Live Tweet Alert: Join #FridayNightFlix for Rocky V!

Posted on August 29, 2025 by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1990’s Rocky V!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there happily tweeting. It’s a friendly group and welcoming of newcomers so don’t be shy.

Rocky V is available on Prime!

See you there!

4 Shots From 4 Films: Special William Friedkin Edition

Posted on August 29, 2025 by Lisa Marie Bowman

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we honor director William Friedkin on what would have been his birthday.

4 Shots From 4 William Friedkin Films

The French Connection (1971, dir by William Friedkin, DP: Owen Roizman)

The Exorcist (1973, dir by William Friedkin, DP: Owen Roizman)

Sorcerer (1977, dir by William Friedkin, DP: Dick Bush and John M. Stephens)

To Live And Die In L.A. (1985, dir by William Friedkin, DP: M. Scott Smith)

Scenes That I Love: The End Of The French Connection

Posted on August 29, 2025 by Lisa Marie Bowman

Today, the Shattered Lens celebrates what would have been birthday oif the great William Friedkin. As a director, William Friedkin revolutionized both the horror genre and the crime genre. The car chase from 1971’s The French Connection has been much imitated but rarely equaled.

That said, as impressive as the car chase is, the ending of the French Connection is a perfect example of the bleakness of 70s cinema. Between the seemingly crazed Doyle firing his weapon into the void to the end cards that leave us wondering if any of this was worth it, the final minutes of The French Connection still pack an undeniable punch.

Late Night Retro Television Review: Highway to Heaven 4.11 “In With The In Crowd”

Posted on August 28, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week, Jonathan brings vengeance to a high school.

Episode 4.11 “In With The In Crowd”

(Dir by Michael Landon, originally aired on December 9th, 1987)

This week, Jonathan and Mark are cops, assigned to a ritzy private school where a student recently died of an overdose. They’re working with Denise Kelly (Lar Park Lincoln), an undercover cop who is pretending to be a student in order to uncover the identity of and arrest the school’s main dealer. Unfortunately, the dealer figures out that Denise is a cop and he orders another student (Tom Hodges) to testify that Denise seduced him to get information. Suddenly, it looks like Denise might lose her job and even get charged with a crime herself!

Mark, feeling protective of Denise and also guilty that he stopped recording Denise’s conversation with the student who subsequently accused her, decides to go undercover himself. He tells drug dealing student Ray Russo (Jason Oliver Lipsett) that he’s actually a dealer himself. Ray, however, sees through the ruse and knocks Mark out before injecting him with pure cocaine.

Mark’s in coma. Denise feels like there’s no point in fighting crime. Seeking revenge, Jonathan calls a school assembly and specifically accuses Ray of being the school’s main dealer. Ray pulls out a gun and then runs out of the school. He gets in his car and starts the engine. As he’s speeding down the street, Ray sees that Jonathan is sitting in the passenger’s seat. Ray shoots at him, twice. Jonathan, untouched, says that Ray should look in the back seat. Ray sees the spirit of the girl who died over an overdose. The terrified Ray is so distracted that he crashes into a truck and his car explodes.

JONATHAN KILLED A GUY!

WOW!

That’s something I never thought I’d see on Highway to Heaven.

Now, to be clear, Ray was a very, very bad guy. He tried to murder Mark. He sold the drugs that killed the student. He brought a gun to school. There really wasn’t much hope that Ray would ever reform but still, Jonathan killing him seems to go against everything that Highway to Heaven was usually about. Highway to Heaven usually emphasized the idea of redemption and that everyone — even the worst among us — could change their ways. Part of the appeal of the show was that it was so unapologetically earnest. Ray getting blown up may have been emotionally satisfying but it just seemed to go against everything that the show was about.

In the end, Mark wakes up and Denise is cleared of all the accusations against her. Jonathan and Mark leave for their next assignment. Who knows who Jonathan will kill next!

Retro Television Review: Decoy 1.1 “Stranglehold”

Posted on August 28, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, we start a look at Decoy, a show that will hopefully be a considerable improvement on Malibu CA!

Episode 1.1 “Stranglehold”

(Dir by Don Medford, originally aired on October 17th, 1957)

“There are 249 of us in the Department. We carry two things in common wherever we go – the shield, called a “pottsy”, and a .32 revolver. We’re New York’s finest …. we’re police women.”

Those are the words that end the first episode of Decoy and they’re delivered by Casey Jones (Beverly Garland), a former ballet dancer who now works undercover as a member of the NYPD’s Department of Policewomen. Casey holds up her revolver for the audience to see, leaving them no doubt that she’s telling the truth. A woman who know how to handle a gun!? Audiences in 1957 were no doubt stunned.

Of course, the audience had also just spent 25 minutes watching Casey work undercover. After a merchant seaman is murdered and a woman named Molly Orchid (Joanne Linville) is caught with some of his jewelry, Casey is sent to live across the hall from Molly. (Casey is also living in the dead man’s apartment. Casey, a true New Yorker, comments that she’ll do anything to get a good apartment.) After hiding her gun in a lighting fixture and hiding her badge under her blouse, Casey befriends Molly and tries to meet George, the mysterious boyfriend that Molly says gave her the jewelry.

Molly loves to talk about George but George never seems to be around. Molly says that George is a musician and that he’s often out of town. Casey comes to feel sorry for Molly, feeling that the emotionally vulnerable woman is being manipulated by George. Whereas the male cops would just as soon shoot Molly than try to negotiate with her (this entire show is from the pre-Miranda era), Casey does her best to reason with Molly. That is the difference between a policewoman and a policeman.

Of course, as you probably already guessed, there is no George. Casey eventually figures it out after she realizes that Molly has been going to the movies alone as opposed to meeting up with George. Molly, spotting Casey’s gun, grabs it and finally admits the truth. The merchant seaman tried to assault her and Molly strangled him in self-defense. George is a figment of her imagination, someone who she made up as a way to deal with her guilt. A policeman barges into the apartment and points his gun at Molly but Casey steps in front of him and then manages to talk Molly down.

The first episode of Decoy was distinguished by some on-location shooting in New York City and the performances of Joanne Linville and especially Beverly Garland. Garland’s empathetic but strong-willed performance dominates the show and it leaves us with little doubt that Casey Jones is the best at what she does. Meanwhile, Linville, in the role of Molly, may be dangerous but she’s also sympathetic. Her crime was initially one of self-defense and George was someone she created as her way of surviving in a world where no one was willing to look out for her.

Next week: Casey searches for a missing artist.

4 Shots From 4 Films: Special David Fincher Edition

Posted on August 28, 2025 by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 63rd birthday to David Fincher! It’s time for….

4 Shots from 4 David Fincher Films

Seven (1995, dir by David Fincher. DP: Darius Khondji)

Fight Club (1999, dir by David Fincher, DP: Jeff Croneweth)

Zodiac (2007, dir by David Fincher, DP: Harris Savides)

Mank (2020, dir by David Fincher, DP: Erik Messerschmidt)

Late Night Retro Television Review: 1st & Ten 1.7 “Uneasy Lies The Head”

Posted on August 27, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, Coach Denardo has a bad dream and put the future of the Bulls in jeopardy.

Episode 1.7 “Uneasy Lies The Head”

(Dir by Bruce Seth Green, originally aired on January 6th, 1985)

After having a nightmare in which the members of the Bulls all appear as parts of his failing body and a demonic linebacker (Donald Gibb) and a saintly quarterback (Jeff East) tell him that he has to decide whether he wants to go to Heaven or Hell, Coach Denardo fears that his time is up.

At the next game, Denardo is distracted. He calls the last time out, not realizing that he doesn’t have any left. The clocks runs out while the Bulls are trying to get set up for field goal. “Time out! Time out!” Denardo yells. “You have no time left, coach,” the referee replies, which is maybe not the best way to speak to a man recovering from a heart attack. As for the game, it’s a humiliating loss. Denardo says that he might have to retire….

Yeah, that sounds about right. I don’t know much about football but I can tell that Denardo made a lot of mistakes in the course of just two minutes. Get that old man out there! Heck, just let Diane coach like she did last week….

Diane decides to trick Denardo into staying. She rolls a really old computer out during practice and lets it call the plays. Denardo gets angry. No machine is going to replace Ernie Denardo!

Meanwhile, Bubba (Prince Hughes) upsets his mother-in-law.

Seriously, that’s the entire episode. That’s all that happens. I know it doesn’t sound like much but what can I tell you? I sat through this and spent the whole time wondering when the episode’s actual story was going to start and it really didn’t. Denardo had a bad dream. Bubba upset his mother-in-law. That’s it.

This episode was forgettable. Diane should have fired Denardo after that loss. I fear the Bulls aren’t going to make it to whatever this show’s version of the Super Bowl is.

4 Shots From 4 Films: Special Robert Richardson Edition

Posted on August 27, 2025 by Lisa Marie Bowman

Today, TSL wishes a happy birthday to cinematographer Robert Richardson. It’s time for….

4 Shots From 4 Robert Richardson Films

JFK (1991, dir by Oliver Stone, DP: Robert Richardson)

The Horse Whisperer (1998. dir by Robert Redford, DP: Robert Richardson)

Inglourious Basterds (2009, dir by Quentin Tarantino, DP: Robert Richardson)

Hugo (2011, dir by Martin Scorsese, DP: Robert Richardson)

Late Night Retro Television Review: Pacific Blue 2.17 “Runaway”

Posted on August 26, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

It’s time for more bicycle action.

Episode 2.17 “Runaway”

(Dir by Charles Siebert, originally aired on January 19th, 1997)

A teenage girl (Boti Bliss) is missing on the boardwalk. Maggie Garrity (Justina Vail), who runs the local shelter, is looking for her. When she asks the bike patrol for help, TC is dismissive up until he looks up from his paperwork and sees Maggie. I’ve noticed that this is a patten with the bike patrol. It’s rare that they do anything until they see it will involve hanging out with an attractive members of the opposite sex.

TC recruits Chris to help him put up flyers. Chris rolls her eyes because, seriously, why should a member of law enforcement be concerned with a teenage girl who has been abducted by a pimp (Gene Lythgow) and his psycho girlfriend (Ami Dolenz)? Personally, I would dread working for Chris because she never stops complaining. It says a lot about this show that the we’re nearly done with the second season and Chris still doesn’t have a personality beyond being whiny.

TC falls for Maggie but Maggie’s a nun! After they manage to rescue the missing girl, TC asks Maggie if maybe she could stop being a nun for a new nights so that they could go out on a date. Maggie says that it doesn’t work like that. What I find interesting is that TC has no problem casually asking Maggie to give up her vows just because he wants to date her. Hey, TC — this is why you’re single!

Meanwhile, Palermo has new expensive bicycle. What a dork. When the bike gets stolen, Victor has to find it. Palermo sure is mad about his missing bike. What a loser.

This show is not growing on me.

Retro Television Review: Fantasy Island 7.7 “The Wedding/Castaways”

Posted on August 26, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

This week, Lawrence ruins everything.

Episode 7.7 “The Wedding/Castaways”

(Dir by Bob Sweeney, originally aired on November 26th, 1983)

Ugh, this episode.

Nerdy Fred Connors (Richard Gilliland) wants to spend a weekend alone with a beautiful woman. His favorite supermodel, Christy Robbins (Phyllis Davis), has been pressured by her manager (Steve Perry) into agreeing to spend the weekend with Fred at Pelican Cove. Fred and Christy will have their picture taken before and after their weekend together to show just how much spending time alone with Christy Robbins will improve one’s outlook on life.

Let’s just stop here and state the obvious. This makes ZERO sense. Christy’s manager has no idea who Fred is. He doesn’t even meet Fred until it’s time to him and Christy to go to Pelican Cove. Christy is a world-famous model. In what world would a celebrity agree to be abandoned on an isolated island with a total stranger? The photographers aren’t staying on the island with them. Instead, Christy and Fred are dropped off on the island and then everyone else leaves. If I was Christy, I would get a new manager.

A rival model named Celina Morgan (Shannon Tweed) was also up for the “abandoned on an island with a possible sex maniac” gig and she’s upset that she lost out to Christy. So, she sneaks out to Pelican Bay herself and soon, she and Christy are fighting over the right to spend their time with Fred. It’s dumb and it makes no sense and, considering that the whole fantasy is basically two beautiful woman fighting over one dorky guy, it’s actually feels a bit demeaning and mean-spirited.

Of course, it’s nowhere near as mean-spirited as the other fantasy. Lucy Gorman (Jeannie Wilson) is unhappy in her marriage to Dr. Jack Gorman (Gordon Thomson). She tells Roarke that the only good thing that came out of her marriage was her daughter (Andrea Barber) but Lucy even feels jealous of her! Lucy wants to go back to her wedding day so she can see what would happen if she left her husband at the altar and pursued another doctor (Richard Pierson).

Well, the main that would happen is that Lucy’s daughter would never be born. But somehow, this doesn’t occur to Lucy until the fantasy has started. How would that not occur to a mother? This fantasy was …. I can’t even begin to describe how annoying it was. Lucy came across as being very self-centered and kind of dumb.

I swear, the seventh season has just been terrible so far and I blame one person.

And, no, it’s not Mr. Roarke.

Seriously, ever since Lawrence showed up, the Island just hasn’t been the same. Are we sure that Lawrence isn’t the Devil? I mean, I know the Devil was traditionally played by Roddy McDowall on this show but I’m sure he change his appearance. There’s something sinister about Lawrence and I don’t trust him. He doesn’t care about Roarke and he doesn’t care about the fantasies.

What a disappointing trip to the Island. Traditionally, the last season of any show is usually the worst but it’s still painful to watch Fantasy Island misfire like it did with this episode.