October True Crime: Stolen Innocence (dir by Bill L. Norton)


1995’s Stolen Innocence opens with 18 year-old Stacy Sapp (Tracey Gold) trying to sneak back into her house after a long night of drinking and partying.  Unfortunately for her, Stacey isn’t very good at sneaking around and she’s caught by her mother (Bess Armstrong) and her father (Nick Searcy).

“I’m 18!” Stacy argues.

“You’re going to end up pregnant!” her mother yells.

Stacy says that that her mother is just scared that she’s going to end up a loser “like you!”  Well …. yeah, Stacy, that’s kind of the point.  If your mother has experience with the life decisions necessary to become a loser, maybe you should listen to her warnings.

Anyway, Stacy runs away with a friend of her’s.  After her friend decides to go back home, Stacy hitches a ride with a trucker.  When the trucker stops off at a truck stop so he can get his brakes looked at, Stacy meets Richard Brown (Thomas Calabro, wearing a really bad wig).  Richard is long-haired and has got a tough guy beard and a cheesy tattoo of a heart on his scrawny forearm.  Stacy, of course, is totally smitten and she goes off with Richard and his “friend,” Eddie (Matt Letscher).

It doesn’t take long for us to figure out what Richard is bad news.  He carries a gun.  He’s financing his trip through stolen checks.  He might not even own the truck that he’s driving.  He and Eddie have a bizarre relationship in which Richard continually abuses Eddie but Eddie refuses to leave.  Richard is obviously a bad guy and we can all see it.  When Stacy finally calls her parents from the road, they immediately figure out that Stacy is in trouble.  However, it takes Stacy forever to figure it out because Stacy’s kind of an idiot.

I cringed a lot while watching Stolen Innocence, not so much because of the film’s depiction of Richard’s criminal lifestyle but because I used to have a definite weakness for bad boys and I could kind of understand what was going through Stacy’s mind when she first met Richard.  That said, I’m pretty sure that I would have figured things out a lot quicker than Stacy did.  Stacy quickly goes from being a somewhat sympathetic rebellious teenager to being someone who you really start to get annoyed with.  Oh, he’s threatening you with a gun?  Okay, that’s when you leave!  That’s when you start plotting your escape.  You don’t make excuses for him.  He’s financing his trip with stolen checks?  I’m sorry, is that not a red flag?  Add to that, as played by a miscast Thomas Calabro, it’s not like Richard is some boiling cauldron of charisma.  From the first minute we see him, with his long hair and his cowboy hat and his tattoo, the guy seems like a joke.

Eventually, Stacy does figure out the truth but, by that point, Richard and her are holed up in a motel room and Richard is exchanging gunfire with the FBI.  The film ends with a title card, reminding us that this was a true story.  “He’s not a bad person!” Stacy wails to the police.  I guess some people really are that stupid.

Horror On The Lens: The Last Man On Earth (Dir by Ubaldo Ragona and Sidney Salkow)


Today, I present to you one of the most important films in horror history.  Though it wasn’t appreciated when it was first released back in 1964, The Last Man On Earth was not only the 1st Italian horror film but George Romero has also acknowledged it as an influence on his own Night of the Living Dead.

It’s easy to be a little bit dismissive of The Last Man On Earth.  After all, the low-budget is obvious in every scene, the dubbing is off even by the standards of Italian horror, and just the name “Vincent Price” in the credits leads one to suspect that this will be another campy, B-movie.  Perhaps that’s why I’m always surprised to rediscover that, taking all things into consideration, this is actually a pretty effective film.  Price does have a few over-the-top moments but, for the most part, he gives one of his better performances here and the black-and-white images have an isolated, desolate starkness to them that go a long way towards making this film’s apocalypse a convincing one.  The mass cremation scene always leaves me feeling rather uneasy.

The film is based on Richard Matheson’s I Am Legend and no, it’s nowhere as good as the book.  However, it’s still a worthy adaptation and one that stays true to the tone of the text, including the fact that Price’s main tormenter was also once his neighbor and best friend.  This is one of those films that just hits differently in the wake of 2020’s COVID hysteria.

And now, it’s time for The Last Man On The Earth….

 

October Positivity: Revelation Road 2: The Sea of Glass and Fire (dir by Gabriel Sabloff)


Eric Roberts is in this!

That, in itself, isn’t a surprise.  Eric Roberts was also in the first Revelation Road.  He plays the same role in the 2013 sequel.  Roberts is Sheriff Jenson, the not particularly religious sheriff who has to deal with a town that’s gone mad in the wake of the Rapture.  Over the course of one night, dozens of people (including Jenson’s mother) vanished as their souls flew into the air.  Jenson isn’t sure what happened but he knows that there is panic in the streets and that there is also a crazed motorcycle gang to deal with.  In the first film, Roberts was onscreen for maybe two minutes.  He gets closer to five minutes in Revelation Road 2 and you know what?  it’s always nice to see Eric Roberts!

As for the rest of the film, it picks up where the previous one ended.  Josh McManus (David A.R. White) is trying to get home to his family while also resisting the urge to become a killer.  It’s not easy.  Flashbacks reveal that Josh was actually brainwashed by the CIA to be a remorseless killer.  He’s haunted by a mission in the Middle East and the amount of people he killed over there.  He’s joined in his drive home by Beth (Noelle Coet), a teenage girl who has been sent by Jesus himself (Bruce Marchiano) to help guide Josh in the right direction.  Pursuing Josh is the fearsome Hawg (Brian Bosworth), a motorcycle gang leader who is haunted by his own personal tragedy.  Hawg’s daughter, Cat (Andrea Logan White), struggles to understand her father’s anger and hatred.

Revelation Road 2 is a definite improvement over the first film.  If the first film seemed to take forever to go nowhere, Revelation Road 2 is all about Josh’s determination to get back home.  Once he starts that car up, nothing is going to stop him.  If the first film seemed to be a bit too eager to show off Josh’s talent for killing people, Revelation Road 2 features Josh trying to hold back on his murderous instincts.  Flashbacks to Hawg’s past life bring some much-needed nuance and context to his actions and they keep him from being just a one-dimensional villain.  I would dare say that Bosworth actually gives a legitimately good performance in this film.

Though the film wears its influences on its sleeve (Hi, Mad Max!), Revelation Road 2 is still a surprisingly well-done action film.

Previous Eric Roberts Films That We Have Reviewed:

  1. Paul’s Case (1980)
  2. Star 80 (1983)
  3. Runaway Train (1985)
  4. To Heal A Nation (1988)
  5. Best of the Best (1989)
  6. Blood Red (1989)
  7. The Ambulance (1990)
  8. The Lost Capone (1990)
  9. Best of the Best II (1993)
  10. Love, Cheat, & Steal (1993)
  11. Voyage (1993)
  12. Love Is A Gun (1994)
  13. Sensation (1994)
  14. Dark Angel (1996)
  15. Doctor Who (1996)
  16. Most Wanted (1997)
  17. Mercy Streets (2000)
  18. Raptor (2001)
  19. Rough Air: Danger on Flight 534 (2001)
  20. Strange Frequency (2001)
  21. Wolves of Wall Street (2002)
  22. Border Blues (2004)
  23. Mr. Brightside (2004)
  24. Six: The Mark Unleased (2004)
  25. We Belong Together (2005)
  26. Hey You (2006)
  27. Depth Charge (2008)
  28. Amazing Racer (2009)
  29. The Chaos Experiment (2009)
  30. In The Blink of an Eye (2009)
  31. Bed & Breakfast (2010)
  32. Enemies Among Us (2010)
  33. The Expendables (2010) 
  34. Sharktopus (2010)
  35. Beyond The Trophy (2012)
  36. The Dead Want Women (2012)
  37. Deadline (2012)
  38. The Mark (2012)
  39. Miss Atomic Bomb (2012)
  40. Assault on Wall Street (2013)
  41. Bonnie And Clyde: Justified (2013)
  42. Lovelace (2013)
  43. The Mark: Redemption (2013)
  44. The Perfect Summer (2013)
  45. Revelation Road: The Beginning of the End (2013)
  46. Self-Storage (2013)
  47. Sink Hole (2013)
  48. A Talking Cat!?! (2013)
  49. This Is Our Time (2013)
  50. Bigfoot vs DB Cooper (2014)
  51. Doc Holliday’s Revenge (2014)
  52. Inherent Vice (2014)
  53. Road to the Open (2014)
  54. Rumors of War (2014)
  55. Amityville Death House (2015)
  56. Deadly Sanctuary (2015)
  57. A Fatal Obsession (2015)
  58. Las Vegas Story (2015)
  59. Sorority Slaughterhouse (2015)
  60. Stalked By My Doctor (2015)
  61. Enemy Within (2016)
  62. Hunting Season (2016)
  63. Joker’s Poltergeist (2016)
  64. Prayer Never Fails (2016)
  65. Stalked By My Doctor: The Return (2016)
  66. The Wrong Roommate (2016)
  67. Dark Image (2017)
  68. The Demonic Dead (2017)
  69. Black Wake (2018)
  70. Frank and Ava (2018)
  71. Stalked By My Doctor: Patient’s Revenge (2018)
  72. Clinton Island (2019)
  73. Monster Island (2019)
  74. The Reliant (2019)
  75. The Savant (2019)
  76. Seven Deadly Sins (2019)
  77. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  78. The Wrong Mommy (2019)
  79. Exodus of a Prodigal Son (2020)
  80. Free Lunch Express (2020)
  81. Her Deadly Groom (2020)
  82. Top Gunner (2020)
  83. Deadly Nightshade (2021)
  84. The Elevator (2021)
  85. Just What The Doctor Ordered (2021)
  86. Killer Advice (2021)
  87. Megaboa (2021)
  88. Night Night (2021)
  89. The Poltergeist Diaries (2021)
  90. The Rebels of PT-218 (2021)
  91. Red Prophecies (2021)
  92. A Town Called Parable (2021)
  93. Bleach (2022)
  94. Dawn (2022)
  95. My Dinner With Eric (2022)
  96. 69 Parts (2022)
  97. The Rideshare Killer (2022)
  98. The Company We Keep (2023)
  99. D.C. Down (2023)
  100. Aftermath (2024)
  101. Bad Substitute (2024)
  102. Devil’s Knight (2024)
  103. Insane Like Me? (2024)
  104. Space Sharks (2024)
  105. The Wrong Life Coach (2024)
  106. Broken Church (2025)
  107. When It Rains In L.A. (2025)

Late Night Retro Television Review: CHiPs 4.19 “Vigilante”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

It is time to leave the Bronx….

Episode 4.19 “Vigilante”

(Dir by Arnold Laven, originally aired on May 3rd, 1981)

A citizen’s patrol has taken to the streets of Los Angeles and, despite their good intentions, they’re getting in the way of the Highway Patrol.  They’re supposed to call the cops if they actually see anything but one member of the group is trying to take the law into his own hands.  If that wasn’t bad enough, Getraer has someone sending threatening messages to his house.  Getraer thinks that he can handle things on his own but apparently, he’s forgotten the name of the show that he’s on.

This episode wasn’t bad.  I actually appreciate any episode that gives Robert Pine a chance to do more than just bark out orders as Pine was one of the better actors on the show.  Because Getraer was under so much pressure, he ended up snapping at a lot of the officer during the morning briefing and one got the feeling that Pine enjoyed getting to yell.  Still, at one point, Getraer punishes Grossman by giving him desk duty and you have to wonder if maybe that’s why Los Angeles now needed vigilantes to keep the streets safe.

The vigilantes themselves reminded me a bit of New York’s Guardian Angels.  I checked and the Guardian Angels were themselves formed in 1979 so I guess it’s possible that this episode was inspired by them.  I can’t say for sure because I don’t know how prominent the organization actually was in 1981.  Today, of course, the Guardian Angels are once again very prominent because their founder, Curtis Sliwa, is running for mayor of New York.  Apparently, he’s stuck in third place, which is a shame when you consider who is in first and second place.  Personally, I would vote for Sliwa because he owns six cats and I happen to be collector of berets but I’m also not a New Yorker.

As for vigilante justice, I don’t condone it but I certainly see the appeal.

Horror on TV: Spectre (dir by Clive Donner)


Produced by Gene Roddenberry and directed by Clive Donner, 1977’s Spectre was a pilot film for a television series about an occult detective (Robert Culp) who solved supernatural mysteries while dealing with a curse that had been put on him by the demon, Asmodeus.

In this film, Culp’s William Sebastian and his associate, Dr. Ham Hamilton (Gig Young) travel to the UK to investigate a supernatural case involving an old family.  Despite the efforts of a succubus and a cursed airplane, Sebastian and Ham are determined to solve the mystery.  John Hurt appears as a member of the cursed family.

This pilot was not picked up and developed into a series but it was popular enough that it was released as a theatrical film in Europe.

Retro Television Review: Miami Vice 5.4 “Bad Timing”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Crockett tries to find himself.

Episode 5.4 “Bad Timing”

(Dir by Virgil W. Vogel, originally aired on December 2nd, 1988)

With the case against him still unresolved, Crockett goes on vacation.  He doesn’t tell anyone where he’s going, which is a bit unfortunate as he ends up being taken hostage in the Bayous by a group of cartoonishly evil escaped convicts.  (Pruitt Taylor Vince plays one of the hostage-takers but is fairly forgettable.  A young Melissa Leo appears as a fellow hostage and shows none of the grit that made her so memorable as Sgt. Kay Howard on Homicide.)  Somehow, Tubbs still shows up at the last moment and, looking resplendent in a white suit, he shoots the final convict before the latter shoots Crockett.  Crockett doesn’t even ask Tubbs how he knew where Crockett was.  (If Tubbs had been following Crockett the entire time, why would he have allowed Crockett to have been taken hostage to begin with?)  This episode might as well have been called Dues Ex Tubbs.

Watching this episode, it occurred to me that, as a character, Crockett really doesn’t have anywhere left to go.  By having him turn into Burnett and become one of Miami’s most powerful drug dealers, the show pretty much pushed the character as far as possible.  It’s impossible for Crockett to come back from that and it’s equally impossible to watch an episode like this one and not wonder why Crockett wasn’t in prison.  He’s suspected of committing four murders.  He was witnessed shooting a cop.  He attempted to kill his own partner, twice.  The episode begins with several high-ranking cops saying that they don’t buy Crockett’s excuse that he had amnesia.  And yet, Crockett is allowed to leave Miami while the department tries to figure out what to do with him.

Really, the whole idea that Crockett — a minor celebrity due to his college football career — could maintain his Burnett cover for five seasons was already pretty hard to believe.  Crockett and Tubbs’s cover got blown in nearly every episode during the first three seasons.  Having Sonny “Burnett” marry a world-famous singer without anyone noting that Burnett looked just like Crockett was probably this show’s true shark jumping moment.  Once that happened, it became increasingly difficult to take Miami Vice seriously.  The whole arc of Sonny thinking he was Burnett was fun to watch and Don Johnson gave a good performance as a conflicted bad guy but it’s also left the show with nowhere to go.  With this episode, Crockett has been reduced to being taken hostage by a group of backwoods yokels and waiting for Tubbs to materialize from out of nowhere.

In short, it’s time for Sonny to move on.  And seeing as how this is the final season …. well, we’ll see what happens!

Horror Scenes That I Love: Life and Death in Dawn of the Dead


Today’s horror scene that I love is from George Romero’s 1978 zombie masterpiece, Dawn of the Dead.

The first time I saw this film, I was so upset when Roger died.  Not only was Roger my favorite character but I also knew that if Roger — who was so funny and so charismatic and so competent — couldn’t survive then that meant that no one was going to survive.

Horror Song Of The Day: Dawn of the Dead Main Theme by Goblin


Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)

Dario Argento not only produced and edited the European cut for 1978’s Dawn of the Dead, he also introduced George Romero to Goblin.  The Italian band, famous for their horror movie soundtracks, provided the classic score to Dawn of the Dead.

(Admittedly, the score is is used far more prominently in Argento’s cut of the film than in Romero’s.)

For today’s horror song of the day, here is Goblin’s Main Theme From Dawn of the Dead.

4 Shots From 4 Horror Films: 2000s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Welcome to the 21st Century!

4 Shots From 4 Horror Films

Final Destination (2000, dir by James Wong)

Final Destination (2000, dir by James Wong)

The Others (2001, dir by Alejandro Amenabar)

The Others (2001, dir by Alejandro Amenabar)

28 Days Later (2002, dir by Danny Boyle)

28 Days Later (2002, dir by Danny Boyle)

Bubba Ho-Tep (2002, dir by Don Coscarelli)

Bubba Ho-Tep (2002, dir by Don Coscarelli)

October True Crime: Into Thin Air (dir by Roger Young)


Originally broadcast in 1985, Into Thin Air is a made-for-TV movie that is based on a true story.  It’s film that brings to life the horror of every family’s nightmare.  Brian Walker (Tate Donavon) is an intelligent, soft-spoken, and somewhat naive college student in Ottawa.  He’s been accepted into a summer writing program in Colorado.  As he gets in the van that he will be driving to Colorado, he promises his mother, Joan (Ellen Burstyn), that he’ll call her when he reaches Nebraska and again when he reaches Colorado.

Brian drives away and that’s the last time that Joan ever sees her son.  Brian calls from Nebraska and talks to his brother, Stephen (Sam Robards).  Joan arrives home just as Stephen is saying goodbye.  Brian never calls from Colorado.  He has vanished, seemingly into thin air.

Joan, Stephen, and Joan’s ex-husband, Larry (played the great character actor Nicholas Pryor) travel to America to search for him.  At one point, Stephen thinks that he’s spotted Brian’s van on the road and chase after it, just to discover that it’s a different van.  Joan talks to cops in Nebraska and Colorado and discovers that different jurisdictions don’t work together or share information.  As the days pass, Joan keeps hoping that Brian is somehow still alive….

I was about ten minutes into this film when I started sobbing.  I pretty much cried through the entire film.  Some of that was because I knew that they were never going to see Brian again.  Some of that was because of the powerful, heartfelt performances of Ellen Burstyn, Nicholas Pryor, and Sam Robards.  Most of it was because this film did such a good job of capturing the feeling of hopelessness and the dread that comes with not knowing what has happened to someone who you love.  I found myself crying for Brian’s lost potential.  He was a writer and he was engaging in a time-honored writing tradition.  He was taking a road trip and he was discovering the world.  He deserved better than whatever happened to him.  He deserved see his novel sitting in a bookstore.  Instead, he ran into the wrong people.

It’s the little details that really got to me.  Stephen flies into a rage when he sees his younger brother wearing one of Brain’s sweaters.  Joan momentarily gets her hopes up when she discovers that Brian reported some lost traveler’s checks, just to have that hope shot down when she’s told that the bank can’t reveal where Brian called them from unless Brian himself gives permission.  When the van eventually turn up in Maine, it’s been totally trashed by whoever took it from Brian.

Eventually, Joan hires a private detective and Robert Prosky is well-cast as Jim Conway, a seemingly cynical ex-cop who dedicates himself to trying to provide closure for the Walkers.  The scene where he finally discovers what happened to Brian is one of the strongest in the film and one of the most upsetting.  So many people could have saved Brian if they only had the courage to speak up.

Into Thin Air is a powerful film.  No one should ever be forgotten.