As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1988’s Bloodsport!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there happily tweeting. It’s a friendly group and welcoming of newcomers so don’t be shy.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today’s let celebrate life in space!
4 Shots From 4 Intergalactic Films
Close Encounters of the Third Kind (1977, dir by Steven Spielberg, DP: Vilmos Zsigmond)
Star Wars: A New Hope (1977, Dir. by George Lucas, DP: Gilbert Taylor)
Starcrash (1978, dir by Luigi Cozzi, DP: Paul Beeson and Roberto D’Ettorre Piazzoli)
Dune (1984, dir by David Lynch, DP: Freddie Francis)
Continuing my theme of low budget, direct-to-video, B-movie action films from the early 90’s, I found a movie called COLLEGE KICKBOXERS playing on Amazon Prime.
Also known as TRAINED TO FIGHT in some circles, COLLEGE KICKBOXERS follows James Caulfield (Ken McLeod, credited as Ken Rendall Johnson for some unknown reason), a young man with martial arts skills, as he navigates his freshman year of college. Things just aren’t going so well for James his first week of school. First, his roommate Mark (Marc D. Williams), an upperclassman, isn’t very nice to him when they first meet, so it appears that their dorm room may not be a place of peace and relaxation this semester. Second, the pretty girl he sets his sights on, Kimberly (Kendra Tucker), seems much more interested in saving the whales, the ozone layer and the planet than she does in dating him. Rude! And third, to cap it all off, one day while James and Mark are working out their differences through martial arts sparring, a racist gang called the White Tigers show up and hurl some very offensive slurs at Mark, who’s black. While James doesn’t seem to like Mark much at this point, he dislikes the racist bigots even more so he defends Mark’s honor, putting himself on a collision course of pain with The White Tigers and their A-hole leader Craig Tanner (played by Matthew Ray Cohen, whose only other role in his career was “Dancer #1” in the classic erotic thriller BODY CHEMISTRY). In all fairness, this clash with racists did result in James and Mark becoming best friends so that was a pleasant and unexpected surprise.
When it looks like things can’t get much worse for James, Craig Tanner and his racists show up at the Chinese restaurant where he works and proceed to take advantage of their superior numbers and kick his ass real good. That’s when something strange happens, the annoying cook Wing (Tak-Wing Tang), who had just messed up James’ chances to score with a chick a few minutes earlier, steps in and shows himself to be a kung fu master, easily dispatching the White Tigers with moves defined by speed, grace, balance, agility, and acupunctural science. Amazed by what he has just seen, James wants some of that and begs Sifu Wing to train him so that he too can become a martial arts master. Receiving the kinds of real-life lessons from Wing that could never be learned in a college classroom, James soon finds himself putting it all on the line in a martial arts tournament that gives him the chance to win $25,000 for his now-injured bestie’s martial arts dojo for at-risk youth. As a bonus, he’ll also get the opportunity to humiliate and destroy the White Tigers once and for all!
An impartial critical assessment of COLLEGE KICKBOXERS would probably not be very kind. For starters Ken McLeod, AKA Ken Rendall Johnson, is not a very good actor. Neither are Marc D. Williams, Kendra Tucker or Matthew Ray Cohen. To be completely honest, they’re pretty bad. I think it would be fair to say that both Ken’s and Marc’s line deliveries are awkward and amateurish, that Kendra is annoying, and that Matthew is over-the-top, and not in a good way. The script is nothing to write home about either, completely relying on the cliches of the genre and the cheesiest of dialogue. In another somewhat bad sign, clocking in at just 88 minutes, it doesn’t necessarily feel like a short movie as the middle portion definitely leaves you wanting more action to show up.
With that said though, I still had a great time with COLLEGE KICKBOXERS. I think the main reason is that I just love a good underdog story where bullies, and in this case racists, get their comeuppance, and at-risk youth get their own dojos. And I really enjoyed Tak-Wing Tang’s performance as Sifu Wing! He underplays the role in a subtle and humorous way that I found really appealing. Wing also completed the action choreography, which is the true highlight of the film. McLeod isn’t great in the acting department, but he does a fine job when called upon to kick butt. To further illustrate my appreciation of Wing’s action direction, the year after this film was made, he would serve as an action choreographer for Jackie Chan’s amazing POLICE STORY III: SUPERCOP, and a couple of years after that he’d work on Chan’s DRUNKEN MASTER II. The man is talented! And finally, COLLEGE KICKBOXERS has that intangible nostalgic charm that takes me back to the early 90’s when I’d scan over my local video store’s entire inventory, an inventory that was chock full of these types of movies. I enjoyed watching them back then even if they were silly and cheesy, and watching movies like that now takes me back to that more simple and undemanding time. There’s real value in that to me!
Having graduated from medical school, Dr. Adam Blythe (Johnny Mack Brown) is finally ready to marry his glamorous fiancée, Ann (Claire Windsor). However, when Ann learns that Adam is going to have to spend years as an lowly paid resident, she ditches him and instead marries Dr. Jerry Clement (Niles Welch). Blythe, heartbroken, becomes an alcoholic and, after a disastrous operation that leaves a patient dead, Blythe ends up on skid row. Twenty years later, Blythe is spotted by his old friend Mort (Kenneth Thomson). A self-made millionaire who dropped out of college, Mort takes Blythe to their 20-year reunion and talks him up as a brilliant surgeon. When Blythe is pressured into performing a delicate piece of surgery, he is offered a position as the head of the college’s new research wing. Blythe, meanwhile, meets and falls in love with June (Anita Louise), a young woman who reminds him of Ann. It turns out that the resemblance is not a coincidence because June is Ann’s daughter! Ann wants Blythe back and, when she discovers that Blythe is in love with June, she threatens to tell everyone that Blythe is actually June’s father! All of the secrets and lies lead to the type of sudden and tragic ending that only a pre-code film could get away with.
CrossStreets is a 65-minute soap opera that features Johnny Mack Brown in a non-western role. Brown gives a likable performance but he’s less convincing when he has to be bitter. One reason why Brown was such a successful B-western star is that he always came across as if he had never had a moment of self-doubt in his entire life. Dr. Adam Blythe is all about self-doubt so he feels miscast in the role. Claire Windsor is more convincing as the vampish Ann. The movie has its slow spots and the plot requires a healthy suspension of disbelief but the ending still packs a punch.
CrossStreets is not easy to find but there is a not-great upload available on YouTube.
Today’s scene that I love comes from Peter Weir’s 1985 film, Witness. In this scene, the Amish come together and raise a barn. This scene celebrates community and also gives Harrison Ford a chance to show off his real-life carpentry skills.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
August 21st is the birthday of the great (and sadly retired) director Peter Weir. It’s time for….
4 Shots From 4 Peter Weir Films
Picnic At Hanging Rock (1975, dir by Peter Weir, DP: Russell Boyd)
The Last Wave (1977, dir by Peter Weir, DP: Russell Boyd)
Witness (1985, dir by Peter Weir, DP: John Seale)
The Truman Show (1998, dir by Peter Weir, DP: Peter Biziou)
When I first saw that THE NAKED GUN was being rebooted with Liam Neeson as Frank Drebin, Jr., I must admit that I was quite skeptical. You see, the original THE NAKED GUN (1988) with Leslie Nielsen came out when I was 15 years old, and I remember watching it at the movie theater on a field trip with our high school’s Future Business Leaders of America (FBLA) club. I loved it so much! I eagerly watched THE NAKED GUN 2 1/2 (1991) and NAKED GUN 33 1/3 (1994) at the theaters as well. To be completely honest, this series is one of my favorites of my “growing into an adult” years, and I didn’t want to see it screwed up. When the trailer was released a couple of months ago my reaction was cautious optimism as I must admit it looked quite funny, and I decided that I would go watch it in the theater when it came out. Well, tonight my wife and I headed to the Cinemark in Little Rock to see what director Akiva Schaffer and his crew had come up with…
In THE NAKED GUN (2025), dedicated Detective Lt. Frank Drebin Jr. (Liam Neeson) follows in his father’s footsteps by leading Police Squad and causing an endless array of problems for Police Chief Davis (CCH Pounder). When a bank heist is staged by Sig Gustafson (Kevin Durand) in order to obtain a mysterious P.L.O.T. Device, Drebin teams up with his partner, Captain Ed Hocken Jr. (Paul Walter Hauser), and the beautiful crime novelist Beth Davenport (Pamela Anderson) to investigate. Their subsequent probe leads them to tech mogul Richard Cane (Danny Huston) and his sinister plot to use the device to revert humanity to a base barbaric state as the balls drop on New Year’s Eve. With the help of his deceased father’s spirit that’s being housed in the body of a large owl, Drebin goes all out to foil Cane’s plans while simultaneously falling in love with Beth!
I’m going to go ahead and alleviate any suspense and state that I love the new NAKED GUN movie. I laughed out loud throughout the entire film, including the end credits, and I wasn’t the only one as there were people in our showing that were laughing much louder than me. It was a fun “crowd experience,” and I’m so glad we caught it in the theater. Not every joke is funny, but in the tradition of the original series, they come so fast and furious that there’s a good chance the next joke will be hilarious. Liam Neeson does a great job as Frank Drebin, Jr., infusing the character with just the right amount of seriousness to allow the absurdity all around him to be played for laughs. I told a friend a few months ago that I’d be really impressed if Neeson was able to pull this role off, and I’m glad to report that he passes with flying colors. He doesn’t make you forget the comedic genius of Leslie Nielsen, but he’s darn good. And Pamela Anderson is perfect in the crime novelist / love interest role. I haven’t seen her in anything in a long time, but she’s truly hilarious in the film. After watching her performance, I honestly don’t think any actress could have done any better. The rest of the game cast, including Paul Walter Hauser, Danny Huston and Kevin Durand each have good moments that add to the fun. I also enjoyed some of the specific throwbacks to the original series, including brief appearances by Priscilla Presley, Weird Al Yankovic, and especially the stuffed beaver, which got a big laugh out of me, just like it did when I was 15!
Overall, I had a great time at the movie theater with THE NAKED GUN (2025). Director Akiva Schaffer delivers a hilarious, 85 minute film that’s a worthy follow-up to the original Zucker-Abrahams-Zucker / Leslie Nielsen classics. What else could you ask for?!!
In the days of the Old West, Griff Atkins (Stanley Blystone) manages a Pony Express station but, because of his gambling debts, he actually encourages the Indians and the outlaw Richard brothers (John Rockwell and Ray Teal) to attack the Pony Express riders and steal their horses. Major Goodwin (Tom Chatterton) tries to put a stop to all this by firing Griff and putting Cal Sheridan (Johnny Mack Brown) in charge. Griff and the Richard brothers continue their outlaw ways and eventually, the head of one of the relay stations is killed in one of their raids. While the dead man’s daughter, Norma (Nell O’Day), investigates the murder, Cal works to bring peace the line and falls in love with Goodwin’s daughter, Alice (Dorothy Short). Meanwhile, aspiring Pony Express rider Shorty (Fuzzy Knight) tries to invent a trampoline system that will help him to mount a horse.
No matter how bad things get in the west, you can always count on Johnny Mack Brown to bring some order and to get it done in less than an hour. Johnny Mack Brown was always a good hero and that’s the case here. Eventually this film has all of the horse riding and tough fighting that fans of the genre expect from these westerns but, for a short movie (it only runs for 59 minutes), it still seems to take a while for it to really get going. The first half of the movie is more about Fuzzy Knight singing songs and trying to become a rider than it is about anything else. I usually enjoy Fuzzy’s antics but, like the B-western themselves, they are definitely an acquired taste for most viewers.
Today, the Shattered Lens wishes a happy birthday to my fellow redhead, Amy Adams!
Amy gave one of the best performances to not be nominated for an Oscar in 2016’s Arrival. Today, my scene that I love is the poignant and thought-provoking ending of that film.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
This edition of 4 Shots From 4 Films is dedicated to H.P. Lovecraft, on the occasion of his 135th birthday.
4 Shots From 4 Films
The Dunwich Horror (1970, directed by Daniel Haller)
Dagon (2001, directed by Stuart Gordon)
The Call of Cthulhu (2005, directed by Andrew Leman)
The Whisperer in Darkness (2011, directed by Sean Branney)