From David Lynch’s Mulholland Drive, here is one of the most haunting moments ever captured on film.
RIP, Rebekah Del Rio and David Lynch.
From David Lynch’s Mulholland Drive, here is one of the most haunting moments ever captured on film.
RIP, Rebekah Del Rio and David Lynch.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, on what would have been his birthday, we take the time to pay tribute to one of our favorite directors. Needless to say, when it comes to David Lynch, there’s an embarrassment of riches.
Here are….
8 Shots From 8 David Lynch Films
World famous magician David Katz (Peter Scolari) is accused of murdering his assistant (Nancy Lee Grahn) while performing a trick at a charity show. The prosecution says that David killed her to cover-up a pregnancy that was the result of a drunken, one-night stand. However, Perry Mason (Raymond Burr) and Ken Malansky (William R. Moses) discover that there were many people who might have a motive for killing the victim.
After the previous emotionally-charged Perry Mason movie, this entry felt pretty bland. I liked Peter Scolari as the accused magician but otherwise, this was a little boring. I guessed who would be playing the murderer as soon as I saw their name during the opening credits. I did find it amusing that Perry and the prosecutor (played by Bob Gunton) seemed to sincerely dislike each other. That added some bite to the courtroom scenes but I really do miss David Ogden Stiers’s as Perry’s regular courtroom opponent.
At the end of the movie, Perry took the jury to the theater where the murder occurred and then cross-examined the witnesses in the theater. I guess the movie’s producers were trying to do something new but it just didn’t feel right for Perry to get his confession anywhere other than in a courtroom.
Newly hired ranch foreman Jack Loomis (Jack Perrin) comes to the aid of two Indians who were nearly swindled out of their land during a card game. The Indians inform Jack that his new boss, George Tully (Al Bridge), is actually a crook and the ranch is just a front for his criminal activities. When Jack says he doesn’t want to be a part of Tully’s schemes, Tully and his men frame Jack for a robbery.
After you watch enough of these Poverty Row westerns, you start to get the feeling that anyone in the 30s could walk into a studio and star in a B-western. Jack Perrin was a World War I veteran who had the right look to be the star of several silent films but once the sound era came along, his deficiencies as an actor became very apparent. He could ride a horse and throw a punch without looking too foolish but his flat line delivery made him one of the least interesting of the B-western stars. That’s the case here, where Perrin is a boring hero and the entire plot hinges on the villain making one really big and really stupid mistake. John Wayne could have pulled this movie off but Jack Perrin was lost.
Jack Perrin’s career as a star ended just a few years after this film but not because he was a bad actor. Instead, Perrin filed a lawsuit after a studio failed to pay him for starring in one of their films. From 1937 until he retirement in 1960, Perrin was reduced to playing minor roles for which he often went uncredited. Hollywood could handle a bad actor but not an actor who expected to be paid for his work.
Hi, everyone! Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania! Join us for 2019’s My Sister’s Deadly Secret!
You can find the movie on Prime and Tubi and then you can join us on twitter at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) See you then!
Today’s scene that I love is from the 1961 Roger Corman-directed Edgar Allan Poe adaptation, The Pit and The Pendulum!
Not only is that pendulum nightmarish as Hell but check out that set design! One can see that Corman definitely took some inspiration from the work being done in the UK by Hammer. Watching this scene, it is easy to see why Corman devoted so much of the early 60s to directing Vincent Price in various Edgar Allan Poe adaptations.
Enjoy!
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
217 years ago today, Edgar Allan Poe was born in Boston, Massachusetts. From his humble beginnings as the son of two struggling actors, Poe would go on to become one of the first great American writers. (It’s been said that, when Charles Dickens first traveled to the United States in 1842, he specifically wanted to meet Edgar Allan Poe. Unfortunately, it appears that popular story my not be true but it’s still a good story.) Poe was controversial in life and even his death generated more questions than answers but no one can deny his strength as a poet and as a prose writer. Both the detective and the horror genres owe a huge debt to Edgar Allan Poe.
Today, in honor of Edgar Allan Poe’s legacy, TSL presents 4 shots from 4 films that were inspired by the work of Edgar Allan Poe!
4 Shots From 4 Films
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 2000’s Tripfall! I picked it so you know it’ll be good.
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube, Tubi, or Prime hit play at 8 pm et, and use the #MondayActionMovie hashtag! The watch party community is a friendly group and welcoming of newcomers so don’t be shy.
See you soon!
Despite being asked to take the case by an old friend (Mason Adams), Perry Mason (Raymond Burr) is reluctant to defend Johnny Sorrento (Michael Nader) in court. Johnny is a former gangster who has been credibly accused of murder in the past. Now, he’s on trial for killing his wife and not even Perry is totally convinced that he’s innocent.
Of the 18 Perry Mason films that I’ve watched so far, this was definitely the best. This is the first time that I’ve seen Perry defend someone who he both dislikes and, even more importantly, distrusts and Raymond Burr was really convincing whenever he got angry at Johnny. For once, the case wasn’t wrapped up as neatly as usual. Solving the murder of Johnny’s wife meant delving into a past murder and it uncovered a lot of dark secrets. The identity of the killer was a real surprise but there was a lot more going on than just solving the mystery of who killed Johnny’s wife. At the end of this movie, Perry looked like he was about to cry, no matter how much Della (Barbara Hale) tried to comfort him.
Sharing much more would be the same as spoiling all of the movie’s twists and turns so I’ll just repeat that this is the best of the Perry Mason movies that I’ve seen so far. The guest cast is great, especially Mason Adams and Paul Anka. The Perry Mason films always follow the same plot and sometimes, they can blend together but this one made a real impression and really took me by surprise.
Ted “Jet” Morgan (Bob Steele) returns home from World War I. When he gets off the train in his small, western town, he’s met by Si “Old Timer” Haller (George “Gabby” Hayes). Si explains that Ted’s aunt is dead and his uncle was run out of town for being a drunk. Alice, “the girl next door” who Ted hoped to marry, married someone else. Si invites Ted to stay with him. Ted agrees and things start to look up when he meets Si’s niece, June (Nancy Drexel).
Meanwhile, a gang of outlaws led by Ken Kincade (Harry Semel) hijack a mail plane and steal the payroll that it was carrying. Ted is not nicknamed Jet for nothing. He not only know how to ride a horse but he’s good with planes too. With the help of Si and the local sheriff (William Dyer), he aims to stop those turn of the century skyjackers before they can force another unexpected landing.
Though the film takes place after World War I and features Bob Steele flying a plane and Gabby Hayes driving the same car he drove in Rainbow Valley, this is definitely a western. Before he proves himself as a pilot, Ted has to prove himself as a horseman and the movie ends with a traditional western gunfight. The postwar setting does still bring some unexpected elements to the story. Ted’s lonely arrival in his hometown reflects what it was like for many veterans returning home from Europe. At first, Ted doesn’t feel like he has a place in his old town but he soon gets a chance to prove to both himself and the townspeople that he belongs.
Bob Steele and Gabby Hayes are good heroes. Robert N. Bradbury, who was also Steele’s father, was one of the best of the B-western directors. For fans of the genre, this film is a definite treat.