Horror On The Lens: Invasion of the Saucer Men (dir by Edward Cahn)


Invasion of The Saucer Men

The poster above pretty much epitomizes everything that I love about old B-movies.  Between the aliens and the poster’s promise that we’re being given the chance to “SEE (the) night the world nearly ended…!,” it’s hard to resist the temptation to give Invasion of the Saucer Men a chance.

First released in 1957, Invasion of the Saucer Men is, in many ways, a standard alien invasion film.  Aliens land in a small town and cause a lot of inconvenience for a bunch of all-American teenagers who are just looking for a place to make out.  What sets Invasion of the Saucer Men apart is that it’s meant to intentionally humorous and the aliens totally kick ass.

So, here is today’s edition of Horror On The Lens: Invasion of the Saucer Men!

Music Video of the Day: Freedom by Alice Cooper (1987, directed by ????)


Alice Cooper singing about freedom is exactly what we all need to hear today.

This song was the first and only single off of Alice Cooper’s seventeenth solo album, Raise Your Fist and Yell.  Despite celebrating freedom and being promoted by the music video above, the single failed to chart in the United States.  However, in the UK, it reached #50 in the charts.  Maybe across the pond, it was better appreciated that the video featured Rambo on guitar.  (That’s actually Kane Roberts on guitar.  Roberts co-wrote this song and is a legitimate rock and roll great.  The presence of Roberts makes it easier to forgive the fact that Kip Winger played bass on Freedom.)

This song came out at around the same time that the Senate was investigating rock music and there was a strong push for warning labels to be put on albums.  This song was Cooper’s response to the Tipper Gores of the world.  “Stop pretending you’ve never been bad,” the lyrics say before going on to take a stand for freedom of speech.

Enjoy!

Horror on TV: Baywatch Nights 2.19 “The Eighth Seal” (dir by Jon Cassar)


NM

Tonight’s episode of Baywatch Nights, The Eighth Seal, was originally broadcast on April 26th, 1997 and it features David Hasselhoff getting possessed.

You really haven’t lived until you’ve seen David Hasselhoff play possessed.

Enjoy!

Witchcraft IX: Bitter Harvest (1997, directed Michael Paul Girard)


Will Spanner (played, for a second time, by David Byrnes) returns in Witchcraft IX!

Will is still the son of a warlock, he’s still dead, and his girlfriend is still named Kelli (she’s played, this time, by Leah Kourtne Ballantine) but otherwise, the continuity of the entire franchise gets seriously twisted in Witchcraft IXWitchcraft VII ended up with Will dead and everyone knowing that Will was dead.  This was followed by Witchcraft VIII, which was a stand-alone film about a different warlock.  Witchcraft IX then begins with no one knowing that Will is dead and an imposter Will living with Kelli and regularly choking her during sex.  Will’s ghost roams the city, trying to get anyone to listen to him.  Though Will was clean-shaven when he died, ghost Will has a beard.

While Will is trying to find someone who can hear him, Detective Lutz (Stephanie Beaton) and Garner (Mikul Robins) are investigating yet another series of ritualistic homicides.  This time, the homicides are connected to an Egyptian cult as opposed to a Satanic one.  Usually, Lutz and Garner would turn to Will for help but, because imposter Will is a jerk, they don’t want anything more to do with him.  Of course, in Witchcraft VII, Lutz and Garner saw Will die but apparently, they’ve forgotten about that and think that he’s still alive.  See how confusing this is?

Will finally does find someone who can hear his voice.  She’s a prostitute named Sheila (Landon Hall) and soon, Will is using her to deliver messages to Lutz, Garner, and Kelli.  He even enters her body at one point.  Witchcraft IX is basically a softcore version of Ghost, with an Egyptian cult thrown in for good measure.

Whatever other flaws they may have had, the previous Witchcraft films all did try to maintain a recognizable continuity.  That’s what made them stand out when compared to other direct-to-video franchises.  Even though the actors changed, Will always remained the same character with the same problems.  In Witchcraft IX, all of that continuity gets tossed out the window.  The one emotionally effective moment of the entire franchise, Will dying and being mourned by everyone who cared for him, is retconned into nothing.

Witchcraft IX suffers from its low budget and its impossible to follow plot but Landon Hall and Stephanie Beaton are surprisingly good as Sheila and Lutz and David Byrnes is a passable hero.  Though Will does come back to life at the end of this one, he would still be absent in the next film.  In Witchcraft X, Detective Lutz would finally get a story all of her own.

Game Review: What the Bus (2020, E. Joyce)


This game is an entrant in the 2020 Interactive Fiction competition.  All of the entrants can be played here.

This game starts off with a premise that anyone has ever had to rely on mass transit can relate to.  You’re waiting for the #44 Bus so that you can ride it to the station where you have to catch your train.  However, while you’re waiting, you get a notification telling you that your bus is running 40 minutes behind schedule!

Do you try to catch another bus?  Do you try to catch a different train?  Or do you just suck it up and wait for your bus to arrive?  Choose carefully because the world is strange and who knows where all of these buses and trains could be going.  I consistently failed to pick wisely and I ended up more lost than I was before.

There are 10 different endings that you can get at the end of this game, depending on which bus or train you decide to take.  Among the endings I’ve gotten, I’ve found myself trapped in a train station and I’ve also entered into a strange parallel dimension.  I have yet to actually get to where I needed to go.  Anyone who has ever had to deal with MTA Maryland or tried to navigate the subways in New York or the Underground in London will be able to relate.  It’s a universal game, one to which we can all relate and which everyone should be able to enjoy.  We’ve all been there.

You can play it here.  Good luck!

 

Horror Scenes I Love: Klaus Kinski and Bruno Ganz have dinner in Nosferatu


Nosferatu (1979, dir by Werner Herzog)

Since today is Klaus Kinksi’s birthday, it makes sense that he should be featured in today’s scene of the day.  In this scene from Werner Herzog’s 1979 film, Nosferatu, Klaus Kinski and Bruno Ganz have dinner.  Of course, in this scenario, Bruno Ganz is Jonathan Harker while Kinski is Dracula.

(In the original, silent Nosferatu, Harker’s name was changed to Thomas Hutter while Dracula was called Count Orlok.  By the time Herzog shot his version, the characters were in the public domain and there was no longer any need to pretend that Nosferatu wasn’t an adaptation of Bram Stoker’s novel.)

Enjoy!

4 Shots From 4 Films: Special Klaus Kinski Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

94 years ago today, the infamous but incredibly talented Klaus Kisnki was born.  Though Kinski appeared in many genres of film, he was an actor who seemed to be well-suited for horror films.  Today, we honor that legacy with….

4 Shots From 4 Films

Aguirre The Wrath of God (1972, dir by Werner Herzog)

Nosferatu (1979, dir by Werner Herzog)

Crawlspace (1986, dir by David Schmoeller)

Nosferatu in Venice (1988, dir by Augusto Caminito and Klaus Kinski)

Horror On The Lens: The House On Haunted Hill (dir by William Castle)


The original The House on Haunted Hill is a classic and one that we make it a point to share every Halloween.  And since October is halfway over, now seems like the perfect time to do so!

Be sure to check out Gary’s review by clicking here!

Enjoy Vincent Price at his best!