episode.
Strangely enough, however, the fact that it is so truly bad makes this episode oddly fascinating. The fact that nothing works is what makes this episode watchable.
What Did Not Work?
Where to begin?
Okay, first off — I understand that this show was probably written with the best of intentions but are we to seriously believe that, before getting this particular class assignment, Tony apparently had no idea about the history of slavery in the United States?
Secondly, who could have guessed that all you had to do to research your family history was check out a book from the library and then open it up to a random page?
Third, Tony getting visited by the ghost of an ancestor reminded me of the fact that, just a few episodes later, Sam would be visited by the ghost of an ancestor! One gets the idea that the show’s writers were perhaps running out of ideas.
Fourth, what is the deal with the lack of classrooms at the high school? I swear, every class that they take seems to be located in that same tiny classroom.
Fifth, the Dreams did not perform during this episode. Couldn’t they have written a special “Be Yourself” song in order to make Tony feel better about himself? It seems selfish not to.
However, this episode’s biggest problem was pointed out by Evelyn when she said, “Why is everyone at that school so easily impressed?” And, seriously, she is so totally right.
Let’s say that one day, Arleigh informed me that he was descended from royalty. Would that cause me to treat him any differently? Well, of course, it would! I mean, who isn’t impressed by royalty? (Myself, I consider Pippa Middleton to be my royal role model.) However, eventually, I would stop calling him “your highness” and begging him to say stuff like, “I declare him to be an outlawwwwwwwwwww!” and things would get back to normal here at the Shattered Lens. However, the students at PCHS are so impressed by Tony’s claim to be descended from a king that they immediately form some sort of odd cult of personality.
And why, if they’re so impressed by Tony’s claim to royal lineage, are they not impressed by the fact that Lorena is legitimately descended from power?
Seriously, that school sucks.
“OMG! Just like me!” Moments
As usual, I related so much to Lorena that I’m tempted to think that my cousin might be Mario Lopez.
(As far as my family tree is concerned, I am of Irish-Italian-Spanish-German ancestry, with a bit of French mixed in there as well. If I was in that class, they’d have to set aside an entire week for me to give my full report.)
Lessons Learned
Surf dudes with attitude are kinda groovy. Especially when they’re feeling mellow…
A lot happened on tonight’s sixth season finale of True Blood. Along with wrapping up Warlow and Billith’s storylines, it also set up what’s presumably going to be season 7’s major storyline. A lot of strange things have happened over the past two seasons of True Blood and tonight’s finale promised both a return to normalcy and a new beginning.
And with all that in mind, my number one reaction to tonight’s finale was this:
ERIC BETTER NOT BE FREAKING DEAD!
Admittedly, when we last saw Eric, things did not look good.
Warlow, having revealed himself to be just as evil as we all knew he was and refusing to allow Sookie to back out of their arranged marriage, was finally killed by Sookie’s grandfather (Rutger Hauer), who, in this best tradition of dues ex machina, managed to pop out of his little prison dimension and drive a stake through Warlow’s heart. Warlow dissolved into red goo and, with the death of Warlow, all of the vampires who had drank his blood lost their ability to walk in the daylight.
The majority of the show’s vampires were safely inside when this happened. However, Eric was sunbathing naked in the Swiss Alps and, as he lost his special Warlow powers, he burst into flames.
A collective cry went up on twitter as thousands of Eric fans (present company included) tweeted out a massive: “NOOOOOOOO! NOT ERIC!”
However, there is hope. The scene cut away from Eric before we actually saw him explode. So, maybe Eric managed to bury himself in the show. Maybe he ran into a nearby cave. Maybe Lillith reached out and saved Eric’s life.
As far as I’m concerned, until I see definite proof of his true death, Eric lives!
Warlow’s demise occurred about halfway through tonight’s finale. At that point, season 6 officially ended. Warlow’s gone. The vampires can no longer walk in the day. Bill, having refused to go off with Lillith’s sirens, is finally starting to act like Bill again. And hopefully, Eric’s not dead.
The second half of the episode felt like a preview for season 7. We jumped ahead 6 months into the future and we discover the following:
Sookie is living with Alicide. (You go, girl!)
Sam is now married to annoying Nicole and is mayor of Bon Temps.
Andy is still very protective of his last remaining daughter.
Bill Compton is now a published author. He’s written a book about his experiences as a God. In the book, he writes about ripping the Governor’s head off of his body. He also reveals that Hep V was a creation of the government.
Hep V, meanwhile, has become an epidemic. Although only vampires are killed by it, the virus can live in humans as well. Mayor Sam arranges for a human/vampire mixer so that the citizens of Bon Temps can pair up — one human to a vampire.
And while everyone in town gets acquainted, an army of infected vampires shambles towards the gathering like zombies from a George Romero film…
And that’s how season 6 ends.
So, what did everyone think of season 6? I thought it was one of the better seasons of True Blood and a definite improvement on season 5. That said, I was definitely happy to see Bill acting like Bill again at the end of tonight’s episode.
Hopefully, Season 7 will start with Eric showing up on Bill’s front porch and saying, “The weirdest thing happened in Switzerland…”
Random Thoughts and Observations:
Unofficial scene count: 45
As fun as it was to see all the daywalking vampires happy at the start of tonight’s episode, I’m kinda glad that they lost that power. I’m not sure how many more scenes of vampires playing volleyball I could take.
My first tweet after the end of this episode: “Fuck you, #Newsroom! I’m too concerned about Eric on #TrueBlood to care about some maniacal news anchor!”
Alcide was wearing the word’s worst wig at the start of tonight’s episode.
I had forgotten all about that whiny scientist until he showed back up tonight.
Again, we never saw Eric explode into red goo. That’s the important thing.
“You don’t want a vampire bride! You want a faerie vampire bride!”
I’ve had a lot of fun reviewing True Blood this season. I look forward to doing it again next season. Thanks for reading!
When the history of True Blood is eventually written, Life Matters will be remembered as the best episode of season 6 and perhaps as one of the best episodes of the entire series.
For a show that has occasionally been a tad too complicated and a bit too dependent on easy snark as opposed to genuine sentiment, tonight’s episode was both focused and sincerely emotional. If an episode of True Blood could ever make you cry while still making you laugh and occasionally jump, Life Matters is that episode.
Tonight, True Blood was all about death. While the citizens of Bon Temps gathered to say a final goodbye to Terry, the vampires got their revenge on the humans at Vamp Camp. The Rev. Newlin finally met his well-deserved demise at the hands of Eric and the sun while Jason came close to murdering Sarah Newlin before finally relenting.
At the end of last week’s episode, Bill and Sookie were standing over Warlow’s drained body. Well, it turns out that Warlow is not dead. He’s just weakened. After Sookie allows him to feed on her, she leaves for Terry’s funeral while Bill heads to Vamp Camp.
The rest of the episode very skillfully cuts back and forth from the powerful emotion of Terry’s funeral and Bill and Eric’s bloody rampage at Vamp Camp. While those at the funeral speak of the value of celebrating life, Bill, Eric, and the vampires are literally killing every human that they can find. While Andy and Sam talk about (and we see flashbacks of) the first time they ever met Terry, Bill is killing a human scientist by stomping his face in. While Sookie gives her eulogy and also outs herself as being a telepath, Eric is releasing all of the female vampires and announcing, “Go forth and kill all the humans!”
Sarah Newlin, realizing that she’s literally one of only two humans left alive at Vamp Camp, climbs up to the top of the roof of the sun room and turns a wheel that opens up the ceiling. The sun shines down on the vampires below but all of the vampires have now fed on Bill’s blood and are now immune to the sun.
Every vampire except for the Rev. Newlin, of course.
Newlin begs to be allowed to feed on Bill’s blood but none of the other vampires are willing to allow Newlin to get near him. Finally, Eric grabs Newlin by the throat and holds him in place as the sun shines down on him. As Sarah watches from above, her ex-husband starts to burn and then explodes into a mess of red goo. Newlin’s last words are to declare his love for Jason Stackhouse.
As for Jason, he catches Sarah as she tried to flee Vamp Camp and, in a rather uncomfortable scene, holds a gun to Sarah’s face while she begs for her life. Jason finally allows her to escape, saying that he doesn’t want her blood on his hands. As hateful a character as Sarah is, I’m glad that Jason didn’t kill her. Jason may be many things but he’s not a cold-blooded murderer. That’s one reason why we all love him.
Bill, weakened after having been drained, lies on the floor of the sun room and has a vision of Lillith’s sirens approaching him. They tell him that it’s time for him to come with Lillith. Bill says that he’s not ready to go. Fortunately, Jessica and James find him and James feeds him.
Meanwhile, Terry’s funeral ends with Arlene accepting an American flag from the Marine honor guard and Big John singing “Life Matters.” A random old lady wonders why there’s so many black people at Terry’s funeral. That’s just life in Bon Temps.
As the episode ends, Bill and the other vampires are celebrating in the daylight. However, Pam sees Eric standing some distance away. Pam tells Eric that he better not leave her. Eric responds by doing just that, shooting off into the sky and leaving Pam by herself.
Tonight’s episode of True Blood felt almost like a series finale. As I watched it, I had to keep reminding myself that I wasn’t watching the end of the show or even the end of the season. Instead, I was watching the 9th episode of a 10-episode season. There’s one more episode and at least one more season to go before True Blood concludes.
I just hope that Eric comes back.
Random Observations:
Considering just how marginal his character often seemed to be in the grand scheme of things, I was a bit surprised at how touching Terry’s funeral truly turned out to be.
Still, as a friend of mine pointed out on twitter, dead Terry got more screen time during tonight’s episode than he ever did while he was alive.
If an episode of True Blood ever deserved an Emmy for editing, this is the one.
How is Season 6 going to end? Is there more to the Lillith story or will next week’s episode just be about setting things up for season 7? Your guess is as good as mine.
I’m sure that those of you who got this review in your e-mail might be wondering if I really did accidentally type Big Brother instead of True Blood in my initial draft of this post. Yes, I did. Whoops. I also write a daily blog over at the Big Brother Blog. My mistake was the result of me trying to write reviews of two very different shows at the same time.
If nothing else, this episode will always be remembered for confirming what all of us ladies already knew. High heels are murder!
Seriously, if you had any doubts about whether or not Sarah Newlin (played, with manic glee, by Anna Camp) truly was batshit crazy, all you had to do was watch tonight’s episode.
First off, she’s refusing to tell anyone that Gov. Burrell is dead and it wouldn’t surprise me if she’s got his severed head in the trunk of her car.
Secondly, when Mrs. Suzuki came by Vamp Camp to check out what was going on with the Tru Blood production, Sarah ended up chasing her through the prison. Now, I’ve seen enough horror movies to know that it is next to impossible to successfully run away from a crazed maniac while wearing high heels. That still doesn’t stop Mrs. Suzuki from trying but, once she ends up tripping on a steel grating, Sarah proceeds to beat her to death with one of her own high heels. Underneath the grating, a grateful group of male vampires feast on Suzuki’s blood. “Thank you, Jesus!” an orgasmic Sarah proclaims.
This macabre chase scene — coming towards the end of tonight’s episode — perfectly sums up season 6 of True Blood. It was over the top, silly, melodramatic, vaguely sordid, and yet definitely effective.
Mrs. Suzuki was murdered to prevent her from telling the FDA about Sarah’s plan to give all the vampires Tru Blood that’s been spiked with Hep V. The first batch of infected Tru Blood was given to the prisoners during tonight’s episode. James, the hot new vampire who Jessica is now in love with, warned the Rev. Newlin not to drink the infected blood. This led to Sarah demanding to know why Newlin was refusing to drink the blood. Since Newlin is a weasel, he quickly revealed the names of every vampire who knows the truth about the new Tru Blood.
As a result, Newlin, James, Pam, Tara, Willa, and Jessica all found themselves in that white death chamber that Bill keeps seeing in his visions of the future. As Jessica quickly figures out, this is where they’re going to stay until the sun rises, the ceiling opens up, and they’re all burned to death.
Bill, however, has a plan. As he tells Sookie, he wants to allow all the vampires at Vamp Camp to drink Warlow’s blood so that they can be immune to the sunlight. Warlow tells Sookie that he’ll only do it if Sookie agrees to be “his.” So, once again, the future of the vampires pretty much depends upon Sookie surrendering any shred of independence from the whims and needs of the men in her life.
So, as must happen at least once during every season of True Blood, Sookie prepared to sacrifice herself. She took Bill to the faerie dimension so that she could give herself over to Warlow and then Warlow could give himself over to Bill. However, as soon as she and Bill arrived, they discovered that Eric had gotten there first and had already drained Warlow.
And that, quite simply, is why I love Eric. While everyone else talks and broods, Eric gets stuff done.
Finally, in case you were wondering how long it would take Sam to get over Luna, the answer is eight episodes. Sam returned to Bon Temps for Terry’s funeral and, upon arrival, he discovered that Alcide had rescued Nicole from the werewolves (and, in the process, had surrendered the title of pack leader to Rikki). Sam discovered that Nicole’s pregnant and, within a few scenes, the two of them were declaring their love for each other. Nicole is a boring character and werewolf politics tend to put me to sleep unless they involve Alcide getting naked. Since Alcide kept his clothes on tonight, I have to admit that I pretty much zoned during the majority of the Sam/Nicole/Alcide scenes.
But no matter! Between Sookie preparing (yet again) to sacrifice herself and Sarah getting crazier by the minute, tonight’s episode was a lot of fun. I assume that Eric is now heading towards the Vamp Camp and I can’t wait to see what happens once he arrives.
Random Thoughts and Observations:
Tonight’s unofficial scene count: 48
I always enjoy it when Bill and Eric get to argue. Alexander Skarsgard and Stephen Moyer really throw themselves into those scenes.
Nora may be dead by Lucy Griffiths — much like Arliss Howard and Todd Lowe — is still listed in the opening credits.
Rev. Newlin seemed to have a thing for people who have had sex with Jessica.
I was a little surprised that Alcide didn’t know who Terry was.
I’m proud to say that, in last week’s review, I totally guessed Bill’s plan for Warlow’s blood.
“Mother, I can fly!”
“The only way he’ll agree to help you is if I agree to become his faerie vampire bride! So there!”
“How about that, you motherfucking monster!?”
“I’m trying to decide if I’ll be more uncomfortable in here or out there!”
Going into tonight’s episode of True Blood, I knew that another major character was expected to die but I was really hoping that it wouldn’t be Nora. Not only did I feel that the character (and Lucy Griffiths) has never quite been used to her potential (not an uncommon occurrence on a show that has a huge ensemble, like True Blood) but it also seems like Eric is always losing the vampires who are most important to him.
However, I also knew that, story-wise, Nora had to die if just so we could understand how dangerous Hep-V truly is.
And so, after bringing Nora to Bill’s mansion and even going so far as to pray for her recovery, Eric ended up holding Nora while she literally melted in his arms. Adding to the pathos of the situation, we were treated to a flashback to 1666 where we saw how Eric originally turned Nora into a vampire in order to save her from falling victim to the Great Plague.
It was a highly effective moment in an otherwise average episode of True Blood. If the show often struggled to figure out what exactly to do with Nora, it at least allowed her to make a powerful exit.
Tonight’s episode was all about death. While Eric watched Nora die, the rest of Bon Temps struggled to deal with the demise of Terry. Sookie abandoned the post-coital bliss of Warlow so that she could comfort the grief-stricken (and quite drunk) Arlene.
Sookie’s return allowed Bill to track her down and, in a wonderfully tense scene that was very well-acted by real-life husband and wife Anna Paquin and Stephen Moyer, Bill told Sookie that if she doesn’t lead Bill to Warlow than all the other vampires will die. I imagine that Bill’s plan is for all the other vampires to drink Warlow’s blood. Once they, like Bill, are immune to the sunlight, the LAVDF will no longer be able to burn all the vampires to death.
Back at Vamp Camp, Jessica, Pam, and WIlla are aware that the new tru blood is tainted with Hep-V but, as Pam explained, they can’t say anything because, if all the vampires refuse to drink the tru blood, then the authorities will know that the secret is out. That said, Jessica still asked Jason to arrange a meeting between her and the surprisingly sensitive vampire James (Jake Grimes). Jessica informed James about the tainted tru blood and then proceeded to lose her vampire virginity to him. And good for her because James is seriously superhot!
Meanwhile, Sarah Newlin discovered the massacre at the Governor’s mansion and, after kissing the Governor’s severed head, she took command of his plan to destroy all of the vampires. She returned to the Vamp Camp where she tracked down Jason, cut his wrist, and then tossed him into a cell full of female vampires. Tara jumped up to defend him but then, a vampire named Violet announced that Jason was hers.
FInally, Sam found out about Terry’s death and is now planning on returning to Bon Temps, despite the fact that he promised Alcide that he wouldn’t. Alcide, it turns out, lied to the rest of the pack and told them that he had killed both Sam and Nicole. As tonight’s episode ended, Alcide discovered that Nicole and her mother had been captured by the pack and his lie had been exposed…
(Seriously, I can understand why Alcide didn’t want to be packmaster. The werewolves are way too much drama!)
As I said, this was an average episode of True Blood. It featured a few memorable moments (Nora’s death, Arlene getting drunk, and the James/Jessica sex scene) but, for the most part, it felt like the main purpose of this episode was to set things up for the season finale. There’s only 3 more episodes left before the end of season 6 and there are rumors that at least one more major character might be leaving before the end of the season.
Here’s hoping it’s not Eric!
Random Thoughts and Observations:
Tonight’s unofficial scene count: 49
I noticed that Todd Lowe is still listed in the opening credits. Was Arliss Howard listed as well?
Willa really does look a lot like Nora. It’s a bit distracting.
In my notes, I wrote: “Ewwwwwww!” when Sarah Newlin kissed the Governor’s head.
The attempts to provide therapy for the vampires are a pretty obvious comment on the whole “ex-gay” movement.
Through the Shattered Lens