4 Shots From 4 Films: Special Jack Nicholson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is Jack Nicholson’s 88th birthday!

Though he has pretty much retired from acting, Jack Nicholson remains a screen icon with a filmography that is a cinema lover’s dream.  He’s worked with everyone from Roger Corman to Stanley Kubrick to Milos Forman to Martin Scorsese and, along the way, he’s become a symbol of a very American-type of rebel.  Though often associated with the counter-culture, his style has always been too aggressive and idiosyncratic for him to be a believable hippie.  Instead, he’s one of the last of the beats, an outsider searching for meaning in Americana.

Over the course of his career, Nicholson has won three Oscars and been nominated for a total of 12.  He’s the only actor to have been nominated in every decade from the 1960s to the 2000s.  He is an actor who epitomizes an era in filmmaking, actually several eras.  It’s been 15 years since he last appeared in a movie but Jack Nicholson will never be forgotten.

4 Shots From 4 Jack Nicholson Films

Psych-Out (1968, dir by Richard Rush, DP: Laszlo Kovacs)

Carnal Knowledge (1971, dir by Mike Nichols, DP: Giuseppe Rotunno)

The Shining (1980, dir by Stanley Kubrick, DP: John Alcott)

The Departed (2006, dir by Martin Scorsese, DP: Michael Ballhaus)

Late Night Retro Television Review: CHiPs 3.17 “E.M.T.”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch and Baker go to school!

Episode 3.17 “E.M.T.”

(Dir by Phil Bondelli, originally aired on January 19th, 1980)

Thinking that it will be an easy class and a chance to meet female college students, Ponch convinces Baker to attend a special EMT course at UCLA.  Ponch also thinks that they’ll get paid overtime for taking the class but it turns out that he didn’t read the fine print.  No one gets paid for going to the class.  Oh well.  At least he and Baker will get a chance to relax, right?  Nope!  The instructor, Michael Adams (played by veteran screen bad guy William Smith), is someone who Ponch and Baker earlier stopped for a minor traffic violation.  He takes an immediate dislike to Ponch and Baker and basically spends the entire class accusing them of just wanting to show off.  And, considering everything that we know about Ponch, he’s probably right.

Michael Adams is bitter because his son, Warren (Pat Petersen), was in an accident and, due to the cops not knowing how to handle someone with a spinal injury, Warren now has to use crutches to get around.  Michael is so bitter that he almost seems to be embarrassed by his son’s disability.  Boo, Michael, boo!  Seriously, what an unlikable creep.  And yet, I get the feeling that we’re supposed to understand and respect Michael, even if he is a jerk.  Part of the problem is that William Smith was one of those actors who always came across as being naturally sinister.  Smith played a lot of bikers and corrupt cops over the course of his career.  He was someone who just looked menacing and perpetually annoyed.  In this episode, I kept expecting him to try to kill Baker and Ponch.  Don’t get me wrong.  William Smith was a good actor but, in this episode, he just seems miscast.

Ponch and Baker do put their training to good use, especially when a makeshift cave collapses on two boys who were using it as a hideout.  Ponch and Baker also use their skills to save a man who fell out of a truck.  In one of those weird coincidences on which CHiPs thrived, Ponch and Baker just happened to be hang gliding nearby when the accident with the truck happened.  Oh, Jon and Ponch!  Don’t ever let anyone say that you guys spend way too much time together.

(Seriously, does Baker have no friends outside of the police force?  At least Ponch seems to know his neighbors.)

Eventually, Ponch and Baker win Michael over, especially when Michael himself needs to be rescued.  Later, they visit Michael in the hospital and everyone has a good laugh as the end credits roll.  Good for them!  As for this episode, I actually liked getting to see Ponch and Baker doing something other than riding their motorcycles on the highway.  To me, this show’s main worth is as a time capsule and this episode allowed us all to see what UCLA was like back in 1980.  It was pretty nice!

Scenes that I Love: Low Rider From Dazed and Confused


In order to celebrate San Jacinto Day, here’s one of my favorite scenes from Richard Linklater’s 1993 Texas film, Dazed and Confused.  Not only does this montage introduce the viewer to the suburban Texas nightlife of 1976 but it’s also perfectly set to War’s Low Rider.

And, of course, it also features that classic line, “It’d be a lot cooler if you did.”

Retro Television Review: Miami Vice 4.1 “Contempt of Court”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, the fourth season begins with a whimper.

Episode 4.1 “Contempt of Court”

(Dir by Jan Eliasberg, originally aired on September 25th, 1987)

It’s time for season 4!  Crockett has longer hair!  Tubbs has a beard!  Otherwise, they’re still somehow doing the undercover thing, despite making no effort to maintain their undercover identities.  This episode finds them both in court and, later on, pulling their guns on a mob boss in broad daylight.  How exactly there is anybody in Miami who does not know that Burnett and Cooper are actually Crockett and Tubbs, I do not know.

This was kind of a boring episode, which does not bode well for the rest of the fourth season.  Mob boss Frank Mosca (Stanley Tucci) is on trial but, because the case hinges on information supplied by an informant, Crockett is faced with making the decision about whether or not to name Jack Rivers (Steven Keats) as the informer.  For Jack’s own safety, Crockett refuses but Mosca figures it out anyway.  Jack is stabbed to death while a helpless Crockett watches.  (Crockett’s in jail on a contempt of court charge.)  Later, Jack’s teenage son, Terry (Richard Panebianco), tells Crockett, “I had no idea you were a cop.”  Really?  What a stupid kid.

Anyway, after Mosca frames a juror for taking bribes and a mistrial is declared, Terry pulls a gun on Mosca as he and his men are walking out of the courthouse.  For once, Crockett and Tubbs are able to convince someone not to open fire.  I think this is the first time, in Miami Vice history, that Crockett and Tubbs have managed to prevent an assassination.  Still, Terry does fire his gun in the air.  Mosca smirks and leaves.  What’s weird is that no one else reacts to Terry shooting he gun.  I mean, he’s on the steps of the courthouse.  Why are there no guards rushing out?  Why are Crockett and Tubbs the only cops around?  Seriously, it makes absolutely no sense.

This episode had some worthy guest stars.  Stanley Tucci appeared to be having fun as the cartoonishly evil Mosca.  Meg Foster played the district attorney.  Philip Baker Hall was the judged who ordered Crockett to name the informant.  That said, the episode itself got bogged down in all of the legal wrangling going on inside the courtroom.  For the past three seasons, Miami Vice is a downbeat cop show, not a show about lawyers objecting and debating the point of law.  The fourth season premiere felt off.

I’ve read bad things about this upcoming season and this episode did little to generate any feeling of optimism or hope.  Both Don Johnson and Philip Michael Thomas looked bored and even Edward James Olmos’s Castillo is starting to get a little …. I guess annoying would be the world.  Seriously, make eye contact with someone!

Well, we’ve got a long season ahead of us.  Let’s hope for the best.

4 Shots From 4 Films: Another Special Texas Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is San Jacinto Day, which means that it is once again time for….

4 Shots From 4 Texas Films

Slacker (1990, dir by Richard Linklater, DP: Lee Daniel)

Bottle Rocket (1996, dir by Wes Anderson, DP: Robert Yeoman)

Office Space (1999, dir by Mike Judge, DP: Tim Suhrstedt)

Primer (2004, dir by Shane Carruth)

Song of the Day: Lust For Life by Iggy Pop


Today, the Shattered Lens wishes a happy birthday to Iggy Pop.  Today’s song of the day was performed by Iggy and co-written by him and David Bowie.  Here is the anthemic Lust For Life.

Here comes Johnny Yen again
With the liquor and drugs
And a flesh machine
He’s gonna do another strip tease

Hey man, where’d y’get that lotion?
I’ve been hurting since I’m up again
About something called love
Yeah, something called love
Well, that’s like hypnotizing chickens

Well, I’m just a modern guy
Of course, I’ve had it in the ear before
And I’ve a lust for life
‘Cause I’ve a lust for life

I’m worth a million in prizes
With my torture film
Drive a GTO
Wear a uniform
All on a government loan

I’m worth a million in prizes
Yeah, I’m through with sleeping on the sidewalk
No more beating my brains
No more beating my brains
With liquor and drugs
With liquor and drugs

Well, I’m just a modern guy
Of course, I’ve had it in the ear before
Well, I’ve a lust for life (lust for life)
‘Cause of a lust for life

I got a lust for life
Got a lust for life
Oh, a lust for life
Oh, a lust for life

A lust for life
I got a lust for life

Got a lust for life

Well, I’m just a modern guy
Of course, I’ve had it in my ear before
Well, I’ve a lust for life
‘Cause I’ve a lust for life

Well, here comes Johnny Yen again
With the liquor and drugs
And a flesh machine
I know he’s gonna do another strip tease

Hey man, where’d y’get that lotion?
Your skin starts itching once you buy the gimmick
About something called love
Love, love, love
Well, that’s like hypnotizing chickens

Well, I’m just a modern guy
Of course, I’ve had it in the ear before
And I’ve a lust for life (lust for life)
‘Cause I’ve a lust for life (lust for life)

Got a lust for life
Yeah, a lust for life
I got a lust for life
A lust for life

Got a lust for life
Yeah, a lust for life
I got a lust for life

Lust for life
Lust for life
Lust for life
Lust for life
Lust for life

Songwriters: Iggy Pop / David Bowie / David Robert Jones

Monday Live Tweet Alert: Join Us for The Final Cut!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1995’s The Final Cut!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up The Final Cut on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

 

The Eric Roberts Collection: Strange Frequency (dir by Mary Lambert and Bryan Spicer)


2001’s Strange Frequency is an anthology film.  Usually, I hate anthology films because it always seems like the viewer ends up with one good story and three mediocre ones.  As well, the anthology format is one that sometimes seems to be specifically designed to bring out the worst tendencies in otherwise talented directors.  Often times, they seem to treat the anthology format as a lark, an excuse to show off their technical mastery without really paying much attention to anything else.  The results often feel thematically shallow.

Well, guess what?  I liked Strange Frequency.  It was a lot of fun.  Each of the four stories mixed horror with music.  The first story features two heavy metal fans (Erik Palladino and Danny Masterson) who, after a car accident, find themselves in a club where disco is played nonstop.  For them, it’s Hell.  For me, it sounds like a fun afterlife.  (Yes, it’s not easy to watch Danny Masterson nowadays but he does suffer in this story.)  The second story is about a middle-aged serial killer (Eric Roberts) who targets younger hitchhikers, specifically because he dislikes their taste in music.  However, when he picks up a young grunge fan (Christopher Kennedy Masterson), he suddenly finds himself being targeted.  It turns out that this hitchhiker targets old people who won’t shut up about Woodstock.  They then meet an older man who has never forgiven the baby boomers for rejecting big band music.  In the third story, a rock star (John Taylor) who enjoys destroying hotel rooms is confronted by a maid (Holland Taylor) who can literally clean up any mess.  (“I want my headlines!” the rock star shouts as he realizes he’s never going to get credit for destroying his current room.)  Finally, the fourth story stars Judd Nelson as an A&R man who has the ability to find up-and-coming stars but whose discoveries inevitably end up dying.

All three of the stories were well-done and genuinely clever.  My favorite was the second story, which featured Eric Roberts giving an enjoyably unhinged performance as the Woodstock refugee with a hatred for Lollapalooza.  The story was both clever and suspenseful and it actually had something to say about the cultural differences between the generations.  As you get older, you really do come to hate whatever music came after the artists you grew up listening to.  Eventually, all the Swifties will be in their 40s and 50s, wondering why the younger generation doesn’t appreciate good music about feelings.

Strange Frequency was a pilot for a series that aired on VH-1 in 2001.  How come I don’t remember this show?  The pilot was actually really good!  Thank you to Australia’s own Mark V for telling me about this pilot and letting me know that it was on YouTube!  Check it out if you get a chance.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Runaway Train (1985)
  3. Best of the Best (1989)
  4. Blood Red (1989)
  5. The Ambulance (1990)
  6. The Lost Capone (1990)
  7. Best of the Best II (1993)
  8. Love, Cheat, & Steal (1993)
  9. Voyage (1993)
  10. Love Is A Gun (1994)
  11. Sensation (1994)
  12. Dark Angel (1996)
  13. Doctor Who (1996)
  14. Most Wanted (1997)
  15. Mercy Streets (2000)
  16. Raptor (2001)
  17. Rough Air: Danger on Flight 534 (2001)
  18. Wolves of Wall Street (2002)
  19. Border Blues (2004)
  20. Mr. Brightside (2004)
  21. Six: The Mark Unleased (2004)
  22. We Belong Together (2005)
  23. Hey You (2006)
  24. Depth Charge (2008)
  25. Amazing Racer (2009)
  26. In The Blink of an Eye (2009)
  27. Bed & Breakfast (2010)
  28. Enemies Among Us (2010)
  29. The Expendables (2010) 
  30. Sharktopus (2010)
  31. Beyond The Trophy (2012)
  32. The Dead Want Women (2012)
  33. Deadline (2012)
  34. The Mark (2012)
  35. Miss Atomic Bomb (2012)
  36. Assault on Wall Street (2013)
  37. Bonnie And Clyde: Justified (2013)
  38. Lovelace (2013)
  39. The Mark: Redemption (2013)
  40. The Perfect Summer (2013)
  41. Self-Storage (2013)
  42. A Talking Cat!?! (2013)
  43. This Is Our Time (2013)
  44. Inherent Vice (2014)
  45. Road to the Open (2014)
  46. Rumors of War (2014)
  47. Amityville Death House (2015)
  48. Deadly Sanctuary (2015)
  49. A Fatal Obsession (2015)
  50. Las Vegas Story (2015)
  51. Stalked By My Doctor (2015)
  52. Enemy Within (2016)
  53. Joker’s Poltergeist (2016)
  54. Prayer Never Fails (2016)
  55. Stalked By My Doctor: The Return (2016)
  56. The Wrong Roommate (2016)
  57. Dark Image (2017)
  58. Black Wake (2018)
  59. Frank and Ava (2018)
  60. Stalked By My Doctor: Patient’s Revenge (2018)
  61. Clinton Island (2019)
  62. Monster Island (2019)
  63. The Reliant (2019)
  64. The Savant (2019)
  65. Seven Deadly Sins (2019)
  66. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  67. The Wrong Mommy (2019)
  68. Exodus of a Prodigal Son (2020)
  69. Free Lunch Express (2020)
  70. Her Deadly Groom (2020)
  71. Top Gunner (2020)
  72. Deadly Nightshade (2021)
  73. The Elevator (2021)
  74. Just What The Doctor Ordered (2021)
  75. Killer Advice (2021)
  76. Night Night (2021)
  77. The Poltergeist Diaries (2021)
  78. The Rebels of PT-218 (2021)
  79. A Town Called Parable (2021)
  80. Bleach (2022)
  81. My Dinner With Eric (2022)
  82. 69 Parts (2022)
  83. D.C. Down (2023)
  84. Aftermath (2024)
  85. Bad Substitute (2024)
  86. Devil’s Knight (2024)
  87. The Wrong Life Coach (2024)
  88. When It Rains In L.A. (2025