4 Shots From 4 Films: Executive Produced by George Harrison


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been the 77th birthday of my favorite members of the Beatles (not to mention The Traveling Wilburys), George Harrison.  Harrison died far too young but he left behind a legacy of music that is celebrated to this day and will still be celebrated long after the rest of us have moved on.

While everyone knows George from his music, what is often forgotten is that Harrison is also often credited with helping to revive the British film industry.  After the break-up of the Beatles, Harrison partnered with Denis O’Brien and formed HandMade Films.  At a time when British cinema was struggling both financially and artistically, Harrison served as executive producer for some of the best films to come out of the British film industry.  Harrison championed many talented British directors and he used his clout to get many otherwise difficult project produced.  It’s fair to say that, if not for his support, the members of Monty Python would never have been able to make the then-controversial Life of Brian, which is now widely regarded as one of the best British comedies ever made.

Today, on his birthday, here are four shots of four films executive produced by George Harrison.

4 Shots From 4 Films

Monty Python’s Life of Brian (1979, directed by Terry Jones)

The Missionary (1982, directed by Richard Loncraine)

A Private Function (1984, directed by Malcolm Mowbray)

Withnail and I (1987, directed by Bruce Robinson)

 

4 Shots From 4 Paul Morrissey Films: Chelsea Girls, Trash, Blood For Dracula, Mixed Blood


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 82nd birthday to the one and only Paul Morrissey!

Though he may not be as well known as some of his contemporaries, Paul Morrissey is one of the godfathers of independent film.  He first came to notice as a collaborator of Andy Warhol’s.  Morrisey’s first films were shot at the Factory and starred the members of Warhol’s entourage.  At a time when the indie film scene barely even existed, Morrissey was making boldly transgressive films and distributing them largely on his own.  In fact, it could probably be argued that, if not for Paul Morrissey, the American independent film scene would never have grown into the impressive artistic and financial force that it is today.

There’s always been some debate over how much influence Warhol had over Morrissey’s films.  Morrissey has always said that Warhol had next to nothing to do with the films, beyond occasionally taking a producer’s or a co-director’s credit.  Others have disagreed.  What can be said for sure is that, even after Warhol retreated from directly involving himself in the cinematic arts, Morrissey continued to make fiercely independent films.

Paul Morrissey made films about outsiders.  While other directors were telling stories about the middle and upper classes, Morrissey was making movies about junkies, prostitutes, and people simply trying to make it from one day to another.  His films also frequently satirized classic Hollywood genres.  In fact, his two best-known films, Flesh for Frankenstein and Blood for Dracula, not only satirized the old Universal horror films but also the Marxist-themed films being made in Europe.  A devout Catholic and a political conservative, Morrissey took a particular delight in tweaking the left-wing assumptions of the counterculture.  Who can forget Joe Dallesandro’s gloriously shallow revolutionary in Blood for Dracula?

Here are….

4 Shots From 4 Paul Morrissey Films

Chelsea Girls (1966, dir by Paul Morrissey and Andy Warhol)

Trash (1970, dir by Paul Morrissey)

Blood For Dracula (1974, dir by Paul Morrissey)

Mixed Blood (1984, dir by Paul Morrissey)

4 Shots From 4 Luis Buñuel Films: Illusions Travels By Streetcar, The Exterminating Angel, Simon of the Desert, Belle de Jour


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the 120th birthday of the great Spanish surrealist filmmaker, Luis Bunuel!  Continuing the tradition that we’ve just started here at the Shattered Lens, that means that it is now time for….

4 Shots From 4 Luis Buñuel Films

(This post, I should add, was a true pleasure to put together because Luis Buñuel is truly one of the most visually inspiring directors of all time.  If you haven’t seen a Luis Buñuel film, 2020 is the perfect year to discover him!)

Illusion Travels By Streetcar (1954, dir by Luis Buñuel)

The Exterminating Angel (1962, dir by Luis Buñuel)

Simon of the Desert (1965, dir by Luis Buñuel)

Belle de Jour (1967, dir by Luis Buñuel)

4 Shots From 4 Films: Special Sam Peckinpah Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

95 years ago today, Sam Peckinpah was born in Fresno, California.  He went on to become one of the most influential and most self-destructive directors of all time.  Peckinpah was as legendary for his combative personality and his behind-the-scenes conflicts with the studios as he was for his talent.

Even after he revolutionized the western with The Wild Bunch, Peckinpah often struggled to get work and, when he died at the too young age of 59, it was after years of being neglected by the same industry that had once embraced him.  Fortunately, a new generation of filmmakers discovered and appreciated Peckinpah’s work and have kept Mad Sam’s legacy going today.  Directors like Quentin Tarantino and Robert Rodriguez owe a huge debt to him.  (Once Upon A Time In Hollywood particularly felt as if it was suffused with the spirit of Peckinpah.)  Whenever you see someone getting shot in slow motion or a group of old timers (whether they’re criminals or cowboys) getting ready to take a final stand, you’re seeing the influence of Sam Peckinpah.

In honor of Sam Peckinpah, here are:

4 Shots from 4 Films

The Wild Bunch (1969, directed by Sam Peckinpah)

The Getaway (1972, directed by Sam Peckinpah)

Cross of Iron (1977, directed by Sam Peckinpah)

The Osterman Weekend (1983, directed by Sam Peckinpah)

4 Shots From 4 Films: Special Lee Marvin Edition


Prime Cut (1972, directed by Michael Ritchie)

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

96 years ago, Lee Marvin was born in New York City.  After getting kicked out of several prestigious prep schools for “bad behavior,” 18 year-old Lee Marvin enlisted in the Marin Corps, was briefly a corporal before getting demoted back to private (again, because of “bad behavior”), and was wounded in action during the Battle of Saipan.  (Marvin was one of the few members of his unit to survive the battle.)  After he was discharged from the Marines, he worked as a plumber’s assistant at a local community theater and, after being asked to temporarily replace an actor who had fallen ill, Marvin decided to pursue a career as an actor.

Marvin became one of Hollywood’s premier tough guys.  He played his share of gangsters, cops, and cowboys but, because of his background, he was a natural for playing military men.  Whether it was The Dirty Dozen, The Big Red One, or The Delta Force, Lee Marvin was a natural leader and brought authenticity to every military role the played.  His final film was The Delta Force, which just happens to be the greatest film ever made.

In honor of Lee Marvin’s birthday, here are:

4 Shots From 4 Films

The Man Who Shot Liberty Valance (1962, directed by John Ford)

Point Blank (1967, directed by John Boorman)’

The Big Red One (1980, directed by Sam Fuller)

The Delta Force (1986, directed by Menahem Golan)

4 Shots From 4 Films: Special Alejandro Jodorowsky Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the 91st birthday of one of cinema’s greatest surrealists, Alejandro Jodorowsky.  When it comes to Jodorowsky, finding 4 shots from 4 films is not the difficult thing.  The difficult thing is trying to narrow down all of the options to just four.  Along with directing the first midnight film, El Topo, Jodorowsky was also the first director to make a serious effort to bring Dune to the big screen.  No offense to either David Lynch or Denis Villeneuve but it’s hard to think of any other director who would have been more suited to the task.  Sadly, Jodorowsky’s Dune may never be made but he’s still responsible for a filmography that continues to intrigue and outage to this day.

4 Shots From 4 Films

Fando y Lis (1968, directed by Alejandro Jodorowsky)

El Topo (1970, directed by Alejandro Jodorowsky)

The Holy Mountain (1973, directed by Alejandro Jodorowsky)

Santa Sangre (1989, directed by Alejandro Jodorowsky)

4 Shots From 4 Films: Special Burt Reynolds Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been Burt Reynolds’s 84th birthday.  In honor of a legendary career that is only now starting to really be appreciated, here are 4 shots from 4 of Burt’s best films.

4 Shots From 4 Films

Deliverance (1972, directed by John Boorman)

Smoky and the Bandit (1977, directed by Hal Needham)

Sharky’s Machine (1981, directed by Burt Reynolds)

Boogie Nights (1997, directed by Paul Thomas Anderson)

4 Shots From 4 Films About Hollywood: The Bad and the Beautiful, The Stunt Man, Mulholland Drive, Once Upon A Time In Hollywood


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today’s edition of 4 Shots from 4 Films is dedicated to four of the best films that I’ve ever seen about Hollywood!  I mean, it is Oscar Sunday after all!

4 Shots From 4 Films About Hollywood

The Bad and the Beautiful (1952, dir by Vincente Minnelli)

The Stunt Man (1980, dir by Richard Rush)

Mulholland Drive (2000, dir by David Lynch)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino)

4 Shots From 4 Films: Special Francois Truffaut Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Francois Truffaut, the greatest French director not named Jean Renoir or Jean Rollin, was born on February 6th, 1932.  If he was still with us, he would be 88 years old and I would like to think that he would still be making films.  The greatest director of the French new wave, Truffaut truly loved cinema and that love came through in every film he ever made.  My favorite Francois Truffaut film — and this will probably come to a surprise to no one — is Day For Night.  Seriously, if you don’t fall in love with the movie making process while watching Day For Night, you might want to get checked to make sure that you still have a heart.

In honor of what would have been his 88th birthday, here are….

4 Shots From 4 Francois Truffaut Films

Shoot the Piano Player (1960, dir by Francois Truffaut)

Stolen Kisses (1968, dir by Francois Truffaut)

Day For Night (1973, dir by Francois Truffaut)

The Last Metro (1980, dir by Francois Truffaut)

4 Shots From 4 Films: Special John Ford Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

John Ford.

The very name brings to mind sweeping vistas, the grandeur of the old west, and stories about men doing what men had to do.  John Ford began his directing career during the silent era and he continued to work through the 1960s and, along the way, he created a unique and very American sort of cinema.  Though Ford may be known for his westerns, he also directed his share of war films, historical epics, and even a classic romantic comedy.  The son of Irish immigrants, Ford made several films that took place in Ireland.  The Quiet Man featured one of the greatest fight scenes in film history.  Stagecoach introduced the world to John Wayne and The Searchers proved that he could act.  With The Grapes of Wrath, Ford provided, for future generations, the definitive look at the Great Depression.  Twenty-two years later, The Man Who Shot Liberty Valance told us to always “Print the legend.”

John Ford was born 126 years ago today.  In honor of his legacy, here are 4 shots from 4 films.

4 Shots From 4 Films

Stagecoach (1939, directed by John Ford)

The Grapes of Wrath (1940, directed by John Ford)

The Searchers (1956, directed by John Ford)

The Man Who Shot Liberty Valance (1962, directed by John Ford)