The Films of 2024: Rebel Moon Part 2 — The Scargiver (dir by Zack Snyder)


In some other galaxy, a bunch of annoying farmers are living on the moon of Veldt.  The evil army of the Motherworld, led by Atticus Noble (Ed Skrein), wants to conquer the moon and steal all of the grain for themselves.  A bunch of rebels — including a long-winded former general named Titus (Djimon Hounsou) and painfully dull former solider of the evil empire named Kora (Sofia Boutella) — are on the moon and help the farmers prepare for battle.  And then the battle happens and the movie ends and somehow, it takes more than two hours to tell this extremely thin story.

Admittedly, I have not seen the first Rebel Moon but I doubt it makes much of a difference.  I’ve seen enough science fiction movies and enough Zack Snyder films that I feel like I can follow this sequel without having seen the first film.  In fact, the only question that I have as a result of not seeing the first film is whether the absolutely ludicrous flashback to Kora’s past was lifted from the first film or was it specifically shot for the sequel?  The flashback reveals that Kora became a rebel after her mentor attempted to frame her for the murder of a good space emperor and his family. I have to admit that the overwrought, slow motion-heavy flashback did inspire a few chuckles on my part.  There was an orchestra playing in the background of the scene and they continued to play, even while the emperor and his family were being murdered.  You have to wonder just what exactly the musicians were thinking while all of that was going on.

As for Rebel Moon Part Two, it has some nice visuals but the story is a mess and there are some moments that simply leave you wondering whether to laugh or sigh with frustration.  There’s the fact that the fearsome imperial spaceships are apparently fueled by men shoveling coal into a furnace.  There’s the fact that fearsome imperial space laser gun takes forever to aim and fire, presumably to give the rebels time to sabotage the ship.  (That seems like a pretty big design flaw.)  There’s the fact that the evil empire turns out to be so inept that it’s hard to feel like the farmers really needed to spend as much time training as they did.  By the end of the film, I felt like I probably could have beaten up the evil empire single-handedly.  They just weren’t that impressive.

The main problem is that the farmers were kind of annoying and, even when they finally did fight the evil empire, it was still hard to feel that they still didn’t have any control over their own fate.  First, they were being ordered around the bad guys.  Then, they were being ordered around by Titus and the rebels.  Titus, himself, is one of those annoying characters who can’t ever say anything without turning it into a speech.  On the one hand, Titus insists that the farmers don’t have much time to get ready.  On the other hand, Titus continually wants to waste what little time they have by giving a monologue.  Kora, meanwhile, rarely speaks.  This has less to do with her being a strong, silent warrior and instead it’s all about her not really having much of a personality.

The majority of the film’s runtime is taken up with the battle and it’s hard not to notice that for all of the explosions and presumed death, most of the main characters somehow manage to survive.  It left me thinking about we were supposed to celebrate the survival of the Daily Planet staff at the end of Man of Steel, despite the fact that thousands of others undoubtedly died while Superman and General Zod were ripping apart Metropolis.

To be clear, there are quite a few Zack Snyder films that I really do like.  I am not, by any means, an anti-Snyder person.  I thought Sucker Punch was a masterpiece.  I admire and respect what he did with Watchmen.  I’m not a fan of his work with the DCEU but then again, with the exception of the first Wonder Woman, I’m not really a fan of anyone’s work with the DCEU.  The important thing is that I think that, with the right material, Zack Snyder can be brilliant and I love the fact that, even in his lesser films, he still goes all out to bring his vision to life.  As a director, Snyder is not scared to go over-the-top with sweeping, dramatic moments.  He’s someone who understands that movies — especially action films — should be big.  But Rebel Moon 2 never really works.  If anything, it sometimes feels like Snyder on auto pilot.  I’ll always be willing to take a chance of Zack Snyder but I hope that doesn’t mean having to watch Rebel Moon 3.

Retro Television Review: Broken Angel (dir by Richard T. Heffron)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1988’s Broken Angel!  It  can be viewed on YouTube.

Chuck Coburn (William Shatner) has a nice house in the suburbs, a nice job, a nice car, and a nice Bruins jacket.  He’s hoping that he can once against have a nice marriage with his wife (Susan Blakely), despite the fact that she cheated on him and she still thinks that he spends too much time at work.

Chuck is proud of his teenage daughter, Jaime (Erika Eleniak).  Jaime seems like the perfect suburban and angelic teenager.  But then Jaime goes to prom and her best friend, Jenny (Amy Lynne), is gunned down in front of her.  Jaime runs from the scene and vanishes.  As Chuck searches for his daughter, he is stunned discover that Jaime, Jenny, and their boyfriends were all a part of a gang!  His perfect daughter was smoking weed, doing cocaine, selling crack, and taking part in rumbles with a rival Asian gang.  Even worse, Jaime’s gang was called …. LFN!

LFN?  That stands for Live For Now.  The Live For Now Gang.  Whenever we see the members of the gang preparing to get into a fight with another gang, they all chant, “LFN!  LFN!”  LFN is a gang of white suburban teenagers and they look just as dorky as they sound.  I mean, I think it would be bad enough to discover that your child is in a gang but discovering they were in a dorky gang would probably make it even worse.

The majority of Broken Angel is made up of scenes of Chuck searching the mean streets of Los Angeles.  He partners with a social worker (Roxann Dawson) who is herself a former gang member.  Chuck discovers that his daughter’s street name was — *snicker* — Shadow.  He also befriend a member of the LFN’s rival Asian gang and tries to encourage her to go straight.  This leads to scene in which he is attacked by Al Leong.  Somehow, middle-aged William Shatner manages to beat up Al Leong.  That, in itself, is worth the cost of admission.

Broken Angel deals with a serious issue but it does so in such an overwrought and melodramatic fashion that most viewers will be moved not to tears but to laughter.  In Broken Angel, William Shatner gave the type of overly dramatic and self-serious performance that he routinely pokes fun at today.  If you’re one of those people who enjoys listening as Shatner emphasize random syllables and takes meaningly pauses, this movie will give you a lot to enjoy.  In every scene, Shatner seems to be saying, “Notice me, Emmy voters!  Notice me!”  Of course, it wouldn’t be until Shatner learned how to laugh at himself that the Emmy voters would finally notice him.

The film ends on an abrupt note but with the promise of better days ahead.  Just remember — keep an eye out for the LFN!

Scenes That I Love: Pete Townshend and The Who at Woodstock


Today is Pete Townshend’s 79th birthday and today’s scene that I love features Pete Townshend (as a member of The Who) performing at Woodstock in 1969.

Roger Daltrey later said that this was the worst gig that they ever played and The Who did end up going on stage early in the morning, with the sun rising as they performed See Me, Feel Me.  The majority of The Who’s performance was not included in the initial release of the Woodstock documentary but the noticeably grainy footage would later be included in various rereleases.

Unfortunately, no cameras recorded the moment when Pete Townshend became the hero that 1969 needed by kicking a ranting Abbie Hoffman off of the stage.  But, audio of the incident survived.

Here is The Who at Woodstock:

4 Shots From 4 Films: Special Albert Pyun Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his 71st birthday, we celebrate filmmaker Albert Pyun!

It’s time for….

4 Shots From 4 Albert Pyun Films

The Sword and the Sorcerer (1982, dir by Albert Pyun, DP: Joseph Margine)

Cyborg (1989, dir by Albert Pyun, DP: Philip Alan Waters)

Captain America (1990, dir by Albert Pyun, DP: Philp Alan Waters)

Kickboxer 2 (1991, dir by Albert Pyun, DP: George Mooradian)

Late Night Retro Television Review: Check It Out! 2.7 “A Chocolate Chip Off The Old Block”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, Cobb’s needs cookies!

Episode 2.7 “A Chocolate Chip Off The Old Block”

(Dir by Alan Erlich, originally aired on November 14th, 1986)

Strange episode.

When a homeless woman named Gert (Lynne Gorman) starts hanging out in the store’s parking lot, Howard’s first instinct is to force her to go away.  He’s especially annoyed when Gert starts sleeping in his parking space.  However, Edna takes sympathy on Gert and practically adopts her.  It turns out that Gert makes the best cookies that anyone has ever tasted!

That’s good news because Grandpa Morgan’s Cookies can no longer be sold in Cobb’s because the company has signed an exclusive contract with Flechman’s Grocery Store.  Jeremy Corbyn (Grant Cowan), who works at the head office and who is a real jerk, is looking for a scapegoat and Howard seems like a likely target.  But then Howard decides to start selling Grandma Gert’s Cookies in the store.  When it comes time to sign Gert to an exclusive contract, Gert’s business manager, who happens to be the store’s assistant manager, Jack Christian, drives a hard bargain.  Gert being managed by someone who works for the people who want to sign her to an exclusive contract sounds like a massive conflict of interest but it doesn’t matter because Gert has disappeared.

Desperate to sell cookies, Howard dresses up like a carnival barker and tries to get the customers interested in Uncle Howie’s Cookies.  A homeless man named Lester (Warren Van Evera) interrupts Howard’s presentation to tell him that Gert died.  It turns out that Gert was a millionaire and she left her money to not only her friends at the shelter but also to several charities.  Lester hands Howard an envelope from Gert.  Howard is excited because he thinks Gert left him money.  Edna opens the envelope and reveals that Gert left him a cheap ring as a symbol of friendship.

Disappointed, Howard returns to trying to get people to buy Uncle Howie’s cookies and the episode ends.

Seriously, what a strange episode.  After all the panic over the cookies, the episode ends without a resolution.  The recipe for Gert’s cookies dies with her and I guess Cobb’s is just not going to be able to sell cookies.  (Seriously, though, what type of store only sells one brand of cookies?  What type of cookie company would only want their product to be sold in one store?)  As well, this was another episode where Howard behaved in a way that totally went against what we’ve previously seen of the character.  This show has never seemed to be sure whether or not Howard is supposed to be a well-meaning, somewhat hapless manager or if he’s meant to be an arrogant buffoon.  This episode finds him in buffoon mode and his callous and greedy reaction to Gert’s death feels totally wrong.

It’s probably best to just move on from this episode and pretend like it didn’t happen.  So, let do just that.

 

Lisa Marie’s Week In Television: 5/12/24 — 5/18/24


This was a week of season finales.  I watched two of them.

On Wednesday, I watched the third season finale of ABC’s Abbott Elementary.  While I certainly had my issues with this season, I did really enjoy the finale.  Jacob tried to set up the perfect field trip and, needless to say, things did not go as planned.  My favorite part of the finale was, not surprisingly, Ava standing up for her school.  I know some would complain that the show is dragging out the will they/won’t they stuff with Janine and Gregory (and sometimes I get annoyed with the deliberate pace myself) but I think the show is avoiding the mistake that The Office made when it got Jim and Pam together too quickly.  Janine and Gregory are destined to be together but I think, as characters, they’re more fun when they’re single.

On Thursday, I watched the season finale of NBC’s Law & Order.  Together with last week’s episode, the finale erased any doubt I may have had about Tony Goldwyn as the new District Attorney.  In fact, there’s a part of me that kind of wishes the Nick could somehow step down as D.A. and take over Price’s job because Goldwyn is believable and compelling on this show in a way that Hugh Dancy never has been.  (Dancy is a fine actor but, as a character, Price is just too wishy washy.)  Price could become second chair and Maroun, who spent the entire third season whining about having to do her job and prosecute people, could join the Public Defender’s Office.

On Thursday, I also watched Spacey Unmasked on Max.  Spacey Unmasked is the latest documentary to feature people sitting on an empty soundstage and talking about how badly they were treated by a celebrity.  The ten men featured in the documentary all told stories about their encounters with Kevin Spacey.  Some of the men were compelling but it still felt as if the main reason this documentary was made was because Kevin Spacey is currently an easy target who really doesn’t have the resources to retaliate.  I’d have more respect for a documentary that exposed someone who is currently in power as opposed to someone who is already on his way to obscurity.

On Friday and Saturday, I binged a few episodes of Seinfeld on Netflix.  George obsessively wanting to tell someone that the “Jerk Store called and they’re all out of you!” was definitely the highlight of the episodes I watched.  I also enjoyed Kramer turning his apartment into a talk show set.

Finally, on Friday Night, I watched an old 90s talk show called Night Music on YouTube.  David Sanborn interviewed musicians and performed with them.  Sting, who I usually can’t stand, performed a really good version of Ain’t No Sunshine.

Watched And Reviewed Elsewhere:

  1. Baywatch Nights (YouTube)
  2. Check it Out! (Tubi) — My review should be dropping in about an hour!
  3. CHiPs (Freevee)
  4. Degrassi Junior High (YouTube)
  5. Fantasy Island (DVR)
  6. Friday the 13th: The Series (YouTube)
  7. Highway to Heaven (Tubi)
  8. The Love Boat (Paramount Plus)
  9. Malibu, CA (YouTube)
  10. Miami Vice (Prime)
  11. Monsters (YouTube)
  12. T and T (Tubi)
  13. Welcome Back, Kotter (Tubi)

The Films of 2024: Scars (dir by Shaun Kosta)


A young man named Eric (Allen Williamson) enlists as a combat medic and is sent to Afghanistan.  Eric truly thinks that he’s going to help to make the world a better place but, what he sees and experiences in Afghanistan, leaves him shaken and haunted by memories of the dead and wounded.

Upon returning home, Eric tries to keep himself busy helping his family’s winery recover from the latest round of California wildfires but he still finds himself tormented by his experiences.  Suffering from PTSD, Eric discovers that his country is more than willing to send young men overseas to fight but it’s less willing to provide them with the support that they need when they return.  With the help of his mother (Elizabeth Gast), his girlfriend (Cayla Black), and a fellow veteran (Stephen Wesley Green), Eric tries to find his place in the world.

Scars is an undeniably low-budget film.  If you’re looking for a war film that is full of epic battle scenes and which will leave you feeling as if you actually are in the middle of Afghanistan, Scars is not the film to go with.  Indeed, it took me a while to realize that Eric was in Afghanistan because Afghanistan looked exactly like California.  As well, towards the end of the film, there’s a few moments of clumsy melodrama that feel as if they were added solely so that this rather talky film could be sold as a thriller.

But you know what?  In the end, those flaws don’t matter.  Scars is a heartfelt film, featuring an excellent lead performance from Allen Williamson, playing a man who is burdened by guilt but who never lets go of hope.  Scars is a film about the pain that people carry with them and the struggle that men like Eric have when it comes to opening up about that pain.  (Not all of the scars in the film are physical.)  It’s an indictment of a society that, far too often, pushes the needs of veterans to the side.  That’s especially true if that veteran served in an unpopular war, like the ones in Vietnam, Iraq, and Afghanistan.  Considering that we still don’t know how many people were left behind when we left Afghanistan, Scars is a film that feels all too relevant.

And yes, Eric Roberts is in Scars.  Playing a sympathetic doctor, he has about a minute of screentime towards the end of the film.  It’s always a good idea to put your Eric Roberts cameo at the end of your movie, just to make sure that audiences stick around for the entire film.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Blood Red (1989)
  3. The Ambulance (1990)
  4. The Lost Capone (1990)
  5. Love, Cheat, & Steal (1993)
  6. Love Is A Gun (1994)
  7. Sensation (1994)
  8. Dark Angel (1996)
  9. Doctor Who (1996)
  10. Most Wanted (1997)
  11. Mr. Brightside (2004)
  12. Six: The Mark Unleased (2004)
  13. Hey You (2006)
  14. In The Blink of an Eye (2009)
  15. Enemies Among Us (2010)
  16. The Expendables (2010) 
  17. Sharktopus (2010)
  18. The Dead Want Women (2012)
  19. Deadline (2012)
  20. The Mark (2012)
  21. Miss Atomic Bomb (2012)
  22. Lovelace (2013)
  23. The Mark: Redemption (2013)
  24. Self-Storage (2013)
  25. This Is Our Time (2013)
  26. Inherent Vice (2014)
  27. Road to the Open (2014)
  28. Rumors of War (2014)
  29. Amityville Death House (2015)
  30. A Fatal Obsession (2015)
  31. Stalked By My Doctor (2015)
  32. Joker’s Poltergeist (2016)
  33. Prayer Never Fails (2016)
  34. Stalked By My Doctor: The Return (2016)
  35. The Wrong Roommate (2016)
  36. Dark Image (2017)
  37. Black Wake (2018)
  38. Stalked By My Doctor: Patient’s Revenge (2018)
  39. Clinton Island (2019)
  40. Monster Island (2019)
  41. The Savant (2019)
  42. Seven Deadly Sins (2019)
  43. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  44. The Wrong Mommy (2019)
  45. Exodus of a Prodigal Son (2020)
  46. Free Lunch Express (2020)
  47. Her Deadly Groom (2020)
  48. Top Gunner (2020)
  49. Deadly Nightshade (2021)
  50. Just What The Doctor Ordered (2021)
  51. Killer Advice (2021)
  52. The Poltergeist Diaries (2021)
  53. The Rebels of PT 218 (2021)
  54. A Town Called Parable (2021)
  55. Bleach (2022)
  56. My Dinner With Eric (2022)
  57. Aftermath (2024)

Retro Television Review: Welcome Back, Kotter 3.22 “What Goes Up”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, Freddie gets hooked on pills!

Episode 3.22 “What Goes Up”

(Dir by Jeff Bleckner, originally aired on February 9th, 1978)

At the new, big, how-does-he-afford-that-on-a-teacher’s-salary apartment, Gabe tries to avoid taking out the trash by telling Julie a joke about his Uncle George.  Julia tells Gabe to shut up and take out the damn trash.

Meanwhile, at school, Freddie has a problem.  After injuring his knee while playing basketball, Freddie is given a prescription for pain killers.  But the pain killers leave him feeling groggy so he also starts taking pills to give him energy.  The other Sweathogs are concerned.  Freddie insists that he’s just taking vitamins.  Horshack insists that Freddie would never lie to him.  If Freddie says that the pills that he’s buying in the bathroom and carrying around in his shoe are harmless vitamins than Freddie is telling the truth!

Woodman, however, is concerned.  He tells Kotter that Freddie entered the cafeteria, took off his shoes, and said, “Ho ho ho, I’m the Jolly Black Giant.”  “Is he on the dope!?” Woodman demands to know.

Epstein and Barbarino decide that the best way to handle this problem is to act like they’re on drugs as well so that Freddie can see how dumb he looks.  Epstein tries to act spacey.  Vinnie walks around hunched over and repeating, “Give me drugs …. give me drugs …. give me drugs….”  Freddie doesn’t buy it for a second but then …. what’s going on with Horshack!?  Horshack explains that he took some of Freddie’s special vitamins and then he tries to jump out of the classroom window!

(What the Hell was in those pills?  I pretty much take the same thing for my ADHD and I have never been tempted to jump out a window.)

That’s all it takes for Freddie to realize that it’s time to stop taking the pills.  Gabe encourages him to flush them down the school’s toilet and Freddie agrees to do while the studio audience watches in reverent silence.

Back at the apartment, Gabe tells Julie a joke about his Uncle Luther.  Julie does not care.

It’s hard to know where to begin with this episode.  On the one hand, Lawrence Hilton-Jacobs was often underused by the show so it’s always nice when he gets a chance to show off the fact that he was one of the better actors on the show.  That said, the show’s portrayal of drug use was so cartoonish that it ultimately kind of made being a speed freak look kind of fun.  If nothing else, this show left me wondering how a bunch of teenagers in the late 70s could be so naive about drugs.

Of course, if Barbarino had been the one who nearly died, I imagine the audience would have been more upset.  If Epstein had gotten hooked due to Freddie’s lies, it could have led to some drama.  But Horshack?  Eh, who cares?  When the show first started, Ron Pallilo was often given an opportunity to show that there was some hidden depths underneath Horshack’s eccentricity.  But, by the time the third season rolled around, Horshack had become such a cartoonish character that it’s impossible to take anything involving him seriously.

To give credit where credit is due, John Travolta made me laugh with his delivery of “Give me drugs …. give me drugs….”  Travolta appeared to be having a lot of fun in this episode, perhaps because he knew he wouldn’t be on the show much longer.

Anyway, for someone who couldn’t go an hour without popping a pill, Freddie got over his addiction pretty quickly.  That’s good because next week, Vinnie is going to have to deal with the death of one of his teachers and Freddie’s going to have to be there for him.  As for Horshack, this episode ends with him being taken to the school nurse but I assume he’ll eventually make a full recovery as as well.  It takes more than pills to keep the Sweathogs down.

Scenes That I Love: The Muppets Meet Dabney Coleman In The Muppets Take Manhattan


Yesterday, the world learned the sad news that the great Texas character actor, Dabney Coleman, had passed away at the age of 93.

Today’s scene that I love comes from 1984’s The Muppets Take Manhattan.  In this scene, the Muppets try to sell Coleman on their idea for a musical.  Coleman, meanwhile, does his best to cheat the Muppets out of all of their money.  It takes a truly great actor to give a convincing performance while acting opposite a very large group of puppets.

(I mean, we all know Kermit’s real but I’m pretty sure that the rest of them are puppets….)

Live Tweet Alert: Join #ScarySocial for Tell Me A Creepy Story!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial!  The movie?  2023’s Tell Me A Creepy Story!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Tell Me A Creepy Story is available on Prime and Tubi!

See you there!