Game Review: Amnesia (1986, Electronic Arts)


You wake up in a hotel room in New York City.  You have no idea how you got there.  You have no idea who you are.  And you have no clothes.

So starts Amnesia, the semi-legendary text adventure game from 1986.  Amnesia was Electronic Arts’s attempt to challenge Infocom’s domination of the text adventure genre.  To write the game, they brought in author Thomas M. Disch.  Disch came up with a twisty and complex story where each choice often led to unexpected tangents.  The game featured a detail recreation of Manhattan, one that you could experience only if you could figure out how to find some clothes and get out of the hotel without getting arrested.  Of course, even after finding something to wear, it’s probable the many players decided to go ahead and marry the mysterious woman who claimed to be the main character’s fiancée.  Those players found themselves suddenly whisked off to an Australian sheep farm, where they lived out their days happy but unsure of who they actually were.  For them, the game ended quickly but without many answers.  Others, however, braved the streets of a virtual Manhattan is search of their identity.

Who are you?  Throughout the game, there are clues but they’re not always easy to find.  There’s a large collection of eccentric and bizarre characters who can help you or hinder you.  You have to avoid the police who want to arrest you and the people who are trying to kill you.  Of course, even if you defeat those assassins, the game also features random encounters with people who will ask you for directions and who will shoot you if you give them the wrong answer.  This feature was actually something that EA added to the game to punish anyone who had borrowed the game disk from a friend.  The game originally came with code wheel that you could use to determine which streets intersected with each other.  If you bought the game, you would be able to give people the proper directions.  If you didn’t buy the game or, if you’re playing the game in 2023 at the Internet archive, you would end up making a random guess and hoping that it didn’t lead to you getting shot by a tourist.

(Fortunately, there’s an online version of the code wheel.)

Even if you die, the game doesn’t necessarily end.  You might find yourself waiting in Purgatory.  After a certain number of turns, Charon might approach and ask if you’ve figured out your name.  If you give him the right name, you can move on.  If you don’t know your name, Charon leaves with a promise that he’ll return in another thousand years.

Amnesia is a challenging game.  It’s also a frequently frustrating game.  Thomas M. Disch was an author and the game reads like a long and dense novel.  There are times when Disch seemed to forget that the point of Interactive Fiction is that the player is supposed to have complete control over their actions.  At the same time, Amnesia’s descriptions are so detailed and many of the events are so unexpected that this is a game that benefits from frequent replaying.  And the game itself is so difficult that when you actually manage to accomplish anything, whether it’s getting out of the hotel or finding a place to sleep or even giving someone the right directions, you feel as if you’re the greatest player alive.

Or at least you do until the next puzzle comes along.

Play Amnesia.

Great Moments In Comic Book History #32: The Hulk Makes His Debut


Somehow, it slipped my mind that this month is the 61st anniversary of the debut of one of the characters who would come to define Marvel Comics, The Incredible Hulk.  Though it was dated May of 1962, the first issue of The Incredible Hulk actually came out in March.  Here’s the cover, featuring artwork from Jack Kirby and Paul Reinman.

It’s obvious from the cover that The Incredible Hulk was still a work in progress when he made his debut.  First off, he’s grey instead of green.  Secondly, while Bruce Banner was always portrayed as being a scientist who kept a tight grip on his emotions, I don’t think he ever looked as nerdy as he did on this cover.  Third, the Hulk himself looks more like an oversized version of Frankenstein’s Monster than the Hulk that readers would eventually come to know and love.  Though it is not mentioned on the cover, Banner initially transformed into the Hulk whenever the sun went down, like a werewolf.  The Hulk coming out whenever Banner got mad was a later invention.

Because Marvel could never decide whether they wanted the Hulk to be a hero or a monster, the first run of The Incredible Hulk came to an end after just six issues but Marvel kept the character around and eventually gave him a regular feature in Tales to Astonish.  He was even one of the founding members of The Avengers, though that didn’t last for long.  Marvel eventually figured out that Hulk worked best as a loner and he was embraced by a counterculture who disliked the military almost as much he did.  The character proved to be so popular in Tales of Astonish that he eventually took over the entire comic and the name was changed (again) to The Incredible Hulk.  Hulk’s been a Marvel mainstay ever since, appearing on both television and in the movies.

And it all started 41 years ago, this month.

Previous Great Moments In Comic Book History:

  1. Winchester Before Winchester: Swamp Thing Vol. 2 #45 “Ghost Dance” 
  2. The Avengers Appear on David Letterman
  3. Crisis on Campus
  4. “Even in Death”
  5. The Debut of Man-Wolf in Amazing Spider-Man
  6. Spider-Man Meets The Monster Maker
  7. Conan The Barbarian Visits Times Square
  8. Dracula Joins The Marvel Universe
  9. The Death of Dr. Druid
  10. To All A Good Night
  11. Zombie!
  12. The First Appearance of Ghost Rider
  13. The First Appearance of Werewolf By Night
  14. Captain America Punches Hitler
  15. Spider-Man No More!
  16. Alex Ross Captures Galactus
  17. Spider-Man And The Dallas Cowboys Battle The Circus of Crime
  18. Goliath Towers Over New York
  19. NFL SuperPro is Here!
  20. Kickers Inc. Comes To The World Outside Your Window
  21. Captain America For President
  22. Alex Ross Captures Spider-Man
  23. J. Jonah Jameson Is Elected Mayor of New York City
  24. Captain America Quits
  25. Spider-Man Meets The Fantastic Four
  26. Spider-Man Teams Up With Batman For The Last Time
  27. The Skrulls Are Here
  28. Iron Man Meets Thanos and Drax The Destroyer
  29. A Vampire Stalks The Night
  30. Swamp Thing Makes His First Cover Appearance
  31. Tomb of Dracula #43

Winds of the Wasteland (1936, directed by Mack V. Wright)


When the invention of the telegraph puts the Pony Express out of business, two veteran riders — John Blair (John Wayne) and Larry Adams (Lane Chandler) — decide to start their own stagecoach line.  The richest man in Buchanan City, “Honest” Cal Drake (Douglas Cosgrove), sells them the line to nearby Crescent City.  Though initially grateful, Blair and Larry soon discover that Crescent City is now a ghost town that serves as home to exactly two inhabitants.  Rather than give up, Blair and Larry set up their stagecoach and they suddenly get lucky as settlers start to find themselves in Crescent City.  Blair is even able to convince the local telegraph company to run the wire though Crescent City, which leads to an influx of even more people.  Now, Blair just needs to land the contract delivering mail for the area.  To do that, he’ll have to win a stagecoach race against Drake, who turns out to not be very honest at all.

Winds of the Wastelands is one of John Wayne’s better pre-Stagecoach programmers.  While it has the western action that most people would expect from a B-western, it also has a lot more comedy than some of Wayne’s other poverty row productions.  For instance, a skunk tries to turn the stagecoach into his home and, of course, shows up at a key moment during the big race.  When one of bad guys tries to convince Blair to take his donkey to Crescent City in the stagecoach, Blair asks if there are any other “jackasses” who want a ride while casting a look at Drake’s men.  The movie takes a more serious turn when Drake goes to extreme methods to try to stop Blair and, as a result, Larry is wounded in a gunfight.  Doc Forsythe (Sam Flint), the founder of Crescent City, has to rediscover his confidence to perform the operation that can save Larry’s life.  Fortunately, the doctor’s daughter (Phyllis Fraser) is there to both help him out and to fall in love with John Blair.

This 55-minute programmer featured John Wayne playing the type of character for which he best known, the level-headed westerner who wasn’t going to let anyone push him around but who still fought fair.  Watching this movie, it’s easy to see why, just three years later, John Ford used him in Stagecoach.

Great Moments In Television History #30: The Greatest American Hero Premieres


43 years ago today, The Greatest American Hero premiered on ABC and America first heard the theme song that no one would ever forget.

The show only lasted for three seasons and it was never a huge success in the ratings.  The mix of comedy and super heroics was unusual for the time and audiences, critics, and network executives didn’t know what to make of it.  But even if the show struggled, people loved the theme song.  “Believe It or Not” was composed by Mike Post and Stephen Geyer.  Sung by Joey Scarbury, the song debuted in the Top 40 of the Billboard Hot 100 and reached number 2 on the charts.

A decade after The Greatest American Hero was canceled, audiences still got the joke as soon as they heard George Costanza’s answering machine message.

When The Greatest American Hero premiered, William Katt was playing a teacher named Ralph Hinkley.  After John W. Hinkley tried to assassinate President Reagan, Ralph’s last name suddenly become Hanley and remained that for the rest of the first season.  By the time the second season began, he was back to being Ralph Hinkley.

Even though the show wasn’t a ratings success when it first aired, it has since developed a strong cult following.  Some shows are just ahead of their time.

Previous Moments In Television History:

  1. Planet of the Apes The TV Series
  2. Lonely Water
  3. Ghostwatch Traumatizes The UK
  4. Frasier Meets The Candidate
  5. The Autons Terrify The UK
  6. Freedom’s Last Stand
  7. Bing Crosby and David Bowie Share A Duet
  8. Apaches Traumatizes the UK
  9. Doctor Who Begins Its 100th Serial
  10. First Night 2013 With Jamie Kennedy
  11. Elvis Sings With Sinatra
  12. NBC Airs Their First Football Game
  13. The A-Team Premieres
  14. The Birth of Dr. Johnny Fever
  15. The Second NFL Pro Bowl Is Broadcast
  16. Maude Flanders Gets Hit By A T-Shirt Cannon
  17. Charles Rocket Nearly Ends SNL
  18. Frank Sinatra Wins An Oscar
  19. CHiPs Skates With The Stars
  20. Eisenhower In Color
  21. The Origin of Spider-Man
  22. Steve Martin’s Saturday Night Live Holiday Wish List
  23. Barnabas Collins Is Freed From His Coffin
  24. Siskel and Ebert Recommend Horror Films
  25. Vincent Price Meets The Muppets
  26. Siskel and Ebert Discuss Horror
  27. The Final Scene of Dark Shadows
  28. The WKRP Turkey Drop
  29. Barney Pops On National TV

Blue Steel (1934, directed by Robert N. Bradbury)


On a stormy night, frontier Sheriff Jake Withers (George “Gabby” Hayes) and undercover U.S. Marshal Carruthers (John Wayne) both check into the same inn.  They are both searching for the infamous Polka Dot Bandit (Yakima Canutt), who has been burglarizing homes and businesses all over California.  They both figure that, on a rainy night like this, there’s no way that the Bandit is going to be out.  It turns out they are both wrong.  The Bandit breaks into the inn and robs the safe but also leaves behind one of his spurs.  The sheriff comes across Carruthers investigating the safe and mistakenly believes that Carruthers is the bandit.

Later, when Sheriff Winters goes out to Carruthers’s cabin, he’s planning on arresting Carruthers.  Before he can do so, they both hear gun shots.  Outside, another group of bandits is chasing Betty (Eleanor Hunt) and her father.  The Sherriff and Carruthers manage to save Betty but her father is killed.  The grieving Betty is taken in by a local rancher named Malgrove (Edward Peil, Jr.) but it turns out that Malgrove is the head of the Polka Dot Gang and he is planning on killing Betty in order to keep a shipment of supplies from coming to the town!  Carruthers and the sheriff have to work together to thwart Malgrove’s plan and bring the Polka Dot Bandit to justice.

This 54-minute programmer was one of the many B-westerns that John Wayne made for Monogram Pictures in the days before John Ford made him a star by casting him in Stagecoach.  Though Wayne was still learning how to act on camera, the screen presence that would make him a star can be seen in Blue Steel and he and Hayes make a good team.  The story is simple enough but there’s enough horse riding and fistfights to keep most B-western fans entertained.  It’s still hard not to imagine how much different the movie would have been if the sheriff had arrested Carruthers at the scene of the crime instead of letting him ride out to his cabin.  It’s a good thing these old programmers never had to make too much sense.

Randy Rides Alone (1934, directed by Harry L. Fraser)


Randy (John Wayne) rides his horse into a frontier town.  He is planning to pay a visit to his old friend, saloon owner Ed Rogers.  But when Randy enters the saloon, he discovers that everyone, including Ed, has been shot dead and a hand-written note has been left by the perpetrator, warning the sheriff not to come after him.

The sheriff and a posse of citizens arrive at the saloon and refuse to believe Randy when he says that he didn’t commit the crime.  Matt the Mute (George Hayes, before he became known as Gabby) hands the sheriff a note in which he suggests arresting Randy and hanging him for the crime.  Matt’s note is written in the same handwriting as the note that was left at the saloon but no one notices because Matt has a reputation for being a fine, upstanding citizen.

With the help of Ed’s niece, Sally (Alberta Vaughn), Randy escapes from the posse and makes his way to a cave, which he discovers is the hideout for a gang of thieves led by Matt the Mute, who isn’t even a mute!  When the gang kidnaps Sally, Randy has to rescue her and clear his name.

A 56-minute programmer, Randy Rides Alone is one of the many B-westerns that John Wayne made before Stagecoach made him a star.  In the 30s, every poverty row studio was churning out short westerns that would play as double features and which would entertain audiences looking for an escape from the present day.  Randy Rides Alone is one of the better examples of the genre, due to John Wayne’s authoritative presence and a better-than-average plot.  The opening, with a smiling John Wayne entering the saloon just to discover that all of his friends have been murdered, establishes the stakes early on and the movie is as much about revenge as it is about Randy clearing his name.  George Hayes, who became best known for playing comedic relief sidekicks, is an effective villain.  The film’s target audience was probably bored with Sally and Randy falling in love but they also probably enjoyed Randy climbing a mountain to rescue her.  The movie ends with Sally announcing that Randy won’t be riding alone much longer.  Randy may have settled down but John Wayne had 150 more films ahead of him.

Intensive Care (2018, directed by Jared Bentley)


Ne’er-do-well Danny (Jai Rodriguez) wants his dying grandmother’s money so he takes the live-in caregiver, Alex (Tara Macken), out on a date while his friends, Seth (Kevin Sizemore) and Rudy (Jose Rosete), break into the house.  When Alex insists on cutting the date short and returning to the house, she is taken hostage by Seth and Rudy.  What they don’t know is that Alex is actually a former member of Special Forces.  Alex is not going to go down without a fight.

This one is pretty predictable.  The three men are so thoroughly outclassed by Alex in every way that there’s never any doubt that she is going to be able to not only stop them but also thoroughly humiliate them in the process.  It never occurs to Alex to call the police or even to put out a call to some of her former colleagues from the Special Forces.  Instead, she spends the whole movie fighting the three men on her own.  She can handle all three of the men but one innocent person dies because Alex never learned how to dial 9-1-1.  The movie ends with a dumb twist that makes Alex’s actions seem even stranger.

Tara Macken is primarily known as a stunt performer and the film is smart enough to focus more on her fighting than on her acting.  Police Academy fans may be interested to know that the grandmother is played by Leslie Easterbrook, who played Sgt. Callahan in almost all of the Police Academy films.  Unfortunately, she spends most of Intensive Care in bed.  Not even Steve Guttenberg and Michael Winslow could save this film.

Cover-Up (1991, directed by Manny Coto)


After an overseas U.S. army base is bombed by terrorists, L.A. Times reporter Mike Anderson (Dolph Lundgren) is sent to Israel to get the story.  Before he became a reporter, Mike was a Marine and he has connections within the U.S. intelligence services.  Mike quickly figures out that CIA honcho Lou Jackson (Lou Gossett, Jr.) is covering something up about the bombing.  The terrorists who bombed the base have also stolen an experimental nerve gas.  Mike is ordered to stay out of the investigation but after Mike’s best friend, Jeff Cooper (John Finn), is blown up by a car bomb, Mike is determined to get justice.  He’s also determined to sleep with his dead best friend’s girlfriend (Lisa Berkley), who is also Mike’s ex.  It turns out that it’s a lot easier to betray a friend’s confidence than to stop terrorists from stealing nerve gas.

When it came to the second-tier action stars of the 90s, Jean-Claude Van Damme was the one who could actually do everything that he did on screen in real life, Steven Seagal was the one who never seemed to get the joke, and Dolph Lundgren was the one who could actually act.  Even in a film that was pure schlock, like Cover-Up, Lundgren usually gave a good performance.  Unfortunately, Lundgren’s performance couldn’t make up for Cover-Up‘s anemic action scenes and incoherent plot.  No one seems to be sure what they’re supposed to be doing in this movie.  Lou Gossett, Jr. survives by playing his role as being pissed off all the time.  Lundgren survives by playing Mike as being even more confused than Gossett.  There’s a weak car chase and a weak shower scene.  Mike really doesn’t waste any time when it comes to hooking up with his best friend’s girl.

Cover-Up was filmed on location in Israel and it does work as a travelogue.  Towards the end of the film, Lundgren runs through a mass of people who are reenacting the Twelve Stations of Christ.  The people were actually in Israel to celebrate Easter and no one informed them that they were about to become a part of a movie.  When Lundgren comes barreling through the crowd, their shock is authentic.  It’s the best part of the movie, even if it did lead to Lundgren being temporarily detained by security.  Fortunately, production was able to clear-up the misunderstanding and Lundgren was freed so that he could go on to star in Universal Soldier and reprise Ivan Drago in Creed II.  I’m glad the Lundgren survived filming but Cover-Up is otherwise forgettable.

New York Cop (1993, directed by Tôru Murakawa)


Toshi (Tôru Nakamura) is a tough New York cop who is assigned to work undercover in the East Village because, according to his boss, no one will suspect that a Japanese man is actually a cop.  Disguising himself as a homeless gambling addict who has connections with the Tongs, Toshi infiltrates the Brotherhood.  He becomes friends with the gang’s leader, Hawk (Chad McQueen), and he even falls in love with Hawk’s sister, Maria (Mira Sorvino!).  Hawk is buying guns from a mobster named Mr. C (Tony Sirico!!) and Mr. C’s main assassin, Ferrara (Andreas Kastsulas), is driving around New York in a taxi cab and killing undercovers.  Can Toshi take down Mr. C without compromising his relationship with Maria and revealing that he’s actually an undercover cop?  The short answer is no.

New York Cop works best when it focuses on action.  Tôru Nakamura is convincing in the fight scenes but he’s less convincing whenever he has to show emotion or have a conversation with anyone.  The idea that the NYPD would send a Japanese cop undercover to infiltrate a Hispanic gang never makes makes much sense, as Toshi himself points out when the idea is first brought up.  Toshi never makes much of an effort to disguise the fact that he is a cop, which makes Hawk look incredibly stupid for not seeing through him.  The main appeal for most people will probably be the chance to see Tony Sirico and Mira Sorvino in early roles.  Sirico, the former gangster-turned-actor, is convincing as Mr. C and gets all of the film’s best lines.  As for Mira Sorvino, this was only her second or third film role and the script doesn’t give her much to work with.  There are a few scenes where she gets to bring some genuine New York attitude to her character, telling off both her brother and Toshi.  But otherwise, there’s little about her performance that suggests the actress that she would become.  Fortunately, films like Barcelona and Sweet Nothing were right around the corner.

As far as New York cops go, nothing has yet to beat the episode of Barney Miller where Christopher Lloyd vandalizes the station house.

Rocky Marciano Is Dead (1976, directed by Graham Evans)


Harry Marcus (Ron Moody) was once a welterweight boxing champion but that was a long time ago.  Now, Harry is an old man who lives in small London apartment.  His daughter (Yvonne Bonnamy) visits him weekly.  Sometimes, he talks to Sonny (Jeffrey Kissoon), the squatter who is living in the abandoned apartment next to his.  Harry still likes to go back to his old gym and relive the glory days of both boxing and England.  Harry feels that those days are long gone but after he witnesses Sonny fight off a group of muggers, Harry becomes convinced that Sonny could be the next great boxer.

Harry wants to train Sonny but Sonny and his wife (Lesley Dunlop) both think boxing is barbaric.  It’s not until Harry explains that, historically, boxing has been used by the oppressed and marginalized to pull themselves out of poverty that Sonny steps into the ring.  Sonny has the talent but does Harry still have the connections to get Sonny a fight?

Rocky Marciano Is Dead was aired as a part of the BBC’s Play For Today anthology series.  It aired at the same time that Rocky was first setting box office records in the States.  Harry has a lot in common with Mickey Goldmill, the trainer played by Burgess Meredith in the first three Rocky films.  Like Mickey, he’s a former boxer who is trying to make a champ out of someone who is not sure if he has what it takes.  Rocky took place in the slums of Philadelphia while Rocky Marciano Is Dead takes place in a London that is full of abandoned buildings, gangs, and angry graffiti.  This is the London that, one year later, would inspire Johnny Rotten to sing that there was “no future in England’s dreaming.”  Not surprisingly, Rocky Marciano Is Dead is a much darker and cynical look at boxing than Rocky.  Harry is trying to recapture a past that may have never existed.

Along with providing a look at London on the cusp of the Punk Revolution, Rocky Marciano Is Dead is an acting showcase for Ron Moody.  Moody is in almost every scene, as Harry goes from being bitter to hopeful to disillusioned.  Moody makes it clear that Harry sees Sonny as something more than just a good boxer.  To Harry, Sonny is a chance to return to the time when both England and boxing were great.  If he can make Sonny a champ, Harry will be a champ too.  Harry’s mistake is not considering that Sonny might have plans of his own.  Moody was a born performer, as effective on television as in film.  He was also a perennial contender for the role of the Doctor on Doctor Who.  He was even offered the part in 1969 but turned it down, a move that he always said he regretted.  After a long career full of memorable performances in dramas, comedies, and musicals, he died in 2015 at the age of 91.  He gives a good performance in Rocky Marciano Is Dead, making Harry into something more than just an angry old man.

Rocky Marciano Is Dead can be viewed on YouTube.