Horror On The Lens: Messiah of Evil (dir by Willard Huyck and Gloria Katz)


With only one day left until Halloween, I wanted to make sure that I continued an important tradition here at the Shattered Lens by sharing this film with our faithful and wonderful readers.  Messiah of Evil was first released in 1973 and, since it’s in the public domain, it has since been included in a countless number of bargain box sets from Mill Creek.

I can still remember the first time that I saw Messiah of Evil.  It was on a Monday night, many years ago.  I had recently picked up a 10-movie DVD box set called Tales of Terror and I was using the movies inside to try to deal with a bout of insomnia.  I had already watched The Hatchet Murders (a.k,a. Deep Red) and The House At The Edge of the Park and, at two in the morning, I was faced with a decision.  Should I try to sleep or should I watch one more movie?

Naturally, I chose to watch one more movie and the movie I chose was Messiah of Evil.  So, there I was at two in the morning, sitting at the edge of my bed in my underwear and watching an obscure horror movie while rain fell outside.

And, seriously — this movie totally FREAKED me out!

Messiah of Evil tells the story of Arletty (Marianna Hill), a neurotic woman who drives to an isolated California town in order to visit her father.  Her father is an artist who specializes in painting eerie pictures of large groups of black-clad people.  However, once she arrives at his home, Arletty discovers that her father has vanished and left behind a diary where he claims that a darkness has overtaken the town.

Meanwhile, a mysterious man named Thom (Michael Greer) is wandering about town with two groupies (played by Anita Ford and Joy Bang) and interviewing random townspeople.  One crazed man (Elisha Cook, Jr.) explains that “the dark stranger” is returning.  After meeting Arletty, they all end up moving into her father’s house.

But that’s not all.   There’s also an odd albino man who shows up driving truck and who eats mice….

Messiah of Evil is literally one of the strangest films that I’ve ever seen.  It’s shot in a dream-like fashion and the much of the film is left open to the viewer’s interpretation.  There are two classic scenes — one that takes place in a super market and one that takes place in a movie theater and the movie’s worth watching for these two scenes alone.

Messiah of Evil is a film that will be appreciated by all lovers of surrealism and intelligent horror and I’m happy to share it with you today.

Live Tweet Alert: Join #FridayNightFlix for Black Sabbath!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  Join us for Mario Bava’s Black Sabbath!

If you want to join us this Friday, just hop onto twitter, find Black Sabbath on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

Horror Song of the Day: Mr. Sandman by The Chordettes


Today’s song of the day probably seems like an obvious choice.  That’s okay, though.  Thanks to John Carpenter, this sweet little song about teen love became an anthem of impending horror.  None of the Chordettes are with us anymore.  I would love to know what they may or may not have thought about Carpenter’s use of their song in Halloween.

I’d like to think they would have appreciated it.  Michael Myers may not have had hair like Liberace but he did have a mask that looked a lot like William Shatner.

Mr. Sandman, bring me a dream (bom, bom, bom, bom)
Make him the cutest that I’ve ever seen (bom, bom, bom, bom)
Give him two lips like roses and clover (bom, bom, bom, bom)
Then tell him that his lonesome nights are over

Sandman, I’m so alone (bom, bom, bom, bom)
Don’t have nobody to call my own (bom, bom, bom, bom)
Please turn on your magic beam
Mr. Sandman, bring me a dream

Mr. Sandman, bring me a dream
Make him the cutest that I’ve ever seen
Give him the word that I’m not a rover
Then tell him that his lonesome nights are over

Sandman, I’m so alone
Don’t have nobody to call my own
Please turn on your magic beam (woah)
Mr. Sandman, bring me a dream

Mr. Sandman (yes?) bring us a dream
Give him a pair of eyes with a “come-hither” gleam
Give him a lonely heart like Pagliacci
And lots of wavy hair like Liberace

Mr. Sandman, someone to hold (someone to hold)
Would be so peachy before we’re too old
So please turn on your magic beam

Mr. Sandman, bring us
Please, please, please, Mr. Sandman
Bring us a dream

Songwriters: Clifford Smith / Robert F. Diggs / Jason S. Hunter

Scenes That I Love: Boris Karloff Tells A Story In Targets


In the 1968 film, Targets, Boris Karloff gave one of his final performances.  It was also one of his best.

Karloff played an aging horror actor named Byron Orlok, a role that was based on Karloff himself.  Though once a huge star, Orlok’s style of horror has gone out of fashion.  As he explains it, the real world has gotten so scary that his horror films are now tame by comparison.  In this scene, Orlok proves that he can still give a compelling performance when he recites a short story about death and fate.

Reportedly, Karloff did this scene in one take and received a standing ovation after director Peter Bogdanovich called cut.

 

4 Shots From 4 Horror Films: October 30th


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Shots From 4 Horror Films: October 30th

Night of the Living Dead (1968, dir by George Romero, DP: George Romero)

Season of the Witch (1973, dir by George Romero, DP: George Romero)

Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)

Creepshow (1982, dir by George Romero, written by Stephen King, DP: Michael Gornick)

Horror on TV: One Step Beyond 2.17 “Earthquake” (dir by John Newland)


Tonight’s episode of One Step Beyond deals with a bellboy named Gerald Perkins (David Opatoshu).  Gerald keeps telling everyone that there’s going to be an earthquake but no one’s willing to listen to him.  Everyone knows that Gerald is a recovering alcoholic so they assume that he’s just drinking again.  Needless to say, it’s far easier to fire someone than to listen to his insane ramblings, right?

Well, considering that this story takes place in San Francisco in 1906, perhaps they should have listened.

According to host John Newland, this is a true story.  It originally aired on January 12th, 1960!

Enjoy!