October Positivity: Faith Of Our Fathers (dir by Carey Scott)


2015’s Faith Of Our Fathers tells the story of a road trip to Washington, D.C.

John (Kevin Downes) and Wayne (David A.R. White) might not seem to have much in common.  John is uptight and neurotic, on the verge of getting married but feeling like he has to do one final thing while his fiancée (Candace Cameron Bure) plans their wedding.  Wayne is a proud redneck, someone who lives in a trailer and enjoys picking fights.  When John first shows up at the trailer, Wayne shoots a shotgun at him.  When John refuses to leave, Wayne eventually allows him into the trailer and the two of them talk.

They are linked by their fathers, who both served and bonded in Vietnam.  Through flashbacks, we see how John’s father (Sean McGowan) found strength from his religious faith and how Wayne’s father (Scott Whyte, who viewers of a certain age will recognize from City Guys) eventually set aside his cynicism.  Wayne is in possession of the letters that his father wrote home from Vietnam and John, feeling a need to know who his father was, wants to read those letters.  Wayne agrees to show John the letters if he drives Wayne to Washington D.C. so that they can visit the Vietnam War memorial.

Along the way, the two of them bicker, bond, and have adventures.  This is a road film, which means that it has to take a while for John and Wayne to stop arguing with each other and start to open up about their pasts and their views on the modern world.  They meet a wide variety of people while on their trip, some of whom are trustworthy and many of whom are not.  They also meet Mansfield (Stephen Baldwin), who served in Vietnam with their fathers and who offers up some details about what happened to the men while they were serving in the military.

Unfortunately, the film itself doesn’t really work.  It has all of the flaws that one typically associates with a faith-based filmmaking.  The budget is noticeably low, something that especially becomes an issue during the Vietnam flashbacks.  The dialogue is often didactic.  Downes and White are familiar faces when it comes to faith-based films and they’ve both given good performances in other films but they both feel miscast here.  As played by Downes, John is a bit too neurotic to be believable (or particularly sympathetic) while White’s earnest and, at times, goofy style of performing feels wrong for a character who is supposed to be into random fights and beer.  For someone whose career has largely become about appearing in faith-based films, Stephen Baldwin seems rather detached throughout Faith of our Fathers.  In the flashbacks, he’s one of the least convincing commanding officers that I’ve ever seen in a war film.  In the modern scenes, he just seems bored.  If I’m being hard on Baldwin, it’s because I’ve seen him give really good performances in other films.  Knowing that he could be giving a good performance makes his bad performances all the more frustrating.

I will say this, though.  Faith of Our Fathers takes a stand for supporting our veterans, both when they’re serving and after they’ve come home.  I appreciated that.  All too often, we seem to hold the unpopular wars against those who served, as if the mistakes of those in command are somehow their fault.  That happened with Vietnam and it’s happening right now with Iraq and Afghanistan.  No one should ever be forgotten or deserted by their own country.

 

Late Night Retro Television Review: CHiPs 4.17 “New Guy In Town”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, there’s a new cop on the beat!

Episode 4.17 “New Guy In Town”

(Dir by Arnold Laven, originally aired on March 15th, 1981)

Ponch is upset because the new rookie on the team, T.C. Hunsacker (Joseph Hacker), is just too perfect.  He’s still on probation but he’s already good at his job.  He’s a professional.  He’s got a good sense of humor.  He’s a good bowler.  He’s as comfortable talking about classical music as he is talking about cars.  He’s not arrogant.  He’s nice to everyone.  Everyone likes him.  Ponch cannot stand that TC doesn’t seem to have a flaw.

Yeah, Ponch, it’s kind of annoying when someone knows everything and can do anything, isn’t it?  Seriously, who does this Hunsacker fellow think he is when we all know that this is….

Ponch has other things to be concerned about, though.  Martin Beck (Chris Connelly) and Lina Beck (Jenny O’Hara), the brother and wife of someone who died while being chased by Ponch and Baker, are determined to get revenge by killing both of them.  Baker is nearly taken out in a hit-and-run.  Ponch nearly gets blown up in his car.  Fortunately, TC was there to tell Ponch not turn the key in the ignition.  TC noticed some wires on the ground and immediately realized there was a bomb in Ponch’s engine….

Wow, is there nothing TC cant do!?

I really am starting to see Ponch’s point.  TC really is too good to be true.  According to the imdb, this was the only episode in which he appeared.  I know that Larry Wilcox and Erik Estrada apparently were not getting along during the filming of CHiPs and that Wilcox was threatening to leave the show because he thought the producers favored Estrada over him.  Maybe this episode was meant to set up Hunsacker as a possible replacement in case Wilcox did leave.  That’s really the only reason I can think of for this show to have devoted so much time to a character who has never been seen before and who, apparently, will never be seen again.

The focus on TC made this an uneven episode but there were a few good chase scenes and a slow-motion van crash.  And really, that’s all that one can really ask from this show.  An exciting chase can make up for a lot!

Horror On TV: Hammer House of Horror #11: Visitor From The Grave (dir by Peter Sasdy)


For tonight’s horror on television, we have the 11th episode of Hammer House of Horror!  This atmospheric episode features Kathryn Leigh Scott as a woman who fears that she is being haunted by the ghost of a would-be rapist that she earlier killed.  Simon MacCorkindale plays her husband, who has secret of his own.

This episode originally aired on November 22nd, 1980.

The Eric Roberts Horror Collection: 2 Bedroom 1 Bath (dir by Stanley Yung)


In this 2014 shocker, a young couple moves into what seems like a perfect 2 bedroom, 1 bath apartment.  Rachel (Michele Hooks) and Kevin (Andrew W. Walker) are hoping to start a family in their new apartment.  Their landlady (Dee Wallace) is very happy to hear that.  In fact, it’s hard not to feel that she’s a bit too happy to hear it….

In many ways, 2 Bedroom 1 Bath is a typical “is it haunted or not?” thriller.  From the minute that they move into the apartment, Kevin starts to have strange and nightmarish visions.  He imagines himself trying to pick up a baby, just for it to fall to the ground and shatter like a doll.  Dark shadows move in the background while pale faces are reflected in the windows.  After taking a shower, Rachel doesn’t notice that ghostly figure in the mirror behind her.  Things get creepier and stranger after Rachel gets pregnant and Kevin finds himself not only tempted by student but also taunted by mysterious messages that appear in the mail box.

It’s a bit predictable but Hooks and Walker both give strong performances and director Stanley Yung does a great job of creating an ominous and dream-like atmosphere.  This is a film that features several dozen jump scares and just about everyone of them is effective.  It’s an effective piece of haunted apartment horror.

As for Eric Roberts, his role is a small one.  He plays the fertility specialist and he has three scenes with Rachel and Kevin.  When Roberts first appeared, I assumed his character was going to be revealed to be a part of the supernatural conspiracy but no.  He was just a well-intentioned doctor with two patients who had no idea how much trouble they were about to face.  To be honest, I’m so used to seeing Eric Roberts playing villains that it was kind of nice to see him playing a sympathetic professional for once.

Previous Eric Roberts Films That We Have Reviewed:

  1. Paul’s Case (1980)
  2. Star 80 (1983)
  3. Runaway Train (1985)
  4. To Heal A Nation (1988)
  5. Best of the Best (1989)
  6. Blood Red (1989)
  7. The Ambulance (1990)
  8. The Lost Capone (1990)
  9. Best of the Best II (1993)
  10. Love, Cheat, & Steal (1993)
  11. Voyage (1993)
  12. Love Is A Gun (1994)
  13. Sensation (1994)
  14. Dark Angel (1996)
  15. Doctor Who (1996)
  16. Most Wanted (1997)
  17. Mercy Streets (2000)
  18. Raptor (2001)
  19. Rough Air: Danger on Flight 534 (2001)
  20. Strange Frequency (2001)
  21. Wolves of Wall Street (2002)
  22. Border Blues (2004)
  23. Mr. Brightside (2004)
  24. Six: The Mark Unleased (2004)
  25. We Belong Together (2005)
  26. Hey You (2006)
  27. Depth Charge (2008)
  28. Amazing Racer (2009)
  29. The Chaos Experiment (2009)
  30. In The Blink of an Eye (2009)
  31. Bed & Breakfast (2010)
  32. Enemies Among Us (2010)
  33. The Expendables (2010) 
  34. Sharktopus (2010)
  35. Beyond The Trophy (2012)
  36. The Dead Want Women (2012)
  37. Deadline (2012)
  38. The Mark (2012)
  39. Miss Atomic Bomb (2012)
  40. Assault on Wall Street (2013)
  41. Bonnie And Clyde: Justified (2013)
  42. Lovelace (2013)
  43. The Mark: Redemption (2013)
  44. The Perfect Summer (2013)
  45. Self-Storage (2013)
  46. Sink Hole (2013)
  47. A Talking Cat!?! (2013)
  48. This Is Our Time (2013)
  49. Bigfoot vs DB Cooper (2014)
  50. Doc Holliday’s Revenge (2014)
  51. Inherent Vice (2014)
  52. Road to the Open (2014)
  53. Rumors of War (2014)
  54. Amityville Death House (2015)
  55. Deadly Sanctuary (2015)
  56. A Fatal Obsession (2015)
  57. Las Vegas Story (2015)
  58. Sorority Slaughterhouse (2015)
  59. Stalked By My Doctor (2015)
  60. Enemy Within (2016)
  61. Hunting Season (2016)
  62. Joker’s Poltergeist (2016)
  63. Prayer Never Fails (2016)
  64. Stalked By My Doctor: The Return (2016)
  65. The Wrong Roommate (2016)
  66. Dark Image (2017)
  67. The Demonic Dead (2017)
  68. Black Wake (2018)
  69. Frank and Ava (2018)
  70. Stalked By My Doctor: Patient’s Revenge (2018)
  71. Clinton Island (2019)
  72. Monster Island (2019)
  73. The Reliant (2019)
  74. The Savant (2019)
  75. Seven Deadly Sins (2019)
  76. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  77. The Wrong Mommy (2019)
  78. Exodus of a Prodigal Son (2020)
  79. Free Lunch Express (2020)
  80. Her Deadly Groom (2020)
  81. Top Gunner (2020)
  82. Deadly Nightshade (2021)
  83. The Elevator (2021)
  84. Just What The Doctor Ordered (2021)
  85. Killer Advice (2021)
  86. Megaboa (2021)
  87. Night Night (2021)
  88. The Poltergeist Diaries (2021)
  89. The Rebels of PT-218 (2021)
  90. Red Prophecies (2021)
  91. A Town Called Parable (2021)
  92. Bleach (2022)
  93. Dawn (2022)
  94. My Dinner With Eric (2022)
  95. 69 Parts (2022)
  96. The Rideshare Killer (2022)
  97. D.C. Down (2023)
  98. Aftermath (2024)
  99. Bad Substitute (2024)
  100. Devil’s Knight (2024)
  101. Insane Like Me? (2024)
  102. The Wrong Life Coach (2024)
  103. Broken Church (2025)
  104. When It Rains In L.A. (2025

Made-For-TV Horror Review: Mind Over Murder (dir by Ivan Nagy)


In the 1979 made-for-TV movie, Mind over Murder, Deborah Raffin stars as Suzy.

Suzy is a model and an actress.  She has a nice apartment, which she shares with her football-loving boyfriend, Ben (Bruce Davison).  She has a best friend (Penelope Willis), who is constantly looking to get laid.  Her latest job requires her to dance with a man who is dressed up like a giant hamburger.  It would seem that, by the standards of 1979, Suzy has the perfect life.

However, her life is turned upside down when she suddenly starts having visions.  All of the action around her will either switch to slow motion or stop altogether while Suzy has a vision of a scary-looking bald man (Andrew Prine) stalking her.  Her most disturbing vision involves Suzy hearing the sound of a pilot begging for help while his airplane crashes.  Ben tells her that she’s probably just working too hard but, the next morning, Suzy looks at a newspaper and immediately sees a headline about a plane crash.

With Ben dismissing her concerns, Suzy takes it upon herself to meet with the two detectives (David Ackroyd and Robert Englund — yes, Robert Englund!) investigating the plane crash.  They are surprisingly sympathetic to Suzy’s story of hearing the plane crash before it happened.  They arrange for her to meet a psychic researcher, who explains that Suzy must have some sort of mental connection to whoever was responsible for the crash.  While Ben continues to be skeptical and jealous of all the time that she’s spending with one of the detectives, Suzy keeping having disturbing visions of the bald man….

Considering its origins as a made-for-TV movie, Mind Over Murder is a surprisingly frightening film.  This is a film that proves that slow motion can make just about anything creepy and Deborah Raffin does a good job of showing us just how much Suzy dreads those moments when everything starts to slow down and she realizes that she’s about to get hit with another vision.  That said, what truly makes this film frightening is the performance of Andrew Prine, who plays the bald man as being every woman’s nightmare.  He’s a misogynist, the type who is convinced that every woman should be in love with him and that those who aren’t should be punished.  Whether he’s appearing in Suzy’s visions or stepping into her reality, Andrew Prine is never less than terrifying.

Along with featuring a scary performance from Prine, this film also features a genuinely likable one from Robert Englund.  Englund is playing a nice guy here.  In fact, before he made horror history in A Nightmare in Elm Street, Englund almost always played nice guys.  It’s interesting to watch him here, with his friendly manner and his polite style, and to imagine the roles Englund would have ended up playing if he hadn’t gotten typecast as a horribly scarred serial killer.

The first hour of Mind over Murder is brilliant.  The final 30 minutes, unfortunately, find the film turning into a far more conventional thriller, as Suzy’s visions are replaced by the Bald Man actually coming after her.  That said, this is still an effective horror thriller and one that deserves to be rediscovered this Halloween season.

Doctor Who — The Brain Of Morbius (1976, directed by Christopher Barry)


The Time Lords once again decide that they need the Doctor to do their dirty work for them.  The TARDIS, with the Doctor (Tom Baker) and Sarah Jane Smith (Elisabeth Sladen) on board, is sent to the rocky planet Karn.

On Karn, the crazed Dr. Solon (Phillip Madoc) lives in a castle and is kidnapping shipwrecked travelers and using their limbs to build a body for Morbius (Stuart Fell with the voice of Michael Spice).  Morbius was once a Time Lord but, after being found guilty of war crimes, his body was destroyed but his disembodied brain survived.  It now sits atop a makeshift body that has been constructed out of several different alien races.  Solon takes one look at the Doctor’s head and decides that it would be the perfect house for the brain of Morbius.

There’s a subplot about the Sisterhood of Karn and the Elixer of Life but make no mistake.  This is Doctor Who‘s take on Frankenstein, with the Baron reimagined as a mad scientist on a distant planet and the Monster reimagined as being not at all sympathetic.  When I was a kid and first watching these episodes of PBS, The Brain of Morbius was one of my favorites because of the Frankenstein connection and also the look of Morbius.  The original Doctor Who was known for its often-shoddy monsters but Morbius was a definite triumph.  The brain sitting in a transparent bowl atop a stitched together body was one of the defining images of classic Doctor Who.

The Brain of Morbius is also known for a controversial moment during the final episode, where the Doctor and Morbius engage in a battle of the minds.  On a view-screen, the faces of the three former Doctors appear, followed by several faces that had never been shown before.  It was actually an in-joke on the part of production.  The faces were all members of the Doctor Who crew.  For decades, though, this in-joke led to a fierce debate whether or not William Hartnell was actually the first Doctor.  This, of course, was back when it was still believed that a Time Lord could only regenerate 12 times.  The Doctor Who revival tossed out that idea, along with a lot of other good ideas.

All these years later, The Brain of Morbius still remains one of my favorites of the Fourth Doctor’s adventures.  This serial was the Tom Baker/Elisabeth Sladen era at its best.

Hercules (1958, directed by Pietro Francisci)


In ancient Greece, Hercules (Steve Reeves) saves the life of the princess Iole (Sylva Koscina) when she nearly loses control of her chariot.  Iole tells Hercules about how her father, Pelias (Ivo Garrani), become the ruler of the kingdom after the murder of the previous king and the exile of the rightful heir to the throne, Jason (Fabrizio Mioni).

Hercules accompanies Iole back to the kingdom, where he proves himself by doing typical Hercules things like defeating both a lion and a bull.  When Hercules’s discovers that his best friend, Chiron (Alfo Poli) is the number one suspect in the murder of the previous king, he goes on a quest with Jason to recover the Golden Fleece, which will reveal the truth.

All sorts of Greek myths are crammed together as Hercules and Jason search for the Golden Fleece, fight a dragon, and are briefly held prisoner by Amazon Queen Antea (Gianna Maria Canale).  (The dragon’s roar was lifted from a Godzilla film.)  Hercules was the first of several Italian film to be made about Hercules.  American bodybuilder Steve Reeves had the right physique for Hercules but the wrong voice and, even in the English language dub, it’s obvious that we are not actually hearing Reeves when he speaks.

Hercules has a deserved reputation for being campy but it’s not as bad as you might think if you’ve only seen the washed-out and heavily edited version that was used for Mystery Science Theater 3000.  (I say that as someone who loves MST 3K and who dreamed of being one of their writers when I was growing up.)  If you can actually see a restored print of the film, ancient Greece actually looks pretty good and the the deep colors go a long way towards establishing the grandeur of a mythological age.  It’s easy to laugh at Steve Reeves and his expressionless acting but he had the right look for Hercules.  The only thing really required of Hercules in this movie is that he be strong and Reeves was definitely that.

Distributed in America by Joseph E. Levine, Hercules was a worldwide success and there would be 18 sequels, with Reg Park eventually taking over the role.  Steve Reeves, having been seriously injured while filming The Last Days of Pompeii in 1959, eventually retired from acting and spent the rest of his life running a ranch in Valley Center, California and promoting drug-free bodybuilding.  Arnold Schwarzenegger frequently cited him as an inspiration for his own acting career.  Steve Reeves passed away at the age of 74 in 2000.

Retro Television Review: Miami Vice 5.2 “Redemption In Blood”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Sonny Burnett continues his reign of terror!

Episode 5.2 “Redemption in Blood”

(DIr by Paul Krasny, originally aired on November 11th, 1988)

When last we checked in with Miami Vice, Sonny thought he was a drug lord named Sonny Burnett and he was firing his gun at Tubbs, who he had just recognized as a cop.  This episode reveals that Sonny didn’t shoot Tubbs.  Instead, he aimed at a wall, firing while Tubbs made his escape.

Working with the psychotic Cliff King (Matt Frewer), Sonny takes over his late boss’s drug empire and continue to fight a war against El Gato (Jon Polito).  El Gato is meant to be a “flamboyant” drug dealer, which is a polite way of saying that Polito overacts through the entire episode.

The show hedges its bets by having Cliff commit all of the murders while Sonny rises to power.  In fact, when Sonny catches Cliff torturing two of El Gato’s men, Sonny orders Cliff to stop and then offers them jobs in the Burnett operation.  Amazingly, over the course of the entire three-episode Burnett arc, Sonny manages to get through the whole thing only killing people in self-defense.  Even the cop that he killed at the end of the previous season was a dirty cop who had been sent to kill him.  I get that the show couldn’t take Sonny totally over to the dark side but it’s still hard to believe that Burnett took over the Miami underworld without getting his hands a bit more dirty than he did.

A car bomb (courtesy of El Gato) knocks Sonny unconscious and, when he wakes up, he suddenly starts to remember who he actually is.  Finally realizing that his name is Crockett, Sonny turns himself into the Vice Squad and is promptly arrested while Kate Bush sings, “Don’t give up.”  Sonny tells Castillo, Switek, and Tubbs that he’s ready to acccept the consequences of whatever he did during his previous bout of amnesia.  But then Sonny escapes custody and sets up both Cliff and El Gato for a great fall so I guess he wasn’t totally ready to turn himself in and head off to prison.

Tubbs, who now trusts Sonny, helps him take out Cliff King and the Burnett organization.  Sonny shoots Cliff to save Tubbs.  With Tubbs dangling off of a walkway, Sonny pulls him back up to safety.  Sonny then goes back to his mansion where he and his girlfriend (Debra Feuer) are taking hostage by a gun-wielding El Gato.  “Where is the safe?” El Gato demands.  Sonny tricks El Gato into thinking the safe is in the room where he keeps his pet panther.  (Apparently, all drug lords were given either a tiger, a panther, a cheetah, or a leopard.)  El Gato gets mauled to death as the episode ends.

This episode suggests that Sonny is going to be let off the hook because he finally remembered he was.  I don’t really think that it would really work like that.  Sonny has multiple warrants out and he also killed a cop, albeit a corrupt one.  If Sonny isn’t on trial in next week’s episode, I’m going to be a little annoyed.

This episode ended the Burnett trilogy about as well as it could be ended.  The idea that all Sonny needed was to survive a second near-fatal explosion made me smile.  What if El Gato hadn’t tried to blow him up?  I guess it’s a good thing that he did!  While Polito went overboard, Matt Frewer gave a very good performance as the villainous Cliff King.  It’s a bit of a shame that he died so dramatically because Cliff would have made a good recurring villain.

This episode was definitely better than anything from season 4.  It’ll be interesting to see how the rest of season 5 plays out.

Horror Scenes That I Love: Barbara Steele in Black Sunday


The British-born actress, Barbara Steele, became a star in Italy in the 60s, working with directors from Riccardo Freda to Mario Bava to Federico Fellini.  One of Steele’s defining roles was in Bava’s 1960 film, Black Sunday.

In this scene, Steele’s witch is sentenced to be executed and, since this is a Bava film, it won’t be a quick execution.  What makes this scene stand-out is Steele’s defiance.  It’s hard not to admire her refusal to give those judging her what they want.  You watch this scene and you have no doubt that if you get cursed by Barbara Steele, it’s going to be a curse for life.

Horror Film Review: Kill, Baby…. Kill (dir by Mario Bava)


Kill, Baby…. Kill!, Mario Bava’s 1966 masterpiece, opens at the turn of the 20th Century.

In a small German village, a woman named Irena Hollander (Mirella Panfili) runs up a set of stairs at an abandoned church.  From the bell tower, she either falls or deliberately jumps and crashes into the sharp spikes of the gate below.  Agck!  Falling from that high of a spot is bad enough without then landing on a gate and getting pierced by several sharp points at once.  Making it even more disturbing is that it’s suggested that the spikes don’t instantly kill Irena.  It’s a grotesque and disturbing image, shown to us in bright color.  It’s death as pop art.  It’s the sort of thing that only Mario Bava could have paid off.

Dr. Paul Eswai (Giacomo Rossi Stuart) is summoned to the village by Inspector Kruger (Piero Lulli).  Kruger suspects that Irena may have been intentionally pushed and he wants Paul to conduct an autopsy.  However, the superstitious townspeople say that her body must be buried immediately and Paul and Kruger actually have to rush out to the local cemetery to prevent the Irena from being buried.  The gravediggers warn Paul and Kruger that they will be bringing a curse on themselves by not burying Irena.  Paul and Kruger don’t listen.  At the autopsy, a local medical student named Monica (Erika Blanc) is assigned to serve as the witness.  Paul discovers that a silver coin has somehow been embedded in Irena’s heart.

Paul discovers that the villagers live in fear of the ghost a little girl.  They claim that if you see the girl, that means you are cursed to die.  Paul, being a man of science, is skeptical.  When the daughter of the local innkeeper becomes horrified after saying that she has seen the little girl, Paul is critical of the treatment offered up by her superstitious parents.  (That treatment include a chain of leeches — agck!)  Meanwhile, Kruger goes to the estate of the mysterious Baroness Graps (Giovanna Galletti) and disappears!  It soon becomes clear that the key to mystery lies in the estate of the Baroness and her past.  Karl (Luciano Catenacci), the burgomaster, knows the secret of the Baroness but soon, he finds himself being targeted by the little girl.

Maria Bava is a director who has been cited as an influence by everyone from David Lynch to Martin Scorsese and Kill, Baby…. Kill! is his masterpiece, a work of horrific pop art that is full of atmosphere, creative use of color, and an intentionally surreal style of plotting that makes the film less a standard story and more of a filmed nightmare.  Towards the end, as Paul pursues the ghost of the little girl, an overhead view of a special staircase, lit in blues and greens, brings to mind Hitchock’s Vertigo while the village itself feels as if it could have been transported over from a Hammer horror film.  Paul is a man of science and the villages are people of superstition and, in the end, both seem to be equally destructive.  Paul is too quick to dismiss the old traditions while the villagers are too quick to put their faith in herbs and incantations.  Bava creates an atmosphere in which everyone seems to be equally doomed.

Of course, the main reason why Kill, Baby…. Kill! works is because that little girl (played by Valerio Vali, about whom little is known) is absolutely terrifying.  When she suddenly shows up at a window and stares straight at her latest victim, it’s a true jump scare.  She had an intense stare but, even worse, she seems to be so happy after she’s cursed someone.  The true horror is that she can basically pop up anywhere.  It doesn’t matter if you’re a good person or a rational person or someone who doesn’t even believe in ghosts.  Fate cannot be escaped.

Kill, Baby…. Kill! is a both a story of nightmarish horror and a love letter to pure cinema.

Kill, Baby, Kill