Late Night Retro Television Review: Friday the 13th: The Series 2.2 “The Voodoo Mambo”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Micki, Ryan, and Jack get involved in voodoo!

Episode 2.2 “The Voodoo Mambo”

(Dir by Timothy Bond, originally aired on October 7th, 1988)

This episode opens with Micki and Ryan watching a street party that just happens to be taking place in front of Curious Goods.  It’s a Haitian voodoo party and, judging from Micki and Ryan’s comments, it is apparently some sort of annual event that takes place wherever this show is supposed to be set.

(If Curious Goods was set in New Orleans, I could maybe buy this without giving it too much thought.  But the show is filmed in Canada and, judging from the states that were specifically mentioned over the course of the first few episode, it appears that Curious Goods is meant to be located in the Northeast.  How many voodoo street parties do you see in New Jersey?)

Micki and Ryan want to join the party but Jack insists that they first meet his old friend, Hedley (Joe Seneca).  Hedely is a powerful voodoo priest and he has traveled to the city so that his daughter, Stacy (Rachael Crawford, who was on the first season of T & T until her character vanished), can become a priestess.  Ryan is obviously attracted to Stacy but the attraction goes nowhere, which I guess is good considering that every woman who likes Ryan ends up dying in some terrible way.

Meanwhile, good-for-nothing Carl Walters (David Matheson) is in danger of losing the mansion that has been in his family’s possession ever since their days as plantation overlords.  Carl finds a voodoo mask in the basement.  Whenever he puts the mask on, the spirit of a voodoo priestess named Laotia (Suzanna Coy) rips out someone’s throat.  Laotia wants to rip out the throats of the city’s top voodoo priests so that she can gain their powers.  Carl agrees to help because part of the deal is that Carl will get what he wants as well.  I’m not sure what Carl wants, though.  Money, I guess.  But it doesn’t matter because, of course, Laotia is really only concerned with what she wants.

This episode had some atmospheric moments, especially in the scenes featuring the big party outside of Curious Goods.  There’s also some black-and-white footage of actual voodoo ceremonies that is randomly inserted throughout the episode.  I assume that black-and-white footage is meant to be a flashback or something like that, though the show never really makes it all that clear.  That said, this episode was a bit on the dull side.  Carl and Laotia were not particularly interesting and this is the second episode this season to feature an old friend of Jack’s.  (That wouldn’t be a problem, except for the fact that we’re only two episodes in.)  This episode felt a bit tired, as if someone entered the production office and shouted, “I need an episode about Voodoo!  You’ve got 48 hours!”

Next week, hopefully, thing will be a bit more interesting.

Retro Television Reviews: T and T 1.22 “Mickey’s Choice”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

In this episode, a spoiled little brat discover that …. well, no.  I should let Mr. T tell you.

Episode 1.22 “Mickey’s Choice”

(Dir by Donald Shebib, originally aired on June 6th, 1988)

“In this episode,” Mr. T tells us, “a street-smart kid finds out he’s still got a few lessons to learn!”

On the mean and cold streets of Canada, Rubberhead (John Matuszak) sends 13 year-old Mickey (Jamie Shannon) on a mission to pick the pockets of the Canadians who have gathered to watch a street magician.  When the police nab Mickey, Rubberheard snarls, “Don’t talk, you little punk!” before walking away.

Because Amy Taler is the only defense attorney in Canada, she gets assigned to Mickey’s case.  The prosecution wants to toss Mickey in juvenile hall but Amy argues that Mickey is too young for that.  Rubberhead and one of his henchmen walk into the courtroom and are properly thrown out by the judge.  Mickey gives them the thumbs up signal as they leave.  My question is how has Rubberhead not been arrested as he seems to have absolutely no idea how to subtle about carrying out his criminal activities.  Also, why is he called Rubberhed?  Is that a nickname he wanted?

Rather then send Mickey into the system, Amy arranges for Mickey to be released into the custody of T.S. Turner.  Amy is able to pull this off despite the fact that Turner is an ex-con, her hair is a mess, and Turner is late coming to court.  Luckily, the judge is a fan of boxing and he decides that Turner’s former career as a boxer is the perfect justification for giving him custody of a rebellious 13 year-old.

As Turner, Amy, and Mickey leave the courthouse, they are confronted by Rubberhead and his gang.  One of them tries to grab Amy.

“Excuse me, brother,” Turner says, “that’s no way to treat a lady.”

Taking advantage of the distraction, Mickey runs for it.  After telling  Rubberhead, “I’ll deal with you later, punk,” Turner takes off after him.

Fortunately, Turner is able to grab Mickey and drop him off with Aunt Martha (Jackie Richardson) and Renee (Rachael Crawford).  Aunt Martha puts Mickey to work peeling potatoes.  Turner then heads out to try to track down Rubberhead and his gang.

“When I was younger, I was Mickey,” Turner explains, “I broke my mother’s heart!”

However, despite saying that he’s going to go out and find Rubberhead, the next scene finds Turner having dinner with Mickey, Aunt Martha, and Renee.  Turner leads the group in saying grace and even Mickey bows his head.

That night, Rubberhead leaves a bag of burning trash on Aunt Martha’s porch.  While Turner is distracted by the fire, Rubberhead breaks into the house and grabs Mickey.  Back at Rubberhead’s headquarters, Mickey brags about how tough he is until Rubberhead demands to know what he told the police.

We then cut to Turner asking various Canadians if they’ve seen Mickey.  “Look, brother,” Turner says at one point, “I’ve asked politely and I’ve asked nicely.  Now, I’m just asking.”  Frustrated by one dead end after another, Turner goes to the gym and lifts weights for several minutes.

“That’s how he thinks,” gym owner Decker explains as Turner shouts, “MORE WEIGHT!”

Somehow, all of this weight lifting leads to Turner figuring out where Rubberhead is headquartered.  Turner heads down to Rubberhead’s warehouse, where he is promptly captured and tied to a chair by Rubberhead’s gang.  Rubberhead announces that both Turner and Mickey will be dropped down an elevator shaft.

“You gotta make a choice, Mickey,” Turner says, “Right or wrong.”

Mickey unties Turner and Turner tosses a motorcycle at Rubberhead, taking out both him and his gang.  Turner and Mickey then rush to the courthouse, where Amy has been stalling a court hearing on Mickey’s future.  Mickey reveals all that he knows about Rubberhead and his gang.  SNITCH!

This is definitely an episode that suffered from trying to tell a 60-minute story in only 30.  Seriously, the narrative jumped around so much and was so haphazardly edited that it was a struggle to keep track of what was going on.  That said, Canada is a safer place thanks to T.S. Turner and that’s the important thing.  That’s why they put their faith in him.

 

Retro Television Reviews: T and T 1.19 “Special Delivery” and 1.20 “Pros and Cons”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, T.S. and Amy continue to keep Canada safe.

Episode 1.19 “Special Delivery”

(Dir by Vic Sarin, originally aired on May 15th, 1988)

“In this episode,” Mr. T tells us during the pre-credits preview, “a young boy’s on the run with only his fears and a mysterious package for company.”

Bruce Johnson (Robert McClure) is an old friend of T.S. Turner’s who is now working as an executive for the Canadian space program.  He records a tape in which he tells T.S. that he suspects that someone is trying to sabotage Canada’s latest space rocket and that his life in danger.  “If anything happens to me,” Bruce asks, “take care of David and Brenda.”  Bruce leaves his office with a package of evidence.  He finds his 12 year-old son, David (Jamie Dick) skateboarding in front of a school.  He gives the package to David and tells him to deliver it to Decker’s gym.  David wears his baseball cap backwards so we all know he’s a rebel.  Bruce is nabbed by the police as soon as he gives David the package but, fortunately, David is able to roll away on his skateboard.

With her husband and son both missing, Brenda Johnson (Karen Woolridge) calls T.S. Turner at Amy’s law office.  Turner is out but the spacey administrative assistant, Sophie (Catherine Disher), takes the message and then runs down to the courthouse to give it to Amy.  As someone who has worked as an administrative assistant, Sophie’s unprofessionalism made me cringe.  How can Amy run her law office if the office is so disorganized?  I’m surprised T.S. puts up with it.

Amy heads down to the police station, where she discovers that Brenda is being held as a witness in a federal investigation that’s being headed up by Detective Williams (William Finlay), who is a part of the Canadian Bureau of Investigation.  Williams asks Amy where Bruce and David are and Amy tells him that Brenda has “civil rights.”

“Civil rights are superseded in matters of treason,” William replies.

Amy threatens to call a press conference so Williams agrees to let Brenda go free.  Wow, that was easy!

10 minutes into this episode, T.S. finally shows up.  He and Amy get a hot dog on a city street.  “Thanks, brother,” T.S. tells the hot dog vendor.  Amy fills T.S. in on what’s happening.  T.S. suggests that Amy head to the gym while T.S. searches the city.  Meanwhile, mysterious men in gray suits watch their every move.

Meanwhile, David continue to ride his skateboard through the city.  He gets chased by the cops at one point and has to run through an office building to escape.  Seriously, how big is this city?  The kid just had to go to the gym!

Finally, 15 minutes into this 23-minute episode, David reaches the gym.  However, he can’t go into the gym because the feds are staking it out!  So, he just stands around outside with his hands in his pockets.  T.S. shows up at the gym and announces, “The Kid’s not going to show up here with federal agents outside!”

After putting on camouflage gear, T.S. grabs Decker and heads back to the office.  (Amy stays at the gym.)  While Sophie flirts with Decker, T.S. calls the gym and tells Amy that David is at the office.  T.S. knows the lines are bugged so this is his clever plan to throw off the feds.  And it works!  As Amy and Agent Williams head to the law office, Decker and T.S. head back to the gym.

And yes!  David is now in the gym.  He gives T.S. the package.

“Hey, little brother,” T.S. says, “everything’s going to be alright.”

Suddenly, a random bad guy shows up in the gym, holding a gun.  He demands the package and promises no one will get hurt.

“Someone sticks a gun in my face, that don’t exactly inspire confidence!” T.S. explains.

T.S. then punches the guy out.  One scene later, a news reporter informs us that Bruce Johnson has been found alive so I guess that’s the end of that.

This was a weird episode.  For all the talk of international intrigue and Canada’s space program, the majority of it was just filler footage of the kid rolling around on his skateboard.  T.S. was barely in it, leading me to suspect that maybe Mr. T had some vacation time and wanted to leave early.  Either way, at least Canada’s space program was saved.

Episode 1.20 “Pros and Cons”

(Dir by Don McCutcheon, originally aired on May 23rd, 1988)

“In this episode,” Mr. T says, “some high-rolling crooks make a very big mistake when they pick on my Aunt Martha.”

Two con artists — Harry (Booth Savage) and Louise (Janet-Laine Green) — pretend to be members of law enforcement and trick T.S.’s Aunt Martha into withdrawing a good deal of money from the bank.  Martha thinks that she’s helping them catch a criminal but actually, she’s just given up her hard-earned money.  T.S. isn’t going to stand for that!  However, Martha doesn’t want to tell T.S., even though T.S.’s nice, Renee (Rachael Crawford) thinks that she should.

So, Renee decides to investigate on her own.  After rather easily stealing a book of mugshots from the police station, Renee shows it to Aunt Martha, who immediately identifies Harry and Louise.  By running a fake credit check on Louise, Renee and Aunt Martha are able to track them down to a ritzy hotel.  Renee dresses up like a maid and Aunt Martha dresses up like a rich guest and they infiltrate the hotel.

Meanwhile, T.S. is shocked to discover that a check that he wrote to fix his car has bounced.

“Why would it do that!?” T.S. demands.

T.S. and Amy go to Aunt Martha’s and find all of Renee and Martha’s notes.  Realizing that the two of them are confronting the con artists at the hotel, T.S. and Amy arrive just in time to see Harry and Louise trying to run from the hotel.  T.S. blocks Harry’s escape.  Harry grabs a mop and points it at T.S.

“Ain’t no way, brother,” T.S. replies.

T.S. subdues Harry by tossing him over a railing (don’t worry, Harry lands on a table) and Aunt Jackie punches out Louise.

The problem here is pretty obvious.  The name of the show is T and T, not Renee and Jackie.  The fun thing about this show is listening to T.S. growl at the criminals.  This episode pushed both Amy and T.S. to the side and, as such, it just wasn’t that much fun.  Sorry, Aunt Jackie!

Retro Television Reviews: T. and T. 1.17 “The Game” and 1.18 “A Victim of Fashion”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, Mr. T plays the game!

Episode 1.17 “The Game”

(Dir by Robert Malenfant, originally aired on May 2nd, 1988)

“In this episode,” Mr. T explains, “Amy and I disagree on tactics as I try to bring an end to a very dangerous game.”

Pam Richards (Cynthia Preston) and her boyfriend Nash Weaver (David Orth) are two spoiled rich kids, playing a dangerous game.  Nash steals some expensive dishes and silverwear from the home of his father (who is judge, no less) and, with Pam’s help, puts it in the locker of one of their shy classmates, Greg Walker (Victor Erdos).  Nash then calls the police, gives them an anonymous tip, and Greg is arrested.  Greg is only 14 but it appears that he’s going to be tried as an adult!  Canada is going to make an example out of him!

Fortunately, Greg’s attorney is Amy Taler and that means that T.S. Turner is on the case!  It doesn’t take T.S. long to figure out what happened.

“The way I see it,” he tells Amy, “the girl played decoy so they could plant stuff in Greg’s locker!  These are the type of games these kids are into.  I’m going to see if I can play too.”

T.S. stakes out Pam’s house.  Nash orders a pizza for him.  “I don’t eat while on duty,” T.S. growls.

That night, Nash and Pamela leave Nash’s house and break into a neighbor’s house.  T.S. follows them, just to discover that they’ve already left the house.  In the kitchen, T.S. finds a balloon that looks like an eyeball.  The balloon pops, revealing a note that reads, “We’re watching you too.”  Suddenly, the cops show up and arrest T.S!

Waiting outside the house, Nash tells T.S. to “give my regards to the boys in blue.”

“Give it to them yourself,” T.S. replies.

Nash and Pam claim that they were just going in the house to water the plants and T.S. is not charged with breaking and entering.  Detective Jones assures T.S. that he doesn’t like Nash much either, saying that the kid has been in trouble before but he’s never been charged.

“Why?” T.S. snarls, “Because his father’s a judge?”

T.S. returns to staking out Nash’s house.  (He’s eventually joined by Greg, who simply cannot believe that Pam would frame him.)  “These kids are not playing kid games!” T.S. says.  Eventually, Nash and Pam drive off to small warehouse.  When T.S. follows them, Nash pulls a gun on them.

“You want to go to prison?” T.S. demands, “You know what prison’s like?  Being locked up in the small cell, 24 hours!  After you shoot me, who is next?  Is it Pam?  How about your father …. BECAUSE HE’S A JUDGE!”

(T.S. is really hung up on that.)

Nash points the gun at his own head.

“It’s not worth it, brother!” T.S. shouts.

A sobbing Nash surrenders himself.

Later, T.S. tells Amy, “Nash was just a little frightened kid, reaching out for love and attention.”

Here’s the thing — this all happened over the course of 30 minutes running time.  As a result, Nash’s surrender seemed to come out of nowhere.  This is an episode that would have benefitted from a full hour.  As it is, this episode ends on a jarringly abrupt note and therefore, Nash’s surrender is neither as effective nor satisfying as it should have been.

Episode 1.18 “A Victim of Fashion”

(Dir by Don McCutcheon, originally aired on May 9th, 1988)

“In this episode,” Mr. T tells us, “the world of fashion loses its glamour as threats and murder come into play.”

“I’m not going to hire no tux and go to no bourgeois fashion show and that’s that!” T.S. Turner tells Amy when she informs him that he has no choice but to accompany her to an uptown fashion show.  This leads to a genuinely amusing scene in which Amy leads T.S. onto an elevator, where T.S. is suddenly grabbed by two men who proceed to …. get his measurements so they can rent him a tuxedo.

Fashion designer John Merrick (Richard Monette) has hired Amy and T.S. because he was mailed a slashed up picture of his top model, Anita (Tonya Williams).  Anita doesn’t know that she’s being stalked and Merrick wants T.S. to be her bodyguard without explaining why.  Tonya, for her part, is just happy to be famous enough to require a bodyguard.

“Please,” T.S. tells her, “call me T.S.”

“Okay,” Anita replies, “if you’ll tell me what it stands for.”

“Tree Surgeon.”

Who could the stalker be?  Could it be the long-haired man wandering around with a camera?  Of course it is!  This is only a 30 minute show so it’s not like there’s time to develop a lot of suspects.  However, it turns out that Lonzo (Patrick Brymer) was not really stalking Anita as much as he was demanding that Merrick admit to stealing Lonzo’s designs.  When Merrick tries to murder Lonzo, T.S. is there to save the day!  Yay!

Again, just as with the other episode I looked at this week, this is an episode that would have been considerably more effective with a 60-minute running time.  With only 30 minutes to tell the story, it felt rushed.  There was a lot of comedic potential to the idea letting Mr. T loose in the fashion world but sadly, there was enough time to get to any of it.

Next week — T.S. quips his way through another case!  Evildoers beware!

Retro Television Reviews: T and T 1.5 “The Drop” and 1.6 “Something In The Air”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, Mr. T takes on drug dealers and mad bombers!

Episode 1.5 “The Drop”

(Dir by Allan Kroeker, originally aired on February 8th, 1988)

“In this episode,” Mr. T tells us, “a kid’s life is shattered when he’s arrested for dealing drugs.  Amy and I try to pick the pieces, with some unexpected help from Renee!”

This episode begins with one of my favorite cop show clichés.  A suspected drug courier is grabbed by two cops.  They open the envelope that he was carrying and discover a white powder.  One of the cops puts some of the power on her fingers and then sticks her fingers in her mouth.

“High grade crack!” she announced.

Hey, just be happy it wasn’t anthrax!

In this case, the accused courier is a 14 year-old named Norm (Gerry Musgrave), who says that he has no idea what was in the envelopes and he was only carrying them because he answered a classified ad asking for delivery people.  However, the prosecution is determined to send a message by trying Norm as an adult!  Fortunately, Norm is friends with T.S.’s goddaughter, Renee (Rachael Crawford).  Renee brings T.S. and Amy onto the case.

“Loosen up, brother, you already convinced us,” T.S. tells Norm, “Now we just got to the convince the court.”

Norm moves into T.S.’s home, where he is looked after by the gospel-singing Aunt Martha (Jackie Robinson).  While Jackie helps Norm get settled in, Renee approaches T.S. and says, “I’ve seen the ads on crack.  I know what it does.”

“And you want to help Norm,” T.S. says, “Don’t get involved!  People dealing drugs are very dangerous!”

Renee does not take T.S.’s advice and instead, approaches the school drug dealer, Bob Douglas (Jeremy Ratchford).  She compliments Bob on his red trans am and Bob invites her to meet up with him at a local disco.  Renee’s friends tell her that she might be making a mistake but Renee snaps that she can’t look the other way like everyone else at school.

While Renee skips class so she can meet up with Bob at the most depressing nightclub I’ve ever seen (seriously, there’s just one very sad disco ball hanging over the dance floor), T.S. meets with Fat Sam, who is not fat and who is played by future television director Clark Johnson!  (As an actor, Johnson is probably best-known for playing Meldrick Lewis on Homicide and later Gus Johnson on The Wire.)

“Fat Sam,” T.S. says, “you’re the coolest dude I know!”

“As long as the dice keep rolling my way,” Fat Sam replies, “Rumor on the street has it that you’re looking for a specific crack dealer.”

“Be honest with you, Fat Sam,” T.S. replies, “I want to bust all the crack dealers but I want this one first.”

Fat Sam makes some phone calls and tells T.S. that the crack dealer he’s looking for is …. BOB DOUGLAS!

“Thanks, Fat Sam, I owe you one,” T.S. replies.

Meanwhile, Bob Douglas has taken Renee to his loft apartment!  When Bob discovers the Renee has been searching his apartment while he was distracted, Bob has a paranoid breakdown, accuses Renee of being a narc, and makes a run for it.  Fortunately, T.S. and Amy show up in time to catch him and clear Norm’s name!  Yay!

This episode suffered a bit because, for all the build-up, it turned out that all Amy and T.S. needed to do to prove Norm’s innocence was to get Fat Sam to make one phone call.  It felt a bit anticlimactic, to say the least.  This is a case where the limits of that 30-minute running time really worked against the story the show was trying to tell.  That said, Mr. T growling against crack is always enjoyable to watch.

Episode 1.6 “Something In The Air”

(Dir by Allan A. Goldstein, originally aired on February 15th, 1988)

“In this episode,” Mr. T tell us, “a radio DJ is the target of an angry phone caller.  While Amy fights to keep the D.J. on the air, I get to make a few calls of my own.”

After radio DJ PJ Reynolds (Lee Curreri) encourages his listeners to “take it to the streets,” one of his listeners blows up a mailbox.  The district attorney wants to take Reynolds off the air!  Fortunately, Reynold is a client of Amy Taler’s!  When Louney (Neil Munro), the smarmy D.A. tries to convince Amy and T.S. to deliver a court summons to the DJ, T.S. replies, “Sorry, brother.  We ain’t a delivery service!”

Because there’s only one explosives dealer in all of Canada, Turner confronts his friend Whisperer (Martin Donlevy) and demands to know who he has been selling to.  Whisperer says that he sold a timer to a man who said that he wanted to take down Reynolds.  “He sounded like someone who was used to getting what he wants.”  Somehow, T.S. figures that this means Louney is behind the bombings.  Turner needs Louney to call the show again but Reynolds has voluntarily taken himself off the air.

“Let’s talk responsibility,” Turner snaps at the DJ, “That’s the big talk!”

Convined that he has a responsibility, Reynolds goes back on the air and Louney can’t help but call him.  Though Louney hangs up before the police can trace the call, T.S. is staking out Louney’s house and, as soon as Louney steps outside with a briefcase bomb, Turner goes after him.  It leads to a car chase that ends with T.S. capturing Louney and forcing to Louney to defuse his latest bomb right before it detonates.

A grateful PJ promises that, from now on, he’s going to be “Mr. Mellow” on the air.  When Amy says she doesn’t think it’ll happen, PJ says, “You’ll have to tune in and see.”

“Not me, brother,” T.S. replies, “I’m going to stick to my TV …. it’s my favorite medium!”

I liked this episode because it stood up for free speech.  Any show that exposes a power-crazed bureaucrat, I’m going to enjoy.

Next week, Amy and T.S. search for …. THE SILVER ANGEL!

Retro Television Reviews: T. and T. 1.1 “Extortion in Chinatown” and 1.2 “Mug Shot”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

Now that we’ve finished up The Master, it’s time to review a new show on Fridays.  After much thought, I’ve decided to go with a Canadian show called T. and T., which featured Rocky III‘s Mr. T as an ex-con turned private investigator who worked for a crusading lawyer named Amy Thaler (Alex Amini).  Why did he work for Amy?  Let’s let the opening credits explain things:

The show was also produced in Canada for their Global Television Network but it aired in syndication in the United States and, despite the fact that it was technically a drama, each episode was only 30 minutes long.  So, feel free to think of T. and T. as being a part of the Degrassi Cinematic Universe.

Episode 1.1 “Extortion in Chinatown”

(Directed by Doug Williams, originally aired on January 11th, 1988)

“In this episode, an extortion ring turns up the heat in Chinatown.  It’s up to Amy and me to put out the fire!”

So begins the first episode of T and T, with Mr. T gruffly telling us what’s going to happen in the episode that we’re about to see.  This is followed by the opening credits, in which we get the backstory about how T.S. Turner (Mr. T) was thrown in prison for a crime he didn’t commit and how Amy Taler (Alex Amini) got him released so that he could work for her as a private investigator.  It’s a good thing that the opening credits tell us all that because the episode itself doesn’t provide any sort of backstory for T.S. or Amy.  If you were a viewer who missed the opening credits, you would have no idea why T.S. and Amy were working together.  To be honest, I’m a bit confused by the conditions of T.S.’s release.  It sounds like he was released specifically so he could work with Amy.  So, if Amy fires him, does that mean T.S. goes back to jail?

While leaving court, T.S. and Amy are approached by their teenage friend, Renee (Rachael Crawford), who introduces them to her friend, Kin Ling (Wayne Lam).  Kin explains that his father, Ho Ling (Harvey Chao), owns a grocery store in the city’s Asian district but that he is being extorted by a gangster named Quang (Leonard Chow).  Unfortunately, the Lings are undocumented and fearful of going to the authorities.  While Amy tries to make a deal with the prosecutor’s office to keep the Lings from being deported, T.S. confronts Quang at his health club.  T.S. tells Quang to back off so Quang sends his thugs down to a gym owned by T.S.’s friend, Decker (David Nerman).  When T.S. sees that Decker has been beaten up, he decides to confront Quang at his office.

“A couple of your boys took their chopsticks to a friend of mine, didn’t do his health no good!” T.S. explains to Quang.  Quang throws a ninja star at T.S., which causes T.S. to pass out.  Quang’s men stuff T.S. in the trunk of their car and drive out to a river so that they can dump his body.  However, it turns out that T.S. has woken up in the trunk and, as soon as they stop the car, T.S. bursts out of the trunk and tosses Quang’s men into river.

“I can’t swim!” one of them shouts.

“Then surf!” T.S. snaps back.

T.S. returns to Ling’s shop, just in time to capture Quang and to save the shop from being blown up.  (It’s a good thing he did, since both Amy and Ho Ling were tied up in the shop.)

“Mr. Quang,” T.S. says, “Don’t you know what is taken by force is lost by force?  So, take a long look around you because it’s going to be a long time before you see this place again!”

Later, at the courthouse, Amy informs Ho Ling that he was now have “official status” in Canada.  “Welcome aboard, brother,” T.S. adds.

This was an odd first episode.  You would expect the show to start with Amy getting T.S. out of jail and maybe some sort of explanation about how T.S. is now going to work as her private investigator.  Instead, as the show opens, it appears that Amy and T.S. have been partners for a while and there’s very little said about either one’s backstory.  As an introduction to the characters, the show failed but perhaps the backstory doesn’t matter when the star of the show is a performer like Mr. T.  As for show’s actual plot, it was a bit predictable and Quang was not exactly an intimidating villain but, with only a 30-minute running time, at least the action moved quickly.

Episode 1.2 “Mug Shot”

(Directed by George Mihalka, originally aired on January 25th, 1988)

“In this episode,” Mr. T informs us, “an innocent picture turns into a deadly situation as Amy and I get a lesson in photography.”

Sounds like fun!

“He sings pretty good but he just don’t rap!  And rappin’ is where it’s at!  Can you dig it?” is what Mr. T has to say when Amy asks him if he’s ever heard of a singer named Adam Dalton (Mark Holmes).  Dalton’s manager, Sam Roman (Rex Hagon), is suing Amy’s newest client, photographer Kate Richardson (Marnie McPhail).  Roman is suing for two million dollars because he wants possession of some pictures that Kate took of Dalton.  Kate is insulted that Roman is only willing to pay $5,000 for them.

Amy and Turner investigate why Roman is so determined to get those pictures and it turns out that is has nothing to do with Adam Dalton.  In fact, Dalton turns out to be a nice guy who takes Amy out to dinner and then insists on helping T.S. solve the case.  Instead, it turns out Kate took some pictures of the owner of a trucking company mere moments before he was murdered by a bunch of union goons.  Evil union boss Gallagher (Terry Harford) is pressuring Roman to get the pictures.  Take that, North American labor movement!

It may seem like a big case but, due to the show’s 30 minute run time, it’s resolved quickly.  Gallagher tries to attack Kate and Amy at Kate’s studio.  T.S. grabs him and tosses him through a door in slow motion.  Kate is so grateful that she gives T.S. a camera and Adam and Amy go to lunch.  Awwww!

This episode opened with a really fun scene in which Adam filmed a music video while surrounded by dancers who were holding plastic tommy guns.  And I actually enjoyed the scenes of the gruff T.S. Turner having to deal with the perpetually enthusiastic Adam.  That said, this is an episode that really would have benefitted from an extra 30 minutes.  The mystery was kind of intriguing but the resolution ultimately felt a bit too rushed.

Next week, T.S. confronts the man who framed him!

Titans, S1 Ep7 & 8, Asylum, Donna Troy Review By Case Wright,


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The asylum episode really didn’t have a lot going on.  Rachel’s mother is in an asylum and they rescue her. Rachel thought her mom was dead. Nope, just held hostage at the Evil Well-funded Psyche unit?  Sidenote: this psyche unit looks better funded than anything we have goin on in Seattle and we have a terrible homelessness problem.

Maybe, The Evil Group could franchise or just run our city for a couple of years?  The Evil Group catches Dick and mind messes with him and he burns his Robin suit.  That’s about it.  Nothing great.   Basically, it was a filler episode.

Donna Troy on the other hand is a fun episode.  Donna Troy was Wonder Woman’s sidekick and we dig deeper into that history.  It’s a lot more fun and goes deep into the inevitable PTSD heroes would have after years of violence.

The show opens back in Toronto…I mean Chicago.  Rachel and her mom have bonded overnight.  Really?! You haven’t seen her in…your whole life AND thought she was dead and you’re besties?! Word?

Dick’s “quit” … well kinda.  He can’t figure out what to do with himself.  So, he and Starfire break up and he heads to…..Vancouver..I guess.  Anywho, Donna Troi AKA Wonder Girl AKA Darkstar AKA My Canadian Girlfriend…I swear! She hasn’t quit, but she is a photographer.  I really didn’t know that was a photographer was a thing anymore.  I figured that it was de-professionalized like journalism by the internet and the iPhone.

Meanwhile, Starfire and the rest of the group are traveling to Rachel’s mom’s farmhouse in the middle of nowhere.  They get on a train and are nearly captured by the feds.

Dick is at Wonder Girl’s photography artshow and everything is normal.  Just kidding, she’s made a Faustian deal to get hard edged photos of warlords for a fee.  As you do.  She goes to meet some evil guys for a photo shoot, but Dick follows her and he sees the evil dudes and beats the crap out of them.  Donna is also quite the linguist and translates the pictures of an ancient language on Dick’s phone that will explain Rachel and her origin.  FUN!!!

She gets through to him that Dick not done with being a hero, but he is done with Robin.  Soon, he’ll be …. Nightwing!!!! Can’t wait!!!  Dick and Troi do some research on the texts and decide to head to the farmhouse.  Somehow they know the address and start heading on down.

Dick and Troi are still enroute and don’t think to give Rachel a ring.  At the farmhouse, Rachel does a mindmeld on Starfire.  BAD IDEA! She uncovers Starfire’s mission and identity to her.  Unfortunately for Rachel, Starfire’s mission is to kill Rachel and stop her from bringing about the gotterdammerung. Starfire wakes and starts choking Rachel!!!  SO EXCITING!!!

 

 

 

 

 

 

Titans S1 Ep 5, Together, Dir (Meera Menon)


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Hello again! It’s been exactly one month since the last Titans installment.  I was busy reviewing the steaming piece of trash that is Stranger Things 3.  Now, I’m back and I have to start banking reviews for October!!! Horrorthor is just around the corner as is Titans Season 2 due out in September!!!

This episode was all about bringing the team together and learning how to fight as one.  Now, I know this doesn’t sound terribly exciting, BUT this episode was actually one of my favorites.

The biggest reason is that I love this episode is because of the Director Meera Menon. She really knows how to direct a fight scene- a virtuoso! Like horror, a great action story can be filmed terribly, making you wish you’d done an extra load of laundry or it can draw you in and make you feel like part of the action.  Meera is the latter.  I haven’t seen action sequences directed this well since Blade I.  I was bummed to find out that she didn’t direct any additional Titans episodes.  If Greg Berlanti is reading my reviews- AND HE SHOULD- Meera is a real talent and will elevate any and all of your properties! Get her now while she’s affordable!

The episode has the gang on the run.  They hole up in a motel and try to assess their individual abilities.  This leads to a fun quasi-montage.  It also leads to the final consummation of the sexual tension between Dick Grayson and  Starfire.  They really play the tension well.  These two have CHEMISTRY!

The Nuclear Family has got a brand new Dad and they are in hot pursuit of the Titans, which leads to one of the best fight sequences that I have ever seen….REALLY.  Just awesome! Meera- get in touch with Dwayne Johnson!

After the fight, Dick figures out where the evil headquarters are located using his detective skills.  This sends him to Toronto…I mean evil Headquarters.  Dick confronts King Evil Pants and gets beaten A LOT by his henchmen….Until Jason Todd shows up and saves him.  This introduces the most psychopathic anti-hero since The Comedian.  The next episode review will about a WHODUNNIT!

Super cool!