Retro Television Review: The Decoy 1.5 “Dream Fix”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week, Casey goes after a drug dealer.

Episode 1.5 “Dream Fix”

(Dir by Teddy Sills, originally aired on November 11th, 1957)

This week’s episode opens with Casey walking down a city street.  She tells us that she’s working Juvenile undercover, which apparently means that she just walks around the city and waits for a teenager to do something strange.  When she sees a teenage girl collapse on the sidewalk, Casey runs over to her and looks at the powder in her hand.  Casey tastes it.

“Heroin!” Casey snaps.

(How are cops always able to dip their fingers in random powers and then taste it without anything bad happening?  What if the cocaine turned out to be strychnine?  It just seems like a poor training and an unnecessary risk.)

Joanne Kittridge (Phyllis Newman) is indeed hooked on cocaine and heroin.  However, neither her rich father (Les Damon) or her attorney (Frank Bandimer) want her to work with the police to track down her dealer.  Her attorney arranges for Joanne to be sent to a rehab.  Casey’s lieutenant (played, in this episode, by Simon Oakland) assigns Casey to undercover as a nurse.

In the end, Joanne not only gets straight but she reveals that her drug dealer is her lawyer!  When the attorney pulls a gun on Joanne, Casey pulls her gun and shouts, “Freeze, police!”

This was a good episode, one that was well-acted by the entire cast and which featured Beverly Garland at her best.  (Garland even gets to show off some karate moves when she disarms the attorney.)  That said, it’s starting to bother me how almost all of Casey’s assignments seem to involve her pretending to be someone’s friend.  I get that she’s working undercover but it’s sometimes hard not to wonder what’s going to happen to people like Joanne after they realize that the only reason Casey talked to her in the first place was because someone ordered her to.

Song of the Day: One Headlight by The Wallflowers


We can drive it home with one headlight….

Some songs just get stuck in your head and I think this is definitely one of them.  This is also a song that always used to play in the background at one of my favorite used bookstores.  I associate One Headlight with searching through old books and learning about history.

4 Shots From 4 Films: Special Robert Bresson Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

124 years ago, on this date, the great French director Robert Bresson was born in Bromont-Lamothe, France.  In honor of Robert Bresson’s life and cinematic legacy, it is time for….

4 Shots From 4 Robert Bresson Films

Pickpocket (1959, dir by Robert Bresson, DP: Leonce-Henri Burel)

Mouchette (1967, dir by Robert Bresson, DP: Ghislain Cloquet)

Lancelot Du Lac (1974, dir by Robert Bresson, DP: Pasqualino De Santis)

L’Argent (1983, dir by Robert Bresson, DP: Pasqualino De Santis)

Scenes That I Love: “Greed is Good” from Wall Street


Today, the Shattered Lens wishes a happy 81st birthday to actor and producer Michael Douglas!

For today’s scene that I love, we have a scene from Oliver Stone’s 1987 film, Wall Street.  In this scene, Michael Douglas plays Gordon Gekko.  Gekko is supposed to be the film’s villain but he’s actually a lot more compelling and, at times, sympathetic than the film’s heroes.  He’s not a judgmental jerk like the union leader played by Martin Sheen.  Nor is he a snitch like his protegee, played by Charlie Sheen.  Instead, Gordon Gekko is honest about who he is.

This is the scene that won Michael Douglas an Oscar.  Watching him in this scene, it’s easy to see why Douglas’s performance supposedly inspired a lot of people to get a job working on Wall Street.  Douglas is so charismatic in this scene that he makes this movie, directed by a future supporter of Bernie Sanders, into one of the best advertisements for capitalism ever filmed.

Late Night Retro Television Review: 1st & Ten 1.11 “Rona’s Fling”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the Bulls try to keep their season alive.

Episode 1.11 “Rona’s Fling”

(Dir by Bruce Seth Green, originally aired on February 3rd, 1985)

Rona (Ruta Lee) has been Diane’s best friend and biggest supporter since she first appeared during 1st & Ten’s pilot.  And yet I don’t think I’ve ever mentioned her in any of my review because her character just wasn’t that interesting.  She was a sarcastic society maven who was always drinking.  She was a bit of a sitcom cliche and I didn’t really see any need to waste a lot time on her character.

This episode, however, opens with Rona getting out of rehab.  She’s stopped drinking!  And she’s also met a guy, a fellow alcoholic.  Tim (Will Bledsoe) is a young and handsome and he and Rona have great sex.  Tim is also the Bulls’s new punter!  With Tim on the team, the Bulls are guaranteed to make it to the playoffs!  (I never knew punters were so important.)

Meanwhile, the Arcola Brothers are also determined to make sure the Bulls make it to the playoffs.  They bribe a referee.

The referee, however, is knocked out early in the game when two plays collide with him.  However, the Bulls win the game on their own, no doubt thanks to Tim and his amazing punting abilities!  Rona would be happy except she’s recently learned that Tim is married.  Tim was separated when he went into rehab but, once he got out, his wife fell in love with him all over again.

And that’s pretty much the episode.  It wasn’t a bad episode, even if the whole thing with the referee felt a bit anti-climatic.  Ruta Lee gave a good performance as Rona and I appreciated the fact that she was still sober at the end of the episode.  And, hey ….. The Bulls are going to the playoffs!

Thank God for the kicking team, I guess.

Retro Television Review: The Love Boat 6.18 and 6.19 “Isaac’s Aegean Affair/The Captain and The Kid/Poor Rich Man/ The Dean and the Flunkee”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, we have a special two-hour episode!

Episodes 6.18 and 6.19 “Isaac’s Aegean Affair/The Captain and The Kid/Poor Rich Man/ The Dean and the Flunkee”

(Dir by Alan Rafkin, originally aired on February 5th, 1983)

The Love Boat is going to Greece!

This is another one of those two-hour Love Boat episodes.  The crew is assigned to work a Greek cruise.  Love and sight-seeing follow.  Isaac, for instance, falls in love with a passenger named Reesa (Debbie Allen) and even resigns from the crew so that he can spend the rest of his life in Greece with her.  Unfortunately, Isaac forgets to ask Reesa ahead of time and, when Isaac returns to Reesa’s Greek flat, he discovers that she had reconciled with her husband (James A. Watson, Jr.).  It’s back to the Love Boat for Isaac!

Meanwhile, the graduating class of Captain Stubing’s old college is holding their graduation ceremony at the ruins of a Greek temple.  The class  valedictorian (Jameson Parker) give a speech in which he shows appreciation to his Greek aunt (Eva Marie Saint), even though he’s discovered that she’s not as a wealthy as he originally assumed she was.  The Dean (Eddie Albert) is finally convinced to give a makeup exam to a student (Leigh McCloskey) who missed his history final.  A teacher (Shirley Jones) finally agrees to marry the dean.  And Vicki briefly falls in love with a 16 year-old prodigy (Jimmy McNichol) and she gets engaged to him for about an hour or two.  Captain Stubing wonders how Vicki would be able to continue her education if she got married.  I’m wondering how she’s continuing her education while living and working on a cruise ship.

There was a lot going on in this episode but the true star of the show was the Greek scenery.  This episode was filmed on location and, as such, it’s basically a travelogue.  Fortunately, Greece looks beautiful!  Seriously, the 2-hour, on-location episodes of The Love Boat must have been a blast to shoot.

This week?  This week was probably a 10 out of 10 on the How Coked Up Was Julie Scale but hey, she was in Greece.  She had every right to live a little.

Now, I want to take a cruise!

Scenes That I Love: Coyote Shivers and Renee Zellweger perform “Sugar High” in Empire Records


It’s not Rex Manning Day but it is Coyote Shivers’s birthday!

Here, he and Renee Zellweger do their part to save the store by performing Sugar High on the roof.

4 Shots From 4 Films: Special Bert I. Gordon Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens celebrates would have been the 103 birthday of director Bert I. Gordon!  Known as Mr. BIG, both because of his initials and the fact that his films often dealt with things becoming bigger than they should, Gordon made his directorial debut in 1954 and continued to work all the way through 2014.  And that means that it’s time for….

4 Shots From 4 Bert I. Gordon Films

King Dinosaur (1955, dir by Bert I. Gordon, DP: Gordon Avil)

Beginning of the End (1957, dir by Bert I. Gordon, DP: Jack A. Marta)

Village of the Giants (1965, dir by Bert I. Gordon, DP: Paul Vogel)

The Mad Bomber (1973, dir by Bert I. Gordon, DP: Bert I. Gordon)

Late Night Retro Television Review: Pacific Blue 2.21 “The Last Ride”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, wild things are happening in Malibu.

Episode 2.21 “The Last Ride”

(Dir by Michael Levine, originally aired on April 13th, 1997)

Mahmoud (Shaun Toub) has promised everyone that he will be going straight as soon as he completes his community service.  However, we all know better than to trust Mahmoud!  It turns out that he’s gotten involved in an elaborate con job to sell Malibu Pier to some naive investors.  Oh, that Mahmoud!

What was that?  What did you ask?  Oh, who is Mahmoud?

I asked that exact same question when I watched this episode.  I had no idea who Mahmoud was or why exactly he was at the center of an episode of a show about bicycle cops.  Chris and Cory did show up occasionally to harass him but, still, it really did seem like Mahmoud belonged on a different show.  After this episode ended, I did a search of my previous reviews and discovered that Mahmoud actually has appeared on the show before.  As a vendor on the beach, he sold Chris a necklace that made her neck turn green.  But that was about eight episodes ago and it was a rather minor subplot, all things considered.

As for Mahmoud in this episode, he was annoying.  His dialogue was overwritten, his story felt cartoonish, and Shaun Taub’s overacting didn’t help things.  Still, it’s interesting to think that the regular characters were so boring that the show’s writers decided they would rather do a show about a minor supporting character than actually try to come up with anything for Chris and Cory to do.

The episode’s other subplot actually does feature the bicycle cops.  Victor’s childhood friend has been released from prison and is now the head of a violent car theft ring.  Victor is forced to deal with his own guilt over being a juvenile delinquent as he and TC try to take down the car thieves.  This was pretty standard stuff but it did feature one scene that was just stupid enough to be entertaining.  With the car thieves opening fire on them, Victor and TC ride their bikes straight toward the thieves.  Eventually they both stand up on their still-moving bikes and, leaning forward against the handle bars, they start shooting their guns back at the bad guys.  Somehow, they’re able to do this and aim well-enough to take out the car thieves while also keeping their bikes rolling forward.  (TC does get shot but it turns out the bullet only grazed his forehead.  “He’ll just have a headache for a while,” Chris says.  Yeah, I would think so.)  This is one of those moments that would have been really badass if not for the fact that Victor and TC were still wearing their dorky bike cop uniforms during it.  The blue shorts, the white polo shirts, the bicycle helmets — sorry, you just can’t look cool when you’re wearing all that.  Nice try, guys!

Next week, season 2 ends!