4 Shots From 4 Films: Special Bruce Willis Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, Bruce Willis turns 71.  It’s time for….

4 Shots From 4 Bruce Willis Films

Die Hard (1988, dir by John McTiernan, DP: Jan de Bont)

Pulp Fiction (1994, dir by Quentin Tarantino, DP: Andrzej Sekuła)

12 Monkeys (1995, dir by Terry Gilliam, DP: Roger Pratt)

Last Man Standing (1996, dir by Walter Hill, DP: Lloyd Ahern II)

Music Video of the Day: Mediate by INXS (1987, directed by Richard Lowenstein)


INXS plays tribute to Bob Dylan in today’s music video of the day!

Some members of the band did a better job than other when it came to keeping up with the cards but they all still did a pretty good job considering that this is a 2 and a half minute music video with no visible edits. This video was originally included on the backend of the video for Need You Tonight. Richard Lowenstein directed both videos and it was a definitely a canny move to combine the two and basically get MTV to promote two songs for the price of one.

Enjoy!

Song of the Day: Dazed and Confused (by Led Zeppelin)


Today’s Song of the Day is Led Zeppelin’s “Dazed and Confused”, that hypnotic Yardbirds cover Jimmy Page transformed into a sprawling psychedelic monster on their 1969 debut. Robert Plant’s otherworldly wails float over John Paul Jones’s prowling bass and John Bonham’s primal drums, crafting this foggy, trippy atmosphere that’s perfect for zoning out late at night. But let’s be real, it’s Page’s six-string sorcery that cements it as essential listening.

The real magic erupts at the 3:53 timestamp in the official release cut, when Page launches into his legendary guitar solo—a blistering torrent of bent notes, ferocious pentatonic dives, and those eerie, talkbox-esque squeals that sound like the guitar’s possessed. He’s wringing every ounce of emotion from his Telecaster, stacking fuzz, echo, and vibrato into a wall of controlled chaos that feels like a bad acid trip turned triumphant. It’s raw, innovative shredding that grabs you by the soul and doesn’t let go.

Live versions took it to another level, ballooning into 10+ minute odysseys with Page’s violin bow creating those haunting drones before he dives back into the frenzy—check the ’73 Madison Square Garden tape for the ultimate freakout. This solo isn’t just flashy; it’s Page channeling pure rock alchemy, paving the way for metal and jam gods alike. Crank it up and feel the daze.

Dazed and Confused

Been dazed and confused for so long, it’s not true
Wanted a woman, never bargained for you
Lots of people talkin’, few of them know
Soul of a woman was created below, yeah

You hurt and abuse, tellin’ all of your lies
Run ’round, sweet baby, Lord, how they hypnotize
Sweet little baby, I don’t know where you been
Gonna love you, baby, here I come again

Every day I work so hard
Bringin’ home my hard-earned pay
Try to love you, baby
But you push me away

Don’t know where you’re goin’
Only know just where you’ve been
Sweet little baby
I want you again

Ah, ah, ah, ah
(Did you ever look up my woman?)
Ah, ah, ah, ah
Aah-ah, aah, ah, ah, ah, ah, ah

Aah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, aah
Oh, yeah, alright

Been dazed and confused
For so long, it’s not true
Wanted a woman
Never bargained for you

Take it easy, baby
Let them say what they will
Tongue wag so much
When I send you the bill

Oh yeah, alright

Oh, oh, oh, oh
Oh, oh, oh, oh
Oh, oh, oh, oh
Oh, oh, oh, oh
Oh, oh, oh

Great Guitar Solos Series

One Piece: Into the Grand Line (Season 2, Episode 5 “Wax On, Wax Off”) Review


“True bravery is not the absence of fear, but going into the battle in spite of it.” — Brogy

One Piece season 2 episode 5, “Wax On, Wax Off,” picks up the action on Little Garden with the Straw Hats facing their creepiest foes yet. Right from the start, it’s clear this one’s all about tension building to some clever payoffs, blending the show’s signature humor with real stakes. The episode dives straight into the aftermath of the cliffhanger, where Nami, Zoro, and Miss Wednesday are trapped in Mr. 3’s bizarre wax creations, slowly turning into part of his twisted art project. It’s a smart way to ramp up the dread, making you feel the crew’s vulnerability without overdoing the gore.

Usopp steals the spotlight here, and man, does he earn it. He’s not the fighter Luffy or Zoro are, but watching him scramble to save everyone—eavesdropping on Mr. 3 and Miss Goldenweek’s creepy cake scheme, dodging attacks, and piecing together a plan—feels authentic to his character. That moment where he links up with a battered Sanji and rallies despite the odds? Pure gold. Usopp’s resourcefulness shines, turning what could be a filler beat into a standout arc about stepping up when the heavy hitters can’t. It’s casual heroism at its best, reminding us why he’s the heart of the crew in tight spots.

The villains really elevate this episode too. Mr. 3, played with slimy charisma by David Dastmalchian, treats his wax powers like some avant-garde masterpiece, crafting elaborate traps that look both ridiculous and menacing. Dastmalchian does a fantastic job making Mr. 3 feel even creepier than he ever did in the manga or the anime, leaning into the character’s obsessive precision and theatrical ego in a way that only really lands in live action. Pair him with Miss Goldenweek’s emotion-painting gimmick—think hypnotic colors that turn Luffy into a zoned-out mess—and you’ve got antagonists who unsettle in a fresh way. They’re not just bomb-throwers like Mr. 5 and Miss Valentine from before; these two feel like deranged artists, which adds a psychological edge to the chaos. Dastmalchian’s take on Mr. 3 especially nails that unhinged vibe, making you chuckle at his ego while dreading his next move.

Fight scenes deliver solid thrills without feeling rushed overall. Luffy’s pursuit of Mr. 3 across the island is a highlight, all rubbery stretches and wax-dodging antics that nod to the anime’s energy but fit the live-action scale. Usopp’s duel with Miss Valentine is cleverly staged—he picks her on purpose, using her weight-shifting powers against the wax structure to free the captives. Sanji’s comedic clash with the animal agents adds levity, his kicks landing with flair amid the jungle mess. Even Zoro’s frustration, swords useless against the hardening wax, builds sympathy. It’s balanced action: not every punch is a knockout, but the creativity keeps it engaging.

Where it stumbles a bit is pacing in the back half. The setup from episode 4 pays off nicely, wrapping Little Garden’s arc, but Luffy’s showdown with Mr. 3 wraps quicker than you’d like. A tad more back-and-forth could heighten the intensity—show him really struggling with the wax’s tricks before whatever punchline they land on. It’s not a dealbreaker, though; the episode clocks in tight, prioritizing character beats over endless brawls. Miss Goldenweek’s weirdness lingers too, hinting at Baroque Works’ deeper layers without info-dumping.

Friendship themes hit home casually, as always in One Piece. Vivi’s growing bond with the crew peeks through her despair, whispering about how nice it feels to have backup—subtle foreshadowing she’s sticking around. The giants’ subplot ties in nicely too, with echoes of hope amid the prehistoric wilds. It’s not preachy; just woven into the survival scramble, making the wins feel earned. Nami’s quick thinking and Zoro’s stoic vibe ground the panic, while Luffy’s unbreakable spirit snaps things back to form.

Visually, Little Garden pops—lush dinosaurs, wax sculptures gleaming under dappled light, all shot to feel alive and dangerous. The practical effects on the wax hold up great, gooey yet solid, blending seamlessly with CGI stretches. Sound design amps the unease: Goldenweek’s paints come with eerie whispers, Mr. 3’s laughs echo like a mad sculptor. The score swells just right for triumphs, keeping that adventurous pulse without overpowering dialogue.

On the flip side, some side beats feel trimmed. Sanji’s jungle trek is fun but brief, and Brogy’s injured cameo adds heart without dragging. The episode comes off as a rebound from the prior setup heaviness, delivering unnerving villains and catharsis. Fans will likely buzz about Usopp’s glow-up and Mr. 3’s theatrical menace, even if some gripe that the fights lack anime-length epics. It’s a fair complaint—live-action demands condensation—but it mostly nails the spirit.

Overall, “Wax On, Wax Off” is a strong mid-season pivot, landing as one of season 2’s most character-driven hours. Usopp’s arc anchors it, the villains chill it, and the action pops without overshadowing the bonds that define the crew. It wraps Little Garden satisfyingly while teasing Grand Line perils ahead. Not flawless—the main boss rush could breathe a bit more—but it’s damn entertaining. If you’re digging the crew’s growth amid escalating threats, this episode delivers: solid 8/10 energy, pushing One Piece forward with heart and hustle.

One Piece: Into the Grand Line Season 2 Episodes

4 Shots From 4 Films: Special Luc Besson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to director Luc Besson.  It’s time for….

4 Shots From 4 Luc Besson Films

Nikita (1990, dir by Luc Besson, DP: Theirry Arbogast)

Leon:  The Professional (1994, dir by Luc Besson, DP: Theirry Arbogast)

The Fifth Element (1997, dir by Luc Besson, DP: Theirry Arbogast)

Angel-A (2005, dir by Luc Besson, DP: Theirry Arbogast)

Music Video of the Day: Need You Tonight by INXS (1987, directed by Richard Lowenstein)


Need You Tonight was the first single released off of INXS’s sixth studio album, Kick. The video, which made use of several different types of animation, was extremely popular with MTV’s audience and, as a result, the song went on to become one of INXS’s biggest hits. The video went on to win 5 awards at the MTV Music Video Awards. This was back when those actually meant something.

Director Richard Lowenstein directed a total of 16 videos for INXS, including this one. He also directed a film called Dogs in Space, which was not about actual dogs in space but which was instead about the Australian post-punk scene. INXS’s lead singer Michael Hutchence played Sam, the leader of a band called Dogs in Space.

Enjoy!

HARD TIMES ON FILM presents “Soldier,” starring Kurt Russell!


In honor of Kurt Russell’s birthday, I thought I would share one of my favorite podcasts with you. Most of the time Nick and Ray talk about Charles Bronson, but every so often they go outside of Bronson. Their episode on the Kurt Russell film SOLDIER is excellent. It’s a great way to celebrate one of the most popular actors of my lifetime.

Happy Birthday, Kurt, and enjoy my friends!

https://podcasts.apple.com/us/podcast/hard-times-on-film-the-films-of-charles-bronson-and-beyond/id1593402485?i=1000670947806