Retro Television Reviews: T and T 1.19 “Special Delivery” and 1.20 “Pros and Cons”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, T.S. and Amy continue to keep Canada safe.

Episode 1.19 “Special Delivery”

(Dir by Vic Sarin, originally aired on May 15th, 1988)

“In this episode,” Mr. T tells us during the pre-credits preview, “a young boy’s on the run with only his fears and a mysterious package for company.”

Bruce Johnson (Robert McClure) is an old friend of T.S. Turner’s who is now working as an executive for the Canadian space program.  He records a tape in which he tells T.S. that he suspects that someone is trying to sabotage Canada’s latest space rocket and that his life in danger.  “If anything happens to me,” Bruce asks, “take care of David and Brenda.”  Bruce leaves his office with a package of evidence.  He finds his 12 year-old son, David (Jamie Dick) skateboarding in front of a school.  He gives the package to David and tells him to deliver it to Decker’s gym.  David wears his baseball cap backwards so we all know he’s a rebel.  Bruce is nabbed by the police as soon as he gives David the package but, fortunately, David is able to roll away on his skateboard.

With her husband and son both missing, Brenda Johnson (Karen Woolridge) calls T.S. Turner at Amy’s law office.  Turner is out but the spacey administrative assistant, Sophie (Catherine Disher), takes the message and then runs down to the courthouse to give it to Amy.  As someone who has worked as an administrative assistant, Sophie’s unprofessionalism made me cringe.  How can Amy run her law office if the office is so disorganized?  I’m surprised T.S. puts up with it.

Amy heads down to the police station, where she discovers that Brenda is being held as a witness in a federal investigation that’s being headed up by Detective Williams (William Finlay), who is a part of the Canadian Bureau of Investigation.  Williams asks Amy where Bruce and David are and Amy tells him that Brenda has “civil rights.”

“Civil rights are superseded in matters of treason,” William replies.

Amy threatens to call a press conference so Williams agrees to let Brenda go free.  Wow, that was easy!

10 minutes into this episode, T.S. finally shows up.  He and Amy get a hot dog on a city street.  “Thanks, brother,” T.S. tells the hot dog vendor.  Amy fills T.S. in on what’s happening.  T.S. suggests that Amy head to the gym while T.S. searches the city.  Meanwhile, mysterious men in gray suits watch their every move.

Meanwhile, David continue to ride his skateboard through the city.  He gets chased by the cops at one point and has to run through an office building to escape.  Seriously, how big is this city?  The kid just had to go to the gym!

Finally, 15 minutes into this 23-minute episode, David reaches the gym.  However, he can’t go into the gym because the feds are staking it out!  So, he just stands around outside with his hands in his pockets.  T.S. shows up at the gym and announces, “The Kid’s not going to show up here with federal agents outside!”

After putting on camouflage gear, T.S. grabs Decker and heads back to the office.  (Amy stays at the gym.)  While Sophie flirts with Decker, T.S. calls the gym and tells Amy that David is at the office.  T.S. knows the lines are bugged so this is his clever plan to throw off the feds.  And it works!  As Amy and Agent Williams head to the law office, Decker and T.S. head back to the gym.

And yes!  David is now in the gym.  He gives T.S. the package.

“Hey, little brother,” T.S. says, “everything’s going to be alright.”

Suddenly, a random bad guy shows up in the gym, holding a gun.  He demands the package and promises no one will get hurt.

“Someone sticks a gun in my face, that don’t exactly inspire confidence!” T.S. explains.

T.S. then punches the guy out.  One scene later, a news reporter informs us that Bruce Johnson has been found alive so I guess that’s the end of that.

This was a weird episode.  For all the talk of international intrigue and Canada’s space program, the majority of it was just filler footage of the kid rolling around on his skateboard.  T.S. was barely in it, leading me to suspect that maybe Mr. T had some vacation time and wanted to leave early.  Either way, at least Canada’s space program was saved.

Episode 1.20 “Pros and Cons”

(Dir by Don McCutcheon, originally aired on May 23rd, 1988)

“In this episode,” Mr. T says, “some high-rolling crooks make a very big mistake when they pick on my Aunt Martha.”

Two con artists — Harry (Booth Savage) and Louise (Janet-Laine Green) — pretend to be members of law enforcement and trick T.S.’s Aunt Martha into withdrawing a good deal of money from the bank.  Martha thinks that she’s helping them catch a criminal but actually, she’s just given up her hard-earned money.  T.S. isn’t going to stand for that!  However, Martha doesn’t want to tell T.S., even though T.S.’s nice, Renee (Rachael Crawford) thinks that she should.

So, Renee decides to investigate on her own.  After rather easily stealing a book of mugshots from the police station, Renee shows it to Aunt Martha, who immediately identifies Harry and Louise.  By running a fake credit check on Louise, Renee and Aunt Martha are able to track them down to a ritzy hotel.  Renee dresses up like a maid and Aunt Martha dresses up like a rich guest and they infiltrate the hotel.

Meanwhile, T.S. is shocked to discover that a check that he wrote to fix his car has bounced.

“Why would it do that!?” T.S. demands.

T.S. and Amy go to Aunt Martha’s and find all of Renee and Martha’s notes.  Realizing that the two of them are confronting the con artists at the hotel, T.S. and Amy arrive just in time to see Harry and Louise trying to run from the hotel.  T.S. blocks Harry’s escape.  Harry grabs a mop and points it at T.S.

“Ain’t no way, brother,” T.S. replies.

T.S. subdues Harry by tossing him over a railing (don’t worry, Harry lands on a table) and Aunt Jackie punches out Louise.

The problem here is pretty obvious.  The name of the show is T and T, not Renee and Jackie.  The fun thing about this show is listening to T.S. growl at the criminals.  This episode pushed both Amy and T.S. to the side and, as such, it just wasn’t that much fun.  Sorry, Aunt Jackie!

Late Night Retro Television Reviews: Highway to Heaven 1.2 “Pilot: Part Two”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

 

This week, we finish up the pilot for Highway to Heaven, with Jonathan revealing the true nature of his job to Mark and the old people heading to the horse races!

Episode 1.1 “Highway to Heaven: Part Two”

(Dir by Michael Landon, originally aired on September 19th, 1984)

The second half of the pilot for Highway to Heaven opens with things looking up at the retirement community.  Everyone is enjoying the new garden.  There’s a new sense of community amongst the residents.  Even Estelle (Helen Hayes) has finally come out of her room and is now taking care of the dog that Jonathan previously gave her.  Sidney Gould (John Bleifer) is especially happy to see Estelle out and about, especially after Estelle agrees to have dinner with him.

The only person who is not happy with the changes that Jonathan has brought to everyone’s lives is Mark Gordon.  Mark is still suspicious of Jonathan’s motives and he’s not happy that his sister, Leslie (Mary McCusker), is falling for a man who she really knows nothing about.  When Jonathan is having dinner at Leslie’s apartment, Mark breaks into Jonathan’s apartment and discovers that Jonathan owns nothing.  There’s not even a toothbrush in the bathroom.

Jonathan catches Mark in his apartment and, after Mark demands to know just who exactly Jonathan is, Jonathan explains that he works for “the Boss.”  He travels from location to location, helping people who need help.  When Mark demands to know who the Boss is, Jonathan can only look heaven-ward.

Needless to say, Mark is not at all convinced that Jonathan is an angel.  But there’s an even bigger problem to deal with!  Mr. Sinclair (Joe Dorsey), the owner of retirement home, has sold the land to a developer!  Everyone who worked there is now out of a job and everyone who lived there has been given just a few days to move out and find somewhere else to live.

When Jonathan pays Mr. Sinclair a visit, he discovers that Sinclair has spent his life making money in order to get over the shame of being rejected by his high school love.  Unfortunately, she’s now dead and Sinclair no longer cares about anyone.  Still, Jonathan is able to convince Mr. Sinclair to give him a chance to raise enough money to buy the retirement home.

Mark’s suggestion is that they take the money that they already have and bet it at the tracks.  Jonathan is not sure if the Boss would like him gambling but, in the end, he agrees to Mark’s plan.  At the tracks, it first appears that the horse that the old people put their money on has lost.  But then then Sidney discovers that the person at the betting window accidentally gave him the wrong ticket and — it’s a miracle!  They win the money!

The old people are able to buy their retirement home and Mark is now convinced that Jonathan is angel.  In fact, Mark is so convinced that he insists on driving Jonathan around the country and helping him out.

(Don’t worry about Leslie.  Though she’s upset when Jonathan leaves, a handsome and single man immediately moves in next door to her.)

This episode ends with Jonathan getting into Mark’s car and the two of them driving off, down the highway.

Wow, this was an earnest show.  Seriously, there’s not a hint of sarcasm or snarkiness to be found in this episode, which I imagine explains why this show is still airing on the retro stations and streaming on a hundred different sites.  To an extent, it’s easy to be dismissive of a show where a bunch of quirky old people got to the race track to win enough money to be able to stay together in their retirement home.  There’s nothing subtle not particularly surprising about any of it.  I mean, we know there’s no way Helen Hayes and that adorable dog are going to lose their home!  But this episode was so achingly sincere in its approach that it worked.

We’ll see if it continues to work next week!

Horror on TV: The Hitchhiker 5.5 “Shadow Puppets” (dir by Roger Andrieux)


On tonight’s episode of The Hitchhiker, a psychologist (Brian Kerwin) learns about the dangers of manipulating a patient.  As you may be able to guess, The Hitchhiker dislikes psychologists almost as much as he dislikes tabloid journalists.  In fact, is there anyone that The Hitchhiker does like?

This episode originally aired on July 8th, 1989.

Retro Television Reviews: Jennifer Slept Here 1.2 “Jennifer: The Movie”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Jennifer Slept Here, which aired on NBC in 1983 and 1984.  The entire show is currently streaming on YouTube!

This week, the afterlife of film star Jennifer Farrell continues as a Hollywood production company comes to the house to shoot a scene for their Jennifer biopic!

Episode 1.2 “Jennifer: The Movie”

(Dir by John Bowab, originally aired on October 28th, 1983)

The second episode of Jennifer Slept Here opens with ghostly Jennifer in a good mood.  A movie is being made about her life and Joey has somehow gotten a hold of the script.  Jennifer reads the script and announces that the movie is going to be the “great biopic since Gandhi!  And I look a lot better under a sheet!”

(The audience loves that line.)

Jennifer’s main concern is who is going to be play her in the movie and, at her insistence, Joey asks his parents.  Since his parents are wacky sitcom parents, it takes them forever to finally reveal that not only is Jennifer going to be played by Sheila Drake (Lynnda Ferguson) but that a scene from the movie is going to be filmed at the house.  Jennifer is not a fan of Sheila Drake’s and she takes out her annoyance by playing the piano.  When his mother comes in the room to see who is so beautifully playing the piano, Joey is forced to pretend to be a talented musical prodigy.

Later, Jennifer is super-excited when the film crew shows up at the house to shoot a scene in which she talks to a producer.  This actually leads to a rather poignant moment in which Jennifer tries to talk to a few familiar members of the crew, just to be reminded that she’s dead and they can no longer hear her.  (When I say that the scene is poignant, it’s almost all totally due to the performance of Ann Jillian.)

However, Jennifer is not amused when she discovers that Sheila is planning on playing her as a “cheap tramp” who slept her way to the top.  Jennifer goes out of her way to disrupt filming, first by unplugging a power chord and then, after Sheila has gone up to Joey’s room to wait while the next scene is set up, spraying Sheila with water and then ripping off Sheila’s skirt.  Because Joey is in the room at the time, he gets blamed for both of these incidents.  So, I guess Joey’s going to jail and get booked on assault charges now, right?  Nope.  Instead, Sheila just walks off the picture.

The director (Luis Avalos) is freaking out because he’s got “a six million dollar picture” and no star when suddenly, Joey’s mom announces that there’s someone that the director should see.  The director says he doesn’t want to see anyone but then, Jennifer comes walking down the stairs.  AND EVERYONE CAN SEE HER!

It turns out that Jennifer has the ability to be seen when she wants to be seen.  She convinces the crew that she’s Sheila’s stand-in and then she shoots the scene the way that it really happened, revealing that she was a hard-worker who earned her roles with her talent.  Unfortunately, when the scene is later watched by the family, it turns out that the stand-in does not appear on camera.  (Instead, just as in The Invisible Man, the camera just picks up Jennifer’s dress moving around on its own.)  The family assumes that it was a problem with the camera while only Joey knows that it’s because Jennifer’s a ghost.

Accompanied by Jennifer (who is once again invisible to everyone but him), Joey heads down to a snooty restaurant where he confronts Sheila and, with Jennifer’s help, blackmails her to return to the film.  Joey threatens to reveal that Sheila steals her wardrobe from her movies and that she once spent a night in Madrid with a soccer team.  If I was Sheila, I would reply by calling the police and telling them that Joey was in the room when I was sprayed with water and had my skirt ripped off.  But apparently, everyone’s moved on from that.

Sheila returns to the film and shoots the scene, this time the way that it actually happened.  Jennifer wipes away a tear.  Awwwww!

Hey, this isn’t actually was not a bad episode.  It was certainly an improvement over the pilot and Ann Jillian did a great job playing up both Jennifer’s pride in her career and her anger that her accomplishments were being denigrated by a lesser actress.  The supporting characters continue to be the show’s biggest weakness but this episode largely worked, even if it never really made sense for the director to be okay with the family hanging out at the house while they were shooting the film.

Next week: Joey and his loser friend Marc both want to date the same girl!

Late Night Retro Television Reviews: Monsters 1.2 “Holly’s House”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991.  The entire show is streaming on Youtube.

This week, on Monsters, a creepy robot gets a bit too possessive of its operator.  How monstrous is this robot?  Read on and find out!

Episode 1.2 “Holly’s House”

(Dir by Theodore Gershuny, originally aired on October 29th, 1988)

This week’s monster is Holly.

Holly is a robot.  (Sitting inside the Holly costume was actor Michael J. Anderson, who is best known for playing the backwards-talking Man From Another World on Twin Peaks and The Man Who Secretly Controlled Hollywood in Mulholland Drive.)  Holly is the star of an incredibly corny and kind of annoying children’s show called Holly’s House.  Every day, Holly deals with her friends, Early Bird and Mike the Mailman.

Mike the Mailman is actually an actor named Lenny (Perry Lang).  Lenny is the sometime boyfriend of Katherine (Marilyn Jones), the actress who not only provides the voice of Holly but also controls the robots movements during filming.  Katherine has been the star of Holly’s House for four years but she has just discovered that she is pregnant.  Katherine wants to quit the show, marry Lenny, and raise her child.  Holly, however, has other ideas….

This episode was basically a variation on the old idea of the ventriloquist being taken over by their dummy.  Is Holly the one who is being rude to Lenny and deliberately ruining the show or is it Katherine acting through Holly?  And when Holly snaps and starts attacking people, is Holly the one doing it or is it Katherine acting out through Holly?  Unfortunately, regardless of whether Holly is acting on her own or not, Katherine is still the one destined to take the blame for all of her anti-social behavior.

Holly was indeed creepy but this episode was still a bit of a let down.  I think the main problem was that there was no way that Holly’s House would have been a success.  I understand that the show’s portrayal of Holly’s House was probably meant to be a commentary on how vapid most children’s shows were but, even at their most vapid, most children’s shows are still somewhat cute.  Holly’s House only has three cast members — an ugly bird, a creepy robot, and an overly cheerful mailman.  There’s not a kid around that would watch that.  Holly obviously wasn’t happy about Lenny encouraging Katherine to quit the show but seriously, the show was probably on its last legs as it was.

One final note: This episode was directed by Theodore Gershuny, who was the ex-husband of cult film star Mary Woronov and who also directed Silent Night Bloody Night and wrote the excellent book, Soon To Be A Major Motion Picture.  While his direction of this episode didn’t really work for me, I do recommend his Christmas film and the book.

Horror on TV: The Hitchhiker 5.4 “Garter Belt” (dir by Roger Andrieux)


On tonight’s episode of The Hitchhiker, Robert Carradine plays a corrupt diplomat in France whose life falls apart when all of his dark secrets are revealed.  This is another Hitchhiker episode in which The Hitchhiker takes an obvious glee in revealing the hypocrisy of someone who holds himself up as being moral and perfect.  Keep an eye out for Lucio Fulci’s favorite actress, Catriona MacColl, in the role of Carradine’s long-suffering wife!

This episode originally aired on July 7th, 1989.

FRIEND, Short Film, Dir: Saga Spjuth-Sall, Review by Case Wright


Hello Horror Friends! I am taking a break from making meatball sliders and studying for Drilling to review something truly great. WHAAA? Yes, this is legit, guys. I was really worried that I was going to have to review a series of turds and just embrace them, but when I did my search this popped up and it is straight-up scary. It has Hitchcock levels of suspense with a simple story that ratchets up the tension for the entire film. It’s so great to see talent. From what I can tell, they’re Swedish artists and their story craft, directing, and acting just grabs you right by the proverbials and does not let go! 

Nathalie is a teleworking IT customer service agent and she gets a rude call. She takes a break and we see a shadow of a man is in her house; I’m still a little goose-fleshed. I know some of my readers are anti-gun. I used to have one for work, but I get your point of view……sort of. What I mean is this, if I were a single woman, I would be armed- ALWAYS….ALWAYS…ALWAYS- the shower, taking out the trash, playing pickle ball, maybe have a shotgun swung around my back The Last of Us style when I’m cooking marinara, and just a wee .22 caliber in an ankle holster when I’m cooking my Nutella gelato (oh yeah I make that, sup?). 

The entire film you’re so worried for Nathalie because the actress imbues the character with this sweet sort-of Audrey Hepburn in “Wait Until Dark” quality. Nathalie becomes a Rorschach image of every “girl next door/ nice college roommate” and knowing that she’s in peril is almost too much. I will NOT lie: I had … no joke…. 4 jump out of my seat moments. This is one of the best short films that I have ever seen; in fact, it might be the best short-film I’ve ever seen; now, I need to think on that. One thing is certain, it’s absolutely going to be impossible to top this short film for the 2023 Horrorthon; so, I wish the rest of the filmmakers well in all of their future endeavors. 

This film will grab you by the proverbials!

Retro Television Reviews: The Love Boat 3.10 and 3.11: “The Love Lamp Is Lit/Critical Success/Rent a Family/Take My Boyfriend, Please/The Man in Her Life”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s a double length episode of The Love Boat as the Dallas Cowboy Cheerleaders take over the cruise!

Episodes 3.10 and 3.11 “The Love Lamp Is Lit/Critical Success/Rent a Family/Take My Boyfriend, Please/The Man in Her Life”

(Dir by Roger Duchowny, originally aired on November 10th, 1979)

This episode features the first time that Jill Whelan (as Vicki) is included in the opening credits and what an episode to be included in!  It’s time for a special charity cruise of the Love Boat!  In order to raise money for an orphanage in Mexico, the Dallas Cowboys Cheerleaders will be performing on the boat!

I don’t really follow football but I do know that both the Cowboys and their cheerleaders were really popular back in the 70s and 80s.  (Living in Texas, I’ve become very good at sympathetically nodding whenever anyone starts talking about frustrated they are with the Cowboys.)  Still, the idea of the cheerleaders performing on a cruise ship for a charity drive seems a little off.  I mean, shouldn’t they be cheering at a football game?  As I always do when it come to things involving cheerleaders, I asked my sister Erin if any of this made sense to her.  Erin suggested that I not worry about it because it’s The Love Boat.  And really, she has a point.  The Dallas Cowboy Cheerleaders marching onto the boat in full uniform and practicing their routines by the pool makes about as much sense as 11 year-old Vicki suddenly living on a cruise ship.  With The Love Boat, you just have to kind of go with it.

The Cheerleaders play themselves, with three of them getting storylines of their own and I will say that they all came across as being likable and natural in their performances.  I always kind of dread any episode that features celebrities playing themselves because just because someone is famous, that doesn’t mean they’re going to be a good actor.  (I still remember all of those stiff basketball player cameos on Hang Time.)  But the cheerleaders all do a good job, even if none of them are given particularly challenging roles.

Stacy (Tami Barber), for instance, is shocked when Mark Scott (Stephen Shortridge) boards the cruise.  Mark was someone who pursued her in Dallas but she wanted nothing to do with him.  However, on the boat, Mark shows that he’s a nice guy underneath his smooth exterior.  He even choreographs a new routine for the charity performance.  Good for him!

Wendy Ames (Gaye Carter) boards the boat with her mother, Helen (Dina Merrill) and Helen’s boyfriend, Bill (William Windom).  Helen gets jealous of the amount of time that Wendy and Bill are spending together and, when she sees the two of them looking at wedding rings, she decides that they’re having an affair!  No, Helen — Bill wants to marry you!  This whole storyline was silly, to be honest.  Helen just came across as being unnaturally paranoid.

Lisa (Kim Kilway) meets and falls for Paul (Bill Daily), who is the newest vice president of the greeting card company that is sponsoring the cruise.  Paul loves Lisa to but he has a problem.  He’s traveling with his fake family!  Why does Paul have a fake family?  Apparently, Paul’s boss (John Hillerman) only hires family men.  (That sounds like a lawsuit in the making.)  Paul recruited a fake wife (Roz Kelly), mother (Patsy Kelly), and son (Jackie Earle Haley, who appears to be having a lot of fun playing bratty) to pretend to be his family.  The truth comes out, of course.  Fortunately, Lisa is remarkably forgiving and Paul avoids getting fired by promising to marry and start a family with Lisa as quickly as possible.  Again, this all sounds like the beginning of Supreme Court case.

Among the non-cheerleaders, Lou (Larry Linville) and Nora (Gunilla Hutton) are two jewel thieves who board the boat so that they can find some diamonds they hid the last time they took a cruise.  They hid the diamonds in a lamp and it turns out that the lamp is now in the possession of a member of the crew.  This leads to Nora flirting with Gopher, Isaac, and Doc and then quickly abandoning them once it becomes clear that they don’t have the lamp.  (These scenes were fun, largely because of Gunilla Hutton’s comedic timing.)  Finally, Lou and Nora get the diamonds but they have a change of heart and, along with declaring their love for each other, Lou and Nora also donate the $500,000 that they’re going to make from selling the diamonds to the orphanage!  Yay!  Assuming that Lou and Nora don’t get arrested while trying to fence the stolen merchandise, the orphanage will greatly benefit.

Meanwhile, an acerbic theatrical critic (Douglas Fairbanks, Jr.) tries to get an actress (Ginger Rogers) to agree to appear in his new play.  In the end, they realize they’re in love and Ginger Rogers sings Love Will Keep Us Together.

There was a lot going on in this episode but it was enjoyably silly in the way that the best episodes of The Love Boat usually are.  It was excessive and ridiculous, but fun.  On The Love Boat could you get Jackie Earle Haley mocking his fake father while Ginger Rogers sang a song.  This was an enjoyable episode and it did Dallas proud.

Late Night Retro Television Reviews: Gun 1.2 “Ricochet”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Gun, an anthology series that ran on ABC for six week in 1997.  The entire show is currently streaming on Tubi!

This week, on Gun, Martin Sheen plays a cop who might be investigating the final murder of his career!

Episode 1.2 “Ricochet”

(Dir by Peter Horton, originally aired on April 19th, 1997)

The second episode of Gun opens with the death of a Japanese businessman.  He’s found shot on a cliffside that overlooks the ocean.  The gun that shot him is discovered and taken by a homeless man named Lazy Eye Pete (Bud Cort).  Pete is a cheerfully eccentric type, one who sings for money and who is dedicated to taking care of his pet dog, Chester.  But, as soon as Pete gets that gun, his personality starts to change and he even ends up pulling the gun on a group of teenagers who were attempting to mug him.  In the end, Pete sells the gun to a friend of his.

Also searching for that gun is Detective Van Guinness (Martin Sheen).  Guinness, who suffers from ulcers and who takes his job very personally, has promised his girlfriend (Tess Harper) that he will retire from the force.  However, he doesn’t want to go out on a simple or an unsolved case.  Fortunately, for Guinness, he’s assigned the complicated case of the dead businessman.  Unfortunately, for him, his girlfriend is not at all amused by his refusal to retire.

Van’s partner (Kirk Baltz) thinks that the businessman was killed during a robbery but Guinness disagrees.  Guinness thinks that the businessman was murdered by either his wife (Nancy Travis) or his amoral attorney (Christopher McDonald).  The wife and the attorney are sleeping together and they’ve also come up with a plan to somehow fix the California state lottery.  (I couldn’t really follow what their plan was but then again, I’ve also never played the lottery.)  The attorney thinks that the wife is the murderer.  The wife thinks that the attorney is the murderer.  The truth is a bit more complicated but, in order to full understand what happened, Van Guinness is going to have to find that gun.

Though the plot was a bit too complicated for its own good (Seriously, what was going on with the whole lottery subplot?), the second episode was a definite improvement over the first episode, with director Peter Horton keeping the action moving at a steady pace and establishing the consistent tone that the previous episode lacked.  Ricochet played out like a true ensemble piece, splitting its attention between Martin Sheen, Bud Cort, Nancy Travis, and Christopher McDonald.  All four of the actors did a good job bringing their characters to life.  I especially liked Christopher McDonald’s amoral attorney.  Nobody plays a crooked attorney with quite the style and wit of Christopher McDonald!

Next week: Rosanna Arquette and James Gandolfini appear in an episode directed by the show’s co-creator, James Steven Sadwith.

 

Horror on TV: The Hitchhiker 5.3 “Dark Wishes” (dir by John Liang)


On tonight’s episode of The Hitchhiker, a nurse (Tammy Lauren) decides that the best way to win the husband of her patient is to indulge in a little black magic.  Needless to say, things don’t go quite as planned.  And yes, The Hitchhiker definitely has something to say about it!

Seriously, I would so freak out if I ever saw The Hitchhiker commenting on anything that I’ve ever done in my life.  “Lisa Marie Bowman thought she could escape real-life horror by writing about fictional horror.  But sometimes, that which we think is fiction, turns out to be real….”  AGCK!

This episode originally aired on July 1st, 1989.