Anguish (1987, directed by Bigas Luna)


John Pressman (Michael Lerner) is a mentally unbalanced, middle-aged, diabetic mama’s boy who is losing his eyesight.  When his mother (Zelda Rubinstein) orders John to go out and collect healthy eyes, it leads to John going on a rampage that eventually brings him to a movie theater.  After he barricades everyone inside, he starts to pick off the patrons one-by-one, removing their eyes with a scalpel.

Meanwhile, in another theater, an audience watches John’s rampage on the big screen.  Is the story of John Pressman just a movie?  Maybe.  But in the audience, people start to react strangely.  A woman breaks down in tears.  When John Pressman starts to kill people in his movie, a man in the audience starts to kill people in the real theater.  When the mother in the movie-within-a-movie sends her son out to get eyes, is she after the eyes of the people in her movie or the people watching in the audience?  Has the madman in the audience been possessed by the movie or is he just another spree killer, an ever-present threat in both the movies and the real world?  And how will his rampage be stopped?

Anguish is a clever, multi-layered Spanish horror film.  Watching the film, it’s important to remember that it was produced in the middle of a worldwide moral panic about whether or not people could experience violent movies without becoming violent themselves.  At first, it seems like the film is saying that horror movies are a bad influence but then there’s a twist ending that turns the entire premise on its head.  As the movie peels away layer after layer of plot, you’ll find yourself wondering what’s real and what’s just a movie.

An unheralded horror classic, Anguish is two good movies in one.  Obviously, the film about John Pressman and his crazy mother is considerably more cheesy than the one about the madman in the “real” world but both films are full of atmosphere, suspense, and a some surprisingly grisly violence.  The movie-within-a-movie also features Michael Lerner and Zelda Rubinstein, two actors who just seem like they were destined to play a henpecked son and his crazy mother.  Lerner is one of the best character actors around and Anguish gives him a rare leading role.  Lerner makes the most of it, carefully cutting out eyeballs while his mother’s voice echoes in his head.

Anguish is a good head trip of a film.  It’s long been rumored that Anguish contains subliminal images and sounds that are designed to make the people watching feel nervous.  I don’t know if that’s true, though the film does open with the following classic warning:

During the film you are about to see, you will be subject to subliminal messages and mild hypnosis.

This will cause you no physical harm or lasting effect, but if for any reason you lose control or feel that your mind is leaving your body — leave the auditorium immediately.

Luckily, Anguish is available on DVD and Blu-ray so you can watch it in the safety of your own home.

The Car: Road to Revenge, Review by Case Wright


Happy Horrorthon! I warn you that this post might look …. weird. My Chrome version of wordpress has been possessed. There’s NO OTHER EXPLANATION! EVER!

The Car: Road To Revenge is a sequel to The Car from 1977…. MINDBENDER! No wonder I feel like having a key party and getting an orange couch… Dramatization:

This film was written after Death Race 2050 – ALT Title: Miffed Max: Budget Road, Reviewed like a boss! also by G. J. Echternkamp. I have to write that G.J. is a genuinely nice person and these are great genre films. I could easily see Bruce Campbell starring in a Echternkamp movie. Believe me, I have some ideas….G.J. …DM me. 😉 really! Car 2 is set in a dystopian future, but really it didn’t seem any worse than Seattle today. Car 2 had fancy cars, embattled police, and shitty local government, and lawlessness; if you threw in some drizzle, I’d be right at home.

The film begins with Caddock (Jamie Bamber) of Battlestar Galactica fame. He’s a possessive and corrupt prosecutor who is in an on again off again thing with Daria (Kathleen Munroe). Apparently, he gets an evil computer chip that everyone wants … for some reason. I never fully understood why they wanted the chip or why they’d kill Caddock for it. Did the chip have the recipe for Coca Cola? Were they hardcore gamers? Did it have the latest version of Microsoft Word?

Caddock puts the evil chip into his car and it does …. something. I wasn’t really sure what it did, but when the bad guys go after Caddock for it and kill him, the chip causes Caddock to possess the car. Caddock Car spends the rest of the movie avenging his own death and trying to get Daria to be his … Car Girlfriend? I wasn’t sure how that Daria/Caddock Car consummation would work, but I know she’d have to use plenty of Jiffy Lube or maybe they could MAACO out for a while. I’m not saying it would be a AAA session, but maybe they could get used to it and have a GOODYEAR or two.

Caddock’s murder/slash possession puts Ranier (Grant Bowler) on the case. By on the case, he basically drinks a lot and gets into the pants of Daria. Bad idea because Caddock Car is possessive is it like Daria’s all Meineke and tries to run over Ranier…a lot. Then, the movie gets…weird. The bad guys who want the chip, kill or try to kill A LOT of people to get the chip. Why? It will apparently improve their body augmentations and I don’t mean like the piercings on a Seattle Soccer Mom…. I mean Robotech stuff. Caddock Car manages to squish most of his enemies to death and I mean jump on a Capri-Sun when you’re bored at your kid’s soccer game squish.

Caddock Car eventually gets the majority of his revenge. I had trouble figuring out who to root for sometimes, but I guess it was Daria. She was pretty badass and eventually kills Caddock Car, but Caddock Car is avenging his murder…so, maybe him too. Anyway, Caddock Car gets driven into the bottom of a …lake? Quarry? Large above ground pool? I could not really tell where the car ended up, but it’s dead…or is it???

Happy Horrorthon!!!!

International Horror Film Review: Kung Fu Zombie (dir by Hwa I Hung)


Kung Fu Zombie, a 1981 film that was produced in Hong Kong, tells the story of….

Well, it’s a little bit difficult to explain just what exactly it tells the story of.  I’ve watched it a total of three times over the past two months and I’m still not totally sure what’s going on in the movie.  Some of that is because, like many martial arts films, it was heavily cut and haphazardly dubbed when it made it’s way over to New York’s 42nd Street theaters.  Most of it, however, is because Kung Fu Zombie is a mess.  It’s a big, glorious, wonderfully entertaining mess.

Pang (Billy Chong) is a martial artist who is respected in town but who can’t get any respect from his father.  Even after Pang foils a bank robbery and and sends the bandit, Lu Dai (Cheng Ka Ying) to prison, Pang’s father, Fong (Chang Tao), continues to say that Pang is not good enough to inherit the estate.  As if to prove his point, Fong randomly attacks Pang whenever he gets a chance.  Pang usually fights his father until Fong has a heart attack and falls over.  Pang is never sure whether or not Fong is actually dead because apparently, Fong like to pretend to be dead so that he can attack Pang while the latter is celebrating his father’s death.

Anyway, Lu Dai comes back to town and recruits the local wizard, Wu Lang (Chan Lau), to create a bunch of zombies that he can then use to kill Pang.  Wu Lang creates the zombies but they don’t do much good.  When Lu Dai summons Pangs to the local graveyard and then attacks him, Lu Dai ends up falling in a coffin and landing on a bed of spikes.  Lu Dai’s body may be dead but his spirit is still following around Wu Lang, demanding a new body.

When Pang kills yet another criminal — a serial killer named Kwan Weig Long (Kwon Young Moon) — Wu Lang tries to put Lu Dai’s spirit into Long’s body.  However, Long is so evil and Wu Lang is such an incompetent sorcerer that, instead of allowing Lu Dai to take over Long’s body, Lang’s spell instead causes Long to come back to life as a vampire.  Soon, Long is roaming through the village, drinking everyone’s blood.  Whenever Long appears, the James Bond theme song plays on the soundtrack, which is odd but enjoyable.

Meanwhile, Lu Dai still needs a body.  Fortunately, Fong has died for real.  With so many different dead people walking around, can Pang bring peace and safety to the village?

Kung Fu Zombie is thoroughly berserk movie, one that mixes well-choreographed fights with moments of bizarre comedy and even stranger horror.  Now, admittedly, the film itself isn’t exactly scary.  I mean, the vampire looks fearsome but every time he appears, the Bond music starts up and it pretty much becomes impossible to take him seriously.  But, at the same time, how can you not appreciate a movie that not only steals the Bond theme but then uses it as the calling card of a serial killer-turned-vampire?  It’s just so weird that there’s no way you can’t love it.  Really, that’s pretty much the perfect description of Kung Fu Zombie.  It’s messy but the action is nonstop and the plot is wonderfully weird.  One gets the feeling that the director and his actors just made up the story as they were going along.  It’s impossible not to love it.

Kung Fu Zombie is a gloriously chaotic film and it’s currently on Prime.  Watch it and keep a eye out for the dead.

Horror Film Review: Blumhouse’s Fantasy Island (dir by Jeff Wadlow)


Welcome to Fantasy Island, where your fantasies come true….

Well, some of them do.  Some of them don’t.  Some of them play out ironically and some of them play out literally.  How does the island work?  Who knows?  It seems to be kind of random.  Mr. Rourke (Michael Pena) is your host and he’s got a tragic backstory of his own.  Is he a friend or an enemy?  Is he an angel or is he a devil?  Who knows?  Who cares?  The film doesn’t.

My point here is that Blumhouse’s Fantasy Island does not make much sense.  It’s about a group of people who go to Fantasy Island and each get their own individual fantasy from Mr. Rourke.  Apparently, all you have to do to get a fantasy is fill out a one-page questionnaire and have a conversation with Mr. Rourke.  It sounds like it should be fun but sometimes, people die!

Gwen Olsen (Maggie Q) visits the island so that the love of her life will propose to her and then they can get married and have a child.  Gwen’s lover, Nick (Evan Evagora), died in a fire years ago but suddenly, he’s alive and he’s proposing!  But is a fantasy family the same as a real family?

Melanie Cole (Lucy Hale) wants revenge on a girl who tormented her in junior high but is torturing Sloane (Portia Doubleday) really worth giving up her humanity and working with the fearsome Dr. Torture (Ian Roberts)?  Seriously, the dude’s name is really Dr. Torture.

Patrick Sullivan (Austin Stowell) is a policeman who wants to serve in the army, like his father did.  Patrick’s fantasy leads to him being forced to wander around in the jungle until he gets taken prisoner by a bunch of soldiers, one of whom is his father (Mike Vogel)!  Considering his father is dead, Patrick is initially shocked but then a few minutes later, Patrick’s like, “Cool, whatever”

J.D. (Ryan Hansen) and Brax (Jimmy O. Yang) are brothers who want to “have it all!”  That’s their fantasy.  For them, having it all means a big mansion, sexy models, and a nonstop pool party.  But what if having it all also means getting hunted by a drug cartel led by Devil Face (Kim Coates) and …. wait a minute.  That doesn’t make any sense at all.  If their fantasy was, “I want to be a super rich like Scarface or Escobar,” maybe it would then make sense for a drug cartel to show up but how does “having it all” lead to Kim Coates running around with a machine gun?

Anyway, needless to say, everyone’s fantasy goes differently than how they were expecting.  Eventually, all the fantasies connect because everyone has a Final Destination-style connection.  For some reason, this leads to everyone ending up in an underground cavern, where they’re chased by random killers.  I’m not sure why, to be honest.

Usually, I love incoherent movies but Fantasy Island was just annoying.  The main problem is that the fantasies were all just ripped off from other, better movies.  For instance, Melanie’s fantasy was basically just a sequel to Saw.  J.D. and Brax were in a cheap, Hulu action comedy.  Patrick and Gwen’s fantasies felt as if they were lifted from one of those religious films where someone prays and gets a chance to visit with their dead loved ones.

Now, at this point, I should say that Fantasy Island is based on an old TV show where, every week, different guest stars would visit the island and they would have a fantasy and, I assume, learn a lesson.  I’ve only seen a few episodes of the show but my impression is that the island was always portrayed as being a benevolent force.  People didn’t come to the island and say, “I want this experience” and then end up getting shot in the head.  I imagine that explained why the Island was able to remain open and popular.  In the movie, though, the Island leads to several deaths and you have to wonder why that wouldn’t hurt business.  I mean, if I survived a trip to the movie’s Fantasy Island, I’d probably call my senators and demand that the island by nuked into oblivion.  Both of my senators are Republicans so you know they’d be willing to do it, too.

Anyway, my fantasy was for Blumhouse’s Fantasy Island to be shorter than it was because the movie’s about 30 minutes too long and not really interesting enough to hold your attention during the slow spots.  Unfortunately, my fantasy did not come true.

Horror on the Lens: Satan’s Triangle (dir by Sutton Roley)


Hi there and welcome to October!  This is our favorite time of the year here at the Shattered Lens because October is horror month.  For the past three years, we have celebrated every October by reviewing and showing some of our favorite horror movies, shows, books, and music.  That’s a tradition that I’m looking forward to helping to continue this year.

Let’s start things off with the 1975 film. Satan’s Triangle!  Satan’s Triangle tells the story of what happens when a derelict boat is spotted floating in the middle of the ocean.  An attempt to rescue the boat leads to mystery, tragedy, horror, and …. well, let’s just say that there’s a reason why this stretch of ocean belongs to Satan.

Featuring atmospheric direction from Sutton Roley and a great performance from none other than Kim Novak, Satan’s Triangle is one of the best made-for-TV horror films that I’ve ever seen and I think it’s the perfect way to start off this year’s horrorthon!

Enjoy!

A Time To Die (1991, directed by Charles T. Kanganis)


Jackie (Traci Lords) is a single mom and a photographer who loses custody of her son when she’s framed for cocaine possession by a corrupt cop named Eddie Martin (Robert Miano).  Jackie is released from jail early, on the condition that she do 400 hours of community service.  Specifically, she is ordered to take pictures of the LAPD doing a good job and not killing people.  Captain Ralph Phibbs (Richard Roundtree) makes it very clear that she is to take only positive pictures of the LAPD or she could go back to jail and end up never seeing her son again.

However, even while doing community service, Jackie’s a rebel.  She decides to follow around Eddie and get pictures of him engaged in the same type of corruption that got her sent to prison.  Jackie manages to get Eddie on film murdering a pimp but, instead of going to the authorities, she wants to use the picture to blackmail Eddie into clearing her name.  Eddie, who has a cocaine problem, doesn’t respond well to being blackmailed and he decides to get the negatives and kill Jackie, not necessarily in that order.

While Eddie’s trying to kill Jackie, Frank (Jeff Conaway), another cop, is trying to maneuver his way into Jackie’s bed.  At first, Jackie doesn’t trust Frank because he’s a cop but then Frank takes her on a date to a domestic disturbance call and soon, she’s falling for him.  Frank, though, might not be as trustworthy as he seems.

This is one of the many direct-to-video thrillers in which Traci Lords appeared in the years immediately following her forced retirement from the adult film industry.  As was often the case with her 90s films, Lords is the best thing about A Time To Die.  In this film, Traci Lords again shows that she was a good actress.  Unfortunately, because of her past, she never got the type of roles that she really deserved.  In A Time To Die, she is believably tough and she makes the clunkiest dialogue credible.  Unfortunately, the other members of the cast don’t try anywhere near as hard as Lords does to bring some sort of reality to their stereotypical roles.  Conaway and Miano both sleepwalk through their roles while Richard Roundtree is reduced to getting mad and doing a lot of shouting.  Though the plot is sometimes predictable and it doesn’t take a psychic to know that Eddie is eventually going to go after Jackie’s son, the story is still interesting enough to hold your attention while your watching the movie.

A Time To Die is an occasionally interesting B-thriller that is elevated by the efforts of Traci Lords.

Fist Fighter (1989, directed by Frank Zuniga)


C.J. Thunderbird (played by Jorge Rivero) is a former professional fighter who is now a miner living in Arizona.  Two years ago, Thunderbird’s best friend was killed by a fighter named Rhino (Matthias Hues).  Thunderbird swore vengeance and, when he gets a telegram informing him that Rhino has been spotted in Bolivia, Thunderbird heads down to South America, looking to settle things once and for all.  With the help of a down-on-his-luck trainer named Punchy (Edward Albert), Thunderbird nearly defeats Rhino in the ring but the fight is suddenly stopped by the local police, all of whom are paid off by local drug dealer, Billy Vance (Mike Connors).  Rhino works for Vance and Vance doesn’t want his most fearsome goon to be shown up in public.  Thunderbird and Puchy soon find themselves in one of those prisons where the inmates are forced to take part in underground cage matches.  Thunderbird’s only chance of survival and perhaps escape depends upon defeating yet another fighter, the Beast (Gus Rethwisch).

The coolest thing about Fist Fighter is that it’s called Fist Fighter.  It sounds like a title for a movie that someone made up but instead, it’s very, very real.  The 2nd coolest thing about Fist Fighter is that the hero is named Thunderbird.  I think this was Thunderbird’s only film adventure.  If Fist Fighter had made more money, it could have led to a Thunderbird franchise.  Jorge Rivero wasn’t much of an actor but he’s good in the fight scenes and Edward Albert overacts to such an extent that he easily makes up for Rivero’s inability to actually show emotion.  I also liked Mike Connors as the smug villain.  Brenda Bakker plays Billy Vance’s mistress.  Of course, she ends up falling for Thunderbird.

Fist Fighter is dumb but entertaining.  If Rivero’s role has been played by Jean-Claude Van Damme or Dolph Lundgren, two action stars who could actually act as well as convincingly fight, Fist Fighter would probably be a cult classic.  As it is, it’s one of the more entertaining of the many rip-offs of Bloodsport.

Film Review: Mister 880 (dir by Edmund Goulding)


First released in 1950, Mister 880 is a wonderful surprise.

The film opens like a typical 50s crime drama.  We’re told that counterfeiting is a serious crime and that the dedicated agents of the Secret Service are working very hard to try to wipe out the scourge of fake money. We’re also told that Mister 880 is based on a true story and that it was produced with the full cooperation of the U.S. Treasury Department.  As a result, modern viewers will probably be expecting Mister 880 to be a work of pro-government propaganda, where wholesome treasury agents track down and stop soulless thieves.  Instead, Mister 880 turns out to be a wonderfully charming portrait of a criminal who doesn’t mean to cause anyone any harm.

Burt Lancaster stars as Steve Buchanan, a Treasury agent who is well-known for never letting a case go.  He’s developed a personal obsession with tracking down a counterfeiter who, for the last ten years, has been passing phony one dollar bills around a certain New York neighborhood.  The Treasury Department has named him Mister 880.  Mister 880 is definitely an amateur.  The money that he prints is sloppy.  At the same time, he also only prints one dollar bills and it appears that he only does so on occasion.  Just as no one can figure out his identity, everyone is also baffled by his motivation.  If he was looking to get rich through printing his own money, he would surely print more than just  a bunch of sloppy one dollar bills.

Investigating the neighborhood that he believes to be Mister 880’s base of operations, Buchanan meets and falls in love with Ann Winslow (Dorothy McGuire).  He also happens to meet Ann’s neighbor, Skipper Miller (Edmund Gwenn).  Skipper is an elderly man, a Navy veteran who lives with a dog and who says that he is financially supported by a rich cousin who nobody has ever met.  Skipper is a junk dealer and he’s a genuinely nice man.  Everyone in the neighborhood, including Ann, loves Skipper.  Buchanan soon comes to like the old eccentric as well.

Of course, as you’ve probably already guessed, Skipper is the counterfeiter.  He is Mister 880.  He doesn’t mean to cause any harm, of course.  He only prints money when he absolutely needs to and he always makes sure to not use too much of it.  He doesn’t want to steal from anyone.  He’s just an elderly man who wants to live out his days in peace and who doesn’t want to be a bother to anyone.

When Buchanan discovers the truth about Skipper, he’s faced with a dilemma.  Skipper is hardly a master criminal but Buchanan has sworn an oath and he has a job to do.  Not making things any simpler is that Skipper doesn’t deny what he’s done and he also says that he’ll plead guilty to his crime because …. well, he is guilty.  Skipper’s not a liar, despite the fake money.  Both Buchanan and Ann know that Skipper won’t survive spending years behind bars.  What do you do with a man who has broken the law but who, at heart, is not really a criminal?  Can a crime be forgiven just because the man who committed it is really, really likable?

Mister 880 is a sweet-natured comedy, one that doesn’t necessarily argue that Skipper’s crime should have been forgiven but which, at the same time, does make the case that not all law-breakers are created equal.  Gwenn, who is best-known for playing Santa Claus in the original Miracle on 34th Street, gives a wonderful performance as Skipper.  It’s hard not to love Skipper.  It’s not just that Skipper doesn’t make any excuses for being a counterfeiter.  And it’s not just that Skipper is an eccentric who loves his dog and has his own unique way of looking at the world.  It’s that Skipper is just a genuinely kind man.  He’s someone who would rather go to prison than be too much of a burden to the people who he cares about.  He’s the sweetest criminal you could ever hope to meet.

Gwenn was rightfully nominated for an Academy Award for his work in this film.  Not nominated but equally strong were Burt Lancaster and Dorothy McGuire.  Even though they don’t get any big, show-stopping moments like Gwenn does, both Lancaster and McGuire bring their characters to wonderful life and both do a great job of capturing their own mixed feelings about what should be done about Skipper.  Lancaster, in particular, is convincing as the by-the-book agent who is torn between his professional obligations and his feelings for both Ann and Skipper.

Mister 880 is one of my favorite movies, a wonderfully and unexpectedly good-hearted film about a real-life criminal who wasn’t the bad of a guy.  Emerich Juenetter, the real-life counterfeiter who served as the model for Skipper, reportedly made more money from the release of this film than he ever did over the course of his counterfeiting career.  After watching Mister 880, it’s hard not to feel that he earned every cent of it.

Film Review: Coma (dir by Michael Crichton)


Michael Crichton’s 1978 film, Coma, tells the story of strange things happening at a Boston hospital.

Seemingly healthy patients are having complications during routine surgery, complications that leave them brain dead.  Dr. Susan Wheeler (Genevieve Bujold) thinks that there’s something bigger going on than just routine medical complications.  First, her best friend (Lois Chiles) falls into a coma while undergoing an abortion.  Then, Tom Selleck falls into a coma while having knee surgery.  Dr. Wheeler investigates and discovers that all of the patients were operated on in the same operating room and that all of them were shipped to a mysterious facility after their surgery.

Yep, it sounds like a conspiracy.  However, no one is willing to listen to Dr. Wheeler.  Not her boyfriend (Michael Douglas).  Not Dr. George (Rip Torn), the chief anetheisologist.  Not Dr. George Harris (Richard Widmark), the chief of surgery.  Dr. Wheeler thinks that it’s all a conspiracy!

And, of course, it is.  As the old saying goes, the only thing that a conspiracy needs to succeed is for people to be remarkably stupid and almost everyone in Coma is remarkably stupid.  Admittedly, some of them are in on the conspiracy but it’s still rather odd how many people apparently don’t see anything strange about healthy people going into a comas and then being shipped to a mystery facility.

Coma is probably best known for the scene where Susan manages to sneak into the mystery facility and she finds herself in a room full of suspended bodies.  Visually, it’s an impressive scene.  It’s truly creepy and it also captures the detached sterility that most people hate about medical facilities.  At the same time, it’s also the only visually striking moment in the entire film.  Every other scene in Coma feels flat.  Whenever I’ve watched this film, I’m always a little bit shocked whenever anyone curses because Coma looks more like an old made-for-TV film than anything you would ever expect to see in a theater.

My point is that Coma is a remarkably boring film.  It has a potentially interesting story but my God, is this movie ever a slog.  It’s pretty easy to guess what’s going on at the institute so there’s not a whole lot of suspense to watching Susan try to figure it all out.  When the truth is revealed, it’s not exactly a shocking moment.  For that matter, you’ll also be able to guess which doctor is actually going to turn out to be the villain.  There’s really no surprises to be found.

Coma was the second feature film to be directed by Michael Crichton.  With the exception of the scenes in the institute, the visual flair that Crichton showed in Westworld is nowhere to be found in Coma.  The film moves at a tortuously slow place.  A part of me suspects that, as a doctor, Crichton related so much to the film’s characters that he didn’t realize how dull they would be for those us who don’t look at a character like Rip Torn’s Dr. George and automatically think, “He’s just like that arrogant bastard I worked under during my residency!”  Call it the Scrubs syndrome.

For some reason, Coma is a film that people often recommend to me.  I don’t know why.  Trying to sit through it nearly put me in a coma.

Film Review: Go For It! (dir by Carmen Marron)


Released in 2011, Go For It! is one of those films that can be summed up by its title.

“Go for it!”  That’s what the world is saying to Carmen Salgado (Aimee Garcia).  “Go for it!”  Stop accepting that you’re never going to get anywhere in life.  Don’t just settle for working in a grocery store with your best friend, Gina (Gina Rodriguez).  Don’t just live at home with your bickering family.  Don’t just dance in underground clubs.  Go for it!  Get a new job.  Move in with Jared (Derrick Denicola).  Drop out of community college.  AUDITION FOR DANCE SCHOOL!  Go for it!

I’m not going to talk too much about the plot of this film because it’s not necessary.  You already know everything that’s going to happen in Go For It!  If you’ve ever seen any film about a young dancer pursuing her dreams and trying to find the courage to audition for dance school, you know exactly what’s going to happen in Go For It!  The plot is just as generic as the name.

Myself, I always wonder if anyone has ever made a movie called Give Up!  You want a better job?  Give up!  You want a rich boyfriend?  Give up!  You want to go to dance school?  Give up!  You want to grab your dreams?  GIVE UP!  I don’t think it’s ever been done but, to be honest, would anyone want to see a movie called Give Up!?  I mean, seriously — it might sound like a funny or subversive idea but I think the joke would get old after the first 20 minutes or so.  Watching people give up is not fun and that’s the appeal of a movie like Go For It!  There’s no cynicism to be found in Go For It!  

Actually, to be honest, the film could have used a little cynicism.  As it is, it’s so predictable that it’s kind difficult to get involved in the story.  Aimee Garcia gives a likable performance as Carmen and some of the dance scenes are fun to watch but the lack of surprises makes it hard to really get invested in her story.  It’s like if I tell you that I was trying to drive to your house but I had to stop at a red light.  I mean, yes, for that moment, I was no longer heading towards your house.  My journey to my destination hit a snag.  But you know that the light eventually turned green so it’s not like there’s a whole lot of surprises or drama in that story.

Gina Rodriguez only has a supporting role in this film but she does most of the dramatic heavy-lifting.  She has an abusive boyfriend and Rodriguez does a good job with the role.  Her character’s story could have made for a compelling film but, unfortunately, the film’s only interested in using her as a motivation for Carmen to try to do something with her life.  In the end, it feels an interesting character and plot was wasted.

When Go For It! was first released, some posters encouraged viewers to “Follow your own beat,” which is a good message even if it’s also the message of almost every film made nowadays.  Another poster said — and I kid you not — “You don’t have to be the best.”  To me, that’s a terrible message.  You don’t have to be the best?  Then why even try?  You might as well just tell people to give up.