Daily Archives: December 3, 2025

Late Night Retro Television Review: 1st & Ten 2.7 “Yinessa’s Interview”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

The Bulls are in the playoffs!

Episode 2.7 “Yinessa’s Interview”

(Dir by Burt Brinckerhoff, originally aired on December 30th, 1986)

Last week, training camp finally ended.

This week, the Bulls are in the playoffs!

Wow, we skipped the entire regular season.  Well, that’s okay.  It was obvious from the start that the Bulls were going to make it to the playoffs so why hold off on the inevitable?  Tom Yinessa has led the Bulls to a spot in the Wildcard and woo hoo!

The only problem is that Yinessa hasn’t had time to get laid.  When he does try to make time for Christy (Betsy Russell) — who I guess is his new girlfriend because she wasn’t his girlfriend an episode ago — they are interrupted by reporter Donna Starkey (Brianne Leary), who needs to finish up her interview with Yinessa.  Christy leaves angry but then she returns to make up for Yinessa, just to discover him on the verge of fooling around with Donna.

While all of this is going, the other team tries to fool the Bulls by sending them a fake playbook.  Coach Denardo thinks that it’s genuine but T.D. Parker is like, “I’ll kill you if you use that playbook!  I’ve done it before!”  Also a woman tells Jethro that he’s the father of her son.  Jethro is skeptical but he agrees to get a paternity test.

Donna writes an article about how Yinessa is an unimpressive quarterback.  But the Bulls still win their playoff game by relying on defense.  Mad Dog Smears angrily notes that reporters never want to interview anyone defense …. wait a minute, where’s Dr. Death?  Seeing as how the defense wins the game, this seems like a weird episode not to feature Dr. Death.

The Bulls win their game but Yinessa no longer has a girlfriend.  Womp womp.

This episode was weirdly unsubstantial.  It may be because of how the episodes have been edited for syndication to remove all of the nudity and cursing but 1st & Ten never seems to be able to develop any sort of narrative momentum.  Instead of each episode building towards something, it’s usually just 20 minutes of random events that never seem to really be tied together.  One could say the same thing of life in general, I suppose.

This is my final 1st & Ten review of 2025.  Retro Television Reviews is taken a break for the holidays but this feature will return in January.  My next 1st & Ten review will be on January 7th, 2026.

Who’s going to see KILL BILL: THE WHOLE BLOODY AFFAIR (2025) this weekend?

Posted on by Bradley Crain

To answer my own question, “I am!” I was checking my local movie theater listings for this weekend and came across the showtimes for the release of KILL BILL: THE WHOLE BLOODY AFFAIR, and I must admit I’m pretty excited about it. My wife is working this weekend so I have all Sunday to myself, and watching this Quentin Tarantino classic in a whole new way sounds like a lot of fun.

Check out the trailer below, and if you’re in the Little Rock area, I just may see you there!

Retro Television Review: The Love Boat 6.29 “Fountain of Youth/Bad Luck Cabin/Uncle Daddy”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the sixth season of The Love Boat comes to a close.

Episode 6.29 “Fountain of Youth/Bad Luck Cabin/Uncle Daddy”

(Dir by Robert Scheerer, originally aired on May 7th,1983)

The sixth season of The Love Boat ends on a rather silly note.

A newlywed couple (David Naughton and Lynda Goodfriend) board the ship and a coked-up Julia assigns them to a cabin that is known for being cursed.  Couples who stay in the cabin always break up.  Gopher and Julie try to make sure that the couple doesn’t fall victim to the curse.

Henry Harper (Ted McGinley), who appears to be in his 20s, boards the boat and tells elderly Dwight Schofield (David Wayne) that he’s the same Henry Harper that Dwight went to college with.  Henry claims that he’s discovered the Fountain of Youth!  Actually, this Henry Harper is the grandson of the original Henry Harper and this is all an elaborate scheme to get revenge on Dwight for cheating the first Henry Harper out of an oil well.  Dwight, however, falls for it and tries to buy the Fountain of Youth.  Grandson Henry, meanwhile, falls in love with Dwight’s granddaughter (Michele Tobin) who is all like, “I like you but I can’t be with someone from the Twilight Zone.”  Grandson Henry eventually admits the truth and all is …. forgiven?  Really?

Those two stories were pretty dumb.  Fortunately, the third story was an Isaac story and, as he always did whenever he got a chance in the spotlight, Ted Lange really delivered.  Isaac wants to marry Gayle Davis (Tracy Reed) so he can become the stepfather of Bobby Davis (Shavar Ross).  In the end, Isaac realizes that he doesn’t love Gayle and the marriage wouldn’t work.  It was a pretty simple story but Lange always did such a good job of portraying Isaac’s essential decency that it was hard not to get caught up in whether or not he was actually going to leave the Love Boat crew.  Fortunately, Isaac will still be pouring drinks during season 7.

This is not only the final Love Boat episode of Season 6 but it’s also my final Love Boat episode of 2025.  Retro Television Reviews is taking a break for the holidays so that I can focus on both the Awards Season and Christmas movies.  The Love Boat will return on January 7th, 2026.

The National Board of Review Honors One Battle After Another

Posted on by Lisa Marie Bowman

The National Board of Review has spoken.  *Yawn*

Best Film: One Battle After Another
Best Director: Paul Thomas Anderson – One Battle After Another
Best Actor: Leonardo DiCaprio – One Battle After Another
Best Actress: Rose Byrne – If I Had Legs I’d Kick You
Best Supporting Actor: Benicio Del Toro – One Battle After Another
Best Supporting Actress: Inga Ibsdotter Lilleaas – Sentimental Value
Best Directorial Debut: Eva Victor – Sorry, Baby
Breakthrough Performance: Chase Infiniti – One Battle After Another
Best Original Screenplay: Ryan Coogler – Sinners
Best Adapted Screenplay: Clint Bentley and Greg Kwedar – Train Dreams
Best Animated Feature: Arco
Best International Film: It Was Just an Accident
Best Documentary: Cover-Up
Outstanding Achievement in Cinematography: Autumn Durald Arkapaw – Sinners
Outstanding Achievement in Stunt Artistry: Mission: Impossible – The Final Reckoning
NBR Freedom of Expression Award: Put Your Soul on Your Hand and Walk

TOP FILMS (in alphabetical order)
Avatar: Fire and Ash
F1
Frankenstein
Jay Kelly
Marty Supreme
Rental Family
Sinners
Train Dreams
Wake Up Dead Man: A Knives Out Mystery
Wicked: For Good

TOP 5 INTERNATIONAL FILMS (in alphabetical order)
Left-Handed Girl
The Love That Remains
The Secret Agent
Sentimental Value
Sirāt

TOP 5 DOCUMENTARIES (in alphabetical order)
2000 Meters to Andriivka
Come See Me in the Good Light
My Mom Jayne
Natchez
Orwell: 2+2=5

TOP 10 INDEPENDENT FILMS (in alphabetical order)
The Baltimorons
Bring Her Back
Father Mother Sister Brother
Friendship
Good Boy
If I Had Legs I’d Kick You
The Mastermind
Rebuilding
Sorry, Baby
Urchin

Here Are The 2025 Spirit Nominations

Posted on by Lisa Marie Bowman

The Independent Spirit Nominations were announced earlier today.  As always, one should take the Spirit Awards with a grain of salt as a lot of the current Oscar contenders — like One Battle After Another and Hamnet — are not eligible for the Spirit Awards.  That said, Train Dreams is an Oscar contender that is eligible for the Spirit Awards and it had a fairly nice showing today.  I should also note that Peter Hujar’s Day received the most film nominations, with five.

Film Categories

BEST FEATURE (Award given to the producer)

Peter Hujar’s Day
Producers: Jonah Disend, Jordan Drake

The Plague
Producers: Derek Dauchy, Joel Edgerton, Roy Lee, Lucy McKendrick, Steven Schneider, Lizzie Shapiro

Sorry, Baby
Producers: Mark Ceryak, Barry Jenkins, Adele Romanski

Train Dreams
Producers: Michael Heimler, Will Janowitz, Marissa McMahon, Ashley Schlaifer, Teddy Schwarzman

Twinless
Producers: David Permut, James Sweeney

BEST FIRST FEATURE (Award given to director and producer)

Blue Sun Palace
Director: Constance Tsang
Producers: Sally Sujin Oh, Eli Raskin, Tony Yang

Dust Bunny
Director/Producer: Bryan Fuller
Producers: Basil Iwanyk, Erica Lee

East of Wall
Director/Producer: Kate Beecroft
Producers: Shannon Moss, Melanie Ramsayer, Lila Yacoub

Lurker
Director: Alex Russell
Producers: Galen Core, Archie Madekwe, Marc Marrie, Charlie McDowell, Francesco Melzi D’Eril, Duncan Montgomery, Alex Orlovsky, Olmo Schnabel, Jack Selby

One of Them Days
Director: Lawrence Lamont
Producers: Deniese Davis, Poppy Hanks, James Lopez, Issa Rae, Sara Rastogi

JOHN CASSAVETES AWARD – Given to the best feature made for under $1,000,000 (Award given to the writer, director and producer)

The Baltimorons
Director/Writer/Producer: Jay Duplass
Writer/Producer: Michael Strassner
Producers: David Bonnett Jr., Drew Langer

Boys Go to Jupiter
Director/Writer: Julian Glander

Eephus
Director/Writer/Producer: Carson Lund
Writer/Producer: Michael Basta
Writer: Nate Fisher
Producers: David Entin, Tyler Taormina

Esta Isla (This Island)
Directors/Writers/Producers: Cristian Carretero, Lorraine Jones Molina
Writer: Kisha Tikina Burgos

Familiar Touch
Director/Writer/Producer: Sarah Friedland
Producers: Alexandra Byer, Matthew Thurm

BEST DIRECTOR

Clint Bentley
Train Dreams

Mary Bronstein
If I Had Legs I’d Kick You

Lloyd Lee Choi
Lucky Lu

Ira Sachs
Peter Hujar’s Day

Eva Victor
Sorry, Baby

BEST SCREENPLAY

Michael Angelo Covino, Kyle Marvin
Splitsville

Angus MacLachlan
A Little Prayer

James Sweeney
Twinless

Christian Swegal
Sovereign

Eva Victor
Sorry, Baby

BEST FIRST SCREENPLAY

Andrew DeYoung
Friendship

Elena Oxman
Outerlands

Alex Russell
Lurker

Syreeta Singleton
One of Them Days

Constance Tsang
Blue Sun Palace

BEST LEAD PERFORMANCE

Everett Blunck
The Plague

Rose Byrne
If I Had Legs I’d Kick You

Kathleen Chalfant
Familiar Touch

Chang Chen
Lucky Lu

Joel Edgerton
Train Dreams

Dylan O’Brien
Twinless

Keke Palmer
One of Them Days

Théodore Pellerin
Lurker

Tessa Thompson
Hedda

Ben Whishaw
Peter Hujar’s Day

BEST SUPPORTING PERFORMANCE

Naomi Ackie
Sorry, Baby

Zoey Deutch
Nouvelle Vague

Kirsten Dunst
Roofman

Rebecca Hall
Peter Hujar’s Day

Nina Hoss
Hedda

Jane Levy
A Little Prayer

Archie Madekwe
Lurker

Kali Reis
Rebuilding

Jacob Tremblay
Sovereign

Haipeng Xu
Blue Sun Palace

BEST BREAKTHROUGH PERFORMANCE

Liz Larsen
The Baltimorons

Misha Osherovich
She’s the He

Kayo Martin
The Plague

SZA
One of Them Days

Tabatha Zimiga
East of Wall

BEST CINEMATOGRAPHY

Alex Ashe
Peter Hujar’s Day

Norm Li
Blue Sun Palace

David J. Thompson
Warfare

Adolpho Veloso
Train Dreams

Nicole Hirsch Whitaker
Dust Bunny

BEST EDITING

Ben Leonberg
Good Boy

Carson Lund
Eephus

Fin Oates
Warfare

Sara Shaw
Splitsville

Sofía Subercaseaux
The Testament of Ann Lee

ROBERT ALTMAN AWARD – Given to one film’s director, casting director and ensemble cast

The Long Walk
Director: Francis Lawrence
Casting Director: Rich Delia
Ensemble Cast: Judy Greer, Mark Hamill, Cooper Hoffman, David Jonsson, Tut Nyuot, Joshua Odjick, Charlie Plummer, Ben Wang, Garrett Wareing

BEST DOCUMENTARY (Award given to the director and producer)

Come See Me in the Good Light
Director/Producer: Ryan White
Producers: Jessica Hargrave, Tig Notaro, Stef Willen

Endless Cookie
Director: Peter Scriver
Director/Producer: Seth Scriver
Producers: Dan Bekerman, Alex Ordanis, Jason Ryle, Chris Yurkovich

My Undesirable Friends: Part I – Last Air in Moscow
Director/Producer: Julia Loktev

The Perfect Neighbor
Director/Producer: Geeta Gandbhir
Producers: Sam Bisbee, Nikon Kwantu, Alisa Payne

The Tale of Silyan
Director/Producer: Tamara Kotevska
Producers: Jean Dakar, Anna Hashmi, Jordanco Petkovski

BEST INTERNATIONAL FILM (Award given to the director)

All That’s Left of You
Palestine, Jordan, Germany, Cyprus
Director: Cherien Dabis

On Becoming a Guinea Fowl
Zambia, UK, Ireland
Director: Rungano Nyoni

A Poet
Colombia
Director: Simón Mesa Soto

The Secret Agent
Brazil
Director: Kleber Mendonça Filho

Sirāt
Spain
Director: Oliver Laxe

Emerging Filmmaker Awards

PRODUCERS AWARD – The Producers Award, now in its 29th year, honors an emerging producer who, despite highly limited resources, demonstrates the creativity, tenacity and vision required to produce quality independent films. This award includes a $25,000 unrestricted grant.

Emma Hannaway

Luca Intili

Tony Yang

SOMEONE TO WATCH AWARD – The Someone to Watch Award, now in its 32nd year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. This award includes a $25,000 unrestricted grant.

Tatti Ribeiro
Director of Valentina

Neo Sora
Director of Happyend

Annapurna Sriram
Director of Fucktoys

TRUER THAN FICTION AWARD – The Truer Than Fiction Award, now in its 31st year, is presented to an emerging director of non-fiction features who has not yet received significant recognition. This award includes a $25,000 unrestricted grant.

Tony Benna
Director of André is an Idiot

Rajee Samarasinghe
Director of Your Touch Makes Others Invisible

Brittany Shyne
Director of Seeds

One Battle After Another Wins In Atlanta

Posted on by Lisa Marie Bowman

I’m getting the feeling this is going to be a boring awards season.  The Atlanta Film Critics Circle has announced its picks for the best of 2025 and One Battle After Another won …. again.  And that’s fine!  It’s just that, from a blogging point of view, I always prefer an unpredictable season to a predictable one.

Anyway, here are the winners in Atlanta!

BEST FILM: One Battle After Another

TOP 10 FILMS (ranked):

  1. One Battle After Another
  2. Sinners
  3. Weapons
  4. Hamnet
  5. Marty Supreme
  6. It Was Just an Accident
  7. No Other Choice
  8. Sentimental Value
  9. Train Dreams
  10. The Secret Agent

BEST LEAD ACTOR: Leonardo DiCaprio, One Battle After Another
Runner-up: Michael B. Jordan, Sinners

BEST LEAD ACTRESS: Jessie Buckley, Hamnet
Runner-up: Rose Byrne, If I Had Legs I’d Kick You

BEST SUPPORTING ACTOR: Benicio del Toro, One Battle After Another
Runner-up: Sean Penn, One Battle After Another

BEST SUPPORTING ACTRESS: Amy Madigan, Weapons
Runner-up: Teyana Taylor, One Battle After Another

BEST ENSEMBLE CAST: One Battle After Another
Runner-up: Sinners

BEST DIRECTOR: Paul Thomas Anderson, One Battle After Another
Runner-up: Ryan Coogler, Sinners

BEST ORIGINAL SCREENPLAY: Sinners
Runner-up: Weapons

BEST ADAPTED SCREENPLAY: One Battle After Another
Runner-up: Hamnet

BEST DOCUMENTARY: The Perfect Neighbor
Runner-up: The Alabama Solution

BEST INTERNATIONAL FEATURE: It Was Just an Accident
Runner-up: No Other Choice

BEST ANIMATED FILM: KPop Demon Hunters
Runner-up: Arco

BEST CINEMATOGRAPHY: One Battle After Another
Runner-up: Sinners

BEST ORIGINAL SCORE: Sinners
Runner-up: One Battle After Another

BEST STUNT WORK: Mission: Impossible – The Final Reckoning
Runner-up: F1

BEST VOICE PERFORMANCE: Arden Cho, KPop Demon Hunters
Runner-up: Jason Bateman, Zootopia 2

BEST BREAKTHROUGH PERFORMANCE: Chase Infiniti, One Battle After Another

BEST FIRST FEATURE: Eva Victor, Sorry, Baby

Artist Profile: Neil Roberts

Posted on by Arleigh

Neil Roberts has a knack for bringing the dark, brutal world of Warhammer 40K’s Horus Heresy to life with his cover art. His paintings do an amazing job of showing the grim and epic atmosphere that defines the setting — filled with shadows, war-torn armor, and a sense of endless struggle. The moody lighting and intense detail in his work really pull you into a universe that feels both vast and oppressive, perfectly matching the tone of the stories inside.

What makes his art stand out is how he captures that feeling of dread mixed with heroism. His Space Marines and iconic characters aren’t just soldiers; they’re larger-than-life figures bathed in harsh light and surrounded by chaos, which really nails the “grim darkness” aspect Warhammer fans expect. Every cover looks like a scene from a massive battle where hope is scarce, but courage burns bright—which is exactly how the Horus Heresy saga plays out.

Roberts’ style balances digital polish with a painterly touch, giving his art depth and life without losing the hand-crafted vibe. This approach makes the scenes feel immersive, like a visual gateway to the brutal and tragic history of the Imperium. For fans, his covers aren’t just illustrations; they’re essential to experiencing the full weight of the Warhammer 40K universe’s darkest moments.

The Holidays On The Lens: Christmas Lodge (dir by Terry Ingram)

Posted on by Lisa Marie Bowman

In 2011’s Christmas Lodge, Mary (Erin Karpluk) recovers from a recent break-up by restoring the run-down lodge where she used to spend the holidays with her family.

That’s pretty much the entire film.  When I reviewed the film a few years ago, I admitted that there really wasn’t much conflict to be found in it but I also argued that was a part of the film’s appeal.  It’s a holiday movie and, as such, it’s earnestness and sincerity is its main appeal.

Song of the Day: Theme de Camille by Georges Delerue

Posted on by Lisa Marie Bowman

Today’s song of the day come from the Georges Delerue-composed score of Jean-Luc Godard’s 1963 film, Le Mepris.  If this song sounds familiar but you haven’t seen Le Mepris, you may have heard it in Martin Scorsese’s Casino.

Scene That I Love: Jean-Luc Godard’s Alphaville

Posted on by Lisa Marie Bowman

Today, in honor of what would have been the birthday of French director Jean-Luc Godard’s birthday, our scene of the day comes from Godard Alphaville, a 1965 film that mixed philosophy with science fiction and film noir.

Let’s talk about love.