October Positivity: Revelation Road 2: The Sea of Glass and Fire (dir by Gabriel Sabloff)


Eric Roberts is in this!

That, in itself, isn’t a surprise.  Eric Roberts was also in the first Revelation Road.  He plays the same role in the 2013 sequel.  Roberts is Sheriff Jenson, the not particularly religious sheriff who has to deal with a town that’s gone mad in the wake of the Rapture.  Over the course of one night, dozens of people (including Jenson’s mother) vanished as their souls flew into the air.  Jenson isn’t sure what happened but he knows that there is panic in the streets and that there is also a crazed motorcycle gang to deal with.  In the first film, Roberts was onscreen for maybe two minutes.  He gets closer to five minutes in Revelation Road 2 and you know what?  it’s always nice to see Eric Roberts!

As for the rest of the film, it picks up where the previous one ended.  Josh McManus (David A.R. White) is trying to get home to his family while also resisting the urge to become a killer.  It’s not easy.  Flashbacks reveal that Josh was actually brainwashed by the CIA to be a remorseless killer.  He’s haunted by a mission in the Middle East and the amount of people he killed over there.  He’s joined in his drive home by Beth (Noelle Coet), a teenage girl who has been sent by Jesus himself (Bruce Marchiano) to help guide Josh in the right direction.  Pursuing Josh is the fearsome Hawg (Brian Bosworth), a motorcycle gang leader who is haunted by his own personal tragedy.  Hawg’s daughter, Cat (Andrea Logan White), struggles to understand her father’s anger and hatred.

Revelation Road 2 is a definite improvement over the first film.  If the first film seemed to take forever to go nowhere, Revelation Road 2 is all about Josh’s determination to get back home.  Once he starts that car up, nothing is going to stop him.  If the first film seemed to be a bit too eager to show off Josh’s talent for killing people, Revelation Road 2 features Josh trying to hold back on his murderous instincts.  Flashbacks to Hawg’s past life bring some much-needed nuance and context to his actions and they keep him from being just a one-dimensional villain.  I would dare say that Bosworth actually gives a legitimately good performance in this film.

Though the film wears its influences on its sleeve (Hi, Mad Max!), Revelation Road 2 is still a surprisingly well-done action film.

Previous Eric Roberts Films That We Have Reviewed:

  1. Paul’s Case (1980)
  2. Star 80 (1983)
  3. Runaway Train (1985)
  4. To Heal A Nation (1988)
  5. Best of the Best (1989)
  6. Blood Red (1989)
  7. The Ambulance (1990)
  8. The Lost Capone (1990)
  9. Best of the Best II (1993)
  10. Love, Cheat, & Steal (1993)
  11. Voyage (1993)
  12. Love Is A Gun (1994)
  13. Sensation (1994)
  14. Dark Angel (1996)
  15. Doctor Who (1996)
  16. Most Wanted (1997)
  17. Mercy Streets (2000)
  18. Raptor (2001)
  19. Rough Air: Danger on Flight 534 (2001)
  20. Strange Frequency (2001)
  21. Wolves of Wall Street (2002)
  22. Border Blues (2004)
  23. Mr. Brightside (2004)
  24. Six: The Mark Unleased (2004)
  25. We Belong Together (2005)
  26. Hey You (2006)
  27. Depth Charge (2008)
  28. Amazing Racer (2009)
  29. The Chaos Experiment (2009)
  30. In The Blink of an Eye (2009)
  31. Bed & Breakfast (2010)
  32. Enemies Among Us (2010)
  33. The Expendables (2010) 
  34. Sharktopus (2010)
  35. Beyond The Trophy (2012)
  36. The Dead Want Women (2012)
  37. Deadline (2012)
  38. The Mark (2012)
  39. Miss Atomic Bomb (2012)
  40. Assault on Wall Street (2013)
  41. Bonnie And Clyde: Justified (2013)
  42. Lovelace (2013)
  43. The Mark: Redemption (2013)
  44. The Perfect Summer (2013)
  45. Revelation Road: The Beginning of the End (2013)
  46. Self-Storage (2013)
  47. Sink Hole (2013)
  48. A Talking Cat!?! (2013)
  49. This Is Our Time (2013)
  50. Bigfoot vs DB Cooper (2014)
  51. Doc Holliday’s Revenge (2014)
  52. Inherent Vice (2014)
  53. Road to the Open (2014)
  54. Rumors of War (2014)
  55. Amityville Death House (2015)
  56. Deadly Sanctuary (2015)
  57. A Fatal Obsession (2015)
  58. Las Vegas Story (2015)
  59. Sorority Slaughterhouse (2015)
  60. Stalked By My Doctor (2015)
  61. Enemy Within (2016)
  62. Hunting Season (2016)
  63. Joker’s Poltergeist (2016)
  64. Prayer Never Fails (2016)
  65. Stalked By My Doctor: The Return (2016)
  66. The Wrong Roommate (2016)
  67. Dark Image (2017)
  68. The Demonic Dead (2017)
  69. Black Wake (2018)
  70. Frank and Ava (2018)
  71. Stalked By My Doctor: Patient’s Revenge (2018)
  72. Clinton Island (2019)
  73. Monster Island (2019)
  74. The Reliant (2019)
  75. The Savant (2019)
  76. Seven Deadly Sins (2019)
  77. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  78. The Wrong Mommy (2019)
  79. Exodus of a Prodigal Son (2020)
  80. Free Lunch Express (2020)
  81. Her Deadly Groom (2020)
  82. Top Gunner (2020)
  83. Deadly Nightshade (2021)
  84. The Elevator (2021)
  85. Just What The Doctor Ordered (2021)
  86. Killer Advice (2021)
  87. Megaboa (2021)
  88. Night Night (2021)
  89. The Poltergeist Diaries (2021)
  90. The Rebels of PT-218 (2021)
  91. Red Prophecies (2021)
  92. A Town Called Parable (2021)
  93. Bleach (2022)
  94. Dawn (2022)
  95. My Dinner With Eric (2022)
  96. 69 Parts (2022)
  97. The Rideshare Killer (2022)
  98. The Company We Keep (2023)
  99. D.C. Down (2023)
  100. Aftermath (2024)
  101. Bad Substitute (2024)
  102. Devil’s Knight (2024)
  103. Insane Like Me? (2024)
  104. Space Sharks (2024)
  105. The Wrong Life Coach (2024)
  106. Broken Church (2025)
  107. When It Rains In L.A. (2025)

Late Night Retro Television Review: CHiPs 4.19 “Vigilante”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

It is time to leave the Bronx….

Episode 4.19 “Vigilante”

(Dir by Arnold Laven, originally aired on May 3rd, 1981)

A citizen’s patrol has taken to the streets of Los Angeles and, despite their good intentions, they’re getting in the way of the Highway Patrol.  They’re supposed to call the cops if they actually see anything but one member of the group is trying to take the law into his own hands.  If that wasn’t bad enough, Getraer has someone sending threatening messages to his house.  Getraer thinks that he can handle things on his own but apparently, he’s forgotten the name of the show that he’s on.

This episode wasn’t bad.  I actually appreciate any episode that gives Robert Pine a chance to do more than just bark out orders as Pine was one of the better actors on the show.  Because Getraer was under so much pressure, he ended up snapping at a lot of the officer during the morning briefing and one got the feeling that Pine enjoyed getting to yell.  Still, at one point, Getraer punishes Grossman by giving him desk duty and you have to wonder if maybe that’s why Los Angeles now needed vigilantes to keep the streets safe.

The vigilantes themselves reminded me a bit of New York’s Guardian Angels.  I checked and the Guardian Angels were themselves formed in 1979 so I guess it’s possible that this episode was inspired by them.  I can’t say for sure because I don’t know how prominent the organization actually was in 1981.  Today, of course, the Guardian Angels are once again very prominent because their founder, Curtis Sliwa, is running for mayor of New York.  Apparently, he’s stuck in third place, which is a shame when you consider who is in first and second place.  Personally, I would vote for Sliwa because he owns six cats and I happen to be collector of berets but I’m also not a New Yorker.

As for vigilante justice, I don’t condone it but I certainly see the appeal.

Horror on TV: Spectre (dir by Clive Donner)


Produced by Gene Roddenberry and directed by Clive Donner, 1977’s Spectre was a pilot film for a television series about an occult detective (Robert Culp) who solved supernatural mysteries while dealing with a curse that had been put on him by the demon, Asmodeus.

In this film, Culp’s William Sebastian and his associate, Dr. Ham Hamilton (Gig Young) travel to the UK to investigate a supernatural case involving an old family.  Despite the efforts of a succubus and a cursed airplane, Sebastian and Ham are determined to solve the mystery.  John Hurt appears as a member of the cursed family.

This pilot was not picked up and developed into a series but it was popular enough that it was released as a theatrical film in Europe.

The Hong Kong Film Corner – THE BRIDE WITH WHITE HAIR (1993), starring Brigitte Lin and Leslie Cheung!


THE BRIDE WITH WHITE HAIR (1993), a Hong Kong fantasy film directed by Ronny Yu (THE BRIDE OF CHUCKY, Jet Li’s FEARLESS), follows Zhuo Yihang (Leslie Cheung), a master swordsman and reluctant young leader of the Wudang Sect, who is tasked with protecting his clan’s interests during a time of political turmoil and clan rivalries. The Ming Dynasty is weakening, and various factions vie for power, including an evil cult led by sinister conjoined twins, Gei Mou-Seung (Francis Ng and Elaine Lui). During a mission, Zhuo encounters Ni-Chang (Brigitte Lin), a fierce female warrior raised by the cult but disillusioned with their cruelty. Despite their opposing allegiances, Zhuo and Ni-Chang fall in love, drawn together by their unique senses of honor and a shared desire for freedom. Their romance faces intense opposition from both the Wudang Sect and the cult. A series of misunderstandings, betrayals, and tragic events, culminating in Zhuo’s hesitation to fully trust Ni-Chang, leads to her heart breaking. Will she be able to forgive Zhuo for breaking his promise to “always trust her” or will the pain of a broken heart transform her into the “Bride with White Hair,” where everyone else on Earth needs to watch TF out?!!

With its blend of fantasy action, romance and tragedy, THE BRIDE WITH WHITE HAIR is a visually spectacular and emotionally powerful masterpiece of Hong Kong cinema. In collaboration with cinematographer Peter Pau (Oscar winner for CROUCHING TIGER, HIDDEN DRAGON), director Ronny Yu creates a dreamlike atmosphere with surreal imagery that helps elevate the film into the unique awesomeness of early 90’s Hong Kong. The inventive choreography of the somewhat gory fight scenes, combined with flowing costumes and foggy landscapes, creates an exciting world for this film. This is bold visual and emotional storytelling, and I loved it. Brigitte Lin is amazing as Ni-Chang, balancing powerful strength with a surprising amount of vulnerability, which makes her ultimate transformation into the white-haired Bride both devastating and badass, cementing her as one of Hong Kong cinema’s most memorable heroines. Leslie Cheung is good as Zhuo Yihang, portraying a man who longs to be free, especially after he falls in love with Ni-Chang, but circumstances have a way of keeping him bound to his clan. The chemistry between Lin and Cheung drives this film, which makes the ultimate outcome of their romance very moving. Francis Ng and Elaine Lui are appropriately insane as the deadly and dangerous conjoined twins and cult leaders. The fact that Francis’ character is evil and in love with Ni-Chang himself ensures that our lovers are not going to get an easy path for flying off into the sunset together.

Ultimately, I consider THE BRIDE WITH WHITE HAIR to be a must-watch for fans of action-based fantasy films, or anyone drawn to stories of forbidden love and personal sacrifice. It’s one of the first “non-Chow Yun-Fat” Hong Kong movies I ever watched. The moving romance at the film’s center and the excellent performances from Lin and Cheung make it a standout of Hong Kong cinema. 

Ice Cream Man (1995, directed by Norman Apstein)


When he was a young boy, Gregory Tudor was traumatized when he witnessed the gangland-style execution of the neighborhood ice cream man.  He was retraumatized when he was sent to an insane asylum.  Now, Gregory (Clint Howard) has grown up and he’s the ice cream man!  Everyone in the neighborhood loves his ice cream but the local kids suspect that he’s using human body parts to get the flavor just right.  It turns out that the kids know what they’re talking about.

Ice Cream Man almost feels like a zero-budget precursor to Stranger Things, with the kids knowing what’s happening in their town while the majority of the adults are too self-absorbed to notice.  One of the kids is a Macauley Culkin look-alike known as Small Paul (Mikey LeBeau).  He comes to admire Gregory and his murderous devotion to ice cream.  The movie’s really stupid but it’s clearly not meant to be taken seriously and Clint Howard really throws himself into his role.  One thing that makes Ice Cream Man enjoyable is that you know Ron Howard had to sit through it because his brother’s in it.

The most interesting thing about Ice Cream Man is the number of recognizable actors who appear in tiny roles.  David Warner is the town’s reverend.  David Naughton is a clueless father who is married to Sandahl Bergman.  Jan-Michael Vincent is a detective.  Olivia Hussey is Gregory’s former nurse.  Former baseball player and future senatorial candidate Steve Garvey plays another parent.  With the exception of Vincent, it’s hard not to believe that the members of the cast didn’t have anything better to do.  Never underestimate the appeal of a quick paycheck.

Clint Howard has said that a sequel is in pre-production.  The Ice Cream Man will return.

Retro Television Review: Miami Vice 5.4 “Bad Timing”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Crockett tries to find himself.

Episode 5.4 “Bad Timing”

(Dir by Virgil W. Vogel, originally aired on December 2nd, 1988)

With the case against him still unresolved, Crockett goes on vacation.  He doesn’t tell anyone where he’s going, which is a bit unfortunate as he ends up being taken hostage in the Bayous by a group of cartoonishly evil escaped convicts.  (Pruitt Taylor Vince plays one of the hostage-takers but is fairly forgettable.  A young Melissa Leo appears as a fellow hostage and shows none of the grit that made her so memorable as Sgt. Kay Howard on Homicide.)  Somehow, Tubbs still shows up at the last moment and, looking resplendent in a white suit, he shoots the final convict before the latter shoots Crockett.  Crockett doesn’t even ask Tubbs how he knew where Crockett was.  (If Tubbs had been following Crockett the entire time, why would he have allowed Crockett to have been taken hostage to begin with?)  This episode might as well have been called Dues Ex Tubbs.

Watching this episode, it occurred to me that, as a character, Crockett really doesn’t have anywhere left to go.  By having him turn into Burnett and become one of Miami’s most powerful drug dealers, the show pretty much pushed the character as far as possible.  It’s impossible for Crockett to come back from that and it’s equally impossible to watch an episode like this one and not wonder why Crockett wasn’t in prison.  He’s suspected of committing four murders.  He was witnessed shooting a cop.  He attempted to kill his own partner, twice.  The episode begins with several high-ranking cops saying that they don’t buy Crockett’s excuse that he had amnesia.  And yet, Crockett is allowed to leave Miami while the department tries to figure out what to do with him.

Really, the whole idea that Crockett — a minor celebrity due to his college football career — could maintain his Burnett cover for five seasons was already pretty hard to believe.  Crockett and Tubbs’s cover got blown in nearly every episode during the first three seasons.  Having Sonny “Burnett” marry a world-famous singer without anyone noting that Burnett looked just like Crockett was probably this show’s true shark jumping moment.  Once that happened, it became increasingly difficult to take Miami Vice seriously.  The whole arc of Sonny thinking he was Burnett was fun to watch and Don Johnson gave a good performance as a conflicted bad guy but it’s also left the show with nowhere to go.  With this episode, Crockett has been reduced to being taken hostage by a group of backwoods yokels and waiting for Tubbs to materialize from out of nowhere.

In short, it’s time for Sonny to move on.  And seeing as how this is the final season …. well, we’ll see what happens!

Horror Scenes That I Love: Life and Death in Dawn of the Dead


Today’s horror scene that I love is from George Romero’s 1978 zombie masterpiece, Dawn of the Dead.

The first time I saw this film, I was so upset when Roger died.  Not only was Roger my favorite character but I also knew that if Roger — who was so funny and so charismatic and so competent — couldn’t survive then that meant that no one was going to survive.

No Title (how cute), AI short film review by Case Wright


Ok, no title, but in the description it is In The Mountains of Madness. We are going to see some Cthulhu? Some revelations? Some Necronomicon? I’m not hopeful, but I’m also usually right.
Is it a trailer?

There is a British Person telling us about the expedition to Antarctica. They uncover the structures of the Old Ones. The crew finds a laboratory of weird creatures and then they become one with the gross things. As a trailer, it would’ve been excellent. The imagery is quite good and it does capture what these creatures might look like and how they possess the expedition crew.

Is it a short? There is a beginning a middle, but there is not really a clear ending. It could just be that I’m so used to seeing the absolute worst garbage AI films that I’m unable to tell what is good or bad anymore because nothing matters. However, I think this short might be – ok. Not great, but it is ok and I suppose that you could do worse things with 90 seconds of your life.

Horror Song Of The Day: Dawn of the Dead Main Theme by Goblin


Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)

Dario Argento not only produced and edited the European cut for 1978’s Dawn of the Dead, he also introduced George Romero to Goblin.  The Italian band, famous for their horror movie soundtracks, provided the classic score to Dawn of the Dead.

(Admittedly, the score is is used far more prominently in Argento’s cut of the film than in Romero’s.)

For today’s horror song of the day, here is Goblin’s Main Theme From Dawn of the Dead.

4 Shots From 4 Horror Films: 2000s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Welcome to the 21st Century!

4 Shots From 4 Horror Films

Final Destination (2000, dir by James Wong)

Final Destination (2000, dir by James Wong)

The Others (2001, dir by Alejandro Amenabar)

The Others (2001, dir by Alejandro Amenabar)

28 Days Later (2002, dir by Danny Boyle)

28 Days Later (2002, dir by Danny Boyle)

Bubba Ho-Tep (2002, dir by Don Coscarelli)

Bubba Ho-Tep (2002, dir by Don Coscarelli)