Song of the Day: Never (by Heart)

Posted on July 21, 2016 by Arleigh

To say that the Wilson Sisters (Nancy and Ann) who fronted the band Heart will forever be crushes would be an understatement. These ladies, for a growing teenager whose hormones were on overdrive, were a surprising find during the early years of MTV when they actually showed music videos. The sisters and their band had already made their bones during the 70’s but for most boys and girls of my era it would be the “Big Hair” Era of hard rock during the 1980’s that would introduce Nancy and Ann Wilson to a new generation of fans.

I was already on board the Wilson train (Nancy being my favorite) with their two power ballads from their 1985 self-titled album, “Alone” and “These Dreams”, but these ladies were not just about power ballads. They could rock out with the best of their male counterparts. The fact that both Ann and Nancy were accomplished singers in their own right put them heads and shoulders above most of the hard rock frontmen. Ann Wilson could belt out a tune, hold a note for ages and not lose any power behind those vocals. Nancy would do back-up duties, but no less impressive as a soprano, but it would be her work as lead guitarist that would mesmerize a certain young teenager.

It would be in the track “Never” that the band busts out their hard rock chops. They sure don’t make bands like these anymore. These ladies rocked then and they rock now. Rock on, ladies!

Never

Hey baby I’m talking to you
Stop yourself and listen
Some things you can never never choose
Even if you try, yeah
You’re bangin’ your head again
‘Cause somebody won’t let you in
One chance . . . one love
Your chance to let me know

We can’t go on
Just running away
If we stay any longer
We will surely never get away
Anything you want—we can make it happen
Stand up and turn around
Never let them shoot us down
Never—Never
Never—Never run away

Hey baby you know it’s true
Why you bother lying when you know
That you want it too
Don’t you dare deny me
Walk those legs right over here
Give me what I’m dying for
One chance . . . one love
Hold me down never let me go

We can’t go on
Just running away
If we wait any longer
We will surely never get away
Anything you want—we can make it happen
Stand up and turn around
Never let them shoot us down
Never—Never
Never—Never run away
Never—Never
Never—Never run away

Hey baby I’m talking to you
Stop yourself and listen
Some things you can never choose
Even if you try, yeah
You’re bangin’ your head again
‘Cause somebody won’t let you in
One chance . . . one love
Your chance to let me know

We can’t go on
Just running away
If we stay any longer
We will surely never get away

OO OO Never
OO OO Never

We can’t go on Never
We can’t go on Never

OO OO Never
OO OO Never

We can’t go on Never
We can’t go on Never

Song of the Day: 1980’s Edition

Song of the Day: Hazy Shade of Winter (by The Bangles)

Posted on July 19, 2016 by Arleigh

Another song from my youth during the 80’s is the classic rock song from the all-girl rock band The Bangles. It makes an appearance in a later episode of Netflix’s Stranger Things, but it’s better known as the unofficial anthem for the drug-fueled drama Less Than Zero starring a very young (and rumors abound of being very drugged out) Robert Downey, Jr.

Less Than Zero was adapted from a novel written by the 80’s agent provocateur Bret Easton Ellis. It definitely was part of the list of 80’s films that all the teens wanted to see. It being rated-R meant double the temptation. It was a film that both celebrated and condemned the Reagan-era yuppie culture that was fueled by excess amount of drugs, alcohol and sex.

The song “Hazy Shade of Winter” would become part of the film’s soundtrack and The Bangles had been tasked with covering the Simon & Garfunkel song of the same title. Where the former was more attuned to the duo’s folk sensibilities, the cover by The Bangles would put a harder edge to the song which made for a nice complement to the rough edges of the film.

Oh, I still have a major crush on Sussana Hoffs to this very day.

Hazy Shade of Winter

Time, time, time
See what’s become of me…

Time, time, time
See what’s become of me
While I looked around
For my possibilities
I was so hard to please

Look around
Leaves are brown
And the sky
Is a Hazy Shade of Winter

Hear the Salvation Army Band
Down by the riverside
It’s bound to be a better ride
Than what you’ve got planned
Carry a cup in your hand

Look around
Leaves are brown
And the sky
Is a Hazy Shade of Winter

Hang onto your hopes my friend
That’s an easy thing to say
But if your hopes should pass away
Simply pretend
That you can build them again

Look around
Grass is high
Fields are ripe
It’s the springtime of my life

Seasons change with their scenery
Weaving time in a tapestry
Won’t you stop and remember me

Look around
Leaves are brown
And the sky
Is a Hazy Shade of Winter

Look around
Leaves are brown
There’s a patch of snow on the ground
Look around
Leaves are brown
There’s a patch of snow on the ground
Look around
Leaves are brown
There’s a patch of snow on the ground

Song of the Day: 1980’s Edition

Everybody Wants To Rule The World (by Tears for Fears)

Song of the Day: Everybody Wants To Rule The World (by Tears for Fears)

Posted on July 18, 2016 by Arleigh

I will readily admit that I am a child of the 80’s. I grew up listening to 80’s music whether it was metal (though I didn’t truly listen to them until the 90’s), rap all the way to synthpop and new wave which became quite popular during the decade with groups such as Depeche Mode, INXS, Duran Duran and The Cure. One band which I listened to quite a bit during the mid-80’s was the British new wave band Tears For Fears. It’s from this band that the latest “Song of the Day” comes from: “Everybody Wants To Rule The World”.

The song is actually an 80’s classic that has stood the test of time and musical taste. While many scoff and ridicule most of the pop songs which blew up during the 80’s this particular song from Tears For Fears was never one of them. While the song does have a foundation in the synthpop sound of the time the song itself doesn’t really sound like most of the 80’s pop music. The lyrics are socially aware without being too preachy. In fact, if one was to listen to the song now it’s original message of limitless optimism in the future for everyone actually sounds a bit selfish in today’s social climate.

The song has been covered quite a bit by many singers and bands of different stripes from such groups as The Dresden Dolls, Clare & The Reasons and Dru Hill right up to the pop punk band Care Bares on Fire whose cover was used during the end credits for Season 5, Episode 9 of True Blood.

Let this song kick-off my 80’s music revival and all of it due to the awesome inclusion of some classic 80’s pop tracks in the equally awesome and great new Netflix series, Stranger Things.

Everybody Wants To Rule The World

Welcome to your life
There’s no turning back
Even while we sleep
We will find you acting on your best behavior
Turn your back on Mother Nature
Everybody wants to rule the world

It’s my own design
It’s my own remorse
Help me to decide
Help me make the most
Of freedom and of pleasure
Nothing ever lasts forever
Everybody wants to rule the world

There’s a room where the light won’t find you
Holding hands while the walls come tumbling down
When they do I’ll be right behind you
So glad we’ve almost made it
So sad they had to fade it
Everybody wants to rule the world

I can’t stand this indecision
Married with a lack of vision
Everybody wants to rule the world
Say that you’ll never never never never need it
One headline why believe it?
Everybody wants to rule the world

All for freedom and for pleasure
Nothing ever lasts forever
Everybody wants to rule the world

Song of the Day: Light of the Seven (by Ramin Djawadi)

Posted on June 27, 2016 by Arleigh

“Cersei of the House Lannister, the First of Her Name, Queen of the Andals and the First Men, Protector of the Seven Kingdoms….Long may she reign.” — Qyburn

To all of those who watch each new episode of Game of Thrones, last night’s episode was a classic in the making. It was the sort of episode that convinced millions 6 years ago to take a chance and watch an HBO series about a medieval fantasy series about royal politics, dragons, living dead, royal incest and lots and lots of sex and violence.

The series is based on the ongoing epic fantasy novel series by novelist George R.R. Martin. A series called A Song of Ice and Fire, tonight’s episode delivered on both the fire and ice. As we see the players on the Great Game cut down violently by the machinations of one Dowager Queen (and now Queen and first of her name), the fantasy realm of Westeros is now down to three Great Houses as the show finishes it’s sixth season with just two more to go.

One thing the series has always had to complement the outstanding performances of the ensemble cast, the epic work of directors in the singularly classic episodes 9’s (names such as Neil Marshall and Miguel Sapochnik come to mind) and the very good to great writing, it would be the series composer Ramin Djawadi and the work he has brought onto the show.

The show’s main theme is as recognizable nowadays as any John Williams, Howard Shore and James Horner piece. It’s a theme that’s become part of pop culture lexicon. There’s been other themes in the show that has been just as good. Yet, with the season finale of season 6 a new theme comes to the forefront that will be put on repeat as loyal viewers young and old watch and re-watch this season finale.

It’s a subtle theme of a single piano playing a solemn, melancholy lullaby. It’s soon to be joined by a single cello before another transition that adds the singular voice of a choirboy (the better to accentuate that this theme is one of the Seven Gods of Westeros). The song goes from that solemn lullaby and into a climactic dirge as the organ joins in to almost drown the piano and cello.

For those who saw that opening sequence of the season finale should appreciate just how well “Light of the Seven” made everything so much better once the dust settled and the world of Game of Thrones was changed forever once again.

Song of the Day: Band of Brothers Theme (by Michael Kamen)

Posted on May 30, 2016 by Arleigh

In what’s become an annual tradition in the Sandoc household since it first aired, Band of Brothers will be marathoned (and of late it’s companion series The Pacific)

The series was produced by both Steven Spielberg and Tom Hanks who years before made the equally powerful film Saving Private Ryan. That film introduced the younger generation of today about the true details of heroism and horror that was World War II. What was becoming a dry and academic exercise in schools was suddenly given life in the vivid and heartbreaking imagery as seen through the eyes of Spielberg and the personal accounts of the men of the “Greatest Generation” who went to war and survived to tell their tales.

Band of Brothers would take the accounts of Easy Company of the 501st Parachute Regiment of the 101st Airborne Division from their time at boot camp at Camp Toccoa, Georgia through training in England and then the war zones of France, the Netherlands, Belgium and, finally, Germany itself. This series wasn’t about made up soldiers and heroes, but the real ones who survived over a year of constant battle that saw some acquit themselves bravely while others failing to measure up.

The series was a production that had everyone at the top of their game. One such person was Michael Kamen who would compose the series’ orchestral score. It would be one of the last compositions he would create before his death in 2003. Nothing helped set the tone for the series more than the opening theme which accompanied the opening credits for each of the ten episodes.

In honor of Memorial Day, it is this opening theme from Band of Brothers which is the “Song of the Day.”

Happy Loyalty Day From The Shattered Lens!

Posted on May 1, 2016 by Lisa Marie Bowman

Oh my God, did you know that it’s Loyalty Day!?

Well, actually, that’s only true for some of our readers. I’m very proud to say that we have readers spread across the world. We even have a bureau in Brazil, which is headed up by Alexandre Rothier.

So, it’s not Loyalty Day for everyone. In fact, a lot of the world’s citizens are celebrating May Day today. However, here in the United States, it’s Loyalty Day. Even if you are an American, it’s possible that you’ve never heard of Loyalty Day. It was first celebrated in 1921 and it was intended to provide a non-Communist alternative to International Workers Day. It wasn’t until 1955 that Loyalty Day was officially recognized by Congress.

From Wikipedia:

Loyalty Day is defined as follows in 36 U.S.C. § 115:

(a) Designation.— May 1 is Loyalty Day.
(b) Purpose.— Loyalty Day is a special day for the reaffirmation of loyalty to the United States and for the recognition of the heritage of American freedom.
(c) Proclamation.— The President is requested to issue a proclamation—
- (1) calling on United States Government officials to display the flag of the United States on all Government buildings on Loyalty Day; and
- (2) inviting the people of the United States to observe Loyalty Day with appropriate ceremonies in schools and other suitable places.

In honor of this day, my sister and I woke up this morning and the first thing we did was sing the most pro-American song that we could think of.

Which song was that?

This one!

America — FUCK YEAH! Happy Loyalty Day, American readers!

Song of the Day: Did You See Jackie Robinson Hit That Ball? (performed by Count Basie And His Orchestra)

Posted on April 15, 2016 by Dazzling Erin

Happy Jackie Robinson Day!

Lyrics (by Woodrow Buddy Johnson):

Did you see Jackie Robinson hit that ball?
It went zoomin cross the left field wall.
Yeah boy, yes, yes. Jackie hit that ball.

And when he swung his bat,
the crowd went wild,
because he knocked that ball a solid mile.
Yeah boy, yes, yes. Jackie hit that ball.

Satchel Paige is mellow,
so is Campanella,
Newcombe and Doby, too.
But it’s a natural fact,
when Jackie comes to bat,
the other team is through.

Did you see Jackie Robinson hit that ball?
Did he hit it? Yeah, and that ain’t all.
He stole home.
Yes, yes, Jackie’s real gone.

Did you see Jackie Robinson hit that ball?
Did he hit it? Yeah, and that ain’t all.
He stole home.
Yes, yes, Jackie’s real gone.
Jackie’s is a real gone guy.

As a bonus, here’s Jackie Robinson stealing home plate at the 1955 world series! Yogi Berra said Jackie was out. The umpire disagreed.

Song of the Day: Johnny B. Goode (by Chuck Berry)

Posted on March 6, 2016 by Arleigh

No list of great guitar riffs would be taken seriously if it didn’t include one of the greatest rock and roll songs (for some, THE greatest) with one of the most recognizable opening guitar riffs. It is this song which makes the next on the latest “Song of the Day” series focusing on great guitar riffs.

Chuck Berry’s “Johnny B. Goode” was released in 1958 by Chess Records and it quickly rose up the charts. This was the early days of rock and roll. As musicians and bands began to combine the rhythm of blues to the tempo of gospel music, more and more people began to discover what will become rock and roll. It helped that starts such as Elvis Presley would push this so-called “rebellious music” right up the mainstream public whether the moral authority accepted it or not.

One artist who would pave the way for this growing musical trend was Chuck Berry and he would never get a hit as influential and as popular as “Johnny B. Goode”. This song and it’s riff would become his signature song right up to his death and would influence countless others artists right up to this day.

The song itself would become part of another iconic pop culture event when it became a major plot device for Robert Zemeckis’ first Back to the Future. So many different musicians and bands from all corners of the musical landscape that one would be hard-pressed to find someone who didn’t know the song “Johnny B. Goode” in one for or another.

Johnny B. Goode

Deep down Louisiana close to New Orleans,
Way back up in the woods among the evergreens
There stood a log cabin made of earth and wood,
Where lived a country boy named of Johnny B. Goode
Who never ever learned to read or write so well,
But he could play the guitar like ringing a bell.

[Chorus:]
Go Go
Go Johnny Go
Go Go
Johnny B. Goode

He use to carry his guitar in a gunny sack
Or sit beneath the trees by the railroad track.
Oh, the engineers used to see him sitting in the shade,
Strumming with the rhythm that the drivers made.
The People passing by, they would stop and say
Oh my that little country boy could play

[Chorus]

His mother told him someday you will be a man,
And you would be the leader of a big old band.
Many people coming from miles around
To hear you play your music when the sun go down
Maybe someday your name will be in lights
Saying Johnny B. Goode tonight.

Great Guitar Riffs Series

Back In Black (by AC/DC)

Great Guitar Solos Series

Song of the Day: Back In Black (by AC/DC)

Posted on March 2, 2016 by Arleigh

Last year, I did a mini-series of “Song of the Day” that featured some of my favorite rock and metal guitar solos. This time around I plan to showcase some of my favorite guitar riffs from the world of rock and metal. I’ll be limiting my choice on the metal side to the basic metal. I’m not as well-versed on the more unique and esoteric offshoots of metal. For that one must go to our resident metal intellectual necromoonyeti.

To start things off is a classic hard rock tune the began the post-Bon Scott Era (the band’s previous frontman who had tragically passed away before recording this follow-up album). The band would tap ex-Geordie frontman Brian Johnson to front the band. The rest as they say is rock history.

The Back In Black album would become one of the biggest-selling rock albums in history and it’s title track would become just one of many platinum-certified hits from that album. The song would become not just one of rock’s greatest songs, but become a pop icon as films, tv shows and event sporting events would use it’s iconic opening riff and follow-up melody to celebrate one’s rebellious nature.

Back In Black

Back in black
I hit the sack
It’s been too long I’m glad to be back
Yes, I’m let loose
From the noose
That’s kept me hanging around
I’ve been looking at the sky
and it’s gettin’ me high
Forget the hearse ’cause I never die
I got nine lives
Cats eyes
Cruisin’ every woman, never wonderin’ why

CHORUS:
‘Cause I’m back
Yes, I’m back
Well, I’m back
Yes, I’m back
Well, I’m back, back
Well I’m back in black
Yes, I’m back in black

Back in the back
Of a Cadillac
Number one with a bullet, I’m a power pack
Yes, I’m in a bang
With a gang
They’ve got to catch me if they want me to hang
Cause I’m back on the track
And I’m beatin’ the flack
Nobody’s gonna get me on another rap
So look at me now
I’m just makin’ my play
Don’t try to push your luck, just get out of my way

CHORUS

Well, I’m back, Yes I’m back
Well, I’m back, Yes I’m back
Well, I’m back, back
Well I’m back in black
Yes I’m back in black

hooo yeah
Ohh yeah
Yes I am
Oooh yeah, yeah Oh yeah
Back in now
Well I’m back, I’m back
Back, I’m back
Back, I’m back
Back, I’m back
Back, I’m back
Back
Back in black
Yes I’m back in black

Song of the Day: Sarabande from Keyboard suite in D minor (HWV 437) (composed by George Frideric Handel)

Posted on February 10, 2016 by Lisa Marie Bowman

Believe it or not, I have a song of the day blog. It’s imaginatively entitled Lisa Marie’s Song of The Day and, ever since last summer, I have used to share, on a daily basis, my appreciation of EDM and Britney Spears. Yesterday, I shared something from The Chemical Brothers and, later today, I’ll be sharing a song from Fitz and The Tantrums.

But you know what? I’m in a musical mood today. Perhaps it’s because it’s Ash Wednesday and I’ve promised to give up excessive negativity for Lent. For that reason, I’ve decided to share two songs of the day, one on Lisa Marie’s Song of the Day and one here at the Shattered Lens.

And the song that I’m sharing here is the Sarabande from Handel’s Keyboard suite in D minor (HWV 437). Why am I sharing it? Well, I caught the end credits of Barry Lyndon last night on TCM and I was reminded of how much I love this piece of music. Thank you, TCM!

Enjoy and stay supple!