Brad reviews BREACH OF FAITH: FAMILY OF COPS II (1997), starring Charles Bronson!


Legendary actor Charles Bronson ended his five-decade career by starring in a series of made-for-TV movies, FAMILY OF COPS (1995), BREACH OF FAITH: A FAMILY OF COPS II (1997), and FAMILY OF COPS III: UNDER SUSPICION (1999). I was in my mid-twenties as this series played out, and I enjoyed each of the installments. Today, I’m going to take a look at the second film in the series.

BREACH OF FAITH: A FAMILY OF COPS II picks back up with the Fein family a couple of years after the first installment. The main storyline follows Police inspector and family patriarch Paul Fein (Charles Bronson) as he supervises the investigation into the murder of a popular local Catholic priest. Of course, the investigation is a family affair, as his eldest son Ben (Joe Penny) is the lead detective on the case. Paul and Ben follow the clues that lead directly to the Russian mafia. As the investigation closes in, members of the Fein family find themselves targeted for beatdowns by Russian henchmen in order to get Paul to drop the case. Other storylines include the widower Paul’s blossoming relationship with detective Anna Meyer. Her “moves” on Paul, which began in the first installment, seem to finally be paying off. Paul’s eldest daughter Kate, the public defender, has her own set of problems when she successfully advocates for the parole of a 12-year-old criminal. On the little psychopath’s first night out, he robs a store, shoots and kills Eddie Fein’s partner, and then gets killed himself when Eddie fires back. Meanwhile, Paul’s youngest daughter Jackie (Angela Featherstone), who seems to be getting her life back on track after the events of the first film, decides she’s going to join the police academy against her dad’s wishes. Finally, Paul’s sister Shelly (Diane Ladd) visits the family, tells stories about her brother, shares a lot of wisdom, and even finds herself caught up in the crossfire of the Fein family / Russian mafia feud!

Charles Bronson was 75 years old when BREACH OF FAITH: FAMILY OF COPS II premiered on CBS on the night of February 2nd, 1997. He still handles the emotional scenes with his family well, gets to throw a couple of punches, and even gets to shoot some people, but the younger men (Joe Penny and Sebastian Spence) handle more of the action this time around. Charles Bronson is still the main reason to watch, but after all of these years, you can finally tell that he is slowing down. There is only one departure from the original cast, and that’s Joe Penny replacing Daniel Baldwin as the eldest son, Detective Ben Fein. I don’t think it hurts the film in any way, and to be completely honest, I prefer Joe Penny in the role. Sebastian Spence and Barbara Williams get to do a little more heavy lifting as Eddie Fein and Kate Fein deal with the aftermath of the young criminal, that Kate helped get released, shooting and killing Eddie’s partner. There is one exchange between Paul and his daughter Kate, who’s dealing with extreme guilt over the situation, that I always found unintentionally funny. It goes something like this:

Paul: “It’s not your fault.”

Kate: “Of course, it is.”

Paul: “Okay! So it is!”

Thanks a lot, Dad! Angela Featherstone, whose Jackie was the most interesting character in the first film, doesn’t have as much to do in this installment. She and Bronson have a great scene together when he tries to talk her out of becoming a cop, but once she heads to the academy, she pretty much disappears from the last half of the film. And finally, I like Diane Ladd as Bronson’s sister in the film. Her character brings another layer of warmth to the family dynamics and helps us get to know her brother Paul a little better.       

As was the case with the original film, the central police investigation into the death of the priest at the hands of the Russian mafia isn’t all that interesting. The bad guys come right out of central casting for TV movies of the era, and the subdued violence and reduced action due to its TV roots can’t help but be compared negatively to the explosive action films that Charles Bronson once headlined. I never felt like the family was really in danger. And this is a completely personal preference, but I don’t care for the romantic relationship that develops between the characters played by Bronson and Kim Weeks. Bronson was dating Weeks in real life at the time of this movie, and they would be married the following year. Although I do hope that they were happy together in real life, I’m just not a fan of Weeks as an actress, and it’s hard for me to accept anyone but Jill Ireland as his on and off-screen love interest.

With BREACH OF FAITH: FAMILY OF COPS II being the penultimate film in Charles Bronson’s career, I definitely recommend it to his fans and to anyone else who enjoys TV movies of the era. While Bronson may be slowing down due to his age, Paul Fein is a perfect character for the icon that allows him to be tough and tender in equal measure. The final sequence of the film always brings a tear to my eye. The entire family is sitting down together to celebrate the weekly “Shabbat” meal when a misty-eyed Paul Fein raises a glass and says, “I’m proud of every one of you… my family.” I know just how much Bronson’s family meant to him, and I can’t help but see that come through in his performance.   

4 Shots From 4 Desert Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

It’s the summer and it’s hot!  Here are 4 shots from 4 films that represent just how hot it feels outside right now.

4 Shots From 4 Desert Films

The Searchers (1956, Dir. by John Ford)

Lawrence of Arabia (1962, Dir. by David Lean)

Star Wars: A New Hope (1977, Dir. by George Lucas)

Mad Max: Fury Road (2015, Dir. by George Miller)

 

Brad’s Scene of the Day – “Just Like Saigon” from DIE HARD (1988)!


I noticed that character actor Robert Davi turns 74 years old today, which gives me an excuse to share a favorite scene from DIE HARD!

Happy Birthday, Robert! I hope it’s a “Just like Saigon” level of happiness for you today!

Music Video Of The Day: Cry by Mandy Moore (2001, dir. by Chris Applebaum)


This song is from A Walk To Remember, which was Mandy Moore’s first big starring role.  If you haven’t seen A Walk To Remember, Mandy Moore plays a girl who marries Shane West but then dies a year later.

I guess this video is a sequel because now Mandy Moore is singing to Shane West from Heaven while Shane watches old home movies of him and Mandy goofing off between filming their scenes.  Shane uses a telescope and discovers that he can see Mandy in Heaven and Mandy looks really happy.  Then Shane goes into the city and is reminded that his romance with Mandy was just a part of a movie.  I don’t know if that’s a happy ending or not.

Enjoy!

Late Night Retro Television Review: Monsters 3.22 “Hostile Takeover”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, Monsters takes a look at what is required to get ahead in the cut-throat world of corporate finance.

Episode 3.22 “Hostile Takeover”

(Dir by Randall Moldave, originally aired on February 24th, 1991)

Ruthless but not particularly intelligent corporate executive Laurence Bauer (Dennis Christopher) thinks that he has figured out the perfect way to take over the business from CEO Tom Hart (William Lanteau).  He teams up with a voodoo priestess named Matilde (Pam Grier) and, with her help, he manages to force Hart out.  However, Matilde explains that all of this comes with a price.  The Voodoo Gods want a piece of Bauer’s body.  Bauer responds by killing Matilde.

In his office, getting faxes from the Voodoo Gods and dealing with taunting messages on his computer screen, Bauer decides to sacrifice the janitor, Ed (Tracey Walter).  However, Ed turns out to be not just any old janitor.  He’s a demon who reacts to Bauer’s condescension by plucking out his right eye.

“You’re my boy now!” Ed shouts.

Agck!  Scary!

This was a good episode.  Christopher, Walter, and Grier all gave memorable performances and the demon effects were genuinely disturbing.  The final season of Monsters wasn’t perfect.  I’ve reviewed more than a few bad episodes from season 3.  That said, it was still a marked improvement over the first two seasons, as demonstrated by episodes like this one.  The whole point of the show was to show off the Monsters and this episode featured a truly effective one.

Two more episodes to go and then a new show will be premiering in this time slot!

Brad reviews FAMILY OF COPS (1995), starring Charles Bronson!


Legendary actor Charles Bronson ended his five-decade career by starring in a series of made-for-TV movies, FAMILY OF COPS (1995), BREACH OF FAITH: A FAMILY OF COPS II (1997), and FAMILY OF COPS III: UNDER SUSPICION (1999). I was in my mid-twenties as this series played out, and I enjoyed each of the installments. Today, I’m going to take a look at the first in the series.

In FAMILY OF COPS, Charles Bronson stars as Police Inspector Paul Fein. Paul, a widower as we enter this story, leads a family who is heavily involved in law enforcement in Milwaukee, Wisconsin. His oldest son Ben (Daniel Baldwin) is a detective on the force. Ben is a family man in a loving marriage with several wild kids. Paul’s younger son Eddie (Sebastian Spence) is a patrol cop. Eddie’s single, has a beautiful girlfriend, and seems to be a nice guy with a well-adjusted life. Paul’s oldest daughter Kate (Barbara Williams) is a local public defender. She seems to be dedicated to her work, not leaving much time for a social life. And then there’s Paul’s youngest daughter Jackie (Angela Featherstone), who has moved out to California and refers to herself as “the family curse.” This story opens with Jackie reluctantly coming back to Milwaukee to attend her dad’s birthday party. All Paul wants for his birthday is for his family to be together. We soon learn that neither Ben or Kate care much for Jackie and her irresponsible life choices. As a matter of fact, the reason she ran off to California in the first place was to get out from under her family’s disapproval. It’s not long after she gets back that the family wishes she would have stayed away. Sneaking out of her sister’s house late at night to drink and party, she meets the prominent local businessman Adam Novacek (Simon MacCorkindale), eventually going to his home and engaging in sexual intercourse. Sadly, the next morning she wakes up to Novacek’s recently deceased corpse, and she’s arrested as the prime suspect in his murder. Convinced of her innocence, Paul, Ben, and Eddie set about trying to clear her name and find the real murderer. Besides Jackie, other suspects begin to emerge, including Novacek’s current wife Anna (Lesley-Anne Down), his former wife Laura (Kate Trotter), who’s now confined to a looney bin, and a local gangster named Frank Rampola (John Vernon), who has a vendetta against Paul for recently busting his grandson. How far will Paul Fein go to protect his family in his search for a killer?!!

FAMILY OF COPS is a perfect example of what I would refer to as entertainment for the “older person crowd,” and I don’t mean this as a put-down in any way as I enjoyed the movie. I just mean that it fits a type of entertainment that was popular in the 80’s and 90’s. These types of shows would depend greatly on the charisma or reputation of a veteran actor or actress, would contain simple production values, and would usually follow formulaic plots. Examples of the types of shows I’m referring to include MURDER, SHE WROTE with Angela Lansbury, MATLOCK with Andy Griffith, DIAGNOSIS MURDER with Dick Van Dyke, and WALKER: TEXAS RANGER with Chuck Norris. A combination of my dad, mom and grandma loved all of these shows. I’m a big fan of MATLOCK myself. In this case, FAMILY OF COPS leans heavily on Charles Bronson’s five decades as a tough guy icon to anchor a somewhat formulaic crime film and family melodrama. The role of Paul Fein fits a 73-year-old Bronson like a glove. He’s still in good physical shape, and the movie gives him a couple of opportunities to punch the shit out of some much younger thugs and henchmen. That was fun for me.

The supporting cast of the film is solid. Daniel Baldwin and Angela Featherstone make the biggest impact. Baldwin is good as the oldest son, a hothead, tough guy on the job who is constantly being humbled at home. Featherstone has the most beautiful eyes, and her rebellious character seems to have a good heart, but she just can’t seem to keep herself out of trouble. Paul Fein’s love for his troubled daughter Jackie is a sweet part of the story and provides something that most of us can relate to. She told me that she “loved Charles,” and I think you can see that in their scenes together. Sebastian Spence and Barbara Williams don’t have a lot to do in this first installment, but their characters will get their own moments to shine in the sequels. I also enjoy seeing John Vernon and Lesley Anne-Down show up in the movie as various persons of interest throughout the story. Bronson and Lesley Anne-Down had recently worked together in DEATH WISH V: THE FACE OF DEATH (1994) and were reportedly good friends in real life. Ted Kotcheff directed FAMILY OF COPS, which I find kind of disappointing. The same guy who directed movies like NORTH DALLAS FORTY (1979) and FIRST BLOOD (1982) didn’t bring anything special to the table in this film. I know it’s a modestly budgeted made-for-TV movie, but the best that can be said for the direction is that it’s workmanlike, and you would never suspect that the director had once helmed the original Rambo movie.

Ultimately, I enjoy FAMILY OF COPS because it stars Charles Bronson. Even as an older man, Bronson still dominates a scene, and the ratings success of the movie proved that Bronson still had an audience who wanted to see him on screen. And even though the story isn’t very unique and the central mystery isn’t very exciting, just the fact that Bronson is leading a solid story that includes action, crime, mystery and family melodrama will always provide some moments of joy for his fans like me. This is far from Bronson’s best work, but the old workhorse still knows how to entertain!

Heaven Is A Playground (1991, directed by Randall Fried)


In the projects of Chicago, Byron Harper (Michael Warren) runs a nonprofit basketball farming system and helps black kids, many of whom would have no other prospects other than a live of poverty or crime, to find a home in college basketball programs.  Byron is passionate about what he does but he’s also a stern taskmaster and not quick to forgive.  When one of his best players, Casey (Nigel Miguel), developed a drinking problem, Byron kicked him off his team.  Byron’s main concern is his stepson, Truth (Victor Love).  Truth is a great basketball player but also has an addiction to cocaine and an attitude problem.

For reasons that are never made clear, white lawyer Zack Telander (D.B. Sweeney) shows up on the court and says he wants to play one-on-one with Byron.  Everyone assumes that Zack is a drug dealer and they tell him to get lost.  But when one of the players is shot, Zack is the only person at the court who has a car.  Zack rushes the player to the hospital and he wins Byron’s trust.  Byron needs Zack to look over a professional contract that is being offered to Truth by sleazy sports agent David Racine (Richard Jordan).

For reasons that are again never made clear, Byron tells Zack to coach some of the more troubled players on the court, including Casey.  At first, Zack isn’t much of a coach but eventually, he gets the players to trust him and start playing like a team.  He also tries to get burned-out Matthew Lockhart (Bo Kimble) to start playing the game again.

Heaven Is A Playground is a mess of a movie that doesn’t really seem to be sure what it wants to say about basketball, the projects, or race relations.  The main problem is that a lot of the decisions made by Byron and Zack don’t make any sort of logical sense.  Moments of broad comedy are mixed with moments of high drama and it makes for an unconvincing and overly melodramatic sports movie.

Heaven Is A Playground had a long pre-production phase.  At one point, a young Michael Jordan agreed to play the role of Matthew Lockhart.  By the time the film actually went into production, Jordan was a superstar and had neither the time (nor, probably, the desire) to co-star in a low-budget sports movie.  After the movie flopped, director Randall Fried sued Jordan for breach-of-contract, claiming that he caused the film’s box office failure by refusing to appear in it and, as a result, Fried’s directorial career stalled.  In the suit, Fried claimed that he was on the verge of being “the next Steven Spielberg” until Jordan refused to do his film.  The jury found Jordan not liable and awarded him $50,000.

(Trying to sue Michael Jordan was a terrible idea in 1998 and it’s probably still a terrible idea today.  People love Jordan!)

Personally, I have to say that Mike made the right decision.

Retro Television Review: The Love Boat 6.4 “The Same Wavelength/Winning Isn’t Everything/A Honeymoon for Horace”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come aboard, we’re expecting you….

Episode 6.4 “The Same Wavelength/Winning Isn’t Everything/A Honeymoon for Horace”

(Dir by Robert Scheerer, originally aired on October 23rd, 1982)

Yeesh!  This episode!  Because I’m on vacation, I’m going to lay out the facts quickly and simply.

  • Julie’s hair still looks awful.  Seriously, she looks like she should be playing the demanding gymnastics coach in a Peter Engel-produced high school sitcom.
  • Horace (Jack Gilford) and Twinkie (Nancy Walker) board the boat.  They’re in their 80s and they’re newlyweds!  Awwwww!  Horace is nervous about his honeymoon because it’s been forever since he’s kissed a woman so he asks Julie if he can practice on her.  Julie, her eyes oddly glazed over, agrees.
  • Twinkie, who loves to party, tells Julie that she’s actually been married to Horace for 30 years and he just said that he was a newlywed to trick Julie into kissing him.
  • Later, when confronted by Doc and Julie, Horace and Twinkie confess that they’re not actually married.  However, they are brother and sister.  WHAT!?
  • Turns out that Twinkie “likes to party” and Horace “likes to kiss pretty girls” so they lied so that they could do both.
  • Horace, you’re going to jail!  Oh wait, no, he’s not.  The Love Boat crew has a good laugh over it and Julie, to be honest, seemed to be pretty coked up in this episode so perhaps she had a good reason for wanting to avoid dealing with the cops.  Okay, Julie, do what you have to do, I guess.
  • Meanwhile, psychic Tess Macgill (Connie Stevens) falls in love with passenger Mike Gordon (Charles Seibert).  Unfortunately, Mike is still in love with his wife, despite the fact that they’re now separated.  It’s a good thing that there’s a psychic on board to let Mike know that his marriage is over.
  • Finally, Jack Bronson (David Doyle) boards the boat with his teenage son, Chip (Matthew Labyorteaux).  Jack is an old friend of Captain Stubing’s and he’s convinced that winning is everything!  As for Stubing, he’s just happy that Vicki will finally have someone her own age to spend some time with.  I’m happy too.  Seriously, Vicki hardly ever gets to talk to anyone under the age of 50.
  • Jack is convinced that Chip is a world-class athlete but that’s just because Chip has been lying to his father.
  • Vicki is great a table tennis.  Jack pressures Chip to play her.  Chip fakes a wrist injury to get out of it.
  • Eventually, Chip tells his father the truth and Jack realizes that he’s been pushing his son way too much.  That’s not a bad lesson but David Doyle is miscast as a competition-obsessed father.  He comes across as being too nice.  Jack is a role for Bo Svenson.

This episode …. bleh.  The psychic story was bland and the story with the elderly siblings was creepy.  The Jack and Chip story was, at least, tolerable.  Julie’s terrible new haircut continues to annoy me.  This was not the best cruise in the history of The Love Boat.

Brad’s “Obscure Film Recommendation of the Day” – DARK ANGEL: THE ASCENT (1994)!


I’m not sure how many of you have seen the film, DARK ANGEL: THE ASCENT, starring Angela Featherstone. In the film, Angela plays Veronica Iscariot, a demoness from Hell who doesn’t want to spend her life tormenting the souls of sinners. After rebelling against her father, and in severe danger of being murdered for disobedience, Veronica ascends towards the surface of Earth. Unfortunately, she finds the world above full of evil and corruption and makes it her mission in life is to punish the wicked. She goes about this mission with a bloody vengeance. On a positive note, she does meet and fall in love with the compassionate Doctor Max Barris (Daniel Markel), who tends her wounds after an accident.

When I was a teenager and up into my twenties, every year I would buy a movie review book called “The Video Movie Guide.” This movie guide contained reviews from Mick Martin and Marsha Porter, and every year they would update their guide with the latest movie reviews. I would pour through the book and “dog-ear” the pages and highlight the movies that I thought looked interesting. That was when I first heard of DARK ANGEL: THE ASCENT. It looked like it had some fun potential, and I knew Angela Featherstone from her work as Charles Bronson’s daughter in the FAMILY OF COPS series. I finally rented the film on VHS, and I really enjoyed it. Angela Featherstone dominates the film, and in my opinion, it just may be the best performance of her career!

If you haven’t seen it, and you enjoy violent B-movies, with strong female characters, and even some humor thrown in for good measure, I recommend this film to you. As of this writing, it’s available for streaming on Amazon Prime, PlutoTV, Tubi, and Fawesome. Give it a watch! I’ve included the trailer below: