The Eric Roberts Collection: Megaboa (dir by Mario N. Bonassin)


Bless the Asylum and their love of giant monster movies!

In 2021’s Megaboa, a group of college students accompany Dr. Malone (Eric Roberts) a field trip to a remote island.  They’re on the island specifically to explore some caves and study some drawings.  It’s time to have some fun with anthropology!  But when Dr. Malone gets bitten by a venomous spider, a group of students go off in search of an orchid that can neutralize the venom.  This eventually leads to them discovering that they’re not alone on the island.  There’s also a giant snake, a megaboa if you will.

This is pretty much a typical Asylum film.  Giant snakes, tank top-wearing heroines, and Eric Roberts hamming it up in his usual delightful fashion.  “Far out!” Dr. Malone says when he first sees the giant snake and how can you not agree with him?  Those who complain that the Asylum makes cheap movies are missing the point.  The film may be cheap but they’re almost always fun as well.  This one features a giant snake that is actually kind of cute and it also features a scene of someone shouting, “Get me out of here!” after being swallowed by the snake and how can you not enjoy that?  It’s like a much more honest and self-aware version of Anaconda and, best of all, it’s got Eric Roberts delivering his lines with a twinkle in his eye.  He knows better than to take any of this too seriously and hopefully, you do as well.

Megaboa is fun.  It’s like the type of films that I used to look forward to watching on the SyFy channel.  Get together with a group of your wittiest friends and watch it.  Don’t be afraid to talk back to the movie.  Don’t be afraid to laugh when the snake first shows up.  Tell the characters when they’re doing something dumb, that’s the point of the film.  Megaboa is pure entertainment.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Runaway Train (1985)
  3. Best of the Best (1989)
  4. Blood Red (1989)
  5. The Ambulance (1990)
  6. The Lost Capone (1990)
  7. Best of the Best II (1993)
  8. Love, Cheat, & Steal (1993)
  9. Voyage (1993)
  10. Love Is A Gun (1994)
  11. Sensation (1994)
  12. Dark Angel (1996)
  13. Doctor Who (1996)
  14. Most Wanted (1997)
  15. Mercy Streets (2000)
  16. Raptor (2001)
  17. Rough Air: Danger on Flight 534 (2001)
  18. Strange Frequency (2001)
  19. Wolves of Wall Street (2002)
  20. Border Blues (2004)
  21. Mr. Brightside (2004)
  22. Six: The Mark Unleased (2004)
  23. We Belong Together (2005)
  24. Hey You (2006)
  25. Depth Charge (2008)
  26. Amazing Racer (2009)
  27. In The Blink of an Eye (2009)
  28. Bed & Breakfast (2010)
  29. Enemies Among Us (2010)
  30. The Expendables (2010) 
  31. Sharktopus (2010)
  32. Beyond The Trophy (2012)
  33. The Dead Want Women (2012)
  34. Deadline (2012)
  35. The Mark (2012)
  36. Miss Atomic Bomb (2012)
  37. Assault on Wall Street (2013)
  38. Bonnie And Clyde: Justified (2013)
  39. Lovelace (2013)
  40. The Mark: Redemption (2013)
  41. The Perfect Summer (2013)
  42. Self-Storage (2013)
  43. A Talking Cat!?! (2013)
  44. This Is Our Time (2013)
  45. Inherent Vice (2014)
  46. Road to the Open (2014)
  47. Rumors of War (2014)
  48. Amityville Death House (2015)
  49. Deadly Sanctuary (2015)
  50. A Fatal Obsession (2015)
  51. Las Vegas Story (2015)
  52. Stalked By My Doctor (2015)
  53. Enemy Within (2016)
  54. Joker’s Poltergeist (2016)
  55. Prayer Never Fails (2016)
  56. Stalked By My Doctor: The Return (2016)
  57. The Wrong Roommate (2016)
  58. Dark Image (2017)
  59. Black Wake (2018)
  60. Frank and Ava (2018)
  61. Stalked By My Doctor: Patient’s Revenge (2018)
  62. Clinton Island (2019)
  63. Monster Island (2019)
  64. The Reliant (2019)
  65. The Savant (2019)
  66. Seven Deadly Sins (2019)
  67. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  68. The Wrong Mommy (2019)
  69. Exodus of a Prodigal Son (2020)
  70. Free Lunch Express (2020)
  71. Her Deadly Groom (2020)
  72. Top Gunner (2020)
  73. Deadly Nightshade (2021)
  74. The Elevator (2021)
  75. Just What The Doctor Ordered (2021)
  76. Killer Advice (2021)
  77. Night Night (2021)
  78. The Poltergeist Diaries (2021)
  79. The Rebels of PT-218 (2021)
  80. A Town Called Parable (2021)
  81. Bleach (2022)
  82. My Dinner With Eric (2022)
  83. 69 Parts (2022)
  84. D.C. Down (2023)
  85. Aftermath (2024)
  86. Bad Substitute (2024)
  87. Devil’s Knight (2024)
  88. The Wrong Life Coach (2024)
  89. When It Rains In L.A. (2025

A Scene That I Love: Jack Nicholson Sings In Tommy


Today’s scene that I love comes from 1975’s Tommy.  Based on The Who’s rock opera and directed by Ken Russell, Tommy featured several actors who weren’t necessarily known as singers.  Oliver Reed is the most obvious example.

And then there’s Jack Nicholson!  Jack’s role is pretty small.  He’s the therapist who examines Tommy and who eye flirts with Ann-Margaret.  And, of course, he gets his check.

4 Shots From 4 Films: Special Jack Nicholson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is Jack Nicholson’s 88th birthday!

Though he has pretty much retired from acting, Jack Nicholson remains a screen icon with a filmography that is a cinema lover’s dream.  He’s worked with everyone from Roger Corman to Stanley Kubrick to Milos Forman to Martin Scorsese and, along the way, he’s become a symbol of a very American-type of rebel.  Though often associated with the counter-culture, his style has always been too aggressive and idiosyncratic for him to be a believable hippie.  Instead, he’s one of the last of the beats, an outsider searching for meaning in Americana.

Over the course of his career, Nicholson has won three Oscars and been nominated for a total of 12.  He’s the only actor to have been nominated in every decade from the 1960s to the 2000s.  He is an actor who epitomizes an era in filmmaking, actually several eras.  It’s been 15 years since he last appeared in a movie but Jack Nicholson will never be forgotten.

4 Shots From 4 Jack Nicholson Films

Psych-Out (1968, dir by Richard Rush, DP: Laszlo Kovacs)

Carnal Knowledge (1971, dir by Mike Nichols, DP: Giuseppe Rotunno)

The Shining (1980, dir by Stanley Kubrick, DP: John Alcott)

The Departed (2006, dir by Martin Scorsese, DP: Michael Ballhaus)

Brad’s emotional response to SINNERS (2025)!


I love Ryan Coogler and Michael B. Jordan, and it really goes back to their collaboration on CREED. No movie has stirred my emotions in the past decade as much as CREED. I laughed, I cried, and I got pumped up even though I watched the film in the theater by myself. I would go on to tell every person I knew that they had to see the film. I couldn’t imagine that any other combination of writer, director or actor could have created a better continuation of the world that began with Stallone’s original story. CREED is a classic of its own as far as I’m concerned. 

I had not heard about SINNERS until Arleigh shared the trailer here on The Shattered Lens a couple of weeks ago. That’s when I saw that it was a Ryan Coogler film starring Michael B. Jordan. That caught my interest even though I didn’t stop and actually watch the trailer as I was in the crunch of tax season. And then Leonard dropped a review of the film on April 17th.

I don’t go to the theater often these days but I decided that I just had to see the film over the Easter weekend. I talked Sierra into going with me on Saturday morning, and all I told her was that it is a vampire movie from the guy who did CREED. I purposely read nothing else about the film because I know that Coogler and Jordan make magic on the screen when they work together. I didn’t want anything else influencing my initial experience with the film in any way. 

Rather than spend any time on the plot of the film, I just wanted to spend a little time talking about how the movie made me feel. First, watching Michael B. Jordan interpret the Smoke-Stack characters in such different ways was pure joy for me. Any person who has read my articles knows that I have a tendency to obsess over the actors I really like. I don’t believe there is an actor under 40 years of age that enjoy watching perform more than Jordan. I’ll watch anything he does throughout his career. Second, there is something so interesting about Miles Caton in the part of the singer and guitarist Sammie Moore, aka Preacher Boy. That deep voice of his almost didn’t seem to go with those fresh face features. I can see why the other characters reacted to his singing and playing the way they did because the man has real talent. I was surprised that this was his first film based on the confidence he carried throughout. Third, it’s always fun to see Delroy Lindo in any role. Fourth, I liked the relationship between Smoke and Annie (Wunmi Mosaku). When I first saw Annie standing in the doorway and looking at him by the small grave, my first inclination would not have been that those two had been in a relationship together and that he was at the grave of their child. To me it was a nice surprise that the painful history being shown was shared between those two and that they still loved each other. I also really wished I could try her fried catfish. I also liked certain aspects of some of the other characters including Mary (Hailee Steinfeld), the Chow family and Cornbread. 

The music is incredible in SINNERS. I won’t pretend to be an expert on the blues, but I know what I like, and I liked what I heard. I’ve always been a fan of the movie CROSSROADS with Ralph Macchio and Joe Seneca. Both movies are in awe of the power of the blues, and I was somewhat surprised that Ryan Coogler’s “vampire movie” was showing such an interest in the music as a character and not just a soundtrack. I liked the scene where Stack introduces Miles to Lindo’s character Delta Slim. I like the music at the juke joint, and the out of left field trip through the musical decades was a unique and powerful choice that showed a director not afraid to go wherever his intuition takes him. My “joint” would probably feature country music, but I’ve always said I can like any music as long as it’s good. The music in SINNERS is great. 

I will say that the things that interested me the most, mainly the development of the characters, took a back seat once the vampires were revealed. I wanted to get to know these characters even more. The action was well filmed and there were some surprises along the way, but once the vampires emerged, I felt like I was watching a movie I had seen before. Even though it was extremely well done, the film’s special quality seemed a little less. With that said, Smoke’s late stand against the Klan was exciting and emotionally satisfying.

Overall, I would give SINNERS a solid 4 stars out of 5 based on my initial viewing. I will revisit the movie at some point, but I’m letting the film seep into my bones at the moment. Coogler seems to be a filmmaking genius and I haven’t stopped thinking about his latest movie over the last few days. I have a feeling this movie will continue to grow on me with repeated viewings.  

Scenes that I Love: Low Rider From Dazed and Confused


In order to celebrate San Jacinto Day, here’s one of my favorite scenes from Richard Linklater’s 1993 Texas film, Dazed and Confused.  Not only does this montage introduce the viewer to the suburban Texas nightlife of 1976 but it’s also perfectly set to War’s Low Rider.

And, of course, it also features that classic line, “It’d be a lot cooler if you did.”

Physical Evidence (1989, directed by Michael Crichton)


Ex-cop Joe Paris (Burt Reynolds) is arrested for the murder of a small-time criminal.  Joe swears that he’s being framed but his public defender, Jenny Hudson (Theresa Russell), isn’t sure that she believes him.  While Jenny’s boyfriend (Ted McGinley) makes a fortune trading stocks and Joe’s former mistress (Kay Lenz) tries to keep her mobster boyfriend from finding out about the affair, Jenny tries to outsmart prosecutor James Nicks (Ned Beatty) and Joe tries to find the real killer.

Tubi sent me to this film after I finished up Raw Justice.  When I saw that it was a Burt Reynolds films, I figured that I would take a chance with it but this one turned out to be one of Burt’s lesser films.  Joe Paris feels like he might be distantly related to the cop that Burt played in Sharky’s Machine but Physical Evidence doesn’t have any of that movie’s style or grit.  Burt doesn’t come across like he wants to be in the movie and he and a very miscast Theresa Russell have next to zero chemistry onscreen.  This was Michael Crichton’s last film as a director and he directs in a stolid, made-for-television manner.

Supposedly, this was originally meant to be a sequel to the thriller Jagged Edge, with Glenn Close and Robert Loggia reprising their roles from the earlier film.  When that fell through, the movie was refurbished into Physical Evidence, with Theresa Russell and Burt Reynolds replacing Close and Loggia.  I think the film would have worked with Close and Loggia because, based on Jagged Edge, they were believable as people who had a close relationship and would do anything to help each other.  Burt Reynolds and Theresa Russell come across like they can’t even stand to be in the same room together.  Better get a new lawyer, Burt!  This one seems like she might be planning on framing you herself.

Raw Justice (1994, directed by David Prior)


When his daughter is strangled, New Orleans Mayor David Stiles (Charles Napier) hires ex-cop-turned-bounty-hunter Mace (David Keith) to keep an eye on the main suspect, Mitch McCullum (Robert Hays).  What the mayor doesn’t know is that his daughter’s murder was ordered by Deputy Mayor Jenkins (Stacy Keach) and now, both Mace and Mitch are being stalked by a crooked cop named Atkins (Leo Rossi).  Also getting involved in this mess is a hooker with a heart of gold named Sarah (Pamela Anderson), who is angry because Mace earlier stole his clothes while trying to get the jump on a bail jumper.  Sarah and Mitch soon fall in love.  Mace is good with a gun and Mitch turns out to know karate (because he watched a lot of Bruce Lee movies growing up) but the film’s high point is when one of the bad guys is taken out with a giant novelty dart.

The plot is dumb and David Keith comes across as being a discount version of Patrick Swayze but this film does give the always likable Robert Hays a good role and fans of Pamela Anderson (and you know who you are) will definitely appreciate at least two scenes in the movie.  Actually, Pamela Anderson isn’t bad in Raw Justice.  She’s mostly there for her looks but she still has a likable and energetic screen presence.  Otherwise, this is a typical low-rent David Prior production, complete with action scenes featuring guns that never run out of bullets (unless it’s convenient for the plot) and a score that is pretty much the same guitar riff over and over again.  It’s not exactly good but it is entertaining if you’re in the right mood.

This film was also released under the title Good Cop Bad Cop, which doesn’t make much sense because neither Keith nor Hays is playing  a cop.

4 Shots From 4 Films: Another Special Texas Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is San Jacinto Day, which means that it is once again time for….

4 Shots From 4 Texas Films

Slacker (1990, dir by Richard Linklater, DP: Lee Daniel)

Bottle Rocket (1996, dir by Wes Anderson, DP: Robert Yeoman)

Office Space (1999, dir by Mike Judge, DP: Tim Suhrstedt)

Primer (2004, dir by Shane Carruth)

#MondayMuggers presents THE ACCOUNTANT (2016) starring Ben Affleck!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday April 21st, we celebrate the end of my tax season by watching THE ACCOUNTANT (2016) starring Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, Cynthia Addai-Robinson, John Lithgow, and Jean Smart. 

Contrary to popular belief, THE ACCOUNTANT is not based on the life of Little Rock-based CPA Bradley Crain, although there are many obvious similarities. Rather, it’s the story of Christian Wolff, a math savant who often plies his trade for some of the world’s most dangerous criminal organizations. When he takes on a legitimate client and discovers discrepancies in the company’s books involving millions of dollars, a group of hitmen try to kill him and the company’s accountant Dana Cummings (Anna Kendrick). Will they live long enough to discover the person behind the embezzlement, or will they just become another set of death statistics? I don’t want to give too much away, but I will go ahead and address the elephant in the room… THE ACCOUNTANT 2 opens on Friday night, April 25th.

So, join us tonight for #MondayMuggers and watch THE ACCOUNTANT! It’s on Amazon Prime. The trailer for THE ACCOUNTANT is included below:

Monday Live Tweet Alert: Join Us for The Final Cut!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1995’s The Final Cut!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up The Final Cut on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!