Music Video of the Day: Take Me To Hell by Chloe Adams (2024, dir by Dan Erman)


This is not a Halloween song per se but it still feels appropriate for the season. Chloe sings that she’d rather go to Hell and have fun than go to Heaven and be bored.  It sounds like someone just took a class on Paradise Lost.

“This is my job!”

I remember I saw a play in college where Hell was represented by lighting filters that were as red as my glorious hair.  Unfortunately, someone screwed up and even the scenes that weren’t taking place in Hell were tinted red.  Afterwards, I told the film’s cast, “You all were in Hell the entire time!” and they thought I was just referring to how much they disliked appearing in the play.

Anyway, where was I?  It’s late.  I’m rambling.

Enjoy!

Horror Song of the Day: Something Wicked This Way Comes by Barry Adamson


Today’s song of the day is Something Wicked This Way Comes, by Barry Adamson.

This instrumental work appeared on the soundtrack for David Lynch’s 1997 film, Lost Highway, and its one of my favorite pieces of music.  It’s amongst the songs that I tend to play whenever I’m dealing with writer’s block or if I just need an extra boost of energy to finish up a project.  This song also seems like the perfect way to kick off the second half of October and our annual horrorthon!

I also have to say that the video below, which was put together by Jessie Essex, is amazingly cool.

 

Music Video of the Day: Apology by Dana Dentata (2024, dir by Kathleen Dycacio)


This video definitely has a decadent Halloween sort of feel to it.  One gets the feeling that it’s actually about an ancient pagan priestess come back to life, to the appreciation of her adoring fans.

Enjoy!

Music Video of the Day: California Rain by Syamali (2024, dir by ????)


Technically, this isn’t a Halloween or a horror video, unless you live in California and you really hate the rain.  But the foggy imagery and the deserted streets and the nighttime cinematography are definitely appropriate for the season.

Enjoy!

Song of the Day: Ed Wood by Howard Shore


Today is the 100th birthday of the pioneering indie director, Edward D. Wood, Jr!

Today’s song of the day is the theme from Tim Burton’s 1994 biopic of the director.  In my opinion, this remains Burton’s first film.  Burton also directed the musical video below while the great Toni Basil choreographed.  And, best of all, the dancer is named Lisa Marie!

Happy birthday, Ed, wherever you may be.

Music Video of the Day: Whisper by voyeur (2024, directed by Kahyl Cooper)


Listening to this song, I thought it sounded exactly like the type of music that I like and that I wish more bands were performing.  Then I read the comments on YouTube, full of people praising the band and video for embracing a retro aesthetic and I realized that, today, retro means anything that I thought was cool in the years before I hit 20

Never before have I felt so old.  I know it happens to everyone eventually but I still had no idea that it would be the YouTube commentariat who would plunge me to straight into a midlife crisis.

Enjoy!

Book Review: Revolution In The Head by Ian MacDonald


Since today would have been the 84th birthday of John Lennon, I want to take a minute to recommend a book called Revolution In The Head.

First published in 1994 and subsequently revised two more times, Revolution In The Head is both a chronological history of the songs that the Beatles recorded and a cultural history of the 60s.  By examining the recording of each song, Ian MacDonald not only describes how each song reflects (or doesn’t reflect) what was happening in the group at the time but also how the Beatles’s changing sound reflected what was happening in the world at the time.  Author Ian MacDonald was clearly a Beatles fan but, more importantly, he was not an apologist and, in the book, he’s just as quick to criticize as he is to praise.  While he praises the majority of the band’s recordings, there’s more than a few that he totally dismisses.  It’s a well-researched and passionately argued book, one that makes interesting reading for both fans of the group and history nerds like myself.

As for the Beatles themselves, they come across as fully developed people.  MacDonald neither idealizes nor demonizes the group and instead focuses on the idea of them as working musicians who usually collaborated well together as a group but sometimes feared and resented that they were losing their individual identities.  Neither Lennon nor Paul McCartney are presented as being saints and MacDonald doesn’t shy away from showing how frayed their relationship had become by the time the group split up.  (They’re portrayed as developing a classic love/hate relationship with each other.)  But both are also presented as being talented artists who were capable of creating beautiful music that would survive the test of time.  For all the conflict and for all the times that Lennon complained about McCartney’s commercial sensibilities and for all the times that McCartney complained that Lennon was not committed to keeping the Beatles going, they were still capable of creating songs like Eleanor Rigby and A Day In The Life.

A lot of Beatles fans will probably disagree with MacDonald’s opinions.  He’s surprisingly dismissive of a lot of George Harrison’s songs, including the wonderful While My Guitar Gently Weeps.  But that’s okay!  There’s nothing wrong with having differing opinions.  It’s actually a good thing.

Music Video of the Day: Trouble by Ghost Cop (2024, directed by Sean Dack and Lucy Swope)


This song is off of Ghost Cop’s 2nd album, Trouble, which was released on October 4th.  For those who may not have heard of them before (and they’re new to me as well), Ghost Cop is based in New York and is comprised of Sean Dack and Lucy Swope.  I like Ghost Cop’s sound and I look forward to discovering more of their music.

Dack and Swope are not only Ghost Cop but they also directed this video.

Enjoy!