Horror on TV: Buffy The Vampire Slayer 3.13 “The Zeppo”


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OH MY GOD, IT’S BUFFY!

I love Buffy The Vampire Slayer and it’s always bothered me that I haven’t been able to share any episodes on this site. But, fortunately, this Halloween, Hulu has come to the rescue!

The Zeppo is one of my favorite episodes. While Buffy and the Scooby Gang save the world in the background, Xander (Nicholas Brendon) finally gets an adventure of his very own! Actually, there’s a lot of things that Xander finally gets to do in this wonderful episode!

(On a personal note, it breaks my heart whenever I read about Nicholas Brendon getting arrested and I’m reminded that Xander was just a fictional character.)

Seriously, enjoy Buffy the Vampire Slayer!

Horror Review: Fear the Walking Dead S1E04-05 “Not Fade Away” & “Cobalt”


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“Sometimes all we can do is not enough.” — Dr. Bethany Exner

[some spoilers]

Fear the Walking Dead has been a mystery to some audiences and critics. If there was something the original series was criticized on it was that it’s writing throughout it’s current run has been uneven. There would be some great episodes and some good ones, but then some go nowhere episodes that stops any sort of momentum a particular season was having. The Walking Dead deserved some of the criticism leveled at it’s writing and how some of it’s characters appeared one-note for too long. Things began to improve once Scott M. Gimple took over a showrunner beginning with season 4. yet, some of the damage had been done by a very uneven first three season.

One thing The Walking Dead was never lacking was it’s creativity when it came to the zombies and the violence around them. Greg Nicotero and his KNB EFX crew never flinched from whatever hellish idea the writers were able to come up with. It’s probably one of the main reasons why the show has succeeded so much despite flaws in the writing and characterization. People were willing to tolerate the soap opera-style character interactions if it meant the flesh-eating and the headshots came a-plenty.

The first half of Fear the Walking Dead didn’t have much of the zombie action. It was a bold decision by the writers to stay on the path that brought the early days of the zombie apocalypse to life. This was a show that didn’t already have zombies taking over and with civilization having fallen by the wayside. It was still a world where everyone went about their daily routines. Sure the first episode gave some hints that something was amiss, but not until the final minutes did we finally see our first zombie. Even after that initial reveal at the end of the pilot the writers kept the zombies more off-screen. When they did appear it was as one or two.

Episodes four and five, “Not Fade Away” and “Cobalt”, continued this trend of keeping the zombies at arm’s length and off-screen. We saw Travis and Madison’s neighborhood turned into a safe zone by the National Guard who had been deployed to help contain and combat the spreading infection. Some took the military’s arrival with optimism (Travis) while others saw their arrival as a sign that things were just going to get worse and that things might already be too late to save (Daniel).

These two episodes were some of the strongest in this shortened first season of Fear the Walking Dead. We got to learn more about every character, but mostly we learned just how differently each parent of the core group reacted to the growing situation. These were reactions that were as varied and complex as any we’ve seen in any of the characters in The Walking Dead.

Each parent tried to do what they thought was best for their immediate family. On one end of the moral spectrum we had Travis who tried to serve as a sort of de facto mayor of the walled-off neighborhood. Become the person that would be the one who dealt with the military liaison when it came to his family’s and, to an extent, the neighborhood’s well-being. So far, throughout the this short first season, Travis has come across as the sort of enlightened, civilized man who tries to reason and talk things out instead of acting out rashly and on instinct. This sort of personality is what we as a society want to keep the wheels of civilization moving along problem-free. But as we’ve seen this has also become a weakness as things progressively begin to get worst. Travis can’t seem to see that the rule of law and reason seem to be fighting a losing battle with the need to survive.

Yet, despite Travis’ coming off as some sort of pacifist we get a hint of logic to his seeming weak-willed madness. He sees the world crumbling around him and as a father and role model he has tried to be that moral center to his circle of family and friends. Even when what he’s seeing chips away at his belief that those in power will protect and save them, Travis tries to remain that strong, moral center.

The opposite seems to be true for the other father in our group, Daniel Salazar. This character has been quite the revelation in this series. We first meet him in episode 2. He comes across as a leery, but good man like any immigrant in the US looking to make a new life for his family. But with each new episode we learn a bit more of what makes Daniel tick. He’s a father whose past history before coming to the US hints at chaos and bloodshed. He has seen how crisis could spiral out of control in a blink of the eye and he sees that now with the arrival of the military. He doesn’t trust too many outside his wife and daughter and when he does, as the case with Madison, he does so begrudgingly. He’s adaptable to the ever-changing situation the way Travis is not. He’s willing to resort to immediate action to solve a problem or to find a solution. There’s a darkness in him that’s the current situation has awoken once more and it terrifies him, but he allows it to emerge nonetheless in order to keep his family safe.

Throughout these two episodes we see the recurring theme of authority in its many forms (parental, civilian and military) trying to do their best to keep the situation from spiraling out of control, but they despite all their efforts they fail due to that basic flaw that humanity can’t seem to shred and that’s the inability to work together at the most dire situation to solve the problem.

Both Travis and Daniel try to do the best they know how to navigate through and around the encroaching apocalypse. They succeed in some way, but in the end all their efforts still don’t amount to much as everything right from the start of the crisis has been stacked against them. All they could do now is try and save those closest to them.

The question now as we head into the season finale is whose path will ultimately be the best one to navigate in this apocalypse.

Will it be the Way of the Open Palm that we seem be getting from Travis?

A path of sticking to one’s moral center and principles. To try and keep oneself from sliding back into one’s darker impulses as we’ve seen signs of in these two episodes.

Or will it be the Way of the Closed Fist that Daniel seem to be following?

A mentality that requires quick thinking and direct action even if it means allowing one’s darker side to take hold in order to survive. It’s a path that looks to be well-suited for this apocalypse, but one that also brings with it a set of unknown dangers.

So, while the series has so far lacked in major zombie action and the gore quotient has been tame in comparison to The Walking Dead, it has one-upped it’s older sibling by allowing for it’s cast to grow as characters. Whether they all turn out for the better remains to be seen, but in the span of 5 episodes they’ve become full-fledged characters and now the finale will see who will remain steadfast and who will break.

Notes

  • “Not Fade Away” and “Cobalt” were directed by Kari Skogland. Meagan Oppenheimer has writing duties on the former with David Wiener being responsible for the latter.
  • It’s been nine days since the events of episode 3 and it looks like both the National Guardsmen and the neighborhood are fraying at the edges. It doesn’t help that the unit commander is a reservist who also happens to be an LAPD policeman on a power-trip.
  • Still no sign of Tobias. It looks like his own place might be located in the unsafe and unwalled “dead zones” the military have been doing sweeping patrols for the past nine days.
  • Sandrine Holt comes in as Dr. Bethany Exner. Not her first time in a zombie production. She was also in Resident Evil: Apocalypse as Raccoon City news reported Terri Morales.
  • Ruben Blades is turning out to be the MVP of the series, so far. I guess being a government torturer in his native El Salvador during it’s time of troubles is turning to be a good skillset in the coming zombie apocalypse.

Season 1

Horror on TV: Twilight Zone 3.16 “Nothing in the Dark”


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In this episode of The Twilight Zone, Gladys Cooper plays an elderly woman who lives in such fear of death that she refuses to even open the door of her apartment. Then, one day, a young policeman (Robert Redford) is shot outside of her apartment and Cooper is forced to finally confront the world.

This episode was directed by Lamont Johnson and written by George Clayton Johnson. It originally aired on January 5th, 1962.

Horror On TV: Twilight Zone 2.17 “Twenty-Two”


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“Room for one more, honey!”

Agck!

This classic episode of the Twilight Zone originally aired on February 10th, 1961. It was written by Rod Serling, directed by Jack Smight, and stars Barbara Nichols.

Horror on TV: The Twilight Zone 1.13 — “The Four of Us Are Dying”


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In this episode of the Twilight Zone, a con man (Harry Townes) has the ability to change his face to make himself appear like anyone he wants to be. Needless to say, this ability doesn’t quite work out as well for him as he might have hoped.

This episode originally aired on January 1st, 1960.

(If the video is not showing up below — some browsers apparently have problems showing embedded videos from Hulu — you can watch the episode at http://www.hulu.com/watch/440771.)

Horror on TV: Twilight Zone 3.12 “The Jungle”


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Along with starting each day of October with a horror film here at the Shattered Lens, we’re going to end each day with a horror-themed television show.

While I had previously caught a few episodes of the Twilight Zone during one of the annual holiday marathons on SyFy, I didn’t truly appreciate the show until I first exchanged e-mails with my friend in Australia, Mark. Among other things, Mark expressed a very eloquent appreciation for The Twilight Zone and that inspired me to watch quite a few episodes that have been uploaded to YouTube and Hulu. Along with being an essential piece of television history, the best episodes of the Twilight Zone remain watchable and entertaining 50 years after they were first broadcast.

Considering the esteemed place that the Twilight Zone continues to occupy in American culture, it seems appropriate to feature it during Horror Month here at the Shattered Lens.

The Jungle, which first aired on December 1st, 1961, is a personal favorite of mine. A businessman returns to New York from Africa. While in Africa, he upset a local witch doctor. Though the businessman, at first, laughs off the possibility that he may be cursed, it soon turns out that he’s wrong. There’s a lesson to this episode and here it is: Don’t piss off a witch doctor.

When I first saw this episode, the final scene caused me to have nightmares!

(By the way, I’m embedding this episode from Hulu. Sadly, you will have to deal with commercials. However, it’s really a great episode!)

(It has also come to my attention that some browsers do not work with embedded Hulu vidoes.  Seriously, the internet is so frustrating!  If the embedded video is not appearing on your browser, you should be able to watch this episode on Hulu.  Here’s the link — http://www.hulu.com/watch/440777.  I apologize for the inconvenience but still, it is a really good episode!)

Guilty Pleasure No. 26: Project Greenlight


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Project Greenlight may be the most guiltiest pleasure to be found on television right now.

The show, which is currently airing its fourth season on HBO, was one of the earliest reality shows.  The concept behind the show is deceptively simple.  Every season, Ben Affleck and Matt Damon have held an online competition for aspiring filmmakers.  The winner of the contest gets to direct a feature film, with the understanding that there will be TV cameras present to record every decision, argument, and screw up.  At the end of the season, the film is released and hopefully, a major new filmmaker is discovered.

The pleasure part is obvious.  If you’re like me and you love movies, there’s no way you can’t be fascinated by the chance to go behind-the-scenes of an actual production.  It’s always fun to watch as the director struggles to maintain his (so far, all of the directors have been male) vision against the whims of studio execs who, often time, seem to be annoyed by the director’s very existence.

As for me, I’ve always been fascinated by the casting process.  (Don’t believe me?  Check out this post that I wrote about The Godfather.  And then check out this one too!)  My favorite part of Project Greenlight is always the episode that deals with the casting.  I love seeing who auditions, who gets turned down, and who decides that they want nothing to do with the film.  It’s a lot of fun!

As for the guilty part of this guilty pleasure, it comes from knowing that a show like this thrives on conflict.  As much as Ben and Matt may say that they are only interested in selecting the most talented director, it’s also obvious that the director they pick has to make for good television.  If production on the film goes smoothly, that’s good for the film but it’s not necessarily good for the show.  That’s just the truth when it comes to reality television.

Hence, watching Project Greenlight always leads to conflicting emotions.  On the one hand, you want the movie to turn out to be a good movie.  You want the director to be up to the task.  On the other hand, you’re specifically watching this show to watch the director screw up and make mistakes and piss people off and get into fights.  Gossip lovers that we are, we love the behind the scenes drama but it’s rare that drama actually leads to a good film.

Check out Project Greenlight‘s track record.

Season 1 started way back in 2001!  (Both this season and season 2 are available on DVD and I recommend checking out both of them.)  The winner was Pete Jones, a friendly nonentity who went on to direct the extremely forgettable Stolen Summer.  There was a lot of behind-the-scenes conflict, mostly due to a clash of personality between certain members of the crew.  From the minute the season started, it was obvious that Pete was a nice guy but essentially in over his head.  And, in many ways, Season 1 taught viewers an important lesson: when it comes to the film industry, nice guys get screwed.

However, as chaotic as season 1 may have been, it was nothing compared to what happened in 2003 when season 2 aired!  Whenever anyone wants to make the argument that Ben and Matt purposefully pick directors who are totally wrong for whatever film is being made, they usually point to season 2.  Season 2 featured the directing team of Kyle Rankin and Efram Potelle directing The Battle of Shaker Heights.  The Battle of Shaker Heights was supposed to be a quirky coming-of-age dramedy and a character study, so, of course, Ben and Matt selected two directors who were apparently incapable of human emotion.  And the end result was pure chaos!

Now, I will say a few things in Kyle and Efram’s defense.  When you watch season 2, the overriding theme is that these two directors totally ruined a great script.  Just in case we missed that, the show even featured screenwriter Erica Beeney complaining that these two directors were totally ruining her great script.  Well, sorry — the script for Battle of Shaker Heights was never that good to begin with.  (“It’s about this kid — Kelly — who is really pissed off,” Erica would tell us at the beginning of every episode, as if she was the first person to ever write about a kid who was really pissed off.)  I doubt anyone could have made a good movie out of that script.  Picking two directors who were so totally wrong for the material only served to compound the inherent suckiness of the material.

Season 2 has got a true train wreck appeal to it.  It’s one of those things that you watch with horrified fascination.  (Incidentally, Shia LaBeouf is heavily featured in season 2 and I have to say that he fits right in.)

The third season of Project Greenlight aired in 2005.  It was broadcast on Bravo and it’s unique in that it actually featured a good director (John Gulager) making a reasonably successful film (Feast).  As such, it doesn’t quite work as a guilty pleasure because, from the minute Gulager starts directing, you don’t feel any guilt about watching him.  Instead, the most interesting part of the third season comes early on when a bitchy casting director continually tries (and succeeds) at sabotaging Gulager’s attempts to get a cast with whom he feels comfortable.

(Season 3 has never been released on DVD but, the last time I checked, it was available on YouTube.)

After that third season, Project Greenlight went away for a while but now, 10 years later, it’s back!  It has returned to HBO and, after three episodes, it’s starting to look like this season may be the guiltiest and most pleasurable of all!  Ben and Matt were producing a comedy called Not Another Pretty Woman this time around.  (Pete Jones even returned to write the script.)  Not Another Pretty Woman has been described as being a broad comedy.  So, of course, they selected Jason Mann, an extremely intense elitist film snob.  One of the first things that Jason Mann did was try to fire Pete Jones and replace him with the screenwriter of that well-known comedy, Boys Don’t Cry.  When that didn’t work, Mann abandoned Not Another Pretty Woman and instead requested to make a film called The Leisure Class instead.  And, amazingly enough, he got HBO Films to agree, which means that either nobody had any faith in Pete Jones or everyone has total faith in Jason Mann!

Will that faith be rewarded or will The Leisure Class be another Battle of Shaker Heights?  Will Jason Mann be another John Gulager or will he fade into the same obscurity in which Efram Potelle and Kyle Rankin currently reside?

As of right now, I don’t know.

But I can’t wait to find out!

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Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly

Scenes that I Love: Anna Chlumsky has a meltdown on Veep


Like our intrepid TV correspondent, Patrick Smith, I also watched the Emmy Awards last night.  There were bits of the show that I liked and there was a lot about the show that I didn’t care for.  I felt that Andy Samberg fell flat as host.  I thought that a lot of the acceptance speeches were so dull that I considered them to be a personal attack on anyone watching.  (I’m looking in your direction, Lisa Cholodenko.)  The political posturing felt shallow, as it often does at the Emmy awards.

(Even the political speeches that did work often seemed like they were being wasted on a crowd that has no concept of self-awareness.  Viola Davis made a passionate, timely, and articulate plea for diversity but it’s hard not to feel that, even though all the white liberals in the room patted themselves on the back for listening to her and applauding, that’s probably all that they’re going to do.)

And yet I was happy because Veep — my absolute favorite show — finally won for Best Comedy!  I love Veep because it’s a show where everyone in politics — regardless of party or ideology — is revealed to be either a terrible human being or totally and completely ineffectual.  Julia Lous-Dreyfus won the Emmy for Best Comedy Actress while Tony Hale picked up his second consecutive supporting award.

The only disappointment in Veep‘s victory?  Anna Chlumsky did not win the Emmy for Best Supporting Actress in a Comedy.  This season of Veep was truly Chlumsky’s season!  The scene below — which is today’s scene that I love — shows Chlumsky at her absolute best.  In this scene, Chlumsky’s Amy Brookhiemer finally reaches her breaking point as she realizes that her boss, President Selina Meyer (Louis-Dreyfus), essentially stands for nothing.

Even though most of us will never work for or even know a President, I think we can all relate to Amy’s feelings.  And, seriously — who hasn’t wanted to tell someone off as beautifully as Amy does here?

For this scene alone, Anna Chlumsky deserves all the awards in the world!

Fall is Back and so is new TV!


Finally, we get to the fall season! Cooler temps, the sun sets earlier, the leaves change to beautiful colors! And you know what that means? Real TV is back! We are done with the summer “reality crap” No more of ‘How do I magic this’ or ‘Network burns off this show’ or ‘my Big Brother watches this house’. We get real TV back! The TV I want to watch. And they are several Shows I have set my DVR for.

I will take these in order of the day they show on, and full disclosure, I have seen a couple of the pilots, I will note them if I have.

Monday:

We all know “Gotham” is coming back with it’s new season, ‘Rise of the villains.’ I have not seen the screener for “Gotham” but the trailer looks awesome!

Also, on Monday, Fox will premier it’s new show “Minority Report” based on the Steven Spielberg movie of the same name. I have seen this pilot and although I try to give each show a four episode test…don’t bother.
But if you must look, here is a glimpse ..
Tuesday
Tuesdays are going to be way over loaded this year! We got “Scream Queens” and “The Muppets” (as of this writing, I have only seen the screener for “The Muppets,” which is hilarious!) I will have to watch “Scream Queens” live with you!
But the trailers are here;
Scream Queens
And
The Muppets
Wednesday:
The reboot of “Rosewood” is here! Ok, I have to admit, I loved the original series and I have seen the pilot of the reboot. Against the popular opinion, I actually thought it was a great pilot reboot! Judge for yourself!
Thursday:
Heroes;Reborn
Heroes was great during season one, But let’s not forget what happened during season two and the writers strike!
I want “Heroes” to be the success it was before.
Like it or not…you can be reborn here.
That was just a little of what I will cover this fall!
Remember, TV is great!

Review: Fear the Walking Dead S1E03 “The Dog”


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“Good people are the first ones to die.” — Daniel Salazar

[some spoilers]

After a two week break we’re finally back to a new episode of Fear the Walking Dead. The show has so far been very consistent in establishing one simple fact about the most of the cast in this companion series. They are, deep down in their hearts, very good people. Travis is very much your typical enlightened man who shows compassion towards his family and others. Madison loves her family no matter the sort of trouble they find themselves in. The show in it’s third episode seem very intent on pushing against their very good-nature to see who will be the first to break.

“The Dog” finds both Travis and Madison separated during what looks like the first major outbreak of the zombie apocalypse. Travis has just found his estranged son and with his ex-wife have had to seek refuge in the boarded up barbershop of one Daniel Salazar and his own family. Madison waits back home in their East L.A. suburban home with her own two children. With such a truncated season the episode doesn’t wait too long to put the families of both Travis and Daniel in danger. The riots which broke out during the last episode have begun to spun out of control and businesses in the neighborhood have begun to get looted and burned. It’s during their attempt to flee the riot zone that we see the extent of the damaged caused by the continuing riots and more signs that rioters won’t be the only danger around these two men’s families.

Back with Madison we see her attempting to shield her daughter from the truth of what she has seen during the day (it’s been less than two days in series timeline since the events of the pilot episode). Her son Nick seems to understand more of what’s truly going on around them and is more than willing to be the one to voice the ugly truth to his mother. If they’re to survive the storm that’s coming then she needs to tell Alicia what she has seen. As with the events around Travis, Madison and her kids must soon flee their own home when an infected and turned neighbor has decided to follow the barking of a dog Nick had let into their  home.

Both sequences were edited with equal amount of tense-filled moments as Travis and Madison must rely on their protective instincts to try and keep their respective families safe. The scenes with Travis and his group fleeing the barbershop have much more of an action tone to them as rioters, looters and police clash all around their group. With the Clark family it’s a sequence that wouldn’t seem out of place from any horror film. We see how resourceful Madison is starting to become since her time during the visit back at her high school in the previous episode. Some of this resourcefulness seem born out of keeping up with her junkie son Nick who has taken the initiative to do the the best thing to keep the family alive.

The writers have so far written up Nick not just as a troubled, loser drug-addict of a son, but as a survivor. His very addiction and time spent out on the streets feeding his habit has given him a sort of advanced survivor instinct that many around him still haven’t developed. It’s very clear from the first half of the season that his sister Alicia is still quite clueless to the events happening around her. She still believes that she must cut loose from her troubled family and be with her boyfriend to start a new life. Even after seeing the results of those infected, one of which happens to be her boyfriend Matt, Alicia still denies what she has seen and heard. Madison, on the other hand, has had some first-hand experience of what’s going on and has begun to fully believe Nick and gradually adapting to the new reality descending on her family and the world.

Travis, on the other hand, continues to cling to his inner goodness. His compassion for his neighbor Peter Dawson, who he finds in Madison’s home eating the remains of the barking dog that attracted him to the house, almost gets him killed if not for the fast thinking of Daniel Salazar. We see contrasting fathers in Travis and Daniel in this sequence. Travis’ good-nature almost gets him killed while Daniel’s more pragmatic approach to the deteriorating situation around them saves everyone. Even the scene where Daniel tries to teach Travis’ son how to handle the shotgun speaks volume on the differences between the two men.

Travis is the enlightened and educated man who abhors guns and violence. Daniel, we learn through some brief exposition, has survived his home country or El Salvador when many of his family didn’t and has carved out a life for his family in a new country. Travis still thinks that those in power will settle things and get everything back to normal. He even comments in the end of the episode that the cavalry has arrived when the National Guard pulls into the neighborhood to search, isolate and destroy the infected. Daniel sees this and knows that whatever has begun with the riots has spun out of control and too late for everyone still hoping for a peaceful resolution.

Fear the Walking Dead has had a tough task of making itself feel both new and familiar to fans. On the one hand, the series does feel new from the fact that this is a world still inhabited mostly by the living. It’s a world still unaware of the storm bearing down on it. Yes, we’ve seen instances of zombies making an appearance, but never in the large numbers audiences have become used to from it’s parent series The Walking Dead. The familiarity comes from the audience seeing the chaos caused by these first moments of the zombie apocalypse. We as an audience has seen the result once civilization finally broke down. We know the rules of this world even if most of the characters in the show are oblivious or slowly learning about them.

It’s that very familiarity that could make or break the series. So far, the series writers have made each character’s reaction to the events these past couple days range from dangerously naive (Alicia) to hard survivor (Tobias) and everyone in-between. While for some viewers the very naivete that some characters exhibit despite what they’ve seen or heard could become frustrating, it does sow the seeds in filling in the blanks of why civilization fell. Mistrust helps in the populace not believing what those in power has been telling them. Yet, it looks like misguided optimism and compassion also might have had a hand in speeding up the zombie apocalypse.

We’re now halfway through the first season of Fear the Walking Dead and things have begun to move along faster than it’s parent series did with it’s first season. We still have slower scenes with people just talking, but the writers never linger too long before ramping up the tension. This companion series has had the advantage of working with a world still learning the rules which makes for some dread-inducing scenes which the parent series rarely had. With the back-end episodes of series set to start it’ll be interesting to see if the writers will continue to mine the theme and focus of this first season.

Will the good people be the first to die and if they don’t then how will these horrific events change them? Will it be for the better or for the worst?

We will just have to tune in the next three Sundays and see what happens.

Notes

  • Tonight’s episode was written by Jack LoGiudice and directed by Adam Davidson.
  • Nice sequence after fleeing the barbershop as Travis and his group slowly drive past a hospital and see the chaos unfolding as zombies (looking like both patients and healthcare workers) were confronted by responding LA police and SWAT. Earlier in this sequence we even see a brief glimpse of a doctor who looks to be a zombie staggering amongst the fleeing civilians and responding police yet remaining unnoticed by both.
  • The rioting, once we see it in full, doesn’t show whether the chaos is due just to the rioting or to the zombies amongst the rioters and riot police causing their own form of disturbance.
  • Neighbor Pete Dawnson being put down by Daniel Salazar with both barrels from an over-under Turkish shotgun marks the arrival of the series’ first gory moment. Some very nice work by the effects gurus from KNB EFX.
  • The point-blank headshot of Pete via shotgun blast was a nice homage to a similar shotgun blast to the head in the original Dawn of the Dead.
  • Funny how even though people heard the two shotgun blasts and the screams of their neighbors from the night earlier, some of them seem to still have to take the garbage out in the morning. I guess living in the city with it’s constant sounds of gunshots and screams have become routine for these Los Angelinos.
  • I guess the neighbor who had the party for their girl the day before and who was being attacked by neighbor Pete Dawson didn’t survive the night uninfected if the markings left by the National Guard was to be believed.

Season 1