I Re-Watched Anchorman (2005, Dir. by Adam McKay)


“Ron Burgundy was the balls.”

You got that right!  That’s one reason why I’ve lost track of the number of times that I’ve watched Anchorman.  Whatever’s going on in the world or my life, I know that Anchorman is going to make me laugh and make me feel better about things.  The adventures of anchorman Ron Burgundy (Will Ferrell) and his news team (Paul Rudd, David Koechner, Steve Carell) never cease to amuse me, whether they’re capturing the birth of a panda or getting involved in a street fight with their rival newsmen.

“Brick killed a guy.”

He did!  Where did Brick get a trident from?  When the street fight started, he only had a hand grenade.  Ron Burgundy suggests that Brick should find a safehouse and I hope Brick took his advice.  There’s a lot of funny people in Anchorman but Steve Carell, playing the weatherman with an IQ under 80, is my favorite.  Brick saying that he loves the lamp is so touching.

“Fare thee well, Baxter.  You shall always be a friend of the bears.”

The first time I saw Anchorman, I couldn’t believe it when Baxter was drop-kicked off that bridge.  I swore that I would never watch another movie featuring Jack Black!  Baxter was so cute!  When Ron broke down over the loss of his dog, I wanted to break down with him.  Later, when Baxter emerged from the river and barked, “I’m coming, Ron!,” I was so relieved.  Baxter lives!  Baxter’s conversation with the bears warmed my heart.

“Stay classy, San Diego.”

That’s right, San Diego!  Stay classy.  Anchorman is in a class all of its own.  Ron Burgundy makes beautiful music with his jazz flute.  Brian Fantana is a walking advertisement for Sex Panther.  Veronica Corningstone (Christine Applegate) strikes a blow for women’s liberation and teaches Ron an important lesson about teleprompters.  It’s the little moments that make me laugh the most, whether it’s Fred Willard talking to his son’s school about why his son has been expelled or Tim Robbins as the PBS anchor who smokes a pipe and chops off Luke Wilson’s arm or Vince Vaughn shouting about the ratings.  Best of all, Will Ferrell has never been better than as the pompous Ron Burgundy, so stupid but so committed to his job that you can’t help but love him.

“Wow, that really escalated.”

You bet it did, Ron!  Each moment of Anchorman is funnier than the last.  (I wish the same was true of Anchorman 2.)  That’s why Anchorman is a film that I watch and rewatch.  In fact, I think I’ll go watch it right now!

“Thanks for stopping by, San Diego.”

Live Tweet Alert: Watch Apollo 18 With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting Apollo 18!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Song of the Day: Now You’re All Alone by David Hess


Today’s song of the day comes from Wes Craven’s infamous Last House On The Left.  Of course, many people might know it better from it’s use in Quentin Tarantino’s The Hateful Eight.

This haunting piece of music was composed by David Hess, who played the murderous Krug in Craven’s film.

Scenes I Love: Nancy’s School Dream From A Nightmare On Elm Street


Today’s scene that I love comes from 1984’s A Nightmare on Elm Street.  Directed by the great Wes Craven, A Nightmare on Elm Street remains a frightening and creepy masterpiece.  It’s ability to scare its audience has not been diminished by countless sequels and rip-offs.

In this scene, Nancy (Heather Langenkamp) discovers that she’s not even safe from Freddy (Robert Englund) at school.

4 Shots From 4 Films: Special Wes Craven Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

86 years ago today, Wes Craven was born in Cleveland, Ohio.  Craven started his career as an academic, teaching high school English.  However, realizing that there was more money to be made in the film industry, Craven changed careers.  By his own admission, he started his career directing “hardcore, X-rated films” under a pseudonym and it has been rumored that he was a member of the crew of the first “porno chic” film, Deep Throat.  Eventually, Craven broke into the mainstream with some of the most influential and often controversial horror films ever made.  From being denounced for the original Last House On The Left to changing the face of horror with A Nightmare on Elm Street to becoming something of a revered statesman and a beloved pop cultural institution with the Scream franchise, Wes Craven had a truly fascinating career.

In honor his films and legacy, it’s time for….

4 Shots from 4 Wes Craven Films

Last House on the Left (1972, dir by Wes Craven, DP: Victor Hurwitz)

A Nightmare on Elm Street (1984, dir. by Wes Craven, DP: Jacques Hatikin)

New Nightmare (1994, dir by Wes Craven, DP: Mark Irwin)

Scream (1996, dir by Wes Craven, DP: Mark Irwin)

Late Night Retro Television Review: Freddy’s Nightmares 1.2 “It’s A Miserable Life”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!

Let’s see what’s happening in Springwood!

Episode 1.2 “It’s A Miserable Life”

(Dir by Tom McLoughlin, originally aired on October 16th, 1988)

Bryan Ross (a young John Cameron Mitchell, giving a performance that really can’t be described as being anything less than lousy) is the son of the owner of the Beefy Boy hamburger joint in Springwood, Ohio.  Bryan wants to go to college.  His dad (Peter Iacangelo) and his mom (Annie O’Donnell) want him to take over the family business and join them in singing “Chew me, eat me, you can’t beat me.”

Bryan is working the overnight shift alone when a scruffy man (Michael Melvin) pulls up to the drive-through on his motorcycle and threatens to kill him.  Bryan passes out but, when he wakes up, he’s got a throbbing headache and he keeps seeing blood dripping on the floor.  Bryan’s girlfriend, Karyn (Lar Park Lincoln, giving a good performance), takes Bryan home.  At his house, Bryan discovers his mom and dad are acting weird.  Bryan tries to convince his parents to let him leave home.  Dad tries to stick his head in the oven.  Mom tries to seduce her son and then climbs into the refrigerator.  On the radio, there’s a news story about “another” drive-by shooting.  What could it all mean!?

Oh, you know what it all means.  Even if you haven’t watched the episode, you know that the motorcycle man obviously shot Bryan in the head and everything that happens after Bryan leaves Beefy Boy is just his dying vision.  It’s not a bad idea but it’s ineffectively executed.  We don’t really know enough about Bryan or his parents for Bryan’s hallucination to carry any impact and, from what we do see, they all appear to be broadly-drawn caricatures.   This episode also commits the sin of introducing a memorable character — the man on the motorcycle — and then not exploring just who or what he was meant to be.

Bryan’s story was wrapped up in 20 minutes.  The second half of the episode dealt with Karyn.  Shot in the same drive-by attack that killed Bryan, Karyn ended up at the hospital and …. well, I guess her story was another collection of hallucinations that really didn’t add up to much.  The story was effective because hospitals are scary and Lar Park Lincoln gave a better performance than John Cameron Mitchell did in his story.  That said, the entire story was basically Karyn getting upset because everyone kept saying that her parents were on their way.  Finally, Karyn finally revealed that — you guessed it! — her parents were dead and that they died at the same hospital where she was taken after getting shot.  As the episode ended, Karyn saw her parents standing in the doorway and screamed and thrashed around in bed while the doctor and nurse tried to calm her.  And …. that was it.  I mean, is Karyn dead?  Is that why her parents showed up?  Is Karyn hallucinating again?  Much like a drunk frat boy, this story didn’t reach a climax as much as it just stopped.

As for Freddy, he showed up to introduce each story.  There was a cool moment where he emerged from the restaurant’s fry cooker.  For the hospital scene, he put on scrubs.  He didn’t actually interact with either Bryan or Karyn but he still took credit for their suffering.  I think Freddy was just bragging on himself.

This episode was pretty uneven.  For the most part, I’m just glad I don’t live in Springwood.

Brad’s Scene of the Day – Paul Kersey meets Machete!


In honor of the 111th birthday in cinema heaven of director J. Lee Thompson, I’ve chosen to share a scene from one of his last few movies, the action packed sequel, DEATH WISH 4: THE CRACKDOWN (1987). Actors Charles Bronson and Danny Trejo crossed paths a couple of times in the late 80’s when Bronson was near the end of his legendary career and Trejo was at the very beginning of his. This scene is interesting as it presents Bronson using a wine bottle as a weapon instead of an huge gun! Enjoy my friends!

Broken Path (2008, directed by Koichi Sakamoto)


Jack Ellis (Johnny Yong Bosch) spends all of his time moving from town to town, never staying long enough to make lay down permanent roots.  His wife, Lisa (Pamela Walworth), finally convinces him to stop running and to move into a ranch house with her.  That turns out to be a mistake because the ranch house is soon overrun by ninjas who have some sort of grudge against Jack and who appear to have lascivious intentions towards his wife.

Once the movie deals with a few talky sequences at the beginning, Broken Path becomes one long fight sequences with Jack taking on the home invaders one-by-one.  The fight scenes are all exciting choreographed and appropriately brutal, with a lot of blood being spilled by both Jack and his enemies.  This is not one of those martial arts film where people somehow manage to survive the most brutal of beatings without having a scratch on them.  The entire home invasion plays out, more or less, in real time.  This is a movie with a 70-minute fight scene.  If that’s the sort of thing that you’re into, Broken Path is extremely exciting.  If you want more nuance than just people fighting, this might not be the film for you.

From what I understand, Broken Path never got a proper theatrical or video release in the United States but it can be found on YouTube.