On the Old Internet, I was Destined for Greatness


My childhood heroes all had the first name “NOA”. They were the living, breathing avatars of Nintendo of America. And Nintendo was perfection, for all practical purposes. But like demigods, they were simultaneously divine and human. NOAPaul was a tough guy. A real street thug, with a tongue ring and everything. NOATravis, he was your boyband jock. Oh, the envy. And NOAAmy… did you know that she played Secret of Mana and Chrono Trigger? I did. Imagine it: a girl who played RPGs.

One day, I was going to be a Nintendo Power Cyberjock too. It was my highest aspiration. Forget astronauts and fire fighters. If Paul and Travis could become Nintendo of America, so could I. And maybe I would make Amy my wife, though she was a withering old spinster of 24.

At 11 years old, I was dedicated to my future career. To become a professional avatar of Nintendo, you had to really know your facts. I was already on the right track, because I owned all 84 issues of Nintendo Power magazine. The knowledge was at my fingertips, but it was vast… so I decided to cheat.

I booted up my Gateway 2000 386/25–it was mine in practice, since my mother finished college–and I headed straight to WordPerfect. If I could quickly search a game name and know exactly which issue and page to check for information… A month later, I possessed a complete index of the entire Nintendo Power catalog. And you thought you were a lame kid.

But there I was, equipped for battle. Ask me about a game. I dare you. I had it down to a science. I could look up a relevant article and spit out an answer within a minute, and Nintendo of America would never know that I cheated. They would think I was just that good. I sent in my job application right then and there, along with a crayola masterpiece of Samus Aran battling Ridley.

I didn’t get the job, but that was probably for the best, since we did not actually subscribe to dial-up internet for another six months and “Cyberjocks” worked online. A minor technicality. Still, I kept Nintendo Power Issue 84 close at hand.

The fame. The glory. The honor.


*Section removed due to copyright issues. They were compressed scans of an out of print magazine spread welcoming you to the Nintendo Loud House with some amazingly dorky-looking staff members striking a pose.*

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My first actual experience on http://www.nintendo.com, some time in 1996, was overwhelming. I had waited so long for this. Line by line, the pixels of that jpeg unfurled in slow motion. “Nintendo Power Source”. “Welcome to http://www.nintendo.com”. I was there. And it was wonderful.

Nintendo.com was a disorganized sea of information that you could spend all day exploring (especially on a 14.4k modem). There was a frame up top filled with totally nondescript or misleading images that would link you to different parts of the site, and each of those sections had its own upper frame of links. They could take you anywhere. The internet had no rules yet, you see. For instance, there was a really buried subsection called the “N-List” that linked all kinds of random fan sites totally unmoderated by Nintendo, mostly hosted on Geocities. As a consequence, through Nintendo.com you discovered such wonders as this flattering photo of the founder of popular present-day gaming website RPGamer:

(Sorry.)

Ultimately though, I went to the Loud House. That was where the NOA gods resided. To get there, I had to travel underground, down an elevator shaft that consisted of scrolling really far in a narrow frame to the left. If I thought the main site enormous, the Loud House was madness. They had a proto-forum–everyone still called them bulletin board systems then, though it was not an authentic BBS–where topics appeared in a single endless list set to a fire-engine red background with the texture of an aluminum tool box. Damn was it beautiful.

I knew there had to be at least a few dozen RPG fans out there besides myself and NOAAmy, but I never predicted this. The realization that I could be a part of a secret society of hundreds of Square(soft) aficionados must have waylaid my dreams of working for Nintendo for a time, because I don’t remember doing anything but theorycrafting Final Fantasy III (sic) for the next few months. I would spend every school bus ride studying my official players guide, looking for minute typographical errors that could be exploded into radical theories to share with my peers. I actually killed 4,000 dinosaurs in that forest near the Veldt in the false hope of resurrecting General Leo.

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Eventually the forums changed, and so did I. They became more manageable and subdivided into “boards”. Me, I became 12, and that meant responsibility. I couldn’t just be another anonymous Joe researching Final Fantasy VI anymore, aging in obscurity as fame and fortune passed me by. I needed to get back to my dreams, and that required becoming involved in the social community. So I did what anyone would have done back then to turn the page: I changed my name.

That was a principle of the Old Internet that runs totally counter to modern social media culture and may have culminated with 4chan and the birth of Anonymous–the hactivist organization that never actually existed yet frequented headline news throughout 2008. You were really empowered to dictate how a community perceived you. You could completely ‘reset’ your identity at the click of a button, experimenting with different personas until you found one that jived with the community. Nintendo Power even encouraged this behavior in Issue 72:

So died BobaFett207, and a new entity dove into the RPGs board with a mission to earn the unrivaled respect and adoration of its citizens. (His mom also lifted the half hour limit on web browsing, so he actually had time to read replies and stuff.)

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What I found was appalling. My plans were immediately surmounted by a more pressing issue. The release of Final Fantasy VII was rapidly approaching, and people were actually discussing the Playstation.

The Playstation. The Sony Playstation, in what would one day be my Nintendo kingdom. These were the filthy traitors who planned to endorse Squaresoft’s debauchery, and they had to be destroyed. I charged head-first, furious and uncaring of the consequences. “JERK!” “IDIOT!” “HOW COULD U!” I let the hatred flow through me, channeling it into dozens of single-sentence replies, until a thread title appeared that gave me pause. It said “ATTN: SHADOW 4000”. That was me! Registered only one day, and my new identity was already known to the community! The post, no doubt, would praise me for my heroic defense of truth and the Nintendo 64.

It did. This was where, in retrospect, things got weird. I wasn’t banned by a forum moderator, or even told to shut up. No, I was invited to join the NES Knights–a legion of warriors who, like me, vowed to fight against the evils of the Sony Playstation. I was promptly recruited and informed that we were at war with the Freedom Knights, who had organized to defend forum-goers’ rights to enjoy non-Nintendo products.

I earned my first stripes when the PSX Invaders came to town. They were a band of ruffians that would show up every few weeks and ravage the RPGs board by posting hundreds of threads titled “N64 SUX”, “PSX 4 LIFE”, etc. Certain that I could stop the incessant barrage of spam posts, I set a clever trap. “ATTN: PSX INVADERS” the thread title ran, and when they clicked it… BAM! “***FIRE LANCE X***” As I am sure you expected, this worked phenomenally. Two invaders stopped spamming and engaged me with their own barrage of attacks. I parried them as best I could, while fellow forum-goers engaged them similarly in other threads. The battle was long and bloody, but we were victorious.

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I had found my true calling. Every evening, after school, I would log on to the Loud House RPGs board and train with my allies or engage rival groups. I even started my own, which amassed over 100 members. This was clearly my best route to becoming an official Nintendo-employed Cyberjock… while that dream lasted. It all came crashing down on Thanksgiving Day 1997. Nintendo deleted the Loud House.

And in its place, they created NSider. NSider was ugly, stupid, and it featured Diddy Kong instead of Fulgore.

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Worst of all, by far, they renamed my precious board “Other RPGs”. Other! Lesser! Inconsequential! And why? The only reasonable explanation was to emphasize the Zelda board. Practically in tears, I called my RPGs brothers to arms. The Zelda board must pay. That war would last for weeks, because the Zelda board was well organized under the Zelda Alliance. (This same game had been going on there all along, despite there being almost no overlap in users.)

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As it turned out, the game was not just an RPGs board thing or a Nintendo.com thing, but a common trend throughout the internet. As we transitioned away from NSider to Geocities and forum hosts like VantageNet and InsideTheWeb, we encountered more of the same everywhere. It was as if thousands of kids were dumped into an empty field and told: “Play. No one is watching.” You will never find a Wayback Machine record of the bizarre, seemingly pandemic consequences, but if you were socially engaged in the 90s internet before high school, you probably belonged to some sort of guild.

I tended to see a change in people when they got to be 13 or 14, and the game for them might transition into an interactive story. These were shared universe worlds in which participants would write a collaborative fiction story through their individual characters’ perspectives. It wasn’t RP, but rather a real (poorly written and highly derivative) novel, and it could go on for years. The one that began on the Loud House RPGs board amassed thousands of pages (which were archived). Alternatively, the game would evolve into cyberbullying. Account security was non-existent and cracking tools were a dime a dozen on Yahoo!. A lot of sites also used forms to password protect their content, and the redirect link was usually embedded right in the HTML code. As a high school freshman, you were too “mature” to pretend you were a wizard anymore, so you pretended you were a 1337 hacker instead. It was not uncommon to see a Geocities site vanish over night, replaced by “Conquered by” so-and-so. My first email address got hijacked. It was actually kind of stressful.

But that was the 90s internet as I remember it. …Am I supposed to inject some sort of closing point or moral here?

The Players Should Never Be a Major


Rickie Fowler’s performance in the fourth round of The 2015 Players Championship today was definitely one for the ages. He shot six under on the final six holes and beat out Sergio Garcia and Kevin Kisner in a playoff, sealing the deal with a beautiful shot off the tee and a short putt on the most iconic hole on the PGA tour: the 17th at TPC Sawgrass. The sports commentators immediately started to speculate whether this might be the performance that finally launched The Players into Major Championship status, and I cringed.

The obvious argument against a fifth major is that it would dilute the significance of the other four. Four is a sort of magic number long accepted in individual sports as the amount of events that are allowed to matter most. Five would mean that no one Major Championship is as important as a Grand Slam tournament in tennis. Five would make career grand slams even more difficult to obtain. Five would forever taint the man who finally breaks Jack’s 18.

But besides that, being golf’s fifth best tournament is part of what makes The Players special. Sports history is important in golf. You get a vision in your head of how you want that history to unfold, and it gives you an emotional connection to how individual players perform. I want to see Tiger get his game back. I want to see Phil and Rory thrive. I want to see Lee Westwood and Henrik Stenson claim that elusive first major before their careers dwindle to a close. I get a sense of satisfaction watching Jim Furyk and knowing that he did pull it off. Everything ties back to those four majors. Once you win, you’re in the club of legends. I mean, no one is ever going to suggest that Shaun Micheel had a better career than Colin Montgomerie, but his feels more complete in a sense.

And that’s where The Players comes in. It’s the tournament that is almost a major. It is almost complete, but something is missing. It needs more, and the right names in the winners’ circle give it more… but never quite enough. If the majors make legends, legends make The Players. It’s one of the only tournaments where the event and the player can both benefit from each other’s prestige.

Saturday night, I had all but lost interest. In terms of seeing the tournament thrive, the top 10 was a ghost town. I felt a distant glimmer of hope that Sergio Garcia could pull something off (he nearly did). Otherwise, uh, go Bill Haas I guess. Then, Rickie Fowler surged up the leaderboard in the ultimate aura of almost. A nearly major champion who should have five or six wins on tour, his biggest career highlight was his streak of not quite winning scores in majors in 2014. He won the almost major championship in style, proving that he’s just as good as we didn’t quite believe he was. And he beat Kevin Kisner, a guy most of us were rooting against because this was the last tournament we wanted a no-name to win.

Everything about the 2015 Players Championship felt really good. A tournament in eternal need of more big name winners got one. A big name in need of career highlights got one. A guy with no highlights to speak of is now on our radar without having ultimately spoiled our fun. And Fowler’s performance was thrilling to watch besides all that. It’s no wonder the announcers were all talking Major Championship status, but it is exactly why The Players needs to stay right where it is. This year serves once again to show how well The Players fulfills its role as a “to be continued” event leading into the U.S. Open. If we made them equals, we might diminish them both.

Happy 100th Birthday, George Orson Welles!


Orson+Welles+Early+CareerToday is the 100th birthday of the great filmmaker and showman Orson Welles!  And what better way to celebrate than listening to the famous 1938 radio broadcast of War of the Worlds?  Reportedly, this caused mass panic when it was originally aired as people tuned in late and were convinced that the Earth actually had been invaded by Martians!

(Like Martians would want this dump!  Seriously….)

Enjoy and join us all in wishing Orson Welles a happy 100th!

Hagler vs. Hearns “The War” Is A Real Fight


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So, it looks like the fight of the century between Floyd Mayweather, Jr and Manny Pacquiao turned out to be more of a whimper instead of a bang.

Now, this short, but sweet 3-round fight from April, 15, 1985 was (and is) what a great fight looks like. It’s the kind of fight Floyd will never put himself in and the sort of fighters he would duck and dodge until they’re on the downside of their careers then he would agree for the money fight.

Floyd is not, as he proclaimed a couple weeks ago, the greatest fighter ever. He’s no Muhammad Ali. He’s no Sugar Ray Robinson. He’s not even in the same league as Sugar Ray Leonard, Roberto Duran, Marvin Hagler and Thomas Hearns.

Otis, Roscoe, and Roy Sullivan


We lost three talented character actors this week.

Tom Towles Tom Towles (March 20, 1950–April 5, 2015) may have never been a household name but he  was well-known to horror fans.  In Rob Zombie’s House of a 1,000 Corpses, he played George Wydell, the gruff deputy who was executed by Karen Black’s Mama Firefly.  In Tom Savini’s underrated remake of Night of the Living Dead, he took over the role of Harry Cooper and was executed by Patricia Tallman’s Barbara.

However, he was best known for playing the loathsome Otis in Henry: Portrait of a Serial Killer.  Taken under the wing of serial killer Henry (Michael Rooker), Otis is such an enthusiastic and depraved student that even Henry grows disgusted with him. Based on real-life murderer Ottis Toole, Otis is one of the most disgusting and plausible of movie psychos.  Playing a stupid character, Towles gave a very intelligent performance.

Before being cast as Otis, Towles served in the Marines and was active in Chicago theater.  He died in Florida, of a massive stroke.

James BestJames Best (July 26th, 1926–April 6th, 2015) played many different roles but he will always be best known as Sheriff Roscoe P. Coltrane of Hazzard County.  Born in Kentucky, Best proudly served in World War II and started acting in 1950.  For the first part of his career, he played cowboys, soldiers, outlaws, and sidekicks.  In The Twilight Zone episode “The Last Rites of Jeff Myrtlebank,” he played a country boy who came back to life in the middle of his funeral.  On The Andy Griffith Show, he played guitar player Jim Lindsey.  He showed his versatility in films like Sam Fuller’s Shock Corridor and Max Baer’s Ode To Billy Joe.

Most people know him for his role on The Dukes of Hazzard.  For 6 years, Best played Roscoe P. Coltrane and his performance has lived on and been rediscovered in endless syndicated reruns.  Roscoe was forever in “hot pursuit,” chasing the Duke boys with his basset hound, Flash, sitting in the car beside him.  Roscoe never came close to catching the Dukes but he never stopped trying.  There was nothing subtle about Best’s performance but it was perfect for The Dukes of Hazzard.

James Best was also a painter and a respected acting coach, as well as an early mentor to Quentin Tarantino.  He passed away at the age of 88 from pneumonia.

Geoffrey LewisGeoffrey Lewis (July 31st, 1935–April 7th, 2015) began his career in 1970 and, at the time of his passing, he had over 200 credited roles to his name.  With a face that could either be friendly or threatening depending on how it was lit, Lewis played truck drivers and senators, criminals and lawyers, good old boys and corporate businessmen.  Lewis was the epitome of a character actor, never quite a star but making even the smallest of roles memorable.

He was a favorite of Clint Eastwood’s and appeared in seven films with him.  In Every Which Way But Loose and Any Which Way You Can, he played Orville and stole scenes from not only Clint Eastwood and Ruth Gordon but from Clyde the Orangutan as well.  More recently, he brought tragic dignity to the role of Roy Sullivan in Rob Zombie’s The Devil’s Rejects.

Rest in peace, good gentlemen.

 

Lisa Tries To Predict The Oscars!


Oscars

Well, it’s almost here!

Tomorrow night, the Oscars will be handed out!  Now, I have to admit that, despite all of the time that I spent keeping up with all of the guild awards and the critics award and all the other precursors, I kinda lost interest in the Oscar race after the actual nominations were announced.  I took one look at Jeff Wells claiming to be solely responsible for the success of Birdman and Sasha Stone going on and on about Selma and Ryan Adams doing whatever the Hell it is that he supposedly does over at Awards Daily and I just found myself saying, “Fuck it, who cares?”

Seriously, 2015 will be remembered as the year that Oscar punditry jumped the shark.  Hopefully, within the next few years, new voices will emerge and we’ll be spared from having to deal with Jeff Wells, Sasha Stone, and all the rest.

The Oscar commentary this year has been so negative and so toxic and so predictably strident and so tediously bitter that I did get a little bit burned out.  It just hasn’t been as much fun this year.  When, earlier this week, I was reminded that the Oscars were this Sunday, I have to admit that I was taken a little bit by surprise.  For some reason, I had gotten into my head that the Oscars were next week.

But anyway, they’re not next week.  They’re tomorrow and that means that it is now time for me to try to predict who and what will win tomorrow night.  A lot of people are saying that this is the closest Oscar race in years.  But you know what?  They say that every year.

Remember how there were going to be a lot of upsets last year?

And, in the end, exactly what everyone thought would win did win.

I imagine the same thing will happen this year.

Here are my predictions!  I will be listing both what I think will win and what I think should win.

Need to kill some time?  Look through all the posts since November and count up how many times this picture has appeared on the site!

Need to kill some time? Look through all the posts since November and count up how many times this picture has appeared on the site!

Best Picture: 

Will Win: Birdman

Should Win: Boyhood

Best Director:

Will Win: Alejandro Gonzalez Inarritu for Birdman

Should Win: Richard Linklater for Boyhood

Best Actor

Will Win: Eddie Redmayne for The Theory of Everything

Should Win: Michael Keaton for Birdman

Best Actress

Will Win: Julianne Moore for Still Alice

Should Win: Reese Witherspoon for Wild

Best Supporting Actor

Will and Should Win: J.K. Simmons for Whiplash

Best Supporting Actress

Will and Should Win: Patricia Arquette for Boyhood

Best Original Screenplay

Will Win: Birdman

Should Win: Boyhood

Best Adapted Screenplay

Will and Should Win: Whiplash

Best Animated Feature:

Will Win: How to Train Your Dragon 2

Should Win: Big Hero 6

Best Foreign Language Film

Will Win: Leviathan

Should Win: Ida

Best Documentary Feature

Will Win: CitizenFour

Should Win: Finding Vivian Maier

Best Documentary Short Subject:

Will Win (random guess): Crisis Hotline: Veterans Press 1

Should Win: ???

Best Live Action Short Film:

Will Win (random guess): The Phone Call

Should Win: ???

Best Animated Short Film:

Will and Should Win: My Moulton

Best Original Score:

Will and Should Win: The Theory of Everything

Best Original Song:

Will Win: “Glory” from Selma

Should Win: “Hooray for Everything” from The Lego Movie

Best Sound Editing

Will and Should Win: American Sniper

Best Sound Mixing

Will Win: American Sniper

Should Win: Whiplash

Best Production Design

Will and Should Win: The Grand Budapest Hotel

Best Cinematography

Will Win: Unbroken

Should Win: Ida

Best Makeup and Hairstyling

Will Win: Foxcatcher

Should Win: Guardians of the Galaxy

Best Costume Design

Will Win: The Grand Budapest Hotel

Should Win: Inherent Vice

Best Film Editing

Will and Should Win: Boyhood

Best Visual Effects

Will Win: Interstellar

Should Win: Guardians of the Galaxy

Guardians of the Galaxy

Well, those are my predictions!  Will I be right or will I be wrong?  We’ll find out tomorrow!

In Memoriam: Chris A. Mead (a.k.a. Semtex Skittle)


We have some sad news to report.

Chris Mead, who blogged for the TSL under the name Semtex Skittle, passed away on January 21st.  Though Chris started out as our video game reviewer, he quickly proved himself to be just as adept at reviewing everything from anime to episodes of Marvel’s Agents of SHIELD to Pierce Brosnan-era James Bond movies. His reviews were distinguished by his intelligence and wit and were always a pleasure to read.  I was always so happy whenever I would see that he was editing a new review.

It’s hard to know what to say after losing someone like Chris.  Speaking for myself, I will always be grateful for the invaluable help that he provided back in 2012 when I decided that, in the days leading up to the release of Skyfall, we, as a group, would review every single film in the James Bond franchise.  Leonard Wilson often refers to the Bond reviews as being our Avengers moment and Chris was definitely our Captain America.

On a personal note, Chris and I once ended a long twitter conversation about gender stereotypes by making an agreement.  He promised to watch the last Twilight film if I would buy, play, and subsequently review the latest Call of Duty game.  I did buy the game and, believe it or not, I even played a good deal of it.  Fortunately, Chis was always available on twitter to explain to me how to do things like … well, like how to actually play the game.

Chris was taken from us far too soon but I know we’re all thankful for the time that we had to get to know him.  He was a Bears fan, a good writer, a good friend, and a good guy.  He will be missed.  Our thoughts and condolences go out to his friends and family.

Chris Mead (a.k.a. Semtex Skittle), R.I.P.

You can read Chris’s reviews by clicking here.