Today, the Shattered Lens wishes a happy birthday to former California Governor Arnold Schwarzenegger!
Enjoy!
Today, the Shattered Lens wishes a happy birthday to former California Governor Arnold Schwarzenegger!
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.
This week, there’s way too much happening on the Boardwalk.
Episode 2.13 “Outlaw Express”
(Dir by Michael Levine, originally aired on December 8th, 1996)
Mahmoud (Shaun Toub) is selling cheap jewelry on the boardwalk. He gives Chris a “silver” necklace that makes her neck turn green. Uh-oh, someone’s allergic to tin!
Palermo’s daughter is hanging out with some extreme athletes who are pressuring her to take part in increasingly dangerous pranks on the boardwalk so that they can film them for their web site!
Two criminals are hijacking trucks and then forcing merchants to sell stolen goods! When they see that one truck driver is wearing a tie-dyed t-shirt, they shoot him in the back and then tell him, “Say hi to Jerry for me.” (I’m guessing they were referring to Jerry Garcia and not Jerry Springer but who knows with this show.)
Finally, Victor’s mother is staying at his apartment which means Victor can’t get laid!
Wow, there’s a lot to deal with this week. When a show tries to juggle this many plots, it really does remind you of the importance of having clearly defined and compelling characters. Pacific Blue doesn’t have any of that so this episode kind of sucked. We are 24 episodes into this stupid show and I still can’t tell the difference between Victor, TC, and Palermo whenever they’re riding their bikes. That’s a problem. 24 episodes in and Chris still doesn’t have a personality beyond being annoyed by everyone she talks to. That’s another problem.
(“I didn’t catch your first name Officer Kelly,” Mahmoud says. “Officer,” Chris replies, deploying the power glare.)
Seriously, just think about how much it would suck to be a victim of the crime, call 911, and then have these douchebags show up.
After screwing up a mission to save the leader of his planet from the intergalactic gangster Suitor (William Ball), Shep Ramsey (Hulk Hogan) is ordered to take a vacation. When Shep gets mad and accidentally damages the controls of his spaceship, he’s forced to hide out on Earth while his ship repairs itself. After stealing some clothes from a biker, Shep rents a room from Charlie (Christopher Lloyd) and Jenny Wilcox (Shelley Duvall). Charlie is an architect who hates his job, his boss (Larry Miller), and a malfunctioning traffic light in the middle of town. Charlie doesn’t trust Shep but when Suitor comes to Earth in search of his number one foe, Charlie and Shep are going to have to work together to save Charlie’s family.
Suburban Commando was originally envisioned as being an Arnold Schwarzenegger/Danny DeVito film. Schwarzenegger and DeVito decided to do Twins instead and Suburban Command was (eventually) made with Hulk Hogan and Christopher Lloyd. The idea behind the film had potential but the film itself never comes to life, thwarted by a low-budget and a cast that generates little in the way of chemistry. Things start out well when Hogan is in outer space and the film parodies Star Wars but, once Hogan goes on vacation, the story crashes down to Earth in more ways than one. Hogan was more of a personality than an actor and it’s impossible to see him as being anyone other than Hulk Hogan, even if he is flying through space and wearing intergalactic armor at the start of the movie. Hogan getting angry in space is funny because space is not where you would expect to find him. Hogan getting angry in the suburbs just feels like a half-baked sitcom. Lloyd is too naturally eccentric to be believable as someone trapped in a go-nowhere job. It’d hard to buy Christopher Lloyd as someone who would be scared to tell off his boss or who would need an alien warrior to come down and show him how to loosen up. There’s a lot talented people in the cast but the ensemble never really gels.
This was the last film to be directed by veteran filmmaker Burt Kennedy. Kennedy was best-known for his westerns, including Welcome to Hard Times, Support Your Local Sheriff, and Hannie Caulder. He was not known for his wacky comedies and this film shows us why.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.
This week, three nurses are brought to the Island by one grateful benefactor.
Episode 7.3 “Nurses Night Out”
(Dir by Philip Leacock, originally aired on October 22nd, 1983)
Wealthy George Galloway (Peter Graves) has recently been discharged from the hospital and he wants to give a present to the three nurses that took care of him. He pays for all of them to come to Fantasy Island and experience a fantasy.
Christine Donavon (Joanna Cassidy) wants the capable but abrasive Dr. Mark Reed (Monte Markham) to experience what it’s like to be a patient so that he might understand what it’s like having to deal with the uncertainty of being in a hospital. However, Christine comes to discover that Dr. Reed isn’t that bad and Dr. Reed comes to realize that perhaps he could be a bit kinder. Love is in the air!
Tracy Freemont (Pat Klous) wants to hook up with quarterback Crash McGowan (Brodie Greer, who I’m also currently watching as Officer Barizca on CHiPs). Crash was a patient at the hospital and Tracy was his night nurse. Crash likes Tracy but, as he explains it to Mr. Roarke, he’s currently under a lot of pressure to win football game and, as a result, he’s impotent. Maybe Crash should just ask for a fantasy where he’s not impotent for the weekend. Fear not, things work out. Love is in the air!
At first, Alice Green (Eleanor Parker) just wants to spend her time on the Island doing nothing. That’s her fantasy. Lawrence may think that an odd fantasy but I actually understand Alice’s point. She’s on vacation. Why should she have to do anything? However, when Alice discovers that George is her benefactor, she decides she does have a fantasy. She wants to tell George that she loves him. George’s fantasy is for Alice to love him. Hey, that works out! The only problem is that George only has three months to live! Love is in the air …. but for how long!?
This episode wasn’t that bad, especially when compared to the previous two episodes. I like Peter Graves and I liked the three nurses and I was happy that they all ultimately found love on the Island. Admittedly, Tracy and Christine’s fantasies didn’t do much for me. But the Peter Graves/Eleanor Parker fantasy was nicely done and I appreciated the fact that the show didn’t come up with some miracle cure for George’s terminal illness. Instead, with the gentle encouragement of Mr. Roarke, George and Alice decided to make the best of the time they had left. Good work, Mr. Roarke!
Tattoo is very much missed but this was still a good trip to the Island.
There have been a lot of songs written about Clara Bow. Personally, I prefer this song from Martin Newell’s Cleaners From Venus.
Today, we celebrate the birthday of my pre-code, silent film role model, the amazing Clara Bow! Clara was born 120 years ago, on this date, in Brooklyn, New York. As an actress, she was one of the biggest stars of the silent era. She came to represent the the Roaring 20s in all of their glory. She also co-starred in the first film to ever win the Oscar for Best Picture, Wings!
Below is a scene from my favorite Clara Bow film, 1928’s It. Playing a poor but confident shopgirl who falls in love with her wealthy boss, Bow was so popular with audiences that she became known as the “It Girl.”
In the scene below, she prepares for a date with her boss. She may not be as rich as her romantic rivals but she doesn’t let that stand in her way. She’s Clara Bow. She’s got it and she knows it.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Happy birthday to my pre-code role model, the amazing Clara Bow!
4 Shots From 4 Clara Bow Films

It (1927, dir by Clarence G. Badger)

Wings (1928, dir by William Wellman)

Dangerous Curves (1929, dir by Lothar Mendes)

Call Her Savage (1932, dir by John Francis Dillon)
There’s nothing like dancing in an abandoned building.
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!
This week, we have a two-hour episode of CHiPs!
Episodes 4.5 and 4.6 “The Great 5K Star Race and Boulder Wrap Party”
(Dir by Gordon Hessler, originally aired on December 7th, 1980)
There’s a big boulder sitting on a mountain and it’s threatening to roll down onto the highway, where it could not only damage cars but also destroy the home of comedian Milton Berle. Berle calls the cops and generally gets annoyed with everyone who comes by his house. They all want to make jokes while the boulder hangs over him like death from above. I would be annoyed as well!
Ponch and Baker arrange for a demolition crew to come in and try to destroy the boulder. As Ponch is also in charge of the annual CHP charity fundraiser, Ponch recruits Berle to be a part of it. Ponch wants a bunch of celebs to take part in a bicycle race. Berle motions with his cigar and says he’ll play touch football instead.
This two-part episode attempts to recapture the fun of the previous season’s Roller Disco. A lot of celebrities show up for the fundraiser and Harlan provides a breathless commentary that basically amounts to continually repeating, “There’s George Peppard talking to Johnnie Ray! Nancy Kulp’s standing in a doorway! There’s Robert Mandan! Conrad Bain’s wearing an ascot! Look at Todd Bridges get down!” It’s not as much fun this time because there’s no roller skating and there’s no disco music. Instead, it’s celebs playing the type of dreary games that high schools and church youth groups have used for years to build up team work. You know that terrible game where people try to move an orange down a line without using their hands? They play that game. (My speech and debate coach had us play the game at a sleepover and I’ll just say that having an orange fall into your cleavage is not as much fun as it sounds, especially when you’re the only girl standing in the line.) An ascot-wearing Conrad Bain runs around in circles while balancing a wine bottle on a tray. The crowd loves it but I think it would be kind of boring to watch. There’s also a dunking booth so that the celebrities can send the members of the CHP into a tub of water. Baker does not participate but Ponch does and you better believe he flashes the biggest smile in the world after he goes down.
There are some other storylines going on, of course. Alex Rocco and Ken Berry are two racers who supplement their income by robbing homes and trucks. There’s a freeway pileup that features some slow motion car jumps. Hey, that truck has “EXPLOSIVES” written on it! Do you think it will explode!? Baker helps a kid who needs better parents. It’s typical CHiPs stuff but the majority of the episode is just a collection of television actors participating in silly games. “There’s Marcia Wallace talking to Chuck Woolery, having a good time!” It needed more disco.